Illustration Commons^™

Surveillance., Anna Peddle

The Echo

No abstract provided.

Glass Shards, Olivia Corso

The Echo

No abstract provided.

Roads Of Hope, Jordan Winiski

The Echo

No abstract provided.

Cracked, Jordan Winiski

The Echo

No abstract provided.

Dust To Dust, Jared Buchholz

The Echo

No abstract provided.

Cable 34, Claire Pullan

The Echo

No abstract provided.

Perspective, Emma Brown

The Echo

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Dreamland, Olivia Oliver

The Echo

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Tea Time, Ren Zimmerman

The Echo

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Siena Parade, Finley Buchanan

The Echo

No abstract provided.

Untamed, Katie Brown

The Echo

No abstract provided.

Alakazam, Lizzy Coyle

The Echo

No abstract provided.

Robin Fairy With Sunflowers, Sarah Murdaugh

The Echo

No abstract provided.

Jackdaw Fairy, Sarah Murdaugh

The Echo

No abstract provided.

Ties, Abby Mcelmurray

The Echo

No abstract provided.

Soft Hands, Jared Buchholz

The Echo

No abstract provided.

From A Distance, Brandon Barney

The Echo

No abstract provided.

Awaiting Transmutation, Brandon Barney

The Echo

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Breath, Ella Morton

The Echo

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Preface & Table Of Contents

The Echo

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Cover

The Echo

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Echo 2018 - Complete Issue

The Echo

No abstract provided.

Nexus, Spring 2018, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Time And Lines, Richard Pecos Pryor

School of Art, Art History, and Design: Theses and Student Creative Work

“How we spend our days is, of course, how we spend our lives.” -Annie Dillard

I want to make art that is worthwhile, that shares something important. This desire often overwhelms and hinders me from starting projects. I find myself questioning the purpose of art altogether. Yet, once I relinquish control into action—just simply start and keep going—the unforeseen meaning eventually presents itself.

Drawings begin with lines. Partnered with curiosity, I began this series by exploring the potential of drawing materials. How far and for how long can a single sharpened pencil last? What does a mile of lines look …

The Lantern, 2017-2018, Solana Warner, Chiara Demelfi, Emily Shue, Matt Dwyer, Clara Baker, Jason Bennett, Brandon Carey, Kim Corona, Millie Drury, Courtney A. Duchene, Samuel Ernst, Giselle Horrell, Sarah Howell, Nicole Kosar, Malcolm Loh, Morgan Mcafee, Johnathan Myers, Ren Toscano, Daniel Walker, Robin Gow, Albert Hahn, Rae Hodenfield, Paige Szmodis, Madison Bradley, Teddi Caputo '18, Faith Carson, Taahira Davis, Chiara Demelfi, Mya D. Flood, Sophia Driscoll Gamber, Jada A. Grice, Kevin Leon, Joseph Makuc, Valerie Osborne, Janice Partee, Megan Sear, Kara E. Travis, Julian Barocas, Sarah Defelice, Olivia Glover, Mario J. Heitman, Robert Varney

The Lantern Literary Magazines, 1933 to Present

On Dissociation • Untouchable • After "Rocket Man" • The Science Fair • Cardinal Rule at Stephen J. Memorial • Quentin & Sylvie • Cabello • The Get Out • Painting Day • Black, White and Grey • Family Pruning • How to Remove a Stain • Becoming Ourselves • Wonderbread U • Overture • Pescadero • Gross • Stage Fright • Lucky Daddy • Sarah • Rumble • Silvermine • The Green Iguana • A Poem for Ghost Children • A Poem for Lost Boys • Mother • Drop of Grease • Don't Wanna be White • I • …

The Manuscript Works Of S. Fred Prince (1857-1949), Sarah Burke Cahalan, Jason W. Dean

Marian Library Faculty Publications

S. Fred Prince, a botanical illustrator and amateur scientist, is a largely unknown artist whose work on the American landscape demonstrates his eligibility to be considered in the lineage of self-taught illustrator-naturalists such as Mark Catesby and Genevieve Jones. In this article, we present a survey of extant Prince materials identified at time of writing, describing their contents and physical characteristics. Beyond this survey and description, we also provide a biographical sketch and timeline of Prince's life.

Modern American Cover Art: The Great Gatsby Through Time, Jessica Harrell

Senior Theses

Book jackets and cover art are, more than anything, an advertising tool used to attract consumers, promote book sales, and establish company identity. F. Scott Fitzgerald’s The Great Gatsby is a staple in the canon of American literature whose cover art has drastically transformed in the ninety years since its original publication. This thesis traces these changes over time, focusing specifically on publishing history, art history, American culture, and thematic interpretations. In doing so, I found that the most substantial influences on these covers were publishing house identity, design trends, and available artistic techniques. Ultimately, The Great Gatsby’s cover …

The Baron, Erin A. Scofield

Toyon: Multilingual Literary Magazine

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Exodus Continues, Scott Peek

Toyon: Multilingual Literary Magazine

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Making Visible: More Of The Picture, Sarah Slavick

Lesley University Community of Scholars Day

In Linda Nochlin’s essay “Why Have There Been No Great Women Artists?, “ she demonstrates how, for centuries, institutional and societal structures had made it “impossible for women to achieve artistic excellence, or success, on the same footing as men, no matter what the potency of their so-called talent, or genius.” As the Guerilla Girls noted, only 1 woman had a solo museum show in NY in 1985, and, in 2015, 30 years later, it wasn’t much better with 1 at the Guggenheim, Met and Whitney, and 2 at MOMA. On International Women’s Day, March 1, 2017, I began a …