Art and Design Commons^™

Out Of Body, Alessandra Lee Michelle Torres

Theses and Dissertations

This thesis explores the evolution of Alessandra Torres's work, from her early performances and installations, to her latest work with surrogate bodies, as she challenges the relationship between artist and their creation, body and object, and audience and art. Examining the work of artists such as Cindy Sherman, Rebecca Horn and Marina Abramovic, Torres explores the transformative capabilities of interactive sculpture and live performance. Join Ms. Torres as she transforms herself into everything from a paintbrush to a serpent, in her ongoing exploration of the body's ability to adapt and evolve.

The Other Side Of The Fence, Benjamin S. Jones

Theses and Dissertations

I pull from what I see in my urban surroundings. There is always a sense of dread fused with optimism that prevails. Is it beautiful? Fragments of low-riders and tricked-out cars become symbols of desire and the glowing red lens of a stop light becomes a Cyclops poised to defend his garden. Candy-coated, blooming, dripping and seductively slick confronts you with the obvious warning: STOP! You could be next… …The grass really is greener on The Other Side of the Fence. At least until winter comes.

Dirty Laundry, Mona Mullins Williams

Theses and Dissertations

Making art is cathartic for me. Working in a visual medium allows me to communicate ideas and feelings that I would find difficult to express in words. I use a wide variety of traditional and non-traditional materials as symbolic elements in my work. While the pieces are not always pretty, my goal is that they contain an element of irony and humor which helps us laugh at ourselves.

Forging Space, Chance Burdick Liscomb

Theses and Dissertations

I naturally like sculpture. My artistic medium of choice is sculpture because it occupies physical space commands attention and thought. The expressive qualities found in steel are numerous as they are in manipulation of found materials. Both materials involve a process of discovery on an evolving road towards any sculpture's ultimate conclusion. My primary goal is that my sculpture should be personal and capture the viewer's eye, stir his or her subconscious, and serve as a form of communication.

Last Stand At Big Thunder Mountain, David Herbert

Theses and Dissertations

I seek to pose questions about what people overlook or don't consider when viewing art in order to interpret what they see. When working on a project, I purposely retain the effect of my hand. The false crudeness is enhanced by my use of seemingly impoverished materials. This is akin to seeing the fishing wire holding up the miniature spaceship as it flies through the sky. This document was created with Microsoft Word XP.

Terra Incognita, Miriam Ellen Ewers

Theses and Dissertations

Process Art: A Dialectic Between Intention Versus AccidentThe Art Studio as an Experimental LaboratoryThe Artist's UnknownImagined ArchitectureSubterranean Architecture: Natural and Man-MadePirenesi's Carceri PrintsGaudi's Architectural ModelsSelf-Reflexion and the Subconscious in Art-MakingArt and Ecstasy

Fullness Therein, Susan Van Geest

Pro Rege

No abstract provided.

2005 Forces, Scott Yarbrough

Forces

No abstract provided.

Art Walk Map & Works On Loan, Gallery Of Contemporary Art

Sacred Heart University Art Collection

Photos and descriptions of some of the outdoor sculptures on display on the campus of Sacred Heart University and a map of the locations of these and other works of art.

The Bridge, Volume 2, 2005, Bridgewater State College

the bridge

Volume 2 Staff

Stacy Cohen
David George
Beth Horka
David Mitchell
Elizabeth Redmond
Nicole Roy
Kimberly Silva
Cheryllynn Silvia
Janine Woodward

Mary Dondero, Faculty Advisor
Jerald Walker, Faculty Advisor
Linda Hall, Alumni Consultant
Rosann Kozlowski, Alumni Consultant

Magic Mountain, Diana Al-Hadid

Theses and Dissertations

My installations are propositions for an imaginary world that relies on its own internal logic, a world of believability without recognition. While the work references landscape it also emphasizes its contrivance, as it is automatically estranged in an "unnatural" gallery setting. I subvert or de-familiarize the materials and processes that I use in the service of creating a fictitious environment. My places are impossible places. They are irregular, illogical, and unstable. Our imagination can be one of most dangerous things to psychological stability as it is an inventory of all things possible, no matter how irrational or improbable. The irrational …

Codes Of Interaction, Timothy Michael Martin

Theses and Dissertations

The ideas within this thesis are meant to clarify my explorations, research and painting practice during my studies at Virginia Commonwealth University. I expand on my general statements about being fascinated by advancing technologies and concerned about the after effects of these advancements. The writing explores my curiosity about the internal, skeletal structure of things and how they operate. I explain how the paintings are idiosyncratic hybrids that evoke animation, imaginary scientific propositions, blueprints, maps, and advancing technologies. The work combines these interests with my observations of day-to-day experiences. Isolated events provide found compositions which I then manipulate: a seemingly …

We Believe In Nothing, Sarah Bednarek

Theses and Dissertations

A discussion of the important aspects informing my work, including, ideology, and feminism among other issues.

Working Space, Timothy D. Devoe

Theses and Dissertations

By altering the outward appearance of the gallery walls, I address the hidden inner temperaments and characteristics of these seemingly benign facades. Architectural rubble impacts with the gallery space in imagined collisions, exposing and distorting its hidden inner workings and structures. Sometimes my walls grow so fat that they need immediate and temporary structural solutions. They may even slump over in a pathetic heap under their own perceived mass.Using everyday wall building materials like 2x4s and drywall, or even harvesting the material directly from the gallery, I anthropomorphize the surface of the space. Rather than the architecture receding into the …

2004 Forces, Scott Yarbrough

Forces

No abstract provided.

The Bridge, Volume 1, 2004, Bridgewater State College

the bridge

Volume 1 Staff

Lauren Carter, Editor-in-Chief
Jennifer Stodder
Kaitlin MacLean
David Mitchell
John Butler
Christina Warsheski
Courtney Smith

Jerald Walker, Faculty Advisor
Linda Hall, Alumni Consultant
Rosann Kozlowski, Alumni Consultant

The Transformation Of Electricity In My Brain, Claire Watkins

Theses and Dissertations

This thesis is an exciting and enthralling story about the history of the world as seen through the eyes of Claire Watkins. The story takes place in the dusty corners of her art studio in the old confederate capital, Richmond, Virginia. Ms. Watkins leads her audience through such unsuspecting places as her brain, the life of an African Dung Beetle, the center of an atom and the dark reaches of outer space. The story is inspirational and thought provoking. It will force you to see the world as an interconnected web that weaves your life together with the cosmos. A …

The History Of The World, Ruby Wescoat

Theses and Dissertations

This Thesis is my effort to understand what subjects I find interesting and why. In the processes of writing and making sculpture, I discovered that my underlying fascination is in history. I am interested in places and objects for their individual qualities, but I also want to know how they relate to the world. If I am drawn to an ancient place or object, I want to examine how it fits into the contemporary world, and visa versa. The complexity of these relationships is increased by the vast number of histories (or stories) that are intertwined in the world. Over …

Perpetual Novelty, Brian Caverly

Theses and Dissertations

Within this thesis is a mapping out of the processes, concepts, and influences, behind the sculptural practice of Brian Caverly. From Complex Adaptive Systems to the world of order of Michel Foucault to the reexamination of the Modernist movement by Yve Alain Bois and Rosalind Krauss, a rhizomatic path of connections and lines form and cross over, weaving together into a swarming mayhem of over population. Out of this chaos and order grow complex installations and constructions that are inherently bound by the system of their making, yet attempt at every turn to escape conformity.

2003 Forces, Scott Yarbrough

Forces

No abstract provided.

Color And Texture: The ''Waves'' Sculpture, Yasmin Bobyk-Salazar

Kaleidoscope

No abstract provided.

Like A Rock In Deep Water: The Sculptural Works Of Jinman Jo, Frank Mcentire

Exhibit Catalogues

Overview of Korean sculptor JinMan Jo sculptorial works showcased at Nora Eccles Harrison Museum of Art.

2002 Forces, Scott Yarbrough

Forces

No abstract provided.

With A View Toward The Public: Dayton's Alternative Spaces Residency Program 1977-1983, Wright State University Art Galleries

Exhibition and Program Catalogs

The guide discusses the exhibition about Dayton's Alternative Spaces Residency Program from 1977-1983. A brief description is given for each of the artists and their work involved in the original project.

Waiting, Susan Van Geest

Pro Rege

No abstract provided.

Discovery Through Numeric Strata: A Balance Of Form And Aesthetics., Marc Ian Sonenberg

Electronic Theses and Dissertations

This thesis is in support of my Master of Fine Arts exhibition in the Carroll Reece Museum at East Tennessee State University. It describes a body of work that strives for a balance of form and aesthetics. Chapter 1 charts how I refined my personal stylistic qualities. Chapter 2 gives a brief overview of the history of ceramics techique. Chapter 3 discusses the surface treatment and construction of the pieces in the show. Chapter 4 presents each piece in chronological order.

2001 Forces, Scott Yarbrough

Forces

No abstract provided.

A Stained Glass Artist’S Adventure Into Sculpture: Adding A New Dimension To My Work, Robert N. Oddy

School of Information Studies - Faculty Scholarship

No abstract provided.

That's Life, Shelley L. Geiger

Theses

No abstract provided.

2000 Forces, Scott Yarbrough

Forces

No abstract provided.