Sculpture Commons^™

The Micro-Environment Museum, John Clark Gleason

All Master's Theses

The purpose of this paper is to give an explanation of the show, "The Micro-Environment Museum"; to give an explanation of the miniaturization process and it's opposite, enlargement; and to give a larger insight into the micro-environment.

Mark's Art And Bridge Construction, J. Mark Erlander

All Master's Theses

Plactic is the material I chose to communicate my ideas. Named for its ability to be shaped, melted, bent, moulded, and extruded into an infinite number of forms, is one of two reasons I used it. The other is its concept is familiar to modern man and even a definition of him.

To make the communication bridge complete the stulptures are constructed to allow the viewer to take part in the final form. By moving the work, he is as involved in the concept, form, and material as I have been in making the piece.

A Study Of Three-Dimensional Form Using Steel And Non-Ferrous Metals, Derell Roger Midles

All Master's Theses

A discussion and documentation of Midles' student art and sculpture studio exhibition.

Sculptural Furniture, Gary Galbraith

All Master's Theses

The artist should employ his sense of playful experimentation that requires the re-investigation of old manners and styles. I have attempted to apply the imagination of my senses to the furniture object in order to satisfy other human needs aside from comfort. These artistic requirements remove the piece of furniture from the realm of neutrality and tastefulness and expect the viewer - user to experience visual communication.

The Development Of A Series Of Cast Metal Sculpture Using The Lost Wax Process, Ernest C. Reynolds

All Master's Theses

The purpose of this problem is twofold. First, I feel impelled to make a personal statement regarding my philosophies about form, and secondly to explore the possibility of relating negative and positive form as a sculptural unity in bronze casting.