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Articles 61 - 90 of 100
Full-Text Articles in Ceramic Arts
I Don't Love You Anymore, Anna Boling
Muse Ing, Michael Leyzerzon
Veiled Lips, Kelly Mcnett
Untitled, Michael Nguyen
On Losing A Sister, Amanullah Khan
Self Infatuation, Amanullah Khan
Emory Peak, Shelby Hotz
R Is For Regret, Anna Boling
It All Began With A Thought, Sylvia S. Medel
Limeston And Rivers, Andrew Barba
Retrieval, Jiaan Powers
Seventh, Anaiyah Delight Walker
Window To The World Below, Nirisha Garimella
Watchful Eye, Alex Giovinazzo
She Shall Have Culture, Linda Ann Suddarth
The Eternal Dance, Heather L. Faith
Abstract-Glaze Testing: Methods And Results, Hannah Perry
Abstract-Glaze Testing: Methods And Results, Hannah Perry
Undergraduate Research Conference
Floating blue is a glaze that appears to have a blue layer floating over an earthy undertone, giving it the illusion of depth. The base of the glaze floating blue was taken aside while its original colorants (rutile, red iron oxide, and cobalt carbonate) were added in different increments with other ones to get different hues. The main goal was to produce a green version of floating blue, that is, a glaze that has the same textural and visual effect as floating blue that instead has a green hue. This was tested by replacing cobalt carbonate with copper carbonate, while …
Substrato Para Devaneios, Louise Deroualle
Substrato Para Devaneios, Louise Deroualle
School of Art, Art History, and Design: Theses and Student Creative Work
Clay is my substrato para devaneios, my foundation for daydreams. Clay is earth, a humble, common material that represents the possibility of growth and thus, life. As my substrato, clay gives me stability and nourishes me, allowing me to communicate with and relate to the world. It has the ability to register touch and gesture; it records a moment in time.
My work is an abstracted representation of me: my identity, the way in which I relate to others and understand the environment I am in. I use ceramic materials to create formal abstractions that reveal different facets—physical, experiential, emotional—of …
Domestic Curiosities, Larry D. Buller
Domestic Curiosities, Larry D. Buller
School of Art, Art History, and Design: Theses and Student Creative Work
My art at first glance suggests the domestic, ornamental nature of ceramic objects, but upon closer inspection one discovers a showy, transgressive content that is conceptualized around issues of gay sexuality, the phallus and fetish objects. I create decorative sculptures that resonate with my varied experiences as a gay man. Clay with its endless possibilities for form and surface, is the ideal medium for my subversive intentions. It allows me to blend the rich historical language of ceramic art with the low-brow, and in my case, kitsch nature of craft that one might find in second hand stores. I invite …
Deconstructing Ideas Of Utility Through The Making Of Ceramic Vessels, Iren Tete
Deconstructing Ideas Of Utility Through The Making Of Ceramic Vessels, Iren Tete
School of Art, Art History, and Design: Theses and Student Creative Work
My work is a translation of memories, experiences, and languages into shapes, colors, and symbols. The fragmented relationship with my cultural identity is easier to deconstruct when paired down to an exploration of process, form, and color. Ideas of containment, strength, and beauty are translated into line, form, and color. A color palette that is predominantly white and black represents my cultural dichotomy. Addressing a perpetual, yet elusive, quest for balance, these colors coexist within forms but are never seamlessly integrated.
I address dichotomies directly through process. Through pinching, coiling, slab-building, and wheelthrowing I vacillate between the need for structure …
Object Landscape, Stuart B. Gair
Object Landscape, Stuart B. Gair
School of Art, Art History, and Design: Theses and Student Creative Work
The ceramic objects I create possess a particular buoyant volume and subtle organic surface variation that enable each piece to stand-alone and yet to allure the viewer in for closer examination. A particular articulation of each form creates an aesthetic that allows the object to occupy a space in such a way that evokes a sense of balance and harmony with a minimal domestic setting. Interests in historical forms that possess a full sense of volume provide a framework me to explore proportion, line, edge, silhouette, and transitions. I pare down these qualities to their true essence while still evoking …
Dana Weiser Interview, Julia Boucher
Dana Weiser Interview, Julia Boucher
Asian American Art Oral History Project
Bio: Education: University of Colorado at Boulder, B.A in Fine Arts, May 2001. Penland School of Crafts, Attended August2001-May 2001, woodworking and blacksmithing. School of the Art Institute of Chicago, B.F.A, Ceramics, May 2003 & Post-Baccalaureate Certificate, Ceramics May 2004 University of California at Los Angeles, M.F.A in Ceramics, June 2007 & M.A in Asian American Studies, December 2016.
Awards: National Scholastic Art Award in Ceramics, 1997. D’Arcy Hayman Award, 2005. Laura Andreson Scholarship, 2006. Elizabeth Heller Mandell Memorial Scholarship, 2006. Laura Andreson Scholarship, 2007. Finalist in Artist Runway.com, 2008.
Exhibitions: National Scholastic Art Exhibition, Corcoran Museum, Washington DC, …
Mie Kongo Interview, Mimonna Aljaber
Mie Kongo Interview, Mimonna Aljaber
Asian American Art Oral History Project
Bio: Mie Kongo grew up in the outskirts of Tokyo, Japan and now lives and works in Evanston IL, where she makes multidisciplinary work: ceramic sculptures & installations, 2D work and porcelain designed objects. Her work has been exhibited nationally and internationally, including recent exhibitions, “Unknown game series” at Dan Devening Projects + editions, Chicago, IL "Beyond Function" Arts and Literature Laboratory, Madison, WI, "Reformat: Digital Fabrication in Clay" Lillstreet Art Gallery, Chicago, IL, “Circle in a Square” Hyde Park Art Center, Chicago, IL. She has been showing her porcelain products at Paul Kotula Projects, Ferndale MI and Room 406, …
Fugitive Fragment, Diana Campuzano
Fugitive Fragment, Diana Campuzano
CGU MFA Theses
My work explores the fugitive beauty around us and tries to capture and embody it. For my work IC5070 I began with an image of a nebula IC5070, I created a work that hung from the ceiling and was 27 feet square and hung down 8 feet to just above the viewers. I explore the micro and the macro worlds with many of my works crossing back and forth between
Serving Bowl With Scraped Decoration, Samuel Johnson
Tea Pot With Reed Handle, Samuel Johnson
Hourglass Vase, Samuel Johnson
Bruce New: The Night Is Only A Dream, Kentucky Folk Art Center, Bruce New
Bruce New: The Night Is Only A Dream, Kentucky Folk Art Center, Bruce New
Kentucky Folk Art Center Exhibition Catalogs
2017 Kentucky Folk Art Center exhibition catalog of artist Bruce New.
Joe Sartor: Morehead Mind Games, Kentucky Folk Art Center, Joe Sartor
Joe Sartor: Morehead Mind Games, Kentucky Folk Art Center, Joe Sartor
Kentucky Folk Art Center Exhibition Catalogs
2017 Kentucky Folk Art Center exhibition catalog of artist Joe Sartor.
From Beyond The Stars: Innovation And Inspiration In Meiji Japanese Art, 1868-1912, Charles Mason, Madeleine Zimmerman, Joe Earle, Tom Wagner
From Beyond The Stars: Innovation And Inspiration In Meiji Japanese Art, 1868-1912, Charles Mason, Madeleine Zimmerman, Joe Earle, Tom Wagner
Kruizenga Art Museum Exhibition Catalogs
Design by Tom Wagner. Photography by the Kruizenga Art Museum, Tom Wagner, and Curatorial Assistance/WorldBridge Art, Inc. Produced by Storming the Castle Pictures (StCP) for the Kruizenga Art Museum as a catalogue for the exhibition, "From Beyond the Stars," August 29 - December 16, 2017.
Kruizenga Art Museum Online Collection - Exhibition Gallery