Art and Materials Conservation Commons^™

From Chinese Painting To Wearable Art: The Development Of Wearable Art Design Process Model And Evaluation Methods For Wearable Art Designers, Ling Zhang

Ling Zhang

Wearable art is “art composed of materials structured so they can be worn on the body and that exhibit visually exciting design elements and principles” (Bryant & Hoffman, 1994, P.86). It is a unique (Becker, 1987) and visible symbol that not only depicts the mood of a designer, but also communicates her/his belief, life style, culture, knowledge, and aesthetic tastes to the world. The goals of creating this wearable art collection were to: (a) incorporate traditional Chinese Xie Yi painting themes, ideals or motifs into modern fashion designs with the silhouettes of Western clothing through the use of a variety …

Barong Tagalong, Sabrina Skerston, Ellen C. Mckinney

Ellen C. McKinney

The barong tagalong, also known as the barong Filipino or simply the barong, is the national men's shirt of the Philippines. It is a long-sleeved, collared shirt, buttoning halfway down the front. Traditionally, the barong is made of white, transparent cloth with embroidery around the buttons. The shirt is usually woven out of pina fiber, which is harvested from the leaves of the pineapple plant.

Faja, Ellen C. Mckinney

Ellen C. McKinney

The faja is a compression undergarment, similar to a girdle. The faja is worn very tight on the body to create an extremely curvy hourglass figure. The undergarment shifts organs and flesh and has been said to reduce one's appetite. The degree of figure shaping and body compression depends on the fabric composition. Versions can be found in mixtures of spandex, cotton, nylon, or latex; the less forgiving the material, the more flattering the effect. The undergarment may be closed with hooks, a zipper, or both.

Digitizing Lantern Slides In The Warren H. Manning Collection, Bill Yungclas, Melissa Tedone

William Yungclas

No abstract provided.

About Dams Time: Preserving And Integrating Conversation Photography At The Indianapolis Museum Of Art, Rebecca Pattillo

Rebecca Pattillo

Conservation Workshops In Djenné, Mali, 2015 And 2017, Michaelle L. Biddle

Michaelle Biddle

Case Study As A Means To Document And Promote Creative Pattern Cutting Processes, Ellen Mckinney

Ellen C. McKinney

Practical experiences of traditional and emerging processes in creative pattern cutting can be successfully documented and promoted through case study. Case study is a comprehensive research strategy for investigating an empirical topic by following a set of pre-specified procedures (Yin, 1994). The case study method is different from research methods such as experiments and surveys where statistical generalization is used to extend the results to a larger population. In the case study method, analytic generalization is used to generalize from the case study to theoretical propositions. This paper explores reasons and solutions for undocumented pattern cutting knowledge. Pattern cutters mentally …

Case Study As A Means To Document And Promote Creative Pattern Cutting Processes, Ellen Mckinney

Ellen C. McKinney

Practical experiences of traditional and emerging processes in creative pattern cutting can be successfully documented and promoted through case study. Case study is a comprehensive research strategy for investigating an empirical topic by following a set of pre-specified procedures (Yin, 1994). The case study method is different from research methods such as experiments and surveys where statistical generalization is used to extend the results to a larger population. In the case study method, analytic generalization is used to generalize from the case study to theoretical propositions. This paper explores reasons and solutions for undocumented pattern cutting knowledge. Pattern cutters mentally …

Case Study As A Means To Document And Promote Creative Pattern Cutting Processes, Ellen Mckinney

Ellen C. McKinney

Practical experiences of traditional and emerging processes in creative pattern cutting can be successfully documented and promoted through case study. Case study is a comprehensive research strategy for investigating an empirical topic by following a set of pre-specified procedures (Yin, 1994). The case study method is different from research methods such as experiments and surveys where statistical generalization is used to extend the results to a larger population. In the case study method, analytic generalization is used to generalize from the case study to theoretical propositions. This paper explores reasons and solutions for undocumented pattern cutting knowledge. Pattern cutters mentally …

La Conservation Des Manuscrits De L’Afrique Sub-Saharienne.Pdf, Michaelle L. Biddle

Michaelle Biddle

Book Repair Basics For Libraries : Webinar, Peter Verheyen, Marianne Hanley

Marianne Swanberry Hanley

This presentation familiarizes viewers with different aspects of circulating collections book repair for school, public, and academic library staff. It shows basic descriptions of techniques using images, and video. This presentation should not be construed as a how-to, hands-on workshop. Likewise, it is not aimed at the treatment of special collections items. Selected resources for training, both hands-on and online are provided at the end. This webinar was presented to ALA/Association for Library Collections & Technical Services (ALCTS). Online. Sep. 14, 2011. Download below or view online at http://www.youtube.com/watch?v=8qWWnIHoRig.

Open Access: A Model For Sharing Published Conservation Research, Peter D. Verheyen, Priscilla Anderson, Whitney Baker, Beth Doyle

Peter D Verheyen

The conservation field has articulated the importance of publishing our research to disseminate information and further the aims of conservation. Article X of AIC’s Code of Ethics states that conservators should “contribute to the evolution and growth of the profession, a field of study that encompasses the liberal arts and the natural sciences” in part by “sharing of information and experience with colleagues, adding to the profession’s written body of knowledge.” Our Guidelines for Practice state “the conservation professional should recognize the importance of published information that has undergone formal peer review,” because, as Commentary 2.1 indicates, “publication in peer-reviewed …

Retuned Books To Germany Taken After The World War Ii And Its Implications On Ukraine, Taras Zenyuk

Taras Zenyuk

No abstract provided.

Special Formats, Innovative Preservation Storage Solutions, Peter D. Verheyen

Peter D Verheyen

Expanded version of earlier (2009) presentation that discusses the types of materials; challenges of the materials; storage options; transport and access; other considerations of oversized materials in libraries and archives. The presentation also discussed the tube storage system developed for architectural and other over-sized drawings at Syracuse University Library as a case-study.

Pragmatism And Compromise In Conservation, Peter D. Verheyen

Peter D Verheyen

I write this from the perspective of an apprentice-trained bookbinder and conservator who has spent most of his career working in academic research libraries in the US, work that has included working primarily with special collections, but also heavily used circulating collections and digitization. During this time I have also worked with many other conservators, interns from conservation/preservation programs and students of museum studies and librarianship. While the mission ensuring the long-term health of and continued access to the Library’s collections has not changed, how we do that work and prioritize activities has. This has been a result of changes …

Collecting And Preserving Photographic Materials, Amanda Drost

Amanda Drost

No abstract provided.

Book Repair Basics For Libraries, Peter D. Verheyen, Marianne Hanley

Peter D Verheyen

This presentation familiarizes viewers with different aspects of circulating collections book repair for school, public, and academic library staff. It shows basic descriptions of techniques using images, and video. This presentation should not be construed as a how-to, hands-on workshop. Likewise, it is not aimed at the treatment of special collections items. Selected resources for training, both hands-on and online are provided at the end.

Records Management And The Preservation Of Digital Art, Harrison W. Inefuku

Harrison W. Inefuku

No abstract provided.

Archival 101 & Working With Vendors, Peter D. Verheyen

Peter D Verheyen

Archival 101: Dealing with Suppliers of Archival Products

* Do you need to purchase archival supplies for your organization or even yourself? * Are you confused by the terminology and not sure about what the differences between the various vendors are? * Not finding exactly what you are looking for and unsure about adapting different products?

Archival 101 is designed to demystify the archival product terminology and market for the layperson and non-preservation specialist. The presentation will provide an overview of the conservation and preservation issues facing libraries, cultural organizations, and individuals; describe the terminology in use; discuss products and …

Documenting Digital Art In Small Galleries: The Approach Of The Interpares Project, Harrison W. Inefuku

Harrison W. Inefuku

This presentation discusses research being conducted at the Morris and Helen Belkin Art Gallery as part of the InterPARES 3 Project, which is developing a documentation framework to support the preservation of digital and new media art. The framework includes the use of a questionnaire for artists; a checklist of records that should be created and/or acquired by the Gallery; a file structure that allows the Gallery to maintain its documents and records according to records and archival management best practices; and an analysis of copyright and moral rights issues.

For the results of this study, see Case Study 03—Morris …

Bookbinding & Conservation: A Sixty-Year Odyssey Of Art And Craft By Don Etherington, Peter D. Verheyen

Peter D Verheyen

For those involved with bookbinding, book conservation, or with the Guild of Book Workers, Don Etherington needs no introduction – he has served as a teacher, mentor, and friend. Now, with Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft we can read about how he came to enter this field, was influenced by his teachers and mentors, and how he helped shape the world of bookbinding and conservation.

"Bookbinding & Conservation: A Sixty-year Odyssey of Art and Craft" contains a forward by Bernard Middleton, another leader in the field, and one who needs little introduction himself. It is …

Special Formats, Innovative Preservation Storage Solutions, Peter D. Verheyen

Peter D Verheyen

The presentation dealt with the tube storage system developed for architectural and other over-sized drawings at Syracuse University Library.

Narrative Convergence, Cross-Sited Productions And The Archival Dilemma, Marc Ruppel

David Phung

This article addresses the speculative role of digital preservation from the standpoint of convergent literatures. `Cross-sited narratives', multimodal stories told across media channels, are introduced here as a specific mode of narrative instrumentality. It is argued that contemporary models of the archive structured on organizational models such as genetic criticism and on preservational models such as emulation and migration are not equipped to handle cross-sited works, as they are premised on mono-media sensibilities. Primarily exploring Mark Danielewski's House of Leaves (2000) and Neil Young's Greendale (2003), two works that resist digitization both materially and thematically, the claim is made that …

The Changing Book: Transitions In Design, Production, And Preservation, Peter D. Verheyen

Peter D Verheyen

This book review was originally published in the Guild of Book Workers' Newsletter, Vol 181, December, 2008.

"The Changing Book: Transitions in Design Production, and Preservation publishes the proceedings of the conference of the same name organized by and held at the University of Iowa July 22-25,2005. This conference tied together many threads, from an exhibition honoring the life's work of William (Bill) Anthony, the first conservator at the University of Iowa and teacher to some of today's best, to a "tent show" which gave the public the opportunity to learn about the book arts hands-on, to 19 formal presentations …

William Anthony Fine Binder, Peter D. Verheyen

Peter D Verheyen

William “Bill” Anthony (1926-1989) was arguably one of the most influential bookbinders and conservators in the US. His impact cannot be measured by his work alone but also by his legacy as demonstrated by all those he trained, many of whom are now leaders in the field in their own right. Lawrence Yerkes’ forward and Helen Ryan’s introduction to the catalog describe not only Anthony’s life and work, but also the emotional bond they had with him and his spirit that touched so many.

Japanese Painting And National Identity: Okakura Tenshin And His Circle, Victoria Weston

Victoria Weston

Japanese Painting and National Identity is the first monograph in English to address the art and philosophy of a group of Meiji painters regarded by many as seminal figures in the development of modern Japanese painting. Lead by the outspoken and widely published art critic Okakura Tenshin, this group, including artists Yokoyama Taikan, Shimomura Kanzan, Hishida Shunsô, and others, wrestled with the vexing problem of how to modernize traditional media, methods, and styles while keeping the results authentically Japanese. Yet they saw themselves not just as artists but as servants of the nation. Their task, they believed, was to give …

Temporality, Impermanence And The Museum The Ethics Of Conservation And The Works Of Anselm Kiefer, Virginia A. Dressler

Virginia A Dressler

Basic Paper Treatments For Printed Book Materials, Peter D. Verheyen

Peter D Verheyen

In October of 1989, at the Guild of Book Workers' Standards of Excellence Seminar, Betsy Palmer Eldridge gave a presentation on "Basic Paper Treatments for Printed Book Materials." This 2 1/2 hour presentation was a very ambitious undertaking, but she did a magnificent job.Since these presentations and the synopses that later appeared in the GBW Newsletter, there has been some discussion. The presentations and these articles are not to be construed as a "how to" of basic paper conservation but rather as an introduction for those with interest but little experience. For the more experienced, they present the methods of …