Sculpture Commons^™

1996 Forces, Peggy Brown

Forces

No abstract provided.

1995 Forces, Larraine Stroman

Forces

No abstract provided.

Aries, Karly Whitaker

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

No abstract provided.

1994 Forces, Peggy Brown

Forces

No abstract provided.

1993 Forces, Peggy Brown

Forces

No abstract provided.

1992 Forces, Peggy Brown

Forces

No abstract provided.

1991 Forces, Peggy Brown

Forces

No abstract provided.

1990 Forces, Peggy Brown

Forces

No abstract provided.

Untitled, Stacy Remmy '90

A Midwestern Review: A Magazine of the Arts and Issues at DePauw University

Stacy Remmy '90 (Untitled, p. 11) is an Art major from St. Louis, MO.

1989 Forces, Peggy Brown

Forces

No abstract provided.

Mark's Art And Bridge Construction, J. Mark Erlander

All Master's Theses

Plactic is the material I chose to communicate my ideas. Named for its ability to be shaped, melted, bent, moulded, and extruded into an infinite number of forms, is one of two reasons I used it. The other is its concept is familiar to modern man and even a definition of him.

To make the communication bridge complete the stulptures are constructed to allow the viewer to take part in the final form. By moving the work, he is as involved in the concept, form, and material as I have been in making the piece.

The Micro-Environment Museum, John Clark Gleason

All Master's Theses

The purpose of this paper is to give an explanation of the show, "The Micro-Environment Museum"; to give an explanation of the miniaturization process and it's opposite, enlargement; and to give a larger insight into the micro-environment.

A Study Of Three-Dimensional Form Using Steel And Non-Ferrous Metals, Derell Roger Midles

All Master's Theses

A discussion and documentation of Midles' student art and sculpture studio exhibition.

Sculptural Furniture, Gary Galbraith

All Master's Theses

The artist should employ his sense of playful experimentation that requires the re-investigation of old manners and styles. I have attempted to apply the imagination of my senses to the furniture object in order to satisfy other human needs aside from comfort. These artistic requirements remove the piece of furniture from the realm of neutrality and tastefulness and expect the viewer - user to experience visual communication.

Charles Forrester's Sculpture Studio Plans For Ivan Wilson Fine Arts Center, Charles Forrester

Research Collections

Charles H. Forrester’s 1969-1970 plans for the sculpture studio in the Ivan Wilson Fine Arts Center. Plans include hand-drawn drawings, typed and written plans, lists of tools for the sculpture studio, and receipts.

The Development Of A Series Of Cast Metal Sculpture Using The Lost Wax Process, Ernest C. Reynolds

All Master's Theses

The purpose of this problem is twofold. First, I feel impelled to make a personal statement regarding my philosophies about form, and secondly to explore the possibility of relating negative and positive form as a sculptural unity in bronze casting.

Creative Glazing Through The Trial And Error Method, Ted Wiprud

Graduate Student Research Papers

This research paper will deal with trial and error glazing. The main purpose will be to show that trial and error glazing goes beyond practical consideration and lends itself to the philosophical aspects of creativity.