Comparative Literature Commons^™

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 7 Fall 2005

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Book Reviews: Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Book Reviews: Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Review Of Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Review Of Gender And The Victorian Periodical, Hilary Fraser, Stephanie Green, Judith Johnston

The George Eliot Review Online, ISSN: 2831-5375

'We are dominated by Journalism' 'a really remarkable power', Oscar Wilde observed, not entirely neutrally, in 'The Soul of Man under Socialism' published in the Fortnightly Review in 1891. Like many of his contemporaries, Wilde recognized not only the power of the press, but also its modernity. In this wide ranging and important study Hilary Fraser, Stephanie Green and Judith Johnston argue that precisely because of its power the periodical press occupied a central position in the construction of gender in Victorian cultural history.

Journalism was gendered masculine by those who accorded it a lofty status within the profession of …

The Exceptional Woman And Her Audience: Armgart, Performance, And Authorship

The George Eliot Review Online, ISSN: 2831-5375

Mirah, the Alcharisi, Gwendolen, Dinah, and Rosamond are all, to various degrees, performing women. Eliot's grandest diva, however, is also her least studied. The opera singer Armgart takes centre stage in the poetic closet drama of the same name that Eliot wrote in 1861. A focused study of an exceptional woman, Armgart conveys both Eliot's belief in the dangers of the influence of public opinion and her belief that exceptionally talented women could gain power through interacting with audiences. Armgart demonstrates that Eliot advocated for community among exceptional women and ordinary women. Finally, Armgart's examination of the talented female performer …

Address At Wreath-Laying In The George Eliot Memorial Garden, Nuneaton 8 June 2003, Catherine Nisbet

The George Eliot Review Online, ISSN: 2831-5375

It is now I suppose more than six months since Kathleen asked me to deliver this address and whilst I have given the task much thought, it is only now, a few days before the event, that I am committing myself to paper. I followed my usual course when faced with any task at the museum. I've thought a great deal around the subject often in the middle of the night or on my commute to and from work. I have done my research, scanned books, looked at previous examples and most important of all talked to other people who …

Notes On Contributors 2004

The George Eliot Review Online, ISSN: 2831-5375

Kathleen Adams has been Secretary of the Fellowship since 1968. She initiated the Review in 1970, was editor until 1981 and co-editor 1982-91. She published Those of Us Who Loved Her in 1980 and A Community of Interest: The Story of the George Eliot Fellowship 1930-2000 in 2000.

Beryl Gray teaches literature at the Faculty of Continuing Education, Birkbeck College. She is the author of George Eliot and Music (1989) and many articles on George Eliot. Her current project concerns the figure of the dog in Victorian Culture.

Barbara Hardy is Emeritus Professor of English, University of London, and her …

Review Of Dead From The Waist Down. Scholars And Scholarship In Literature And The Popular Imagination, A.D. Nuttall

The George Eliot Review Online, ISSN: 2831-5375

In this book, which derives its title from Browning's poem 'A Grammarian's Funeral', Professor Nuttall seeks to explore the profound change that he believes took place in the popular conception of scholars (Knowers') and scholarship between the Renaissance when Faustus was seen as an excitingly powerful figure, definitely 'sexy' as the current phrase goes, and the Nineteenth Century when the scholar became a representative of 'sexless deathliness'. Nuttall believes that a qualification needs to be made, however, in that from Francis Bacon onwards the Knower figure was split into two, the scientist and the scholar, with the former retaining elements …

Review Of Austen, Eliot, Charlotte Bronte And The Mentor-Lover, Patricia Menon

The George Eliot Review Online, ISSN: 2831-5375

Patricia Menon's title may be cumbersome, but her theme of the lover who becomes the instructor, guide and judge is a fascinating one. In her Prologue, she finds the 'mentor-lover' in Richardson's Pamela, Rousseau's Emile, Dryden's adaptation of Ovid's Pygmalion and Galatea, and the mediaeval letters between Abelard and Heloise which were widely read in the eighteenth century. She also sees a keen interest in moral judgements in those proliferating 'conduct-books' which sought to regulate behaviour, promote the right education for middleclass women and the right attitude to love and marriage. Such anxious concern with orderly living was intensified by …

The Thirty-Second George Eliot Memorial Lecture, 2003; What's In A Name: Competing Claims To The Authority Of George Eliot, Pam Hirsch

The George Eliot Review Online, ISSN: 2831-5375

The contentious issue of fame, infamy, and notoriety is the issue at stake in this lecture. On the one hand I focus attention on a tiny moment at the beginning of George Eliot's career, but argue that its gendered implications remain provocative. It acts as a test case of how nineteenth-century women writers had to justify the 'unfeminine' attribute of ambition. It also tells us something about the double standards operating in the reception of fiction by male and female writers.

On 1 February 1859 literary history was made with the publication of a novel called Adam Bede. A chorus …

Toast To George Eliot Birthday Luncheon, 23 November 2003; The Toast To The Immortal Memory, Rosalind Shanks

The George Eliot Review Online, ISSN: 2831-5375

Foreword: I have written the following speech after I delivered it - long after. Much thought went into the preparation. However I did not want to read at the lunch, I wanted to talk. I spoke with only skeletal notes and a script of 'The Female Shakespeare, so to speak' to hand in case I dried. I may have forgotten things that I actually said and included things that I meant to say on the day and didn't - my apologies. I did not expect the Toast to be printed.

Toast

Why am I here? That is not a philosophical …

Basil And Vampire: Fears Of Dissection In Middlemarch, Keiji Yata

The George Eliot Review Online, ISSN: 2831-5375

In the final chapter of George Eliot's Middlemarch, after describing the death of Lydgate and Rosamond's subsequent second marriage to 'an elderly and wealthy physician', the narrator tells us that Lydgate

once called her his basil plant; and when she asked for an explanation, said that basil was a plant which had flourished wonderfully on a murdered man's brains. (Finale; 513)

Rosamond is, before marrying Lydgate, 'admitted to be the flower of Mrs. Lemon's school, the chief school in the county' (11; 62). Now her husband uses a different metaphor. In what sense can Lydgate consider himself 'murdered'?

Tertius Lydgate …

Review Of The Mills On The Floss: George Eliot & Le Moulin Sur La Floss, Alain Jemeau

The George Eliot Review Online, ISSN: 2831-5375

Writing to her first French translator, Francois d' Albert-Durade, in 1865, George Eliot remarked on how little known his translations appeared to be in France, since she was always being approached by people who wanted to translate her works into French. After her death d' Albert-Durade's La Famille Tulliver: ou le Moulin sur la Floss did go on to be reprinted several times from the late nineteenth century onwards, but it has now been superseded by a new translation by Alain Jumeau which will have more appeal to modem readers and will certainly reach a far wider audience than d' …

Annual Report 2003, Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

The Fellowship year always begins with the Annual General Meeting and in 2003 we amended our Constitution to exclude our Vice Presidents from the management team. This was because the Charity Commission rule that all members of the Fellowship Council are automatically trustees of the charity, and are unable to receive any payment from the Fellowship. This meant that we could not pay any of them for lectures, readings etc - an unacceptable situation. All the Vice Presidents were happy with this decision and we still keep them closely in touch with our affairs through the Minutes of the Council's …

'That Vankyke Duchess': Portraiture And Epic In Daniel Deronda, Susannah Rutherglen

The George Eliot Review Online, ISSN: 2831-5375

Portraits abound in Daniel Deronda - not only on the drawing-room walls of the Grandcourts and Mallingers, and in the 'grave Holbein faces' of the Meyrick family lithographs, but also in the actions and physiognomies of the novel's characters themselves. Daniel, in whom 'the family faces of various types, seen on the walls of the gallery, found no reflex' (166), nonetheless 'had that sort of resemblance to the preconceived type which a finely individual bust or portrait has to the more generalized copy left our minds after a long interval' (479).1 Gwendolen, 'that Vandyke duchess of a beauty' (558), sees …

'That Most Despicable Travesty Of A Women': Eliza Lynn Linton And Elma Stuart, Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

The George Eliot Collection in Nuneaton Library includes a previously unpublished letter written by Elma Stuart, one of George Eliot's greatest admirers. It was written in response to a critical and spiteful article about George Eliot in 1895 by Eliza Lynn Linton in the journal The Woman at Home. It was inevitable that the vicious article would antagonize Elma, who was so besotted with her idol that she had engraved upon the headstone on her grave in Highgate Cemetery in London - and next to George Eliot's own grave .... 'whom for 8'h blessed years George Eliot called by the …

Japanese Branch Report 2003, Yoshei Abe

The George Eliot Review Online, ISSN: 2831-5375

The seventh annual convention of the George Eliot Fellowship of Japan was held at Nihon University in Tokyo, on Saturday 29 November 2003.

The morning session began with an opening address by Kimitaka Hara, a vice-president of the Japanese Branch and a professor at Nihon University. In the morning, three members read their papers under the chairmanship of Noriko Kubota, a professor at Tsuru Bunka University and Kyoko Kishimoto, a professor at Kyoto Sangyo University.

The first paper, "'The Sad Fortunes of the Reverend Amos Barton" - the beginning of conflict' was presented by Naomi Ohno, a lecturer at Toyo …

Review Of Rereading George Eliot: Changing Responses To Her Experiments In Life, Bernard J. Paris

The George Eliot Review Online, ISSN: 2831-5375

While he was still writing his doctoral thesis, which became his influential Experiments in Life: George Eliot's Questfor Values (1965), Paris fully accepted the rhetoric in Eliot's fiction that is designed to shape our moral and intellectual responses to her characters. By rhetoric Paris means not just Eliot's 'authorial commentary but titles, chapter headings, epigraphs, characters' observations about one another, the use of foils and juxtapositions, and a wide variety of stylistic and tonal devices ... ' (p.15). All of these combine to persuade us to see her characters maturing, becoming wiser, more often than not through painful bouts of …

The Two Timothy Coopers, Barbara Hardy

The George Eliot Review Online, ISSN: 2831-5375

Once or twice when I read and re-read the scene of the railway survey in Middlemarch I felt a sense of niggling lost connection, then one day I belatedly found it. George Eliot had copied the name of Elizabeth Gaskell's Timothy Cooper, in Cousin Phillis, for her character in Middlemarch.

Eliot wrote to Gaskell1 that she felt an affinity with 'the feeling which inspired "Cranford" and the earlier chapters of "Mary Barton'" and had read Cranford when writing Scenes of Clerical Life and Mary Barton when writing Adam Bede. When The Moorland Cottage was proposed as source for The Mill …

Front Matter, Tom Mack,

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 6 Fall 2004

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Tom Mack, Ph.D.

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Tom Mack,

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Neither Devil Nor Angel, Sinner Nor Saint: Moving Beyond A Dichotomized View Ofthe Fallen Woman In Bram Stoker's Dracula And Christina Rossetti's "Goblin Market", Kristin Kallaher

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Review Of The Lifted Veil, Tim Heath

The George Eliot Review Online, ISSN: 2831-5375

It was perhaps Herbert Spencer in his Autobiography (1904) who first disseminated the myth that, though George Eliot will remain for posterity one of our finest novelists, her weakness was that she could not construct effective, dramatic plots. By implication, her stories would thus not be effective on the stage, without the commentary of her wise, omniscient narrator. Perhaps in consequence there have been fewer dramatic adaptations of George Eliot's work than those of other nineteenth-century novelists, including Jane Austen and Dickens - this despite, amongst others, an extremely distinguished silent film based on Romola, starring Lillian Gish, in 1924. …

Address Of Wreath-Laying In Poets' Corner, Westminster Abbey 20 June 2002, Margaret Wolfit

The George Eliot Review Online, ISSN: 2831-5375

Dear George Eliot

You don't know me - but I have been a great admirer of yours for a long time now, since I was at school in fact. I must have been very young when I first had parts of your novels read to me. Later when I was at boarding school I studied Silas Mamer for a literature exam - I can't recall my reaction to other authors at the time - but I know I wrote a letter home saying I thought George Eliot must be a wonderful person because my mother kept the letter.

After leaving …

Review Of Lives Of Victorian Literary Figures I, George Eliot, Charles Dickens, Alfred, Lord Tennyson, Ralph Pite, Gail Marshall, Corinna Russell, Matthew Bevis

The George Eliot Review Online, ISSN: 2831-5375

Like Pickering and Chatto's Lives of the Great Romantics, these volumes, each one devoted to a major Victorian writer, offer a collection of facsimile reproductions of 19th or early 20th century essays, reviews and extracts from memoirs and biographies with the emphasis, according to Ralph Pite's 'General Introduction', on material hard to find outside copyright libraries. Each volume contains a thoughtful and illuminating introduction; pithy but highly informative headnotes to each item, outlining the personal relationship (if any) and general attitude of its author towards Eliot, Dickens or Tennyson and in the process attuning our ears to the sound of …

Japanese Branch Report, Itsuyo Shimizu

The George Eliot Review Online, ISSN: 2831-5375

The sixth annual convention of the George Eliot Fellowship of Japan was held at Tezukayama University in an ancient city, Nara, on Saturday 30 November 2002. Before the opening, the members who arrived early enjoyed Romola (a silent film directed by Henry King, 1924) and opera music (arranged by Kiyoko Tsuda, a head official of the Japanese branch).

The morning session began with an opening address by Kiyoko Tsuda, a professor at Tezukayama University. In the morning, four members read their papers under the chairmanship of Professor Yoshiko Tanaka and Professor Shigeko Tomita.

The first paper, 'Women in Scenes of …