Open Access. Powered by Scholars. Published by Universities.®

Art and Design Commons™

Open Access. Powered by Scholars. Published by Universities.®

Photography

Discipline
Institution
Publication Year
Publication
Publication Type
File Type

Articles 991 - 1020 of 1281

Full-Text Articles in Art and Design

Cover Apr 2015

Cover

The Echo

No abstract provided.


Echo 2013 - Complete Issue Apr 2015

Echo 2013 - Complete Issue

The Echo

No abstract provided.


Zephyr: The Sixteenth Issue, Zephyr Faculty Advisor, Sarah Fleischmann, Megan Totten, Cassidy Bayen, Alexandria Makucewicz, Alanna Sachse, Melissa Destefano, Ruthann Weist, Megan Hall Apr 2015

Zephyr: The Sixteenth Issue, Zephyr Faculty Advisor, Sarah Fleischmann, Megan Totten, Cassidy Bayen, Alexandria Makucewicz, Alanna Sachse, Melissa Destefano, Ruthann Weist, Megan Hall

Zephyr

This is the sixteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.


Taking In: Raw The Best Of Lesley University College Of Art And Design Undergraduate Photography 2015, Lucad Students Apr 2015

Taking In: Raw The Best Of Lesley University College Of Art And Design Undergraduate Photography 2015, Lucad Students

Taking In

Taking In: RAW is a juried annual student run publication and exhibition that showcases the best of 2015 LUCAD undergraduate photography and video. For over ten years, creative minds have come together to produce not just a display of brilliant work, but a celebration. A celebration of the most extraordinary work LUCAD has to offer.


Man To Man, Chadric Devin Harms Apr 2015

Man To Man, Chadric Devin Harms

School of Art, Art History, and Design: Theses and Student Creative Work

In athletics, the phrase “man-to-man” refers to a type a defense: one where a single player is paired against another individual. They are in constant competition, and as rivals they relentlessly compare themselves to one another. This colloquial expression, which I use as the title of my thesis, also draws attention to the gendered term “man” as a social construction and signifies the diversity and complexity that exists between one representation of masculinity and another.

Throughout my childhood I felt an overwhelming responsibility and pressure from my stepfather and the small, Midwestern community in which I grew up to participate …


The Fragile Bee: Nancy Macko At Moah, Kathleen Stewart Howe, Carole Ann Klonarides, Stephen Nowlin, Nancy Macko Jan 2015

The Fragile Bee: Nancy Macko At Moah, Kathleen Stewart Howe, Carole Ann Klonarides, Stephen Nowlin, Nancy Macko

Pomona Faculty Books

“The Fragile Bee” was exhibited at the Museum of Art and History in Lancaster, CA and is an outcry to the plight of the bees in relationship to the environment. This accompanying catalog critically examines the work in the exhibition beginning with a foreword by Andi Campognone, museum manager and curator at MOAH. Artist Nancy Macko established a garden for native bee-attracting plants in order to document them throughout the year. The resulting series of photographs, "Botanical Portraits", are the subject of the essay by museum director Kathleen Stewart Howe. Contemporary art writer and curator Carole Ann Klonarides writes in …


Reframed : A Collection Of Photographs, And, Capturing The Real : Reframing Visual Pleasure In The Photographed Female Nude, An Exegesis, Larry Defelippi Jan 2015

Reframed : A Collection Of Photographs, And, Capturing The Real : Reframing Visual Pleasure In The Photographed Female Nude, An Exegesis, Larry Defelippi

Theses : Honours

This creative Honours project is a practice-led inquiry into the photographed female nude. The images of the female nude photographed during the course of this project were taken in Australia and Colombia, providing a progression in aesthetics as the project unfolded. Informing the practice, and hence the images, is Roland Barthes’ concept of the punctum as read through Jacques Lacan’s psychoanalytical concept of the real. The project endeavours to develop an aesthetic of visual pleasure to liberate the female nude from a predominant psychosexual reading, and advocate a revisualisation of the nude as a less sexually objectified form.!In addition, while …


Dispersal: A Multidisciplinary Investigation Of Plant Life, Alexandra E. Arzt Jan 2015

Dispersal: A Multidisciplinary Investigation Of Plant Life, Alexandra E. Arzt

Theses and Dissertations

Using plants as a basis for exploring the interstices between the human and nonhuman, this thesis investigates ideas of awareness, intelligence, deep time, animism, and the fluctuating human perception of the agency of Nature. It outlines environmental art practices since the 1950s involving vegetal life. In addition, the paper provides a critical analysis of plant perception of Jakob von Uexküll’s work and theories of vital materialism and “critical plant studies” while noting recent studies in plant neurobiology. In my work, plants become active participants via their movement, seeding, and smell. This study takes the form of imitation, purposeful symbiosis, anthropomorphism, …


Lilies Of The Field: Matthew 6:28, David Versluis Dec 2014

Lilies Of The Field: Matthew 6:28, David Versluis

Pro Rege

No abstract provided.


Reflections Of Oppression, Fatemeh Semiari Dec 2014

Reflections Of Oppression, Fatemeh Semiari

Theses and Dissertations - UTB/UTPA

This thesis is an investigation into the lives of women living in Iran. I develop a critical framework for understanding it. It is now my understanding that women suffer greatly from the restrictions they are subjected to. I discuss what some of these restrictions are, and how these pressures create turmoil and confusion within some women. The artwork created for my thesis project is a reflection upon the relationship between social proscription and a woman’s desire to express her individuality publicly. The women I portray in my thesis project exhibit a range of emotions such as anger, depression, despair, defeat, …


Thoughts From An Unapologetically Honest Introvert, Amy Michelle Wilson Dec 2014

Thoughts From An Unapologetically Honest Introvert, Amy Michelle Wilson

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

My thesis exhibition, titled Thoughts From An Unapologetically Honest Introvert, highlighted our extrovert-centered society and provided introverts with new communication tools to change the social expectation.


The Value Of Everything Is Nothing, Jason Dawes Jun 2014

The Value Of Everything Is Nothing, Jason Dawes

Electronic Theses, Projects, and Dissertations

Photography was my introduction into art. I gravitated toward portrait photography fairly quickly. I found the interaction between subject and photographer to be an intense moment in time. I began to push that intensity - through various non-traditional approaches, such as placing ads in the personals. It did not take long before I turned the camera on myself, creating self-portraits in the domestic setting. I began to play for the camera. I created various personas that placed myself in some gray area between masculinity and femininity. Shortly there after, I began working with collage. I found the formulas and rigidity …


Tried It With Glasses Off Too; Sometimes., Nolan John Fedorow May 2014

Tried It With Glasses Off Too; Sometimes., Nolan John Fedorow

Masters Theses, 2010-2019

I use a small wedge of wood as a tool to pick out food scraps that find themselves lodged between my teeth. I also use a small wedge of wood as a tool to keep a straight door from swinging freely on a crooked house. The small wedge of wood I stuff in between the floor and door as a tool is a controlling apparatus, much like landowners who use fencing to keep people from walking repeatedly through their land and inadvertently creating a path where they shouldn’t. A wooden door stopper will come to adorn a perpendicular-patterned patina across …


The Camera Marches To War, Thomas J. Luck May 2014

The Camera Marches To War, Thomas J. Luck

Manuscripts

"Since the United States is engaged in a deadly struggle for its very exsistence, every industry and every man, woman, and child must alter their peace-time operations so as to fit into the war program," declared Paul V. McNutt, Federal man-power commissioner, in a recent speech. Nowhere is the will for readjustments to fit the war program any greater than in industry. The photographic profession has especially made a large contribution to the geared-up production, and the results of these changes may bring about new types of endeavor for the profession.


Familial Dialects, Amanda King May 2014

Familial Dialects, Amanda King

MFA in Photography and Integrated Media Theses

Using the framework of scientific investigation, ‘Familial Dialects’ explores the languages – systems of signs and codification of those signs - of individual members of my family, and the metaphors that arise from their interaction with pieces of the natural world. Each of the pieces combine an inherent form and an organizing action as a means of representing an individual’s form of expression. These familial dialects are created and translated using the methodologies of a naturalist - collection, dissection, observation, and classification. The pieces draw meaning from the connotative associations built from familial connections as well as from broader cultural …


Zephyr: The Fifteenth Issue, Zephyr Faculty Advisor, Katie Labbe, Sarah Fleischmann, Megan Totten, Cassidy Bayen, Hillary Cusack, Alexandria Makucewicz, Paige Massingale, Nikita Naumowicz, Alanna Sachse Apr 2014

Zephyr: The Fifteenth Issue, Zephyr Faculty Advisor, Katie Labbe, Sarah Fleischmann, Megan Totten, Cassidy Bayen, Hillary Cusack, Alexandria Makucewicz, Paige Massingale, Nikita Naumowicz, Alanna Sachse

Zephyr

This is the fifteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.


Taking In: The Best Of Undergraduate Photography 2014, Lucad Students Apr 2014

Taking In: The Best Of Undergraduate Photography 2014, Lucad Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the college of art and design. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication and a website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston Art Community to represent the best of undergraduate in 2014. The book in your hands is the end result of a collective effort by those in the class.


Photovoice: Assessing Barriers To Health Among Maine's Somalian Refugee Women, Lilia Bottino, Collyn Baeder Mar 2014

Photovoice: Assessing Barriers To Health Among Maine's Somalian Refugee Women, Lilia Bottino, Collyn Baeder

Applied Arts and Social Justice Artist Talks

UNE Graduate students Lilia Bottino and Collyn Baeder present this Interprofessional Student-Led Mini Grant Team’s Photovoice project. This project involved the distribution of cameras to women in a refugee community in Portland, Maine, with the aim of enabling them to communicate health-related issues in their community through the visual language of photography.


Portraits Of Vulnerable Ghosts: Contemporary Landscape Photography In Context Mar 2014

Portraits Of Vulnerable Ghosts: Contemporary Landscape Photography In Context

Landscapes: the Journal of the International Centre for Landscape and Language

In this paper creative immortality and experiential transcendence as forms of symbolic immortality are placed within a historical and contemporary landscape context. The thesis sets forward the argument that despite the best intentions for schematics of remembrance, these forms remain elusive and inherently mutable. Investigations into the sense of loss of self-inherent in the landscape are defined as a sort of experiential transcendence and approaches the sublime from a position of perceived narrative and yearning for connection with the greater movements of the earth and sky. An argument is made for the return to a level of reverence and understanding …


From The Inside Out, And Through., Dominique Ovalle Feb 2014

From The Inside Out, And Through., Dominique Ovalle

The Transdisciplinary STEAM+ Journal

These photographs describe “Science” born of consumerism, hijacked by me, economically disenfranchised, or rather—temporarily embarrassed, artist. I was putzing around Malibu—my old college stomping ground, looking for free food; maybe a sample of some gourmet $5 chocolate, and all I got were these photographs.


Tongan Children And Their Play Things, Ashley Knudsen, W. Wayne Kimball Jr. Jan 2014

Tongan Children And Their Play Things, Ashley Knudsen, W. Wayne Kimball Jr.

Journal of Undergraduate Research

I had a hard time getting started on this project when I first arrived on the Tongan islands. My body was trying to acclimate to the immense humidity it was being drenched in. Our whole group vegged around the fan as if all energy had been zapped from us. But after adjustments to both jet lag and climate had occurred I was ready to begin.


B.F.A. Photography Show: A Quest For Eve, Val Brinkerhoff, Christina Domingues Jan 2014

B.F.A. Photography Show: A Quest For Eve, Val Brinkerhoff, Christina Domingues

Journal of Undergraduate Research

With the contribution of the Undergraduate ORCA Scholarship, the B.F.A. Photography show, “A Quest for Eve”, was created and presented for public viewing April 1st through the 14th, in the Harris Fine Arts Center. The show was also displayed in the photography department in the Brimhall Building for May and June. The ten framed still lifes and portraits, displayed with quotes, an artist’s statement, and comment book, depict the values and emotions gained throughout the development of a child into a young woman. In a world where innocence and purity are slowly being substituted for quite lesser values, it was …


La Abundancia: The Nivacle People, Seth O. Smoot, John Telford Jan 2014

La Abundancia: The Nivacle People, Seth O. Smoot, John Telford

Journal of Undergraduate Research

The Nivacle are an indigenous people who live in the sparsely populated, densely vegetated Chaco area in Northern Paraguay. Formerly known as the Chulupi, the Nivacle have lived for thousands of years in the region that lies between Bolivia and Brazil. They primarily lived a hunter/gatherer existence until the beginning of the twentieth century, when Europeans from recently settled nearby Mennonite colonies offered work opportunities to the Nivacle men at dairy collectives, cattle ranches, and farms. The women and men retain traditional customs and practices such as the artisan craft of weaving and wood carving.


The Purpose Of My Project Is To Create Images That Combine The Strengths Of Photographic And Painted Imagery. Many Contemporary Artists Combine Painted And Photographic Elements In Their Work, However, Rarely Are The Two Distinct Visual Languages Unified. Most Often Any Viewer Can Readily Distinguish Between The Photograph And Paint. It Is My Challenge To Visually Bridge That Gap., Trenton Reynolds, Bruce Smith Jan 2014

The Purpose Of My Project Is To Create Images That Combine The Strengths Of Photographic And Painted Imagery. Many Contemporary Artists Combine Painted And Photographic Elements In Their Work, However, Rarely Are The Two Distinct Visual Languages Unified. Most Often Any Viewer Can Readily Distinguish Between The Photograph And Paint. It Is My Challenge To Visually Bridge That Gap., Trenton Reynolds, Bruce Smith

Journal of Undergraduate Research

The purpose of my project is to create images that combine the strengths of photographic and painted imagery. Many contemporary artists combine painted and photographic elements in their work, however, rarely are the two distinct visual languages unified. Most often any viewer can readily distinguish between the photograph and paint. It is my challenge to visually bridge that gap.


Mi Buenos Aires Querido, John Gordon, Linda Sullivan Jan 2014

Mi Buenos Aires Querido, John Gordon, Linda Sullivan

Journal of Undergraduate Research

The project Mi Buenos Aires Querido was a wonderful opportunity for me to begin my work on a professional level as a graphic designer and artist. The project explores cross cultural design as well as experiential communication and the marginalization of Latin America. I never intended to exhibit a photo essay, presenting glossy photos glamorizing Buenos Aires. Doing so would make people think the city is beautiful, and while it is the beauty is not superficial. I wanted to communicate the beauty and struggle of everyday life in the neighborhood of La Boca. La Boca was chosen because it once …


Projected Surfaces, Jason Flynn Jan 2014

Projected Surfaces, Jason Flynn

Electronic Theses and Dissertations

In this paper I will address the philosophies of Susan Sontag, Roland Barthes and Thomas Ruff by considering the object, materials and processes of photography as my primary motivator to create art. I will examine the contrast between photographic imagery, as an illusion of the past, and sculpture, as a physical manifestation of the present, when creating works that ask, "What else can photography be?"


Doubting Thomas: The Testaments, Ivan Riascos Jan 2014

Doubting Thomas: The Testaments, Ivan Riascos

Electronic Theses and Dissertations

This paper will discuss the creation of my artwork, which has been inspired by my experiences and understandings of Catholicism and its icons. I will consider how iconography works in art, its influence, and how and why I have created this artwork dealing with my beliefs. I will also refer to the works of contemporary artists Duane Michals and Michael Wesely to help explain my exhibition, which I have titled "Doubting Thomas: The Testaments."


Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices, Alun John Price Jan 2014

Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices, Alun John Price

Theses: Doctorates and Masters

Contemporary designers and photographers face many challenges as the profession rapidly develops. This is especially the case in in the Western Australian context. A review into the recent history of the Western Australian design profession is evidence that designers and photographers are consistently shifting between commercial and self-expressive practice. However, the urge to keep up with technological advancement has masked conscious development of this shift, which is a key to self-realisation and improvement for a designer and photographer. This lack of conscious questioning limits holistic development in design practice. This research reflects on myself as a designer developing a response …


Exposed, Liisa Silander, Risd Xyz Jan 2014

Exposed, Liisa Silander, Risd Xyz

RISD XYZ Fall/Winter 2014/2015: The Body

In photographing his own body over the course of decades, Arno Minkkinen MFA 74 PH surfaces timeless truths about the nature of being.


Art And Symbolism: The Technique Of Applying Hidden Meaning And Communicating Specific Ideas Through Art, Andrea C. Macbean Dec 2013

Art And Symbolism: The Technique Of Applying Hidden Meaning And Communicating Specific Ideas Through Art, Andrea C. Macbean

Senior Honors Theses

Symbolism is an artistic style frequently used in the arts. Through the course of art history, it was its own artistic movement as well. The incorporation of specific symbols, shapes, colors, or identifiable images communicates to the viewer an intended message or statement. Frequently, symbolism appears to be hidden or initially unperceived by the intended audience. In some works, symbolism is so abstract that it needs explanation or clarification to be understood completely by the viewer. This thesis will analyze a few techniques of symbolism that can be incorporated in a work of art to communicate truth, entice thought, point …