Art and Design Commons^™

Unknowable Terrain, Carli A. Holcomb

Theses and Dissertations

I see the moment of creation as a threshold, a fertile ground where anything is possible. My work combines an interest in science, mythology, cosmologies, and a childlike sense of wonderment to seek the unknowable. I create formless floating worlds that have a seducing, enlightening, and ultimately deceiving presence. Vibrant lusty clusters of candied opulence emphasize the wetness at the beginning of life. Dry folds give way to woozy nests and frenzied organisms while dripping crystalline structures puncture soft unknowable terrains.

Through the process of making I indulge my desire to create an otherworld, one that bubbles, garishly drips, and …

Lithic, Megan Nelle Moriarty

All Graduate Theses, Dissertations, and Other Capstone Projects

The creative works of Lithic employ nature as a visual meeting place to investigate the connection of art objects to the human spirit, explore a balance between scientific naturalism and spiritual abstraction, and work to expand on the use and craftsmanship of consumer and post-consumer materials.

The goal of any art work is to connect with the viewer on a spiritual level and, as an artist, the search for that relationship always brings me back to nature. The natural world is a place for moments of shared ‘awe’ and wonder. It is in nature that questions of human origin and …

So Much Apparent Nothing, Emily Mcbride

Theses and Dissertations

This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.

Queering Sugar: Kara Walker’S Sugar Sphinx And The Intractability Of Black Female Sexuality, Amber Jamilla Musser

Publications and Research

This essay analyzes the controversy surrounding artist Kara Walker’s 2014 installation, A Subtlety, or the Marvelous Sugar Baby, to unpack the pleasures and dangers that subtend discussions of black female sexuality. What Walker announced as a tribute to the labor of brown and black bodies produced myriad conversations about pleasure, danger, and black female sexuality. Most art critics argued that the piece reclaimed black female agency; many visitors criticized the work (and the public response to it) as disrespectful and problematic. In the essay, I argue that both of these responses highlight the difficulty of talking about black female …

Closed For Business, Tyler Schrandt

All Graduate Theses, Dissertations, and Other Capstone Projects

Closed for Business is an installation which creates an immersive environment that awards the curious. The inspiration for the exhibition came from local industry and human tendency. In likeliness of a defunct factory, the installation transforms the gallery into a dimly lit mysterious space. Using mostly objects found on local farms and in everyday households, a narrative takes shape. The question "what happened here?" looms as you investigate the space looking for clues. With a keen eye for observation, you navigate the room and stumble upon the office of a misguided -- and missing -- entrepreneur. As you internalizing the …

Artscience, Dustin Swiers

All Graduate Theses, Dissertations, and Other Capstone Projects

My thesis show opened on Friday, March 11, 2016 at the 410 project's art gallery, located in downtown Mankato.

The artwork consisted of sculptures displayed on pedestals, hanging on the walls, sitting on specifically constructed arrangements, and hanging from the ceiling. The materials I used to create these sculptures have a dramatically contrasting appearance, but have one universal similarity. At some point most of the materials used were liquid or fluid. I used metals, ceramics, hand blown glass, plastics, and wax. I like to work with these materials in that fluid state because of the added flexibility and forgiveness they …

Concerning The Interaction Of Forms, Luke Splinter

All Graduate Theses, Dissertations, and Other Capstone Projects

"Concerning the Interaction of Forms" is exactly what is in my mind when creating and thinking about work. I am concerned with all of the interactions that can be made when thinking about and looking at forms. How do the forms interact with one another? How do they interact with the space they are placed in? How do they interact with the viewer? These are the questions that concern me the most when creating work

When making work I do so with the help of basic geometric shapes, mathematic ratios, and the feeling I get from the form as it …

Amassing Subsistence: Creating An Environment Through Objects And Time, Matilda J. Alexander

Senior Independent Study Theses

No abstract provided.

The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall

Theses and Dissertations

My thesis installation emerged from an interest in visualizing breath. The resulting work came to exist at the intersection between art, biology, and performance.

The unicorn tapestries were used as a generative point of departure to explore the preservation and transformation of images through time, by time, and with time. Reproductions of the six tapestries were each etched into paper and then submerged into solutions of Phenol Red dye, Ferric Ferrocyanide (also known as Prussian Blue), and various forms of sodium chloride. Exhaled breath was used to encrust these images of the tapestries into physical objects which gradually crystallized and …

Cold Lapse, Tressa Jones

Graduate Student Theses, Dissertations, & Professional Papers

cold lapse addresses the abstract notions of time and loss while conveying the value of observing the present. The postmodern view of time, the grid’s vernacular, and the aesthetics of postminimalism are my foundation for communicating time’s passage and its consequential sensations of absence. The duration of a slow drip, the cycle of breath and the sequential motion of a hand folding paper each mark passing moments. By observing these signs the phenomenon of time may be appreciated. Care and ephemerality in the work require the viewer’s sensitivity when encountering and witnessing it, much like the demands of observing the …

Elaborations On Thought Process And Practice, George A. Schwab

Theses and Dissertations

An extended statement describing the thought process and practice behind the sculptural work of artist George A. Schwab. Includes short descriptions and documentation of work installed during the Fall 2015 Thesis exhibition at CUNY Hunter's 205 Hudson Street Gallery.

Multiples In Late Modern Sculpture: Influences Within And Beyond Daniel Spoerri’S 1959 Edition Mat, Leda Cempellin

School of Design Faculty Publications

The first Edition mat was founded by Daniel Spoerri in 1959 and recreated in collaboration with Karl Gerstner in 1964 and 1965, with a special Edition mat mot the same year. Consisting of sculptures that change optically, electrically, or through the audience’s physical interventions, this series brought in an innovative idea of multiplication through movement. The potential of mat sculptures for configuration changes within the continuity of their structure in space sets them apart from serial twodimensional works, where any change in the gestalt requires the production of a new copy. This paper reconstructs the genesis of the Edition mat …

Light Sensitive, Andrew Thompson

Electronic Theses, Projects, and Dissertations

I am an excremental artist. I do not mean an artist who works with feces or is interested in manure but one whose artwork is expelled through the results of process. As a photographer, I am not as interested in indexing a location, a person or a moment as I am dissolving the structure of photography through the manipulation of photographic materials. I typically photograph landscapes that catch my attention for a myriad of reasons. The commonality between these images is anonymity of place. Hints of location are always present but never accentuated, instead their purpose is akin to a …

The Hero's Journey, Alan Van Fleet

Electronic Theses, Projects, and Dissertations

My ongoing series of assemblages are an expression my modern mythology through the juxtaposition of esoteric symbols and my collection of beloved action figures. Though myth is founded in partial truths and allegories, it has the unique capability to speak about our relationships to one another and the universe. My artwork conceives of anime, comics, and videos games as part of our contemporary mythology.

Inspired by a fusion of pop culture and spirituality, I also draw on the magical properties attributed to flowers, gemstones and other materials to create shrines, altars, and other objects. Juxtaposing these properties, found in my …

Performing Binaries, Humberto Reynoso

Electronic Theses, Projects, and Dissertations

I take a critical view of sociopolitical and cultural issues dealing with homoeroticism andgay politics. I explore gender theories in order to further understand what it means to bemasculine or feminine and how it affects my placement in society. I use art as a tool forexpressing sexual freedom while questioning traditional sexual identity. I'm interested in exploring ideas of the oppressor and the oppressed, and how power becomes an inevitable force (in every society) that creates a hierarchy, consequently establishing control. But what is power? According to various definitions, power is an entity that possesses and or exercises authority or …

[Nos]Otros, Lucia Monge

Masters Theses

Environmental issues are part of our daily conversations but not as common in our everyday considerations. The times call on us to approach things differently. We must find alternative ways to relate to each other and to understand the real issues of our ecology. We cannot perceive the whole through our accustomed senses, so we must open and expand our perception. Art offers that possibility, allowing for points of contact across distance while physically representing that space in between.

How do we relate to other living beings around us, determine what is living, and decide who is part of our …

A Slight Hysterical Tendency, Allison Baker

Masters Theses

Sexuality, sculpture, and sadness as sites of female subversion.

A woman's internalized suffering and sadness is deployed as an act of resistance. Women have a long lineage of historically tragic female figures, particularly authors and artists that disrupt the status quo by relishing and thriving and they wallow in their sorrow. Women's collective and overwhelming sadness is both a singular and unified protest against cultural and social systems of oppression. Sad girls are bad girls.

Pressing: Where The Objective Meets The Subjective, Mariana Parisca

Undergraduate Theses—Unrestricted

Through this essay I describe the theoretical and anthropological ideas that led to the creation of the Cushing Series. An interest in the obsession with photography in popular culture leads to an understanding of the permeation of structured reasoning beyond scientific research and into everyday life. Taking evidence from photography, and philosophy of science I establish the limitations of structured reasoning, both as a way of perceiving the world and as an understanding of identity, and define surface and frame as its physical representation. Using Sartre’s existential theory and phenomenological anthropology I then describe the infinite subjective existence of …

Breaking Wind, Todd William Pentico

Graduate Theses and Dissertations

Breaking Wind is a research project and thesis exhibition composed of a series of ceramic objects in conjunction with paintings that explore the systems that dictate belief, the motives that drive curiosity, and biological connection to our surroundings. The work uses the context of the gallery and devices used in museums such as plinths, shelves, and wall text to reinforce the idealized and fictive into something believable.

In the work, Breaking Wind refers to a clumsy breakdown and rethinking of the seemingly simple natural phenomenon, wind. Wind is understood as a natural occurrence that has no origin or any innate …

What's Left Over, Bryanna Jaramillo

Graduate Theses and Dissertations

The MFA thesis exhibition titled, What's Left Over, is comprised of a series of drawings as well as a large painted sculptural installation assembled as a child's fantasy world. The work explores the roots of creativity through the lens of childhood play by assembling an invented world named Lola. By exploring the relationship between the real and the imaginary, the work manifests childhood memories into a form that can be studied and better understood. Lola is an elaborate but clearly handmade world that explores an unresolved past.

Noise., Laura Katherine Polaski

Graduate Theses and Dissertations

My research is in the realm of the psychological, the emotional and way these drives manifest physically. The works in Noise. aims to give a physical representation to the non-physical. Research on Affect Theory and the teachings of Silvan Tomkins were paramount to understanding emotional drives and the ways in which they manifest.

The purpose of this research is to understand how emotions are generated and communicated and to ask if specific emotions can be generated upon viewing inanimate objects. I create abstract figurative sculpture, which imitate emotion that has no specific physicality. These works exist with one foot in …

2015 Forces, Scott Yarbrough

Forces

No abstract provided.

Half-Light, Kelly A. Stading

School of Art, Art History, and Design: Theses and Student Creative Work

My work explores concealed emotions such as fear, disgust, rage, resentment and shame. This emotional darkness is the underbelly of life, resulting from situations where people are victims of social pressure, trying to survive with what they have, while trying to achieve social norms. The comfort of a home allows these emotional responses to surface. “Half-Light” focuses on my concealed emotions, bringing them out of the dark to be confronted.

Adviser: Santiago Cal

Leading Edge, Seth Michael Thibodaux

Electronic Theses and Dissertations

I was introduced to the airplane at a young age through my father. Since that time I have been obsessed with airplanes. Wanting to be like my father in my youth, I became interested in the construction of these machines. I would spend hours working in the shop with my dad on airplanes and learning the specific structures that made up all sorts of different aircrafts. As I grew older I became fascinated with the history of aviation and where the idea of flight came from. It was this passion and knowledge that led me to my current body of …

Belt Melon Grass, Andrew M. Francis

Theses and Dissertations

This essay was written largely after the completion of my thesis exhibition which shares its title. An integral aspect of the work was the after-­hours maintenance it required. Below I describe the unforeseen personal significance that labor came to hold and the way in which it functioned as a healing ritual. Through this work, and those leading up to it, I have a reinvigorated awareness of the importance of therapy as an aspect of my art­making, of which this thesis is a testament.

Visual Phallacies, John Howard Cummings

Electronic Theses and Dissertations

Roland Barthes wrote that only after removing all of the author's intentions and traces can a work of art truly be perceived by viewers fairly (Barthes). A viewer's perception of the world is influenced by his or her individual subjective history, which is the product of his or her own experiences. But as the author of ceramic work, my influence is ever-present. Clay records every push, pull, spank, squeeze, and poke. It fully records its physical history and as well as my actions upon it. This thesis exhibition asks the question: Can a viewer de-contextualize familiar-but-contentious subject matter and be …

There's No Place Like Home, Stacey Lynn Rathert

Electronic Theses and Dissertations

I grew up on a farm in Northeast Kansas, under a big sky that had open views of the fields, pastures, and farmsteads. During that upbringing I learned about hard labor as well as work ethic, and what it took to survive in an often harsh and unforgiving environment. It is these experiences from my formative years, in that environment, where most of the driving force behind my artwork is derived. The work materializes as objects and narratives in sculptural manifestations. The themes range from domestic activities taught to me by the women in my life, to the hands-on, “dirty” …

More Is The Same, Tyler Reeves Nansen

Graduate Student Theses, Dissertations, & Professional Papers

Nansen, Tyler, M.F.A. Spring 2015

More Is The Same

Chairperson: Associate Professor Trey Hill

More is the Same is the result of my examination of the perception of space in relation to architecture and landscape. By embracing modern concepts of the grid, formalism and design, this compilation of personal experiences and memories, manifests as post-minimal sculptures. However, when considering the hierarchy of importance in my work this involves pure visual perception over any specific narrative. The final product is an exhibition which elicits a perceptual experience for its viewer.

My work is about space and the creation of visual interactions, …

Expanding Eco-Visualization: Sculpting Corn Production, Jennifer E. Figg

Theses and Dissertations

This dissertation expands upon the definition of eco-visualization artwork. EV was originally defined in 2006 by Tiffany Holmes as a way to display the real time consumption statistics of key environmental resources for the goal of promoting ecological literacy. I assert that the final forms of EV artworks are not necessarily dependent on technology, and can differ in terms of media used, in that they can be sculptural, video-based, or static two-dimensional forms that communicate interpreted environmental information. There are two main categories of EV: one that is predominantly screen-based and another that employs a variety of modes of representation …

Cute As A Button, Marta R. Finkelstein

Theses and Dissertations

Cute As A Button explores powerlessness, vulnerability, illness and addiction all wrapped up in tender buttons and a cute, cuddly creature. Using animation, sculpture, sound and an intimate space, I surround the viewer in a saccharine nightmare, one that references the dark underbelly of the cute and the sweet. The visual and aural elements are representative of the psychological and emotional states of powerlessness, which are overcome by the act of making and exploring a medium over which I can have complete control.