Ceramic Arts Commons^™

It Won’T Be Easy, Allison Arkush

School of Art, Art History, and Design: Theses and Student Creative Work

Interdisciplinary artist Allison Arkush engages a wide range of materials, modalities, and research in her practice. In It Won’t Be Easy, Arkush places and piles her multimedia sculptures throughout the gallery to create installations that overlap ­with her writing and poetry, sometimes layering in (or extending out to) audio and video components. This approach facilitates the probing exploration of prevailing value systems through a flattening of hierarchies among and between humans, the other-than-human, and the inanimate—though no less lively. Her work meditates on and ‘vendiagrams’ things forsaken and sacred, the traumatic and nostalgic. The exhibition title acknowledges that the …

Inhumane, Jordan Brown

Master's Theses or Doctor of Nursing Practice

My Goal is to bring awareness to the plight of wild creatures who have lost their habitats due to pollution and urban sprawl. I will be making porcelain vessels that influence people to think about their role on the environment. Both terrestrial and aquatic life has been impacted by humans through poaching, non-traditional medical practices, and human activity in the ocean. By making impressionable clay urns, I hope to bring light to these issues that affect animals. Through research I have been enthused by the steep historical forms from Greece, China, and Europe. Their exceptional skill and knowledge of the …

Current(S), Austin Raye Navrkal

Graduate Student Theses, Dissertations, & Professional Papers

Current(s) addresses my perspective of the subtle changes that happen as the seasons slowly transition to act as a metaphor for the subtle changes that have happened to me over the course of my time in graduate school.

Damned Ol' Dirt, Molly Morningglory

All Theses

damned ol’ dirt centers mindfulness and embodiment practices to foster relationships with the self, each other, and the land. These relationships intend to collectively imagine and then build an emotionally and environmentally sustainable and joyful future. My practice foregrounds clay with digital video, photography, and fabric dyeing, recording the imprint of performance. I use my hereditary understanding of clay and fibers, a trained attunement to the natural world, and my background of performance in craft (via demonstration of tactile techniques) to transfer knowledge and skill to the viewer. Through the creation of tableaus and documents of rituals based in materiality, …

The Systemic Punches: Displacement Experience Of Vulnerable Immigrants, Eric Andre

Graduate Theses and Dissertations

"The Systemic Punches: Displacement Experience of Vulnerable Immigrants" focuses on the impact of systems of state control such as immigration laws, policies, and practices that have been institutionalized and that have marginalized immigrants. In my thesis, I pay specific attention to inhuman acts of exclusion and discrimination resulting from the systemic barriers perpetuated by xenophobic and nationalist ideologies.

From this standpoint, my thesis exhibition employs interactive space, which includes visual art (drawing, sculpture ceramics), projection, video, and sound, as a means to explore the effects of the exclusive and discriminatory immigration policies and practices. Furthermore, it is designed to explore …

Yellow, Sisi Chen

Theses and Dissertations

The following paper is a constellational unpacking of yellow through notes on critical race and feminist theories, myth, science, science fiction, disparate histories, cyborgs, biography, virtuality, materiality, fungi, porcelain, language, internalization, melancholia, smells, sounds, tastes, feels, and more feels.

Heartwork, Lance Taylor Loftin

Graduate Theses and Dissertations

Heartwork is a collection of paintings, drawings, and sculptures that explore the many ways identity is shaped by familial histories and personal memory. Focusing on my time growing up on a pine tree farm in Jackson, Mississippi in the early 90s, Heartwork explores gender, religion, regional traditions, family, and art. Through conversations and collaborations with my family, painting acts as an impetus for strengthening relationships. By reevaluating the past, I am able to create a web of interconnected narratives that inform and shift my understanding of the present.

Coping With Burdens, Jennifer Rose Wolken

Graduate Theses/Dissertations

How to carry and cope with burdensome circumstances beyond my control is the main theme I am currently exploring in my artistic practice. I create art objects and experiences that can elicit an empathetic connection to the realities of living with burdens like grief and chronic illness, or help you to process your own relationship to a wide variety of burdens. Individual pieces explore aspects of how I or close family members cope. My practice is multi-disciplinary and the forms focus on reinterpretation of the book as a sculptural art object or artists’ book. The processes I use are overwhelmingly …

Sculpting Organs: An Arts-Based Educational Activity For Anatomy Learning, Annika Gupta

Senior Theses

As an integral component of healthcare, a comprehensive understanding of anatomy is necessary for accurate clinical diagnoses and medical procedures. Beginning in undergraduate classrooms (premedical), there is a need to explore new ways of teaching and learning anatomy to train healthcare professionals. Traditional methods of attending a lecture and reading a textbook may not be the most effective method to learn about anatomical structures—or to engage learners. However, recent studies have reported promising results in the use of arts-based approaches to enhance anatomy learning. Of these, clay sculpting can provide an opportunity for students to participate in an active and …

A Third Culture Kid's Quest For Belonging: Ephemeral, Eternal, And The Space In Between, Simona Darshani Wiig

Honors Undergraduate Theses

In fulfillment of my degree of Bachelor of Fine Arts at the University of Central Florida specializing in sculpture and ceramics, I have produced a body of artwork in a range of media, including printmaking, bookbinding, painting, ceramics, and sculpture. This thesis is the exegesis of my creative work, informed by contemporary artworks and the study of shelter-making in nature. Utilizing The Practitioner Model of Creative Cognition as defined by R. Lyle Skains, I will establish my work as practice-based research. While "exegesis" generally refers to the critical examination of written work, I feel it is appropriate in this context …

Beside| |Between, Brooke J. Armstrong

Graduate Student Theses, Dissertations, & Professional Papers

Beauty and the grotesque both induce physical sensations in the body. Pleasure and displeasure are two points on the same line. They are not mutually exclusive. Like the body and the vessel, like the self and the other all things exist in reciprocity. The capability of holding brings agency, breaking down perceptions of of subject-object relationships. The works presented in this paper represent a merging and a transformation of perceived separate entities. Craft history and processes inform the work present in the thesis exhibition, Beside| |Between.

Sacred Industry, Joshua Heimsoth

Master's Theses or Doctor of Nursing Practice

Thesis show revolving around the design concepts found in religious art and in the functional beauty of industrial design with observations on the beauty and hypocrisy in both power structures.

Reclaim, Harris Benjamin Deno

All Graduate Theses, Dissertations, and Other Capstone Projects

I make ceramic and mixed media objects that embody interaction with material. Translated from the simple utterance of the hand the material articulates the labor. As in any relationship there are miscommunications and disagreements; Desperation, struggle, and honest interaction are apparent on the surface of the labored forms. Objects are created in an immediate fashion, the intimacy of the moment folded into the material. Each interaction an embodiment of the human experience. I think of these works as entries in a journal; The gravity of a moment is captured, relieving the mind by bearing that weight.

Whenever approaching a work, …

Ties That Bind Us, Christine M. Orr, Christine M. Orr

Theses and Dissertations

when objects converge in a space

they start a dialogue of their lives

lives that become entangled with your life

your memory

objects are the narrators of memory

a stain, a chip, a tear

materials embed meaning and metaphor within the process of creating

woven cloth, throwing lines, squeezed and pressed coils

all become remnants of the hand

as I make, play, and collect materials and objects

questions are brought forward

How do these components talk to one other?

What are they saying?

How do I listen?

knowledge is generated in the transformation of material through the process of

making …

Lost In Translation, Amanda Barr

Graduate Student Theses, Dissertations, & Professional Papers

Lost in Translation addresses the issues that trauma can create in communication; whether that be a physical trauma that damages ability to speak, think, or understand language, or mental and emotional trauma that significantly effects abilities to process, connect, and manage interpersonal relationships. My work is my voice, and a way to help others connect, to feel heard, and to even help them begin to communicate.

Dimensional Presence: Serdar Arat, T. Michael Martin

Faculty & Staff Research and Creative Activity

This catalog was produced on the occasion of the exhibition "Dimensional Presence: Serdar Arat" presented in The Clara M. Eagle Gallery from November 15, 2018 to February 7, 2019.

Serdar Arat is an artist from Istanbul, Turkey who has been living and working in New York since 1980. He received his M.F.A. in Painting at the State University of New York in Albany in 1984. His first solo exhibition was held in New York in 1986. Since then, he has presented many national and international solo- exhibitions and has participated in numerous group exhibitions in various cities across the US …

Bowl, Calabash, Sample Student

Art Graduate Student Gallery

Calabash bowls, like this one, were once common in West African countries.

Today, calabash bowls continue to be produced, but on a smaller scale with the widespread availability of plastic bowls.

The donor, Carole L. Sherman, collected the piece during her years in the Peace Corps. Features bird and fish design carved in the basin. Other animals like a snake are carved into the base.

Day Gone, Matthew D. Zorn

LSU Master's Theses

As an exploration of the natural world and the otherworldly, Day Gone seeks to define the relationships between disparate places. Through the use of ceramic and supporting materials, the objects serve as a portal to a terra incognita of color, texture, and language. The installation is a catalog of experiences and feelings I hold consciously or unconsciously.

Crystal Queer: Fracturing The Binaries Of Matter, Creation, And Landscape, Sarah Knight

Graduate School of Art Theses

In this thesis, I compile a series of fragments consisting an analysis of my artwork in the gendered contexts of landscape, self-identity, mythology, and philosophy. I develop my concept of a “queer mark” in my art that serves as a form of queering, a disruption of visual and conceptual cohesion. I form a picture of how our contemporary selves are influenced by our gendered understanding of the landscape through the analysis of philosophical, artistic, and mythological concepts of creation. I see my sculptures as an atlas to an alternative means of understanding identity, a queering of these historical and exclusionary …

I Hear You Now, I See You Then, Quinn Hunter

Art + Design Masters Theses

In the research driven project I Hear You Now, I See You Then, I refer to the contemporary and historical erasure of the labor of African American women using research gathered from the southern plantation economy to create an art installation. The objects in this installation are primarily made with artificial hair integrations and utilizing labor intensive methods that are similar to those used to install the hair on the Black body. The objects I make reference the luxury items in the domestic spaces of historic plantation sites that have been re-branded to be used in the wedding /tourism industry. …

Baby Loved, Gilbert Hu

Forces

No abstract provided.

2020 Forces, Scott Yarbrough

Forces

No abstract provided.

Me And Shadow, Gilbert Hu

Forces

No abstract provided.

Baby Loved, Gilbert Hu

Forces

No abstract provided.

Capacity, Rachel Baydian

CGU MFA Theses

This Master of Fine Arts Thesis Exhibition by Rachel Baydian is an installation of ceramic sculptures that function as a stand-in for the human body, touching on relationship, interconnectivity, and imperfection. Using abstracted forms that derive from the earth, these art objects are sculpted to mimic nature and its processes. The work highlights our human connection to nature as integrative and vital. Through experience and tactility, there is more of an awareness of space and heightened senses. The work taps into the awe and seduction of the mystery of nature through seemingly ordinary elements of the physical world.

An Open Bag, Matilde Benmayor

Theses and Dissertations

What do we take with us? How much space should we leave in the bag for what we might find? This paper is a journey from under the rug and onto the pavement. Sowing spiderweb maps I try to make a new city my own.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated sculpture of the Moon upon a metal post. The artist is unknown. The photo was taken facing east.

Untitled, Unknown

Morehead State University Art Collection

A large steel structure that sits outside of the Lloyd Cassity Building.

Untitled, Christine Barker

Morehead State University Art Collection

An untitled, undated painting of Daniel Boone leading his crew to an overlook with an impressive view. This was painted by Christine Barker.

Freedom, Laran Ghiglieri

Morehead State University Art Collection

A bronze sculpture of an eagle with its wings outstretched perched upon a rock that is draped in an United States flag. This was created by renowned artist Laran Ghiglieri.