Art and Design Commons^™

Art Of The 60s: A View From The 70s, Wright State University Art Galleries

Exhibition and Program Catalogs

Held in October through November 1978, this is a flyer for an art exhibit ran by the Wright State University Art Galleries on the subject of art from the 1960s. It featured the works from three artists: Jae Ie Ferrara, Richard Fleischner, and Doug Hollis. Its purpose was to demonstrate the meaning of art of the 1960s in relation to trends of the 1970s. Two other speakers, Stewart Goldman and Laslo Vespremi, spoke and gave lectures alongside the exhibit.

16 Projects/4 Artists 1977-1978, Fine Arts Gallery Inc., Wright State University

Exhibition and Program Catalogs

During the spring and summer of 1975 Wright State University organized a cooperative workshop/exhibitions program with three other institutions and, in 1976, received the support of the National Endowment for the Arts. This publication represents the second such program in what is hoped will be a continuing series.

The program consisted of sending four prominent contemporary artists to each of four schools during the 1977-78 academic year. The artists selected to participate in this project were Laurie Anderson, Dennis Oppenheim, Michelle Stuart, and William Wegman, each of whom works in diverse media and materials, and all of whom represent a …

Accumulated Vision: Extended Boundaries, Wright State University Art Galleries

Exhibition and Program Catalogs

The aim of this publication is to re-create, as closely as possible the experience that the visitor to the gallery may have encountered. The primary difference between the experiences of the gallery visitor and the reader of this book lies in the nature of the clues. Since the actual exhibition, in all its physical dimensions, cannot be presented here, additional data, such as artist's notes and drawings, are included. An integration and recognition of our conceptual, perceptual and projective process capabilities is required here as in the gallery. The work catalogued here is more difficult to engage in a comprehensive …

16 Projects / 4 Artists, Wright State University Art Galleries

Exhibition and Program Catalogs

During the spring and summer of 1975 Wright State University organized a cooperative workshop/exhibitions program with three other schools and, in 1976, received the support of the National Endowment for the Arts. The program consisted of sending four prominent contemporary artists to the four colleges and universities during the 1976-1977 academic year. The artists selected to participate in the program were Siah Armajani of Minneapolis, Larry Bell of Taos, Lloyd Hamrol of Santa Monica, and Pat Steir of New York, each of whom works in diverse media and materials, and all of whom represent a range of artistic and aesthetic …

"Dedication: Frederic Littman Sculpture 'Farewell To Orpheus'", Joseph C. Blumel

Special Collections: Oregon Public Speakers

No abstract provided.

Stephen Antonakos: Room For Wright State, Wright State University Art Gallery

Exhibition and Program Catalogs

The guide is a visual record of the installation of an environmental sculpture in the Wright State University Art Gallery. Room for Wright State was designed and built specifically for the Art Gallery by Stephen Antonakos. This document is meant to lend permanence to a temporary exhibition and to allow the reader to participate in the experience of the project from inception through completion. As an aid to the reader, the interior dimensions of the truncated cube that houses the neon (viewed from the upper gallery level) are 18' 6-5/8" x 20' 1-5/8" x 13' 6" high (565 x 610.5 …

Environmental Sculpture Symposium, Wright State University Art Galleries

Exhibition and Program Catalogs

An exhibit centered on environmental sculpture. This is a flyer that advertised the exhibit featuring the works of five artists: Rosalind E. Krauss, Michael Hall, Robert Irwin, Robert Doty, and Stephen Doty. It was held October 10th, 1974 at Wright State University Art Gallery.

Super Slick Synthetic Softys, Dennis Smith

All Master's Theses

The following thesis is the thought pattern I use during the conceptual stages of my sculpture. "Super Slick Synthetic Softys" bombards the imagination with thousands of images. Images are of immense importance to the artist. His mind must be in constant motion, forever conceiving new and different forms and images.

The Micro-Environment Museum, John Clark Gleason

All Master's Theses

The purpose of this paper is to give an explanation of the show, "The Micro-Environment Museum"; to give an explanation of the miniaturization process and it's opposite, enlargement; and to give a larger insight into the micro-environment.

Harriet Whitney Frishmuth, American Sculptor, Syracuse Library

The Courier

In 1964 Harriet Frishmuth graciously presented her papers to Syracuse University for perpetual care, making them available for research by reputable scholars. The collection consists of professional correspondence, photographs of works, scrapbooks, memorabilia and plaster casts. Also in the collection is a series of tape recordings made in 1964 by Miss Frishmuth, in which she informally reminisces about he·r life and work and provides descriptions and comments relative to a few of her outstanding sculptures. Gleanings from the Syracuse tapes, with Miss Frishmuth's own comments on the pictured works, have been brought together by Miss Ruth Talcott, companion-secretary to Miss …

Design Of Spatial Interstices, Byron Hiroyuki Kato

All Master's Theses

It was the purpose of this study: (1) to develop an idea visually as well as to articulate it in writing; (2) to evolve and develop illusions and realities of spatial interstices (spatial framents) as positive elements of two and three dimensional form; (3) to articulate, as objectively as possible, an analysis of the body of creative work.

A Study Of Three-Dimensional Form Using Steel And Non-Ferrous Metals, Derell Roger Midles

All Master's Theses

A discussion and documentation of Midles' student art and sculpture studio exhibition.

The Record Of A Masters Thesis Exhibit, Gary Michael Green

All Master's Theses

This thesis documents the preparation, exhibition, and audience reaction to an art exhibit created by the author.

Charles Forrester's Sculpture Studio Plans For Ivan Wilson Fine Arts Center, Charles Forrester

Research Collections

Charles H. Forrester’s 1969-1970 plans for the sculpture studio in the Ivan Wilson Fine Arts Center. Plans include hand-drawn drawings, typed and written plans, lists of tools for the sculpture studio, and receipts.

The Creation Of Three Original Junk Sculptures, Norman Bennett

Dissertations and Theses @ UNI

The purpose of this thesis is to apply any sculptural concepts and beliefs, as well as my sensitivity to materials, to the creation of sculpture from junk materials. The text of this thesis is concerned with a personal definition of junk, a brief historical background of the use of junk in art, personal statements concerning the nature of sculptural material, personal statements concerning my sculptural concepts and beliefs, and a short discussion of problems which arose during the creation of my thesis works. Photographs of these three works are given for visual consideration by the reader. The original works are …

The Pennsylvania Dutchman Vol. 8, No. 2, Earl F. Robacker, Henry J. Kauffman, Walter E. Boyer, Alfred L. Shoemaker, Olive G. Zehner, Don Yoder, Elsie Gehris Cresswell, Edna Eby Heller, Hugo Froehlich

The Dutchman / The Pennsylvania Dutchman Magazine

● Pennsylvania Redware
● Philadelphia Butter
● Adam und Eva im Paradies
● The Pretzel Before the Civil War
● Amish Sculpture
● Spirituals from the Pennsylvania Dutch Country
● Aunt Sybilla
● A Dutch Feast
● "Team" Mennonites
● Pioneers from Staudernheim
● Dialect Folksay

The Cello Player : A Sculpture In Magnesite, Robert Earl Morris

University of the Pacific Theses and Dissertations

This paper is not to be considered as the main project for the master's thesis, but rather as an accompaniment to the mail project, which is a piece of sculpture entitled, The Cello Player. The paper will briefly discuss what sculpture is, together with a general overview of the materials and methods employed in the creation of a sculptural piece. In the paper an attempt will be made to explain why and how The Cello Player was created. It will also consider the technical and working aspects of a new material, Magnesite. Lastly, it will evaluate the use of Magnesite …

A Brief Survey Of The Art And Execution Of Bronze Sculpture, Paul Lawrence

Art & Art History ETDs

The general problem included the art and execution of bronze sculpture. It was felt that the theory of art of bronze sculpture, or any art, could be best comprehended when substantiated by practical illustration. In order to fully realize the problem, a brief history of bronze metal and bronze sculpture was presented in addition to the research in the field of various techniques of bronze casting. The practical illustration of this study was made in the form of a composition for bronze sculpture.