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Sculpture Commons

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Art

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Articles 151 - 175 of 175

Full-Text Articles in Sculpture

2007 Forces, R. Scott Yarbrough May 2007

2007 Forces, R. Scott Yarbrough

Forces

No abstract provided.


2006 Forces, Scott Yarbrough May 2006

2006 Forces, Scott Yarbrough

Forces

No abstract provided.


2005 Forces, Scott Yarbrough May 2005

2005 Forces, Scott Yarbrough

Forces

No abstract provided.


2004 Forces, Scott Yarbrough May 2004

2004 Forces, Scott Yarbrough

Forces

No abstract provided.


2003 Forces, Scott Yarbrough May 2003

2003 Forces, Scott Yarbrough

Forces

No abstract provided.


2002 Forces, Scott Yarbrough May 2002

2002 Forces, Scott Yarbrough

Forces

No abstract provided.


2001 Forces, Scott Yarbrough May 2001

2001 Forces, Scott Yarbrough

Forces

No abstract provided.


2000 Forces, Scott Yarbrough May 2000

2000 Forces, Scott Yarbrough

Forces

No abstract provided.


1998 Forces, Peggy Brown May 1998

1998 Forces, Peggy Brown

Forces

No abstract provided.


1997 Forces, Peggy Brown May 1997

1997 Forces, Peggy Brown

Forces

No abstract provided.


1996 Forces, Peggy Brown May 1996

1996 Forces, Peggy Brown

Forces

No abstract provided.


1995 Forces, Larraine Stroman May 1995

1995 Forces, Larraine Stroman

Forces

No abstract provided.


1994 Forces, Peggy Brown Dec 1994

1994 Forces, Peggy Brown

Forces

No abstract provided.


1993 Forces, Peggy Brown May 1993

1993 Forces, Peggy Brown

Forces

No abstract provided.


1992 Forces, Peggy Brown May 1992

1992 Forces, Peggy Brown

Forces

No abstract provided.


1991 Forces, Peggy Brown May 1991

1991 Forces, Peggy Brown

Forces

No abstract provided.


1990 Forces, Peggy Brown Dec 1990

1990 Forces, Peggy Brown

Forces

No abstract provided.


1989 Forces, Peggy Brown May 1989

1989 Forces, Peggy Brown

Forces

No abstract provided.


The Micro-Environment Museum, John Clark Gleason Jan 1972

The Micro-Environment Museum, John Clark Gleason

All Master's Theses

The purpose of this paper is to give an explanation of the show, "The Micro-Environment Museum"; to give an explanation of the miniaturization process and it's opposite, enlargement; and to give a larger insight into the micro-environment.


Mark's Art And Bridge Construction, J. Mark Erlander Jan 1972

Mark's Art And Bridge Construction, J. Mark Erlander

All Master's Theses

Plactic is the material I chose to communicate my ideas. Named for its ability to be shaped, melted, bent, moulded, and extruded into an infinite number of forms, is one of two reasons I used it. The other is its concept is familiar to modern man and even a definition of him.

To make the communication bridge complete the stulptures are constructed to allow the viewer to take part in the final form. By moving the work, he is as involved in the concept, form, and material as I have been in making the piece.


A Study Of Three-Dimensional Form Using Steel And Non-Ferrous Metals, Derell Roger Midles Jan 1971

A Study Of Three-Dimensional Form Using Steel And Non-Ferrous Metals, Derell Roger Midles

All Master's Theses

A discussion and documentation of Midles' student art and sculpture studio exhibition.


Sculptural Furniture, Gary Galbraith Jul 1970

Sculptural Furniture, Gary Galbraith

All Master's Theses

The artist should employ his sense of playful experimentation that requires the re-investigation of old manners and styles. I have attempted to apply the imagination of my senses to the furniture object in order to satisfy other human needs aside from comfort. These artistic requirements remove the piece of furniture from the realm of neutrality and tastefulness and expect the viewer - user to experience visual communication.


The Development Of A Series Of Cast Metal Sculpture Using The Lost Wax Process, Ernest C. Reynolds Jun 1967

The Development Of A Series Of Cast Metal Sculpture Using The Lost Wax Process, Ernest C. Reynolds

All Master's Theses

The purpose of this problem is twofold. First, I feel impelled to make a personal statement regarding my philosophies about form, and secondly to explore the possibility of relating negative and positive form as a sculptural unity in bronze casting.


Creative Glazing Through The Trial And Error Method, Ted Wiprud Aug 1962

Creative Glazing Through The Trial And Error Method, Ted Wiprud

Graduate Student Research Papers

This research paper will deal with trial and error glazing. The main purpose will be to show that trial and error glazing goes beyond practical consideration and lends itself to the philosophical aspects of creativity.


Newspaper Clippings From January, 1935-1938, International Institute Of Rhode Island Jan 1938

Newspaper Clippings From January, 1935-1938, International Institute Of Rhode Island

Scrapbooks of the International Institute of Rhode Island (1930-1965)

In the scrapbook, there are various newspaper clippings that address Portuguese Handicrafts and an appreciation of other cultures. This cultural appreciation would be shown at the Rhode Island School of Design to provide audiences would an understanding of Portuguese designs. Alongside these artworks, there is a strong emphasis on Italo-American handicrafts also being displayed in the museum. These newspaper clippings also focus on other activities, organizations, and programs involving the foreign community of Rhode Island.