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Ceramic Arts Commons

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2017

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Articles 61 - 90 of 100

Full-Text Articles in Ceramic Arts

I Don't Love You Anymore, Anna Boling May 2017

I Don't Love You Anymore, Anna Boling

Forces

No abstract provided.


Muse Ing, Michael Leyzerzon May 2017

Muse Ing, Michael Leyzerzon

Forces

No abstract provided.


Veiled Lips, Kelly Mcnett May 2017

Veiled Lips, Kelly Mcnett

Forces

No abstract provided.


Untitled, Michael Nguyen May 2017

Untitled, Michael Nguyen

Forces

No abstract provided.


On Losing A Sister, Amanullah Khan May 2017

On Losing A Sister, Amanullah Khan

Forces

No abstract provided.


Self Infatuation, Amanullah Khan May 2017

Self Infatuation, Amanullah Khan

Forces

No abstract provided.


Emory Peak, Shelby Hotz May 2017

Emory Peak, Shelby Hotz

Forces

No abstract provided.


R Is For Regret, Anna Boling May 2017

R Is For Regret, Anna Boling

Forces

No abstract provided.


It All Began With A Thought, Sylvia S. Medel May 2017

It All Began With A Thought, Sylvia S. Medel

Forces

No abstract provided.


Limeston And Rivers, Andrew Barba May 2017

Limeston And Rivers, Andrew Barba

Forces

No abstract provided.


Retrieval, Jiaan Powers May 2017

Retrieval, Jiaan Powers

Forces

No abstract provided.


Seventh, Anaiyah Delight Walker May 2017

Seventh, Anaiyah Delight Walker

Forces

No abstract provided.


Window To The World Below, Nirisha Garimella May 2017

Window To The World Below, Nirisha Garimella

Forces

No abstract provided.


Watchful Eye, Alex Giovinazzo May 2017

Watchful Eye, Alex Giovinazzo

Forces

No abstract provided.


She Shall Have Culture, Linda Ann Suddarth May 2017

She Shall Have Culture, Linda Ann Suddarth

Forces

No abstract provided.


The Eternal Dance, Heather L. Faith Apr 2017

The Eternal Dance, Heather L. Faith

Conspectus Borealis

No abstract provided.


Abstract-Glaze Testing: Methods And Results, Hannah Perry Apr 2017

Abstract-Glaze Testing: Methods And Results, Hannah Perry

Undergraduate Research Conference

Floating blue is a glaze that appears to have a blue layer floating over an earthy undertone, giving it the illusion of depth. The base of the glaze floating blue was taken aside while its original colorants (rutile, red iron oxide, and cobalt carbonate) were added in different increments with other ones to get different hues. The main goal was to produce a green version of floating blue, that is, a glaze that has the same textural and visual effect as floating blue that instead has a green hue. This was tested by replacing cobalt carbonate with copper carbonate, while …


Substrato Para Devaneios, Louise Deroualle Apr 2017

Substrato Para Devaneios, Louise Deroualle

School of Art, Art History, and Design: Theses and Student Creative Work

Clay is my substrato para devaneios, my foundation for daydreams. Clay is earth, a humble, common material that represents the possibility of growth and thus, life. As my substrato, clay gives me stability and nourishes me, allowing me to communicate with and relate to the world. It has the ability to register touch and gesture; it records a moment in time.

My work is an abstracted representation of me: my identity, the way in which I relate to others and understand the environment I am in. I use ceramic materials to create formal abstractions that reveal different facets—physical, experiential, emotional—of …


Domestic Curiosities, Larry D. Buller Apr 2017

Domestic Curiosities, Larry D. Buller

School of Art, Art History, and Design: Theses and Student Creative Work

My art at first glance suggests the domestic, ornamental nature of ceramic objects, but upon closer inspection one discovers a showy, transgressive content that is conceptualized around issues of gay sexuality, the phallus and fetish objects. I create decorative sculptures that resonate with my varied experiences as a gay man. Clay with its endless possibilities for form and surface, is the ideal medium for my subversive intentions. It allows me to blend the rich historical language of ceramic art with the low-brow, and in my case, kitsch nature of craft that one might find in second hand stores. I invite …


Deconstructing Ideas Of Utility Through The Making Of Ceramic Vessels, Iren Tete Apr 2017

Deconstructing Ideas Of Utility Through The Making Of Ceramic Vessels, Iren Tete

School of Art, Art History, and Design: Theses and Student Creative Work

My work is a translation of memories, experiences, and languages into shapes, colors, and symbols. The fragmented relationship with my cultural identity is easier to deconstruct when paired down to an exploration of process, form, and color. Ideas of containment, strength, and beauty are translated into line, form, and color. A color palette that is predominantly white and black represents my cultural dichotomy. Addressing a perpetual, yet elusive, quest for balance, these colors coexist within forms but are never seamlessly integrated.

I address dichotomies directly through process. Through pinching, coiling, slab-building, and wheelthrowing I vacillate between the need for structure …


Object Landscape, Stuart B. Gair Apr 2017

Object Landscape, Stuart B. Gair

School of Art, Art History, and Design: Theses and Student Creative Work

The ceramic objects I create possess a particular buoyant volume and subtle organic surface variation that enable each piece to stand-alone and yet to allure the viewer in for closer examination. A particular articulation of each form creates an aesthetic that allows the object to occupy a space in such a way that evokes a sense of balance and harmony with a minimal domestic setting. Interests in historical forms that possess a full sense of volume provide a framework me to explore proportion, line, edge, silhouette, and transitions. I pare down these qualities to their true essence while still evoking …


Dana Weiser Interview, Julia Boucher Mar 2017

Dana Weiser Interview, Julia Boucher

Asian American Art Oral History Project

Bio: Education: University of Colorado at Boulder, B.A in Fine Arts, May 2001. Penland School of Crafts, Attended August2001-May 2001, woodworking and blacksmithing. School of the Art Institute of Chicago, B.F.A, Ceramics, May 2003 & Post-Baccalaureate Certificate, Ceramics May 2004 University of California at Los Angeles, M.F.A in Ceramics, June 2007 & M.A in Asian American Studies, December 2016.

Awards: National Scholastic Art Award in Ceramics, 1997. D’Arcy Hayman Award, 2005. Laura Andreson Scholarship, 2006. Elizabeth Heller Mandell Memorial Scholarship, 2006. Laura Andreson Scholarship, 2007. Finalist in Artist Runway.com, 2008.

Exhibitions: National Scholastic Art Exhibition, Corcoran Museum, Washington DC, …


Mie Kongo Interview, Mimonna Aljaber Mar 2017

Mie Kongo Interview, Mimonna Aljaber

Asian American Art Oral History Project

Bio: Mie Kongo grew up in the outskirts of Tokyo, Japan and now lives and works in Evanston IL, where she makes multidisciplinary work: ceramic sculptures & installations, 2D work and porcelain designed objects. Her work has been exhibited nationally and internationally, including recent exhibitions, “Unknown game series” at Dan Devening Projects + editions, Chicago, IL "Beyond Function" Arts and Literature Laboratory, Madison, WI, "Reformat: Digital Fabrication in Clay" Lillstreet Art Gallery, Chicago, IL, “Circle in a Square” Hyde Park Art Center, Chicago, IL. She has been showing her porcelain products at Paul Kotula Projects, Ferndale MI and Room 406, …


Fugitive Fragment, Diana Campuzano Mar 2017

Fugitive Fragment, Diana Campuzano

CGU MFA Theses

My work explores the fugitive beauty around us and tries to capture and embody it. For my work IC5070 I began with an image of a nebula IC5070, I created a work that hung from the ceiling and was 27 feet square and hung down 8 feet to just above the viewers. I explore the micro and the macro worlds with many of my works crossing back and forth between


Serving Bowl With Scraped Decoration, Samuel Johnson Feb 2017

Serving Bowl With Scraped Decoration, Samuel Johnson

Headwaters

No abstract provided.


Tea Pot With Reed Handle, Samuel Johnson Feb 2017

Tea Pot With Reed Handle, Samuel Johnson

Headwaters

No abstract provided.


Hourglass Vase, Samuel Johnson Feb 2017

Hourglass Vase, Samuel Johnson

Headwaters

No abstract provided.


Bruce New: The Night Is Only A Dream, Kentucky Folk Art Center, Bruce New Jan 2017

Bruce New: The Night Is Only A Dream, Kentucky Folk Art Center, Bruce New

Kentucky Folk Art Center Exhibition Catalogs

2017 Kentucky Folk Art Center exhibition catalog of artist Bruce New.


Joe Sartor: Morehead Mind Games, Kentucky Folk Art Center, Joe Sartor Jan 2017

Joe Sartor: Morehead Mind Games, Kentucky Folk Art Center, Joe Sartor

Kentucky Folk Art Center Exhibition Catalogs

2017 Kentucky Folk Art Center exhibition catalog of artist Joe Sartor.


From Beyond The Stars: Innovation And Inspiration In Meiji Japanese Art, 1868-1912, Charles Mason, Madeleine Zimmerman, Joe Earle, Tom Wagner Jan 2017

From Beyond The Stars: Innovation And Inspiration In Meiji Japanese Art, 1868-1912, Charles Mason, Madeleine Zimmerman, Joe Earle, Tom Wagner

Kruizenga Art Museum Exhibition Catalogs

Design by Tom Wagner. Photography by the Kruizenga Art Museum, Tom Wagner, and Curatorial Assistance/WorldBridge Art, Inc. Produced by Storming the Castle Pictures (StCP) for the Kruizenga Art Museum as a catalogue for the exhibition, "From Beyond the Stars," August 29 - December 16, 2017.

Kruizenga Art Museum Online Collection - Exhibition Gallery