Illustration Commons^™

Bleeding Ink: Creativity In Grief For Resilience, Gabriel E. Sayre

Senior Honors Projects

A venomous void pierces the present.

Emanating from the past, echoing to the future.

Seething sensations burrowing beneath the bone.

Seek a road, to not corrode.

Scribe or scribble, Scavenge salvation.

Settle cement of a new foundation.

Faceless fears fading,

weakening woes waning,

mending mentality.

Internally Inspired.

Transformation Transpired.

To The Moon And Back, Michael Tyler Pennekamp

Graduate Theses and Dissertations

Almost fifty years after the Apollo 11 mission, the moon landing remains one of humankind’s most remarkable technological achievements. On the lunar surface, the Eagle’s flight crew left behind an American flag, mementos honoring those who lost their lives in the quest for such an achievement, and a plaque reading, “Here men from the planet Earth set foot upon the moon. July 1969 A.D. We came in peace for all mankind.” Despite overwhelming proof of this achievement—radio transmissions, photographs, film, rock and soil samples—a sizable minority of Americans continue to view the Apollo 11 moon landing as a hoax. To …

Off The Grid, Matthew Owen Buffington

Graduate Theses and Dissertations

Off the Grid explores the messy relationship between public and private perceptions of our urban spaces, especially the tensions created when lived experience runs up against the physical and conceptual networks of cities: street grids, construction tape, and property lines. Incorporating different modes of spatial representation, from cartographic diagrams to isometric illustrations and Renaissance perspectives, this exhibition examines the role drawing plays in how we conceptualize the divisions and definitions of everyday space. The drawings engage the often overlooked detritus of city life, from layers of old graffiti to overgrown dirt piles and unmoored electrical wiring, that complicate our understanding …

Creative Nonnatives: Painting Invasive Insects Of The United States, Monica Tynan

Senior Honors Projects

An invasive species is a nonnative organism that may cause damage to an ecosystem. Invasive species cause problems in an environment by outcompeting native organisms for resources or by feeding upon native species. Invasive insects in particular can harm an ecosystem by consuming foliage and decreasing biodiversity. During my experience at the Preisser Lab at the University of Rhode Island, I witnessed rsthand the damage that invasive insects can do to a tree population, and I learned about how ecosystem dynamics can be disrupted by the introduction of a nonnative species.

My project portrays an aesthetically pleasing visualization of several …

Private Conversation, Gahee Park

Theses and Dissertations

My thesis paper "Private Conversation" discusses the themes, contexts, and influences relevant to paintings and drawings I made during my MFA studies.

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Jaguar Sun, Anya Nadal

The Transdisciplinary STEAM+ Journal

Cymatics, is derived from a Greek word, meaning "wave", is a subset of modal vibrational phenomena. The term was coined by Hans Jenny, a Swiss follower of the philosophical school known as anthroposophy. This is a visual representation of the frequency field. I created this piece from acrylic on canvas based on the subtle energies I can see and feel.

The Art And Science Of Light Painting, Reid Godshaw

The Transdisciplinary STEAM+ Journal

A short overview of the making of light painting portraits explained by the artist.

Inner Beauty, Kayla Darbyshire

The Transdisciplinary STEAM+ Journal

The artist references images captured by electron microscope photography of Dopamine, DNA, and the process of Mitosis (specifically occurring in the human body). Through the use of photoshop the artist was able to manipulate the images of Dopamine, DNA, and Mitosis to create low polygonal artwork. The artist created 15,000-30,000 individual triangles, piecing them together using photoshop to create the images that they were referencing. The body is an amazing spectacle rarely looked at from within by artists. Many find beauty on the surface of the body, but when explored further, the body has much more to offer. The artist …

Full Issue, The Anthology

The Anthology

This is the entirety of the 2013 Winthrop Anthology issue.

Future, Rachel Sullivan

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2014 Winthrop Anthology issue.

How-To Understand And Create Hip-Hop Art, Joshua Wolcott

Graphic Communication

Typography is an essential component of Graphic Communication. The purpose of this study was to bridge typography with hip-hop art. To bridge the two disciplines, hip-hop art was presented in the context that it is actually practiced by these artists. The use of a questionnaire and a drawing lesson was intended to bring the subject within its true context. Presenting the art form in its true context enabled participants involved in the study to understand the art form with the perspective that the discipline, like typography, involves the use of lettering. Participants that were interested in drawing were able to …

Full Issue, The Anthology

The Anthology

This is the entirety of the 2015 Winthrop Anthology issue.

Full Issue, The Anthology

The Anthology

This is the entirety of the 2016 Winthrop Anthology issue.

Jave Yoshimoto Interview, Serina Mancha

Asian American Art Oral History Project

Artist Bio:
Jave Yoshimoto is an artist and educator of multicultural background. He was born in Japan to Chinese parents and immigrated to United States at a young age. He has since traveled and lived in various parts of the country, which influenced his artistic practice. Yoshimoto received his Bachelors from University of California Santa Barbara in Studio Art, his Post-Baccalaureate Certificate in Painting and Drawing and Masters of Art in Art Therapy at the School of the Art Institute of Chicago, and his Masters of Fine Arts in Painting at Syracuse University. He has worked as an art therapist/mental …

Hong Chun Zhang Interview, Emily Dresden

Asian American Art Oral History Project

Artists Bio: Born and raised in China, Hong grew up in an academic environment. Both her parents are retired art professors and her two sisters are also painters. When she was 15, Hong and her twin-sister Bo won the national competition to attend the high school attached to the Central Academy of Fine Arts in Beijing. From there, she began her professional art training. In 1994, Hong received B.F.A. in Chinese Ink Painting from CAFA in Beijing, M.A. from CSU Sacramento in 2002 and M.F.A. from University of California, Davis in 2004. Hong currently lives and works in Lawrence, Kansas. …

The Mercury 2016

The Mercury

No abstract provided.

Subsurface, Elizabeth J. Huhtala

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

Commonthought (2016 & 2017), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Commonthought (2015), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Passages Through The Ordinary: Human Pyramid, Daniel Dean

Art & Design Faculty Research

A man picks his way across a wooded hillside, a curious reluctance in his step. In a small, two-door hatchback, pale mushrooms sprout from car seats. Drawings of edibles spread across the walls of a windowless room, where wooden furniture beckons to sit, linger, and enjoy the view. A dumpster doubles as a hot tub next to an arrangement of plywood benches and white ceramic tubs, inviting the weary to bathe their feet in salubrious salts. Close by, a set of coal-black bowls nestles into itself, while dust motes dance in a glow of orange light. Ladders and levels, carefully …

Commonthought (2011), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Human Nature, Rachel Goble

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.

Commonthought, (Fall 2009), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Review Of The Cabinet Of Eros: Renaissance Mythological Painting And The Studiolo Of Isabella D'Este. By Stephen J. Campbell, Andrea Bolland

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Isabella d'Este's activities as an art collector and patron are richly documented and have received a correspondingly large amount of art historical attention in the modern era. Yet Isabella--and the studiolo she had created and decorated in the Mantuan Palazzo Ducale--have gotten mixed reviews in this scholarship; the former has historically emerged as difficult, irrational, and acquisitive rather than discerning, while the paintings done for the latter by Andrea Mantegna, Perugino, Lorenzo Costa, and Correggio between 1497 and 1530 are often treated as curiosities-stilted in style and didactic in subject-within the larger scope of the artists' careers. The paintings have …

Commonthought, Vol 20 (Spring 2009), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Commonthought, Vol 19 (Fall 2008), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Good Girl, Erika C. Navarrete Anderson

School of Art, Art History, and Design: Theses and Student Creative Work

I have always had a narrative sensibility, drawing from memory, stories, and personal experience. Perhaps it was the abundance of story telling and gossip I absorbed growing up. The dominance of women in my family had a profound influence on how I created narratives in my earlier work. They remain core influences, and through them I have developed further, reaching out past linear narrative and specific story to focus on the psychology of internal and external experience.

When I began my MF A it was the first time in two years I was 'getting intensive feedback on my work. What …

Image’Nation : The Search For A Folk Image Of Ireland In Art And Popular Culture, 1849 To 1949., Ciarán Walsh

Theses

This study considers how visual images became central to the folk imagination of Irishness between 1849 and 1949. It begins with contrasting representations in photography of the Irish in the 1890s. The political/cultural contexts of images of Irishness is established and developed with reference to the juxtaposition of contemporary visual arts, folk song and nationalism in Kilmainham Gaol in 1991. It considers whether distinct cultural systems have historically competed for legitimacy and whether, specifically, art and tradition are incompatible in terms of a nationalist construction of Irishness. The Irishness of Irish art in the nineteenth century, the role of the …