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Articles 91 - 96 of 96

Full-Text Articles in Printmaking

Collograph Platemaking Techniques, Clifton A. Barrette Jan 1971

Collograph Platemaking Techniques, Clifton A. Barrette

All Master's Theses

It was the purpose of this study to investigate the techniques in the construction and production of a series of original collagraph plates and prints. These were used to portray in visual, graphic form the diverse range of collagraph printmaking techniques.

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A Study Of The Influence Of The Lyrical Prose Novels Of Virginia Woolf And Hermann Hesse On The Creative Process In Intaglio Printmaking, Kathleen Heather Embree Jul 1970

A Study Of The Influence Of The Lyrical Prose Novels Of Virginia Woolf And Hermann Hesse On The Creative Process In Intaglio Printmaking, Kathleen Heather Embree

All Master's Theses

It is the purpose of this study (1) to emphasize the complementary union between literature and the visual arts; (2) to limit the exploration to those specific lyrical prose writers: Hermann Hesse and Virginia Woolf; (3) to create prints utilizing the novel as a source of image-gathering but which do not retain this identity in the finished work; (4) I to experiment with the division of the plates, as well as cutouts for the effect of creating spatial illusion or imaginary space.

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Investigations In Mixed-Media Printmaking, Jarold H. Powell Jan 1970

Investigations In Mixed-Media Printmaking, Jarold H. Powell

All Master's Theses

The device man uses to transport himself is one of his dearest possessions and one of his biggest problems. The relationship between man and his machine is the basis for the content of this thesis. Since walking became impractical, men have grown dependent physically, emotionally, psychologically, economically, and socially on a personal means of transportation. My own ideas and experiences are the source for the content of this series of works.

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A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller Jan 1969

A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller

All Master's Theses

It is the purpose of this study (1) to portray in visual, graphic form the negative consequences resulting from inhumanitarian acts man inflicts upon himself and others; (2) to delineate these actions in a revealing, subtle manner that is still representative of the facts of reality; (3) to experiment with a diverse range of intaglio printmaking techniques and compositional arrangements which best produce the visual, emotional effects desired.

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A Series Of Original Prints With The Human Image As An Important Compositional Element, John Paul Morgan Jul 1968

A Series Of Original Prints With The Human Image As An Important Compositional Element, John Paul Morgan

All Master's Theses

It was the purpose of this study to investigate and explore the use of the human image as a compositional element in a series of original prints. All of the available printmaking techniques within the knowledge of this artist were called upon to best express concepts and forms which he desired to portray. Three avenues of approach were used in the development of the print: (1) Transferring sketches made directly from the nude model onto the plate and developing the plate for the appropriate form of printmaking, (2) Developing the printmaking plate intuitively without sketches or preplanning, and (3) Planning …

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A Creative Project In Printmaking Dealing With The Production Of A Series Of Original Prints Using Multiple Plates Printed In Relief And Intaglio Techniques, Gregory Wallace Hawkins Aug 1967

A Creative Project In Printmaking Dealing With The Production Of A Series Of Original Prints Using Multiple Plates Printed In Relief And Intaglio Techniques, Gregory Wallace Hawkins

All Master's Theses

It was the purpose of this study to explore and develop technical and aesthetic possibilities resulting from the use of multiple plates in printmaking: 1. by relating the content of separate plates through the combination of shape, color and implied narrative qualities; 2. by developing the contour of the total composition as a secondary visual effect of the multiple plates with no limitation as to media, material, or color within the production of the print.

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