Art and Materials Conservation Commons^™

Celestial Messenger, Bijian Fan

The STEAM Journal

This dragon sculpture is embedded with binary code in the form of 1s and 0s, they are generated by light transmission through the holes.

Advances In Documentation, Digital Curation, Virtual Exhibition, And A Test Of 3d Geometric Morhpometrics: A Case Study Of The Vanderpool Vessels From The Ancestral Caddo Territory, Robert Z. Selden Jr., Timothy K. Perttula, Michael J. O'Brien

CRHR: Archaeology

Three-dimensional (3D) digital scanning of archaeological materials is typically used as a tool for artifact documentation. With the permission of the Caddo Nation of Oklahoma, 3D documentation of Caddo funerary vessels from the Vanderpool site (41SM77) was conducted with the initial goal of ensuring that these data would be publicly available for future research long after the vessels were repatriated. A digital infrastructure was created to archive and disseminate the resultant 3D datasets, ensuring that they would be accessible by both researchers and the general public (CRHR 2014a). However, 3D imagery can be used for much more than documentation. To …

Severan Marble Plan Of Rome Data Files, Justin St. P. Walsh

Art Faculty Data Sets

In its original state, the Severan Marble Plan of Rome, placed on the wall of the Temple of Peace between 203 and 211 CE, showed viewers the locations of buildings throughout Rome, and even the groundplan of each of those buildings. It is today an extraordinary piece of evidence for understanding the city in that time period, despite its ruinous state. It survives in over 1,100 fragments, representing only about 10% of its original surface area. To date, scholars have successfully placed only about 100 of those fragments with respect to the buildings they depict. Using GIS and CAD software, …

Fragmented, Max Rebel

Electronic Theses and Dissertations

This thesis, Fragmented, outlines Rebel’s explorations with materials and techniques that led to the creation of his current work that was presented in his MFA Exhibition. Fragmented focuses on elements of abandoned and ignored structures found in both urban and rural communities. Rebel is interested in the visual characteristics directly related to manufactured landscapes that have been reshaped by neglect, specifically, surfaces that appear old and weathered. The assemblages he makes in reference to these deserted sites do not comment on specific architectural locations. Instead, they are meant to emphasize common traits found at multiple sites. By working with …

Retuned Books To Germany Taken After The World War Ii And Its Implications On Ukraine, Taras Zenyuk

Taras Zenyuk

No abstract provided.

Loss Thread, Zena Zakanycz

Georgia State Undergraduate Research Conference

No abstract provided.

Hollywood Turf Club, The Track Of The Lakes And Flowers, Harry Curland Catering, The Hollywood Turf Club

The Raymond Earl Oetgen Menu Collection

No abstract provided.

Brunswick Cafe, Coeur D'Alene, Idaho, Brunswick Cafe

The Raymond Earl Oetgen Menu Collection

No abstract provided.

El Adobe De Capistrano, San Juan Capistrano, California, El Adobe De Capistrano

The Raymond Earl Oetgen Menu Collection

No abstract provided.

San Clemente Inn, Breakfast Menu, San Clemente Inn

The Raymond Earl Oetgen Menu Collection

No abstract provided.

El Adobe De Capistrano, San Juan Capistrano, California, El Adobe De Capistrano

The Raymond Earl Oetgen Menu Collection

No abstract provided.

The Harbor Light, Oceanside Yacht Harbor, Oceanside, California, The Harbor Light

The Raymond Earl Oetgen Menu Collection

No abstract provided.

Ivar's Acres Of Clams, Pier 54, Seattle, Washington, Ivar's Acres Of Clams

The Raymond Earl Oetgen Menu Collection

No abstract provided.

San Clemente Inn, San Clemente, California, Four Souvenier Versions Of Original Dinner Menu, San Clemente Inn

The Raymond Earl Oetgen Menu Collection

No abstract provided.

San Clemente Inn, Original Dinner Menu, San Clemente Inn

The Raymond Earl Oetgen Menu Collection

No abstract provided.

Red Onion, Rolling Hills Estates, California, Host International

The Raymond Earl Oetgen Menu Collection

No abstract provided.

Printmaking And Textiles, Abbie Baldwin

Summer Research

This paper summarizes the author's exploration of the themes of destruction, re-growth, and time through the mediums of textiles and printmaking.

Circulating Collections Book Repair Manual, Marianne Swanberry Hanley

Treatment Manuals

The audience for this manual are work-study students and library technicians working charged with repairing items from our circulating book collection. Be careful because a repair done incorrectly can cause more harm than good if you are not sure don’t do it. Never be afraid to ask, no question is too small.

It is important to maintain control over your work. Work should be neat and organized. When new staff is hired they are trained by an experienced person and given manuals for reference. Each employee’s work is reviewed periodically to be certain that they understand the principles and techniques …

Bent Out Of Shape Embodied Knowledge In The Art Of Copper Repoussé, Tierney Brown

Independent Study Project (ISP) Collection

Over the course of a 1,300 year history the Newar art of moulding copper into fine architectural ornaments and full bodied sacred figures has been passed through family lineages and working apprenticeships. Presently the copper repoussé technique has continued to elude a regulated school format instead favoring individual apprenticeships in the workshops and homes of more experienced artists. In a two week short-apprenticeship and study in Sajan Raj Shakya's workshop in Mangchal Tole, Patan I was instructed in the basics of creating copper forms through repoussé and chasing. This experience is documented both in terms of the delineated process for …

Temporalities And The Drawn Response To The Conservation And Restoration Of Paintings, Brian Fay

Other resources

This paper will consider the temporal implications for drawing in the light of conservation and restoration treatments to paintings by the Seventeenth Century Dutch painter Johannes Vermeer.

Using three critical frameworks: Norman Bryson’s becoming model for drawing and the relationship of liminality to a painting during conservation/restoration, George Didi Huberman’s anti-chronological reading of the detail and the pan in painting, and Walter Benjamin’s definitions of drawing the paper will seek to address some implications for a drawing practice that responds to a pre-existing museum artworks.

The paper will present some findings from my own drawing practice that responds to Vermeer’s …

The Parenthetical Notation Method For Recording Yarn Structure, Jeffrey C. Splitstoser

Textile Society of America Symposium Proceedings

Until now, describing yarn structure has been more art than science, especially for complex yarns and cordage like those encountered at Cerrillos, a Paracas (ca. 900-100 B.C.E.) site in the Ica Valley of Peru, where yarns and cordage frequently involve multiple colors, sub-structures, and materials (e.g., Image 1). My early attempts at describing yarn structures using notation were essentially undecipherable to others. Likewise, narrative methods proved too wordy and no less confusing. (For instance, a narrative description of the structure of specimen 2001-L185-B1654- S001, a rope-like yarn pictured in Images 2 and 3, would be: Twelve Z-spun-singly-ply yarns Ztwisted with …

Samplers, Sewing And Star Quilts: Changing Federal Policies Impact Native American Education And Assimilation, Lynne Anderson

Textile Society of America Symposium Proceedings

Illustrating the U.S. federal government's changing policies on the assimilation of Native American children is the role of needlework instruction in the schooling of Indian girls. Described and discussed are three examples of 19th and 20th century policy, with emphasis on the textiles resulting from those policies. Early 19th century policy supported mission schools for Indians. Learning to sew was a valued domestic skill in 19th century female education, culminating in the making of a needlework sampler. This focus was adopted in mission schools, illustrated by Christeen Baker's 1830 sampler stitched at the Choctaw Mission School in Mayhew, Mississippi. Shortly …

Exposed, Shelly Barq

University of New Orleans Theses and Dissertations

No abstract provided.

Special Formats, Innovative Preservation Storage Solutions, Peter D. Verheyen

Peter D Verheyen

Expanded version of earlier (2009) presentation that discusses the types of materials; challenges of the materials; storage options; transport and access; other considerations of oversized materials in libraries and archives. The presentation also discussed the tube storage system developed for architectural and other over-sized drawings at Syracuse University Library as a case-study.

Textile Society Of America Newsletter 24:2 — Spring 2012, Textile Society Of America

Textile Society of America Newsletters

Textiles and Politics: Textile Society of America 13th Biennial Symposium, September 19-22, 2012, Washington, DC
From the President
TSA Member News
Textiles and Cultural Context: Ecuadorian Artesanía Vendors and Transnational Markets
The Mola: Imagery of Culture and Politics
Taiwan Aboriginal Textiles: Translations and Transformations: Background of Yushan Tsai's Exhibition
Book Reviews
Textile Community News
Featured Collection: Denver Art Museum Textile Art Department Expansion
Call for Papers
Calendar: Conferences & Symposia
Exhibitions: United States
Exhibitions: International
Lectures, Workshops, Tours

Pragmatism And Compromise In Conservation, Peter D. Verheyen

Peter D Verheyen

I write this from the perspective of an apprentice-trained bookbinder and conservator who has spent most of his career working in academic research libraries in the US, work that has included working primarily with special collections, but also heavily used circulating collections and digitization. During this time I have also worked with many other conservators, interns from conservation/preservation programs and students of museum studies and librarianship. While the mission ensuring the long-term health of and continued access to the Library’s collections has not changed, how we do that work and prioritize activities has. This has been a result of changes …

Pragmatism And Compromise In Conservation, Peter D. Verheyen

Libraries' and Librarians' Publications

I write this from the perspective of an apprentice-trained bookbinder and conservator who has spent most of his career working in academic research libraries in the US, work that has included working primarily with special collections, but also heavily used circulating collections and digitization. During this time I have also worked with many other conservators, interns from conservation/preservation programs and students of museum studies and librarianship. While the mission ensuring the long-term health of and continued access to the Library’s collections has not changed, how we do that work and prioritize activities has. This has been a result of changes …

Collecting And Preserving Photographic Materials, Amanda Drost

Amanda Drost

No abstract provided.

"Tuxedo" Phase Box (3 Variants), David J. Stokoe, Department Of Preservation And Conservation

Libraries' and Librarians' Publications

These diagrams depict 3 variants of the "tuxedo-style phase box,"a simple, low-cost, enclosure made from 20pt acid-free folder stock. It is designed to protect brittle, deteriorated, "low priority" items.

Conserving Our Cultural Heritage: The Role Of Fungi In Biodeterioration, Hanna Szczepanowska, A. R. Cavaliere

Biology Faculty Publications

The objects of cultural heritage are composed of varied materials which can be affected by diverse microbial communities. The study of these complex and heterogeneous assemblies of materials and microorganisms require an inter- and multi-disciplinary approach. Development of a strategy towards prevention, mitigation of biodeterioration and removal of microorganisms, especially fungi begins with the understanding of the materials' fabric, assessment of causes behind the biodeterioration, and the context in which it occurs.

Three aspects of biodeterioration of cultural heritage are discussed: 1) the multitude of bio-agents' on cultural heritage materials, 2) fungal interaction with substrates, and 3) prevention and conservation …