Illustration Commons^™

The Lantern Vol. 5, No. 1, December 1936, Vernon D. Groff, Edward L. French, Robert E. Yoh, Eugene Shelley, Evelyn Huber, Jean L. Ulsh, Richard Yahraes, Dorothy Burton, Jack Maloney, Mitchell Fenimore, Frank J. Fornetta, Keith M. Thompson, Valerie H. Green, Mabel B. Ditter

The Lantern Literary Magazines, 1933 to Present

• All of Us
• Public Dance
• In Tibet, of All Places
• Thoughts
• Subterranean Conflict on the Campus
• Out, Out Into Fragrance and Sweetness
• My Soul Steals Out to Meet You In the Night
• Bored Young Lady
• Guay Shin's Prayer
• On Playing Ping-Pong
• The Love-Life of One Cat and the Death of Another
• My Lady
• Danger! Germs Working!
• The Wolves
• Letters from India
• With Apologies to Hamlet
• The Dream

The Lantern Vol. 4, No. 3, June 1936, Eugene Shelley, Charles Francis Ehly, Utahna Basow, Elizabeth M. Seidle, Charlotte R. Tyson, Vernon D. Groff, Florence A. Roberts, H. Spencer Halberstadt, Paul R. Shelly, Richard Yahraes, Virginia Shoffner

The Lantern Literary Magazines, 1933 to Present

• Dr. Omwake as his Friends See Him: A Letter from Dr. James M. Anders ; An Interview with Dean Kline
• George Leslie Omwake, Educator and Churchman
• The Story of Ursinus
• "Way Back When"
• Editorial: "We Look Before and After"
• Reminiscences of an Ex-Storekeeper's Daughter
• The Tale of a Toper, or How the Little Stone Went Rolling
• Book Review: May I Present?
• Time Out, Please
• Youth at the Crossroads
• Of Candy Bars and Tears
• Reflections
• To a Star
• It Takes Two to Study the Moon

The Lantern Vol. 4, No. 2, March 1936, Beryl L. Goodman, Charles Francis Ehly, Vernon D. Groff, Walter B. Kelly, H. Spencer Halberstadt, Mitchell Fenimore, Mabel B. Ditter, Elizabeth Mcbride, Jessie F. Wilson, Alfred Gemmell, Edward L. French, Edwin Frey, Arthur F. Martin, Sylvan Grotte

The Lantern Literary Magazines, 1933 to Present

• Cooperative Democracy
• Fantasy
• Drama: "Porgy and Bess"
• Foreign Entanglements
• The Kibitzer
• My Gallery of Old Folks
• My Friend, Mark Twain
• Jimmy and Waffles
• Reminiscence
• Gold Dust
• After Twenty Centuries
• "All the World's a Stage"
• Early Medicine

Hotel Papandajan, Garoet Java, Indonesia, Lunch Menu, January 23, 1936, Hotel Papandajan

Hotel Menus

No abstract provided.

The Lantern Vol. 4, No. 1, December 1935, Grace Lees, Edward L. French, Dorothy Witmer, Richard Yahraes, Elmer W. J. Schmitt, Mitchell Fenimore, Dorothea Benner, Elizabeth Mcbride, Charles Francis Ehly, F. Bradford Stone, Roberta Byron, Vernon D. Groff

The Lantern Literary Magazines, 1933 to Present

• A Challenge to All
• The Tree
• College With a Purpose
• Midnight Clouds
• Exultation
• Pagan Festival
• Ah Childhood!
• From Brain to Brawn
• Pictures in the Sky
• Winds
• In Absolution
• Clouds in a Hot, Red Sky
• "Out of Douche and Latin"
• Satan Calls a Conference
• Emptiness
• A Portly Gentleman Intrudes

Royal Hawaiian Hotel, Honolulu, Hawaii, Dinner Menu, November 4, 1935, The Territorial Hotel Co., Ltd.

Hotel Menus

No abstract provided.

Porto Rico Line, Steamship Coamo, Dinner Menu, August 10, 1935, Porto Rico Line

Cruise Ship & Shipping Line Menus

No abstract provided.

Porto Rico Line, Steamship Coamo, Luncheon Menu, August 10, 1935, Porto Rico Line

Cruise Ship & Shipping Line Menus

No abstract provided.

Porto Rico Line, Steamship Coamo, Breakfast Menu, August 9, 1935, Porto Rico Line

Cruise Ship & Shipping Line Menus

No abstract provided.

The Lantern Vol. 3, No. 3, June 1935, Elizabeth Mcbride, Edwin Frey, Ruth I. Hamma, Richard Yahraes, William H. Tempest, Frank J. Tornetta, Thomas Hepner

The Lantern Literary Magazines, 1933 to Present

• Scholarship's Reward
• Thus Endeth
• Even in Dover
• An Essay Submitted for the Paisley Prize: The Moral Standard to Which We Must Appeal in Judging Whether a Lie is Ever Justifiable
• Towers of France
• An Essay Submitted for the Paisley Prize
• Initial Adventures in Psychiatry
• In Commemoration of "Comus"
• The Amish Maiden

The Lantern Vol. 3, No. 2, March 1935, Wilhelmina Meinhardt, Jesse Heiges, Dorothea Benner, Harry F. Fenstermacher, Gilbert J. Bartholomew, Paul R. Shelly, Ruth I. Hamma, Elizabeth Mcbride, Utahna Basow, Dorothy E. Horne, Margaret L. Shively, Mitchell Fenimore

The Lantern Literary Magazines, 1933 to Present

• Puppets of Propaganda
• Reluctance
• Reflections From My Diary
• Reverie
• Bash Turner Enters the Limelight
• The College Students' Obligation
• The Schwenkfelders
• Love's Desire
• Verse
• On the Squirt of a Grapefruit
• Pioneers!
• Whither Fraternities?
• Mary Peters: A Book Review
• Different as Night and Day
• Ode to an Alley Cat

The Lantern Vol. 3, No. 1, December 1934, John H. Brown Jr., Wilhelmina Meinhardt, Dorothy Witmer, Eugene Shelley, Ruth I. Hamma, Ione B. Hausmann, Regina S. Romberger, Elizabeth Mcbride, Dorothy E. Horne, Kathleen Black, Paul Williams

The Lantern Literary Magazines, 1933 to Present

• Magic Words
• The Old Trappe Church
• The "Light of Life"
• Edwin Markham: Impressions
• Increment (A Christmas Thought)
• Our Christmas
• What Price Forgetting?
• Autumn
• The Old Parson
• Zacharias Ursinus
• Inspiration
• A Scrap-Book of Memories
• A Campus Saunter

The Lantern Vol. 2, No. 3, June 1934, Joyce L. Strickland, Sara E. Brown, Harry F. Brian, Ione B. Haussmann, Sylvia Acri, Anna May Brooks, Edith Cressman, Ruth I. Hamma

The Lantern Literary Magazines, 1933 to Present

• Looking Backward and Forward
• "Hahd on de Nerves"
• My Lavender Lady
• The Perpetual Borrower
• Into the Depths
• "The Best There Is"
• I Wonder
• A Day Out of a German Boy's Life
• Book Review: "Work of Art"
• Fear
• Early Summer (A Sketch)

The Lantern Vol. 2, No. 2, March 1934, Rose-Marie Brubaker, Joyce L. Strickland, Ruth I. Hamma, Anna May Brooks, Keturah R. Donalson, Nadine Jones, Sara E. Brown, Dorothy Witmer, Virginia A. Meyer

The Lantern Literary Magazines, 1933 to Present

• Fulfillment Through Expression
• Ole Man Ennis
• Nos Illusions by Philippe Vallee
• A Celtic May Day Festival
• Dew Drops
• Baker Street Fiction
• March Winds
• Winter Sunset
• Book Review: No Second Spring
• A Thought
• The Cask of Amontillado
• Illustration

The Lantern Vol. 2, No. 1, December 1933, Naomi M. Clark, Keturah R. Donalson, Joyce L. Strickland, Ruth I. Hamma, William H. Tempest, Isobel W. Wilt, Jesse Heiges, Mary E. Myers, Dorothy F. Patterson, Rose-Marie Brubaker

The Lantern Literary Magazines, 1933 to Present

• Petition
• Keep it Burning!
• Jes' Before Christmas
• Noel: Translation from Theophile Gautier
• A Young Jew Meets Jesus
• Book Review: Little Man, What Now?
• Book Review: Thunder and Dawn
• Continuity
• La Veille de Noel (Reflexions d'un Provincial)
• Noel Sceptique par Jules LaFargue
• Horizon
• Winter Night
• Linoleum Cuts

The Lantern Vol. 1, No. 1, May 1933, Clair Hubert, Ruth I. Hamma, Gladys Urich, Anna May Brooks, Sara E. Brown, Keturah R. Donalson, Alfred L. Creager, Ruth Roth, Joyce L. Strickland, Sylvia Liverant, Lewis Peters, Anna Grimm

The Lantern Literary Magazines, 1933 to Present

• Remember: Translation of "Rappelle-toi" by Alfred de Musset
• Lighting the Lantern
• Footfalls
• To a Lovely Lady
• The Sons of Martha
• Strategy
• Lumine Lunae
• Poetry in Retrospect
• Nirvana
• A Domestic Episode
• At Night
• Haman and Hitler
• This is What He Said
• Bookocracy
• Four Loves
• Cities and Personalities

The Little White Goat, Dorothy P. Lathrop, Special Collections, Fleet Library

Illustration

58 pages : color frontispiece, illustrations. Illustrated title page and lining-pages. Two children are led into a wood by a magical white goat, and are able to play with all the baby animals there. Case binding. Yellow-brown cloth with title and illustration stamped in orange. Purchase from Cellar Stories.

School Of Practical Art Course Catalog (1933-1934), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

The School of Practical Art was established in 1912 by Roy Atherton Davidson, who saw the great need of a school where young men and women could receive vocational training in practical art. The School is a pioneer in this line of work, and its twenty years of experience in teaching art that is practical has made its courses not only of permanent worth, but of immediate commercial value.

What can I do? This is a question that every high school boy and girl must answer sooner or later. Many have discovered during their high school years that they have …

The School Of Practical Art Course Catalog (1931-1932), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

The School of Practical Art was established in 1912 by Roy Atherton Davidson because of the great need of a school where boys and girls could receive vocational training in practical art. The School is thus a pioneer in this line of work, and its sixteen years of experience in teaching only practical art has made its courses of real worth and commercial value. The School gives fundamental and practical instruction in all branches of commercial art, so that graduate of the School may be efficiently prepared to accept the varied opportunities open to trained men and women. The system …

Matterhorn, Lunch Menu, August 1, 1930, Matterhorn

Restaurant Menus

No abstract provided.

Sitmar Societa Italiana Trasporti Marittimi, Naples To Egypt, Dinner Menu, July 31, 1930, Sitmar Lines

Cruise Ship & Shipping Line Menus

No abstract provided.

Holland-America Line, S.S. Statendam, Luncheon, July 24, 1930, Holland-America Line

Cruise Ship & Shipping Line Menus

No abstract provided.

Holland-America Line, S.S. Statendam, Breakfast, July 24, 1930, Holland-America Line

Cruise Ship & Shipping Line Menus

No abstract provided.

Red Star Line, S.S. Lapland, Farewell Dinner, July 18, 1930, Red Star Line

Cruise Ship & Shipping Line Menus

No abstract provided.

Great White Fleet, United Fruit Company Steamship Service, T.E.S. Talamanca, Dinner Menu, March 31, 1940, United Fruit Company

Cruise Ship & Shipping Line Menus

No abstract provided.

Lunch Menu Aboard Train From Paris To Avignon, Rail Line Unknown, 1930, Unknown

Train Menus

No abstract provided.

Mummy's Bedtime Story Book, Marion, Mrs. Alexander Marion Gemmell, Jessie Marion King, Special Collections, Fleet Library

Illustration

56 pages color illustrations. Printed Photo-Offset by Suttley & Silverlock, LTD., Blackfriars Road. Color illustrated frontispiece, title page, and endpapers. Eleven full-page illustrations, with color decorations on each text page. Bound in bright paper covered pictorial boards with title in red. Case binding. Jessie Marion King (20 March 1875--3 August 1949) was a Scottish illustrator known for her beautiful illustrated children's books; she also designed jewelery and fabric, and painted pottery; King was one of the artists known as the Glasgow Girls. Curated title for Fleet Library Special Collections exhibition By Hand: Women & Books Exhibit fall, 2021.

The Magic Flutes, Josef Kožišek, Clara Vostrovsky Winlow, Rudolf Mates, Special Collections, Fleet Library

Illustration

53 unnumbered pages : color illustrations, 25 x 33 cm. Illustrated endpapers; color illustrated title page; title and text within blue, green, and red ornamental border; manufacture statement from title verso. "Printed in Czechoslovakia through Raf. D. Szalatnay, New York."--Title verso Text in English, translated from the Czech. Quarter-bound in printed pictorial boards and red cloth. Copy has front and back covers of a slipcase, front duplicates the illustrated cover. Gift of Steven Levine and Freeman Freeman.

United States Ship Florida, One Hundred Eleventh Mess Night, Boston, Massachusetts, 1928, Uss Florida

Commemorative Menus

No abstract provided.

The School Of Practical Art Course Catalog (1928-1929), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

The School of Practical Art was established in 1912 by Roy Atherton Davidson because of the great need of a school where boys and girls could receive vocational training in practical art. The School is thus a pioneer in this line of work, and its sixteen years of experience in teaching only practical art has made its courses of real worth and commercial value. The School gives fundamental and practical instruction in all branches of commercial art, so that graduate of the School may be efficiently prepared to accept the varied opportunities open to trained men and women. The system …