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Ceramic Arts Commons

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Art

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Articles 91 - 114 of 114

Full-Text Articles in Ceramic Arts

2008 Forces, Scott Yarbrough May 2008

2008 Forces, Scott Yarbrough

Forces

No abstract provided.


2007 Forces, R. Scott Yarbrough May 2007

2007 Forces, R. Scott Yarbrough

Forces

No abstract provided.


2006 Forces, Scott Yarbrough May 2006

2006 Forces, Scott Yarbrough

Forces

No abstract provided.


2005 Forces, Scott Yarbrough May 2005

2005 Forces, Scott Yarbrough

Forces

No abstract provided.


2004 Forces, Scott Yarbrough May 2004

2004 Forces, Scott Yarbrough

Forces

No abstract provided.


2003 Forces, Scott Yarbrough May 2003

2003 Forces, Scott Yarbrough

Forces

No abstract provided.


2002 Forces, Scott Yarbrough May 2002

2002 Forces, Scott Yarbrough

Forces

No abstract provided.


2001 Forces, Scott Yarbrough May 2001

2001 Forces, Scott Yarbrough

Forces

No abstract provided.


2000 Forces, Scott Yarbrough May 2000

2000 Forces, Scott Yarbrough

Forces

No abstract provided.


1998 Forces, Peggy Brown May 1998

1998 Forces, Peggy Brown

Forces

No abstract provided.


1997 Forces, Peggy Brown May 1997

1997 Forces, Peggy Brown

Forces

No abstract provided.


1996 Forces, Peggy Brown May 1996

1996 Forces, Peggy Brown

Forces

No abstract provided.


1995 Forces, Larraine Stroman May 1995

1995 Forces, Larraine Stroman

Forces

No abstract provided.


1994 Forces, Peggy Brown Dec 1994

1994 Forces, Peggy Brown

Forces

No abstract provided.


1993 Forces, Peggy Brown May 1993

1993 Forces, Peggy Brown

Forces

No abstract provided.


1992 Forces, Peggy Brown May 1992

1992 Forces, Peggy Brown

Forces

No abstract provided.


1991 Forces, Peggy Brown May 1991

1991 Forces, Peggy Brown

Forces

No abstract provided.


1990 Forces, Peggy Brown Dec 1990

1990 Forces, Peggy Brown

Forces

No abstract provided.


1989 Forces, Peggy Brown May 1989

1989 Forces, Peggy Brown

Forces

No abstract provided.


Ceramic Feelings, Beverly Maki May 1971

Ceramic Feelings, Beverly Maki

All Master's Theses

Earth, air, water, and fire--four basic elements--have given me the opportunity to express my eclectic experiences into forms of clay. I have raised questions about my work pertaining to my conscious and subconscious to find how I see and feel about my work, in order to see myself in terms of my past, present and future. I have thought about the reality and nonreality of my feelings and wondered about the images and experiences that lie hidden in my subconscious, that could create new meanings and ideas. I have also wondered how I might relate certain ideas to my work. …


A Study Of Majolica Pottery Decoration, Robert Sutton Rae Aug 1968

A Study Of Majolica Pottery Decoration, Robert Sutton Rae

All Master's Theses

It was the purpose of this study to investigate the origin and development of majolica decoration and to execute original variations of these techniques on pottery made by the candidate.


Visual And Expressive Form Qualities Attainable In Thrown Pottery Vessels By Use Of Various Lips And Feet, Kirby William Benson May 1967

Visual And Expressive Form Qualities Attainable In Thrown Pottery Vessels By Use Of Various Lips And Feet, Kirby William Benson

All Master's Theses

It was the purpose of this study to discover the number of various form qualities that it is possible to achieve within pottery vessels that are closely related by similar feet, bodies, and lips. The variety of form qualities sought for were of a visual nature; the entire pot seeming to appear more or less vertical or more or less horizontal than others with the same type of body but with different shapes of lips and feet selected to be used.


Creative Glazing Through The Trial And Error Method, Ted Wiprud Aug 1962

Creative Glazing Through The Trial And Error Method, Ted Wiprud

Graduate Student Research Papers

This research paper will deal with trial and error glazing. The main purpose will be to show that trial and error glazing goes beyond practical consideration and lends itself to the philosophical aspects of creativity.


The College Of The Pacific Seal In Pebble Mosaic, Elaine Brink Stanley Jan 1950

The College Of The Pacific Seal In Pebble Mosaic, Elaine Brink Stanley

University of the Pacific Theses and Dissertations

Abstract not provided. The following is the introduction.

It has been agreed that a work of art is to augment the usual written thesis and be considered the greater part of the thesis in meeting the requirements for the degree of Master of Arts. This paper is submitted as an auxiliary factor--not as the thesis itself. It is understood that the basis of judgment shall rest upon the acceptability of the art work, in this case the College of the Pacific Seal in Pebble Mosaic as seen and as described in this paper. This paper provides a record of the …