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Articles 1261 - 1281 of 1281
Full-Text Articles in Art and Design
Calliope, Calliope
Four Photographers, Wright State University Art Galleries
Four Photographers, Wright State University Art Galleries
Exhibition and Program Catalogs
A flyer for the Four Photographers exhibit that was featured at Wright State University Art Gallery from October 9th through the 20th, 1978. There was an informal reception held that Friday, October 13th, at 4pm in regards to the presentation of the exhibit. It was a part of the Elyn Zimmerman Workshop.
Quintessence: The Alternative Spaces Residency Program Number 1, Department Of Art, Wright State University
Quintessence: The Alternative Spaces Residency Program Number 1, Department Of Art, Wright State University
Exhibition and Program Catalogs
The gallery guide discusses the works that comprised the 1977-1978 Alternative Space Residency Program which was sponsored by the Dayton City Beautiful Council and Wright State University. This particular guide featured the work of artists Alice Aycock, Jody Pinto, George Trakas, Siah Armajani, and Charles Simonds. Quintessence number one showcases the first year of a six year long project.
4 Artist/ 16 Projects, Wright State University Art Galleries
4 Artist/ 16 Projects, Wright State University Art Galleries
Exhibition and Program Catalogs
Throughout the year of 1978 through 1979, came the collaborative project of four universities with 4 artists. The artists included in these workshop/exhibits were: Julia Heyward, John Mason, Mary Miss, and Elyn Zimmerman. This exhibit book documents the 16 projects undertaken by these selected artists. Funded partially by the National Endowment for the Arts the exhibits acted much like workshops allowing a presence of the artistic students to get involved and listen to the artists. The workshops covered a variety of subjects such as film, sculpture, photography, and so on. The colleges that took part in the exhibits were: California …
16 Projects/4 Artists 1977-1978, Fine Arts Gallery Inc., Wright State University
16 Projects/4 Artists 1977-1978, Fine Arts Gallery Inc., Wright State University
Exhibition and Program Catalogs
During the spring and summer of 1975 Wright State University organized a cooperative workshop/exhibitions program with three other institutions and, in 1976, received the support of the National Endowment for the Arts. This publication represents the second such program in what is hoped will be a continuing series.
The program consisted of sending four prominent contemporary artists to each of four schools during the 1977-78 academic year. The artists selected to participate in this project were Laurie Anderson, Dennis Oppenheim, Michelle Stuart, and William Wegman, each of whom works in diverse media and materials, and all of whom represent a …
Calliope, Calliope
16 Projects / 4 Artists, Wright State University Art Galleries
16 Projects / 4 Artists, Wright State University Art Galleries
Exhibition and Program Catalogs
During the spring and summer of 1975 Wright State University organized a cooperative workshop/exhibitions program with three other schools and, in 1976, received the support of the National Endowment for the Arts. The program consisted of sending four prominent contemporary artists to the four colleges and universities during the 1976-1977 academic year. The artists selected to participate in the program were Siah Armajani of Minneapolis, Larry Bell of Taos, Lloyd Hamrol of Santa Monica, and Pat Steir of New York, each of whom works in diverse media and materials, and all of whom represent a range of artistic and aesthetic …
Calliope, Calliope
Calliope, Calliope
Calliope* *The Greek Muse Of Elegance And Heroic Poetry, Calliope
Calliope* *The Greek Muse Of Elegance And Heroic Poetry, Calliope
Calliope
No abstract provided.
Can The Sabattier Effect Be Controlled?, Mary Ann Bentley
Can The Sabattier Effect Be Controlled?, Mary Ann Bentley
Theses & Honors Papers
No abstract provided.
Calliope, Calliope
The Art Institute Of Boston Course Catalog (1973), The Art Institute Of Boston
The Art Institute Of Boston Course Catalog (1973), The Art Institute Of Boston
Art Institute of Boston (AIB) Course Catalogs
The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.
Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …
Photographic Imagery As A Source For Iconography In Painting And Drawing, Eric Peder Brakken
Photographic Imagery As A Source For Iconography In Painting And Drawing, Eric Peder Brakken
All Master's Theses
Any verbalization of an artistic statement is by its very nature, an inadequate interpretation. However, I feel there is some merit in a concise declaration of my general concepts in the study. This paper represents a summation of the concepts and directions involved in my studio investigation in painting and drawing.
Specifically, it is within the scope of man's altered and effected perception of reality that I have based the studio research.
Calliope, Calliope
The Art Institute Of Boston Course Catalog (1971-1972), The Art Institute Of Boston
The Art Institute Of Boston Course Catalog (1971-1972), The Art Institute Of Boston
Art Institute of Boston (AIB) Course Catalogs
The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.
Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …
Calliope, Calliope
The Art Institute Of Boston Course Catalog (1969-1971), The Art Institute Of Boston
The Art Institute Of Boston Course Catalog (1969-1971), The Art Institute Of Boston
Art Institute of Boston (AIB) Course Catalogs
In January of 1968 The School of Practical Art changed its name to The Art Institute of Boston as an outward sign of the diversity of ideas and interests that had generated during the past decade. The combined efforts of students, teachers, and administrators have produced a broad program which attracts students with a variety of goals, and affords an opportunity to study in several different disciplines.
The Art Institute of Boston seeks talented young people who wish to make art their lifetime career. The school offers a three-year program leading to diplomas in advertising design, illustration, photography, and fine …
The Educated Eye Ii, The Dalton School, Children And God Lp Records, Lou Dorfsman, Cbs Corporate Entertainment And News Divisions, Tony Schwartz
The Educated Eye Ii, The Dalton School, Children And God Lp Records, Lou Dorfsman, Cbs Corporate Entertainment And News Divisions, Tony Schwartz
Lou Dorfsman CBS Archive at RISD
CBS Television Division Education Department Teaching Supplement.
The Educated Eye II and Children and God movable record cover, [early 1970s?] ...record cover bearing the title The Educated Eye II [...] containing Tony Schwartz's vinyl record, Children and God. The cover, illustrated with black-and-white photographs taken by Ken Heyman at the Dalton School in New York City, consists of flaps that can be unfolded and reassembled into a three- dimensional "house" or "school" building Illustrated instructions for assembling the building are provided on the inside of the front cover flap, along with notes about Heyman's photographs and Schwartz's recording by Dalton …
Photographic Color Printing, James W. O'Neill
Photographic Color Printing, James W. O'Neill
Graduate Student Research Papers
It was the purpose of this study to (1) determine the process that is necessary for dye formation in a colored negative; (2) to investigate the process of .making a color print; (3) to evaluate a color print in regard to density and color balance; and (4) to enable one to correct the color balance of a colored print.
In Memoriam; By Alfred, Lord Tennyson; A Photographic Interpretation, Eunice Blanchard
In Memoriam; By Alfred, Lord Tennyson; A Photographic Interpretation, Eunice Blanchard
English - All Scholarship
In Memoriam; by Alfred, Lord Tennyson; A Photographic Interpretation is a photographic essay completed by Eunice Blanchard in 1947 as an English Term Paper at Syracuse University in Syracuse, NY. Blanchard tells the story of Tennyson's poem through original photography.
Acknowledgements:
Arthur W. Brown, Instructor in English; C. Wesley Brewster, Instructor in Photography; D.M. Norton, Assistant to Mr. Brewster; Photography Models: Janet Clark, Betty Sanders, Aubrey Vaughn Woolsey. Jr.
This is the original work of Eunice Blanchard, under CCBY 4.0. It is an open-access work, copyrighted and licensed by the author for re-use.