Art and Design Commons^™

Andy Warhol: Polaroids & Portraits, Emily A. Francisco

Schmucker Art Catalogs

Enigmatic Andy Warhol claimed he had “no real point to make” in producing art. Yet, his silkscreens, sculptures, paintings, and photographs reveal the artist’s profound interest in the way art intersected with fields like advertising, fashion, film, mass culture, and underground music. In his experimentations with photography and portraiture, Warhol was fascinated with representations of both the individual and the masses and used the Polaroid portrait to illustrate the fine lines between art and popular culture, celebrity and anonymity. [excerpt]

Art In The Library: From The Collection Of The Thomas G. Carpenter Library, University Of North Florida, Thomas G. Carpenter Library

Art in the Library Catalog

The Thomas G. Carpenter Library’s Art in the Library project began in 2008. Since the project’s inception the collection has grown to more than 100 pieces through the generosity of artists and collectors. Many of the works are by artists from northeast Florida. This is a selection of the pieces that may be found on display throughout the library’s four floors.

Catalog contains work by the following artists: Nofa Dixon, Diane Farris, John Bunker, Mindy Hawkins, Tom Farrell, Anthony Whiting, Louise Freshman Brown, Susanne Schuenke, Susanna Richter-Helman, Tiffany Leach, Jonathan Lux, Marilyn Taylor, Steve Williams, Christie Holechek, Sydney McKenna, Jerry …

Reimagining The Silver Screen: Contemporary Film Stills, Kyle Demartino

Senior Honors Projects

During the late 19^th century longer rolls of celluloid photographic film, and motion picture cameras were first introduced, which allowed for the capture of rapid sequences of still images at a relatively high speeds. The first films shown to audiences on a larger screen, although rudimentary, caused people to gasp or run from the cinema, as they believed the images on screen were real. As technology increased feature films progressed from only showing a simple static event to creating full stories spanning over various sets and containing multiple characters. With the advent of sound, filmmakers were given another tool …

Imagining The Unknown, Angelina Kidd

MFA in Photography and Integrated Media Theses

It is true that there is no scientific proof of life after life or of the human soul. However, I believe there is a soul and that it is energy manifested as light. Our lifetime is a mere pulse when measured against the evolution of earth. We are connected to the cosmos through the very calcium in our bones and the iron in our blood, which originated from stars that died billions of years ago. My belief is that the earthly body is separate from the soul and that our light energy returns to the cosmos. Energy will not cease …

Zephyr: The Thirteenth Issue, Zephyr Faculty Advisor, Constance Glynn, Jocelyn Koller, Kayla Carr, Trisha Clegg, Hillary Cusack, Danielle Cropley, James Muller, Jessica Perkins, Erin Ward

Zephyr

This is the thirteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Taking In: A Selection Of Undergraduate Photography 2013, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and a website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community to represent the best of AIB Photography in 2013. The book in your hands is the end result of a collective effort by those in the class.

Zephyr: The Fourteenth Issue, Zephyr Faculty Advisor, Constance Glynn, Jocelyn Koller, Katie Labbe, Shannon Cardinal, Hillary Cusack, Sarah Fleischmann, Holly Huntress, James Muller, Jessica Perkins, Megan Totten

Zephyr

This is the fourteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

The Beautiful Corpse: Violence Against Women In Fashion Photography, Susan C. Bryant

Scripps Senior Theses

My senior thesis deals with contemporary depictions of sexualized violence against women in fashion photography. Images of bloodied, bruised, and dead-looking models have proliferated in fashion magazine editorials and advertisements since the 1970s and I want to explore why sexualized violence is seen as sexy and compelling advertising, in light of the fact that domestic violence is the greatest cause of injury to women in America. I produced my own fashion photographs in locations of actual female homicides in Los Angeles County, particularly those nearest to Claremont, with the use of The Los Angeles Times online homicide database, which pinpoints …

Fabricated Perceptions, Monique E. Perry

All Student Theses and Dissertations

This thesis is a personal exploration through playful and childlike imagery. I draw on historical and contemporary artistic influences to the creation of my concepts. Themes of visual metaphor, trompe l’oeil, diorama, and contrasting spatial relationships of objects are explored. Each piece carries its own interpretation that is kept open ended for the viewer. My goal for this art series is to amuse, provoke imagination, and encourage individual interpretation.

Land Of The Ley, Grace Huddleston

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

The line separating phenomenon and science has become blurred in the investigation of ley lines. Ley lines can be described as “invisible” lines that link different places of interest and significance, either historical or geographical. This is a very loose definition, but it must remain vague, as it has to account for the various understandings of the lines. These individual interpretations are noted by Atkins Webster in his introduction to “Do Quasar Ley Lines Really Exist,” in which he states that “one supposition is that these ley lines were intended for some practical purpose, perhaps to mark a track or …

The Bridge, Volume 10, 2013, Bridgewater State University

the bridge

Volume 10 Staff
Ryan Dipetta, Editor-in-chief, Literature
Alexa Noé, Editor-in-chief, Art & Design
Kacy Blais
Meaghan Casey
Gabriella Diniz
Brett French
Andrew Laverty
Jessica Melendy
William Regan
Lee Anne Wentzell
Kate Camerlin, Consultant
Caytlin Buckle, Consultant

Melanie Joy McNaughton, Faculty Advisor
John Mulrooney, Faculty Advisor

We Shall: Photographs By Paul D'Amato, Gregory J. Harris, Paul D'Amato, Cleophus J. Lee, Louise Lincoln

DePaul Art Museum Publications

No abstract provided.

Memory Traces 2012 : Hong Kong, Department Of Visual Studies, Lingnan University

Visual Studies Programme : Students’ Monographs

Memory Traces is a photography book project which comprises a collection of images created by students of Jack Picone during a studio practice class at Lingnan University. The collective body of work is an exploration of a wide array of themes based on each student's own personal interests.

Dichotomy Of Self, Shelly Hokanson

All Student Theses and Dissertations

This body of work explores, through a character named Doll, the impressions, emotions, and realizations I have experienced while undergoing a transformation of self, both inside and out. This collection of images also explores the dichotomy of solitude vs. companionship. (Abstract by OPUS staff from author text)

All That I Am Or Hope To Be, I Owe To My Angel, My Mother, Pamela Planera

All Student Theses and Dissertations

All that I am or hope to be, I owe to my angel, my mother. A quote that binds the relationship my mother and I will always have, through life, death and the paths I choose for my future to fulfill a promise. A promise I intend to keep and fulfill until we meet again… on the other side…

All dilapidated architectural buildings of my series are considered symbolic spaces. They become tangible - representing a venue of dreams where we become deeply affected, by our behavior, our environment, our society and ourselves. Each venue spawned an identity - it’s …

Preconciousness, Michael James Ripp

All Student Theses and Dissertations

Preconsciousness ... Explores the topographical model of the mind through the deconstruction of accepted realities. Blurring the boundaries of consciousness and unconsciousness. Embracing and accepting the abstract view of the mind as “realms” independent of each other. Surreal, yet familiar spaces and environments become a gateway to the preconscious and a deeper awareness. These unique spaces become a catalyst for a physiological journey to the unconscious. Complex views and interpretations of oneself and ones experiences come to the surface. Engaging memories and emotions such as anxiety ... joy… tranquility………manifesting as physical space as spaces become representations of unconscious. Minds are …

I Am Who Am, Ali M. Scattergood

Lawrence University Honors Projects

This body of work includes both black and white photographs and a film. In each work, I put my collaborators in an environment consisting of a simple black curtain, to neutralize the space, and a 2 foot by 2 foot glowing orb of light. I asked my subjects to interact with the glowing orb in any way they felt most comfortable. I adjusted my collaborators only to keep them from leaving the frame of my camera. The positions and movements these people produced are both intimate and authentic to themselves. As such, each experience with the orb, captured on film, …

Art From The Outpost, Field Notes, New Territory, And The Invisible Hamster, Dymphna De Wild

Masters Theses, 2010-2019

The outpost installations I create reveal my choice to be inventive with mostly found materials that I discover on my walks. Calling myself an artist-archeologist, I write down field notes as I collect my art-bound specimens and make a descriptive inventory for each of the works. I often surprise my viewers (and myself) by creating something fabulously strange and compelling with things that were cast aside. I hope to increase my viewers’ abilities to find beauty in these forgotten and trashed items and to generate an innovative dialogue and an outside-of-the-box way of thinking.

Self / Center, Jason J. Anderson

Masters Theses, 2010-2019

The act of photographing myself has had a profound effect on my personal healing after surviving a suicide attempt in the winter of 2008. Coming to the end of my rope after years of trying ex-gay therapy and countless bullying in the workplace and from others left me with a fragmented self that was collapsing. It was through the reawakening and rebuilding of myself that I began to photograph myself as a means of therapy and closure. My work has consistently dealt with the elements of faith and sexuality and the problems that one goes through in attempting to reconcile …

A Photographic Journey Along El Camino Real De Los Tejas, Christopher K. Talbot

Faculty Publications

This is a photographic traveling exhibit in conjunction with the National Park Service. The exhibit was made possible through the Challenge Cost Share Program in cooperation with Stephen F. Austin State University. This matching fund program allows the National Park Service and partners to work together to preserve and improve resources on national trails. To view selected images from the project visit El Camino Real de los Tejas National Historic Trail.

Taking In: A Juried Selection Of Photography 2012, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.

Galloway, Ewing, 1881-1953 (Sc 2502), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 2502. Correspondence of Ewing Galloway, a native of Henderson, Kentucky and the owner of a photography agency in New York City, with Mary Marks, a geography professor at Western Kentucky University, related to a gift of photographs made to the Kentucky Library & Museum at WKU. Also includes clippings, chiefly related to Galloway’s return to Henderson, Kentucky and the gift to WKU.

The Bridge, Volume 9, 2012, Bridgewater State University

the bridge

Volume 9 Staff

Kate Camerlin, Editor-in-Chief
Catherine McFarland, Editor-in-Chief
Colleen Barber
Christopher Boudrow
Ryan DiPetta
Taylor Lynch
Kristen Lyons
Michael Malpiedi
Anthony Rotella
Amanda Rae Rouillard
Joshua Savory
Sarah Springer

Melanie Joy McNaughton, Faculty Advisor
John Mulrooney, Faculty Advisor

Plains Fascination: Artifacts Of Rural Decay, Bryan Gilligan

Master's Theses or Doctor of Nursing Practice

I believe that my creative process has always been a means of retreat and refuge, or a method for coping with anxiety and frustration in a structured manner, or some sort of amalgam. As it evolved into something more complex, my creative process still retained its connection with my past and my ability to formulate complex ideas and therapeutic responses to situations I could not control.

Travel Photographie 2006-2012, Franziska Stetter, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.

Through Process, Mitchell Goldstein

Theses and Dissertations

At the core of any designer’s activity is the process they engage with to create design. Process is not only a way to get from an idea to a completed work, it is also what determines our attitude towards design. This is the place where both the design and the designer are created. The gray area between nothing and something is where we go to discover design, and in turn to discover who we are and what matters to us. In this thesis I am investigating the nebulous place between ideas and things, thoughts and artifacts, and being just a …

Boundaries., Elizabeth Trabue Gorham

Electronic Theses and Dissertations

The photographer discusses the work in Boundaries, her Master of Fine Arts exhibition on display at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee from October 31 to November 4, 2011. The exhibition consists of 20 black and white photographs, the main subject of which is the photographer's son. The photographs and supporting thesis explore the idea of boundaries real and implied, and how confinement can prompt a variety of behaviors. Topics include the process and evolution of the work and the artists who have influenced it, the importance of light and the challenge of photographing family. Included is …

2011 Sioux County Oratorio Chorus Poster, David Versluis

Pro Rege

No abstract provided.

Constructed Realities, Kelsey J. Lefto

Honors Capstones

Capstone submitted as a graduation requirement for BSU Honors Program.

The Foundation To Photographic Success, Samantha Strykowski

2011 Awards for Excellence in Student Research & Creative Activity - Documents

View Ms. Strykowski's Photographic Artwork.

The emergence ofthe digital camera has made photography less expensive, faster, and easier to share. Technology and material upgrades aside, many self-described photographers do not have the slightest idea about what goes on beyond the obvious. What I am referring to is the design and compositional elements of photographs. What makes a shot and its' editing successful? Why? How do you follow the rules and mix in personal touch? As a young aspiring artist on the verge of entering the cut-throat world of photography I feel the need to express my knowledge of design …