Open Access. Powered by Scholars. Published by Universities.®

Art and Materials Conservation Commons

Open Access. Powered by Scholars. Published by Universities.®

Sculpture

Discipline
Institution
Publication Year
Publication
Publication Type

Articles 1 - 14 of 14

Full-Text Articles in Art and Materials Conservation

The Creative Front, Aleksandr O. Barrett Jan 2025

The Creative Front, Aleksandr O. Barrett

Graduate Student Theses, Dissertations, & Professional Papers

Abstract

In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …


Dear Dad,, Kimin Kim May 2024

Dear Dad,, Kimin Kim

Theses and Dissertations

A father-to-son relationship is often described as cold, distant, and detached. Mine was no different. A son looking for his father's approval for his entire life, realizing the approval has to be given by himself, not from his father.


Fear Of God: Exploring Transformative Potential, Misunderstanding, Systemic Challenges, And The Future., Jermaine Ollivierre Jan 2024

Fear Of God: Exploring Transformative Potential, Misunderstanding, Systemic Challenges, And The Future., Jermaine Ollivierre

Theses and Dissertations

This personal journey is a testament to the transformative power of play within my practice. It is a love story between me and the institution, sparked by my fervor for communal creativity in a graduate school environment. Through creative endeavors like public art installations and silent artist talks, I confront racial dynamics and institutional reluctance to engage with complex issues like Black Lives Matter. My personal experiences of alienation are woven into the broader themes of community building, communication, and systemic change. I navigate the complexities of group mentality and exclusion by deliberately using unconventional forms of expression, such as …


Entities: A Field Of Imaginary Games, Thrasyvoulos Ioannis Kalaitzidis May 2022

Entities: A Field Of Imaginary Games, Thrasyvoulos Ioannis Kalaitzidis

LSU Master's Theses

With this body of work, I am looking for visual symbols that help communicate unuttered meanings through storytelling and stimulate an affectual response to the viewer. This exploration is presented in two different forms: a surreal sculptural installation and a board game. The installation consists of large-scale sculptures made from light and soft materials (polyurethane foam, plastic waste, paper) that are available to move inside the gallery, while the board game is presented as a set of 3D prints with instructions on how the participants can play it. The materials used in the installation suggest a way to transform waste …


Nest, Camillia Elci May 2022

Nest, Camillia Elci

Masters Theses, 2020-current

The major themes in this body of work are time and layers. These themes are linked by the materiality of the work. Intentional destruction and recreation, perpetually. The work is constantly being made, destroyed, and remade. It is always partly past and partly future. Nest is a self portrait displaying objects acquired and made over the past several years.


The Object Memory Palace, Amra Causevic May 2020

The Object Memory Palace, Amra Causevic

Theses and Dissertations

I am interested in orchestrating instances of potentiality or concrete possibilities that proposes the futurity of play through means of touch, activation, assembly, and interaction within art spaces. The installation mentioned is composed of found objects and repurposed materials that address themes of place, memory, object-ness, and the archive, through gestural means of poetics and map making. It is an invitation to create new logics and find moments of empathy, connectivity, and hopes for a collective.


I Poked You Where We Were Connected, Sophia Ruppert Apr 2020

I Poked You Where We Were Connected, Sophia Ruppert

School of Art, Art History, and Design: Theses and Student Creative Work

Life leaves behind physical and mental residue. Some of these remnants are precious while others are tragic. Regardless of its origin, this residue can be made beautiful. Remnants of the objects that surround us chronicle our history as complex individuals. My sculptures investigate my own physical and mental residue to dissect and examine my personal history.
I unravel experiences that are residually prominent in my memories. Of particular importance are events and objects that have shaped my perception of self.
stories told by my grandmothers
a dysfunctional family dynamic
objects that provide visual touchstones to my childhood
These fragments are …


Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg May 2019

Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg

Theses and Dissertations

Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.


A Spectacle And Nothing Strange, Taylor Z. King Jan 2019

A Spectacle And Nothing Strange, Taylor Z. King

Theses and Dissertations

Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …


Unmaking As Making, Viola Bordon May 2018

Unmaking As Making, Viola Bordon

Bachelor of Fine Arts Senior Papers

Artist Viola Bordon examines the processes of touch, unmaking, and materially dictated aesthetics regarding her studio practice. The philosophical ideas of absence are used to establish a purpose for undoing, which is then explored as a learning process. This process is complicated by the sense of touch, resulting in formal aesthetics that are materially inspired.


After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee Jan 2018

After The Big Wind Stops I See Gentle Waves, Eunji (Jubee) Lee

Theses and Dissertations

This thesis covers my reflections on the inspirations and the motivations behind selected works including my candidacy exhibition; Resonance and my thesis exhibition; after the big wind stops I see gentle waves. It contains my life throughout my MFA studies and the development of my art practice. Through its story-within-a-story method of narration and my describing streams of my thoughts, I am attempting to explain the processes of my development and the discoveries I have made, the little things in my daily life, and the big turning points that inspired me. My work and this document have been strongly determined …


Amassing Subsistence: Creating An Environment Through Objects And Time, Matilda J. Alexander Jan 2016

Amassing Subsistence: Creating An Environment Through Objects And Time, Matilda J. Alexander

Senior Independent Study Theses

No abstract provided.


Pressing: Where The Objective Meets The Subjective, Mariana Parisca May 2015

Pressing: Where The Objective Meets The Subjective, Mariana Parisca

Undergraduate Theses—Unrestricted

Through this essay I describe the theoretical and anthropological ideas that led to the creation of the Cushing Series. An interest in the obsession with photography in popular culture leads to an understanding of the permeation of structured reasoning beyond scientific research and into everyday life. Taking evidence from photography, and philosophy of science I establish the limitations of structured reasoning, both as a way of perceiving the world and as an understanding of identity, and define surface and frame as its physical representation. Using Sartre’s existential theory and phenomenological anthropology I then describe the infinite subjective existence of …


A Brief Survey Of The Art And Execution Of Bronze Sculpture, Paul Lawrence May 1949

A Brief Survey Of The Art And Execution Of Bronze Sculpture, Paul Lawrence

Art & Art History ETDs

The general problem included the art and execution of bronze sculpture. It was felt that the theory of art of bronze sculpture, or any art, could be best comprehended when substantiated by practical illustration. In order to fully realize the problem, a brief history of bronze metal and bronze sculpture was presented in addition to the research in the field of various techniques of bronze casting. The practical illustration of this study was made in the form of a composition for bronze sculpture.