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Articles 1801 - 1830 of 6618
Full-Text Articles in Illustration
Cartland: A Comic, Jon Dorn
Master Buddha & The Jolly Golly Fun Time Gang., Todd Edward Evans
Master Buddha & The Jolly Golly Fun Time Gang., Todd Edward Evans
Electronic Theses and Dissertations
This thesis is the first two chapters of a novel. The novel parodies the capitalist and consumerist United States of the 21st Century in the tradition of Thomas Pynchon, Kurt Vonnegut, and Donald Barthelme.
Behind The Painting, Anna C. Evora
Behind The Painting, Anna C. Evora
Digressions: Literary & Art Journal
No abstract provided.
Balboa Bars, Lucy M. Schwartz
Balboa Bars, Lucy M. Schwartz
Digressions: Literary & Art Journal
Drawn using colored pencils.
Dymun Fengshui (Jonathan Back), Jonathan D. Back
Dymun Fengshui (Jonathan Back), Jonathan D. Back
Digressions: Literary & Art Journal
No abstract provided.
Life Is The Bubbles, Lucy M. Schwartz
Life Is The Bubbles, Lucy M. Schwartz
Digressions: Literary & Art Journal
Stippling with pen and ink.
Volume 81, Issue 1: Full Issue, Manuscripts Staff
Contributors, Manuscripts Staff
The Wild Cats Of Aoshima Island, Camille Millier
The Wild Cats Of Aoshima Island, Camille Millier
Manuscripts
Poetry by Camille Millier.
Cats!, Alexandrea Sanders
The Asparagus Of Wheatly Cemetery, Cole Hardman
Interview With Lev Grossman, Cassandra Christopher
Interview With Lev Grossman, Cassandra Christopher
Manuscripts
I’m not an especially emotional being. But when I first read The Magicians, I was furious. I spent thirty minutes trying to explain my anger to my family and to my best friend. I felt that Lev Grossman had soiled Narnia, the most precious world I’d ever known, with a protagonist, Quentin, who was a self-absorbed ass. My advisor, who had recommended the series to me, suggested that perhaps it was an homage rather than a deconstruction, that Lev Grossman loved this world as much as I did and wanted to work with it in a wholly new way. At …
Dry, Claire Christoff
Paideia, Carey Ford Compton
Catherine, Earl Townsend
Alter Ego, Mariam Saeedi
Stained, Katherine Shelton
Stained, Katherine Shelton
Manuscripts
Prose by Katherine Shelton. Winner of the 2016 Manuscripts Prose Contest with Benjamin Percy.
Purples, Sarah Bahr
Interview With Dean Young, Wesley Sexton
Interview With Dean Young, Wesley Sexton
Manuscripts
Dean Young has authored twelve books of poetry, his most recent contribution being a collection of new and old poems entitled Bender. His book Falling Higher was a finalist for the Pulitzer Prize in Poetry. Young has served as the William Livingston Chair of Poetry at the University of Texas in Austin since 2008.
My Brother’S Keeper, Kaylie Ann Pickett
My Brother’S Keeper, Kaylie Ann Pickett
Manuscripts
Prose by Kaylie Ann Pickett. Finalist in the 2016 Manuscripts Prose Contest with Benjamin Percy.
Coping, Mikayla Marazzi
Dark As Skin, Alexandrea Sanders
After The Baby, Carey Ford Compton
After The Baby, Carey Ford Compton
Manuscripts
Prose by Carey Ford Compton. Runner-Up in the 2016 Manuscripts Prose Contest with Benjamin Percy.
On The Execution Of Last Year, Cole Hardman
Interview With Roxanne Gay, Chelsea Yedinak
Interview With Roxanne Gay, Chelsea Yedinak
Manuscripts
Roxane Gay is a writer, editor, blogger, and professor with a diverse bibliography. Her written works include Bad Feminist, An Untamed State, and the forthcoming Hunger. She is also a contributing op-ed writer for The New York Times and a professor at Purdue University. Her work often handles race, gender, and sexuality through the lens of her own personal experiences. During her visit to Butler University as part of the Vivian S. Delbrook Visiting Writers Series, Gay took the time to speak with Manuscripts staff member Chelsea Yedinak.
First Date, Ashley J. Junger
Bluebird, Chelsea Yedinak
Bluebird, Chelsea Yedinak
Manuscripts
Prose by Chelsea Yedinak. Finalist in the 2016 Manuscripts Prose Contest with Benjamin Percy.
Vessel, Meghan L. Davis
Interview With Laila Lalami, Cassandra Christopher
Interview With Laila Lalami, Cassandra Christopher
Manuscripts
In an interview with National Public Radio, Laila Lalami mentioned that she believed the “closest we come to truth is in the form of fiction.”
Truth: the supernatural powers that be do not spare anyone based on race or religion. In shared adversity we all become equal.
Truth: humans are complex creatures, equally capable of cruelty, kindness, and unimaginable darkness in desperation. No one is purely hero or villain.
Truth: Mustafa, the titular character of Laila Lalami’s The Moor’s Account tells us what he knows as fact, but we must infer our own truth, so that each reader discovers his …
Providence, Elena Decook