Art and Design Commons^™

Behind Closet Doors: Horror And Dislocation In The Queer Closet, Corey C. Allen

Theses and Dissertations

“Behind Closet Doors: Horror and Dislocation in the Queer Closet,” is composed of a collection of sculptures, videos, and sound works that are directly associated with themes of horror and anxiety derived from the precarious space of the queer closet as detailed in this thesis of the same name.

Warped Gates, Christopher Roberson

Theses and Dissertations

I am interested in the ambient conditions that are filtered through our bodies and our relationships with the built structures positioning us. I am combining experimental material approaches with a sensitivity to the spaces around an artwork to create sculptural situations that are dissonant and precarious.

Capitalism As Readymade: 5.5 Case Studies, Nathan S. Rayman

Theses and Dissertations

Rayman makes an argument to repurpose capitalist systems as readymade artworks to shift the existing flow of capital from speculator to art producer.

Generative Movements, Cabbage Juice, & Habitats Of Selfhood, Jason Michael Rondinelli

Theses and Dissertations

The content of this essay is a reflection on my practice as an artist. A summary of text includes an analysis of my attraction to certain materials such as drywall, cabbage juice and coconut oil, all materials are the extensions of my memory, intention and pleasure. From warm memories of bathhouses and the flesh of others to managing illness at home, my artwork distills a lived experience into material reality. These materials take the shape of sculptural networks that serve as biographical biomes. The architectural and organic components of the work are sourced from my own experience and the surreal …

Anywhere Out Of This World, Amanda C. Brown

Theses and Dissertations

This essay discusses my paintings alongside Merleau-Ponty's theories of perception and the history of form and color in painting. The relationship between perception and color is examined in the work of Paul Cézanne, Hans Hofmann, and Luis Barragán, along with Henri Matisse's Chapel of the Rosary.

Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper

Theses and Dissertations

This paper explores artists' engagement with popular music at the interdisciplinary alternative space, the Kitchen, from 1971 to 1985. It seeks a critical language to challenge institutional frameworks to account for the creative output of artists' bands and the relationship between parallel and hybrid popular music and avant-garde performance practices.

The "I" Of The Artist-Curator, Natalie Musteata

Dissertations, Theses, and Capstone Projects

This dissertation charts the proliferation of artist-curated exhibitions in museums and institutions of art from 1969 to the early 2010s. It is my contention that the artist-curated exhibitions of these four decades can be divided chronologically into several types: in the 1970s and ’80s, they disrupted museological conventions and helped contemporize the (perceived) aging collections of historical institutions; in the late 1980s and ’90s, they tackled pressing social and political issues, reimagining the practice of “institutional critique”; in the late 1990s and 2000s, they indulged in solipsistic investigations of the artist’s psyche, reinforcing the traditional, romantic conception of the artist …

Urban Cultural Omnivores, Upscaling Ethnic Food And Culinary Reproduction In Marco And Suntiang, Shuri Mariasih Gietty Tambunan, Maria Regina Widhiasti, Yudi Bachrioktora, Nila Ayu Utami

International Review of Humanities Studies

Culinary practices have always been considered as social and cultural activities signifying ideas of continuity and transformation regarding one‟s culture and identity. As migration happens, people move from their hometown and recreate familiar food and flavors in their new home. Therefore, the study of culinary practices will reveal the dynamics of constant negotiation between having to trace back the familiar taste, for example by using inherited recipes, with the necessity to innovate and reproduce meals from their hometown with new ingredients and materials found in the new place. Furthermore, in an urban setting that has been heavily influenced with a …

Jasmine’S Fail Attempt To Achieve ‘Transcendence’ As A Form Of Her Internalization As ‘The Other’ In Blue Jasmine (2013), Livina Veneralda, Adriana Rahajeng Mintarsih

International Review of Humanities Studies

Although there have been more Hollywood movies having their stories centered on female characters, their representation in Hollywood cinema is still problematic as most of these female characters do not become subjects in their own stories. They often internalize the notion of women as the Other. According to Beauvoir (2010), since women are deemed to be the Other, they become inessential part of the society. In the movie Blue Jasmine (2013), Jasmine has no power to design and lead her future as she subjugates herself to men. Then when she tries to free herself from this situation, she experiences oppression …

Final Comment Letter To Department Of Education, Rhode Island School Of Design

Advocacy | Amicus Briefs + Comments

No abstract provided.

Self Storage: A Contemporary Archaeology Of Domestic Interiority, Emma Filippides

Interiority

This architectural historical study aims to interrogate rituals of contemporary inhabitation in the United Kingdom by tracing the rise of the self storage facility. While the proliferation of domestic self storage in the UK is derived from a web of correlations, this research considers self storage as a lens through which the subjective experience of inhabiting the neoliberal city, may be understood. Drawing from archaeological methods to conduct a material study of the contents of abandoned storage units, this study engages specifically with self storage as a long-term solution to domestic storage inadequacies. The material and theoretical engagements of this …

Contested Interiority: Sense Of Outsideness/Insideness Conveyed Through Everyday Interactions With University Campus Doors, Lisa Stafford

Interiority

Our sense of place in the world is mediated through our everyday interactions with both people and space (Seamon, 1985). Everydayness is one of the most profound levels and shapers of human experience, yet too often this level of relation is overlooked and taken for granted in the design of environments (Dyck, 2005; Tuan, 1977). In this article, I present a first-person phenomenological account of my everyday interactions with doors on a university campus to uncover contested notions of interiority. My body-space routines reveal how a sense of outsideness/insideness is controlled through my interactions with objects such as doors, door …

Material Atmospheres: Theorising Recent Shifts In Interior Visualisation, Gregory Marinic

Interiority

Much like Walter Benjamin's analysis of the Parisian arcades during the interwar years of the early 20th century, emerging methods of seeing interior spaces reveal a deeper gaze into the contextual, material, and phenomenological conditions that produce more nuanced visions of interiority. A collective consciousness surrounding these constructed narratives is reflected in charged associations with the most salient imperatives of our time—globalisation, resource depletion, ecological degradation, and political instability—as well as their corresponding effects on the built environment. These visual provocations have incrementally percolated up to embody an expanding field of design activism for educators, theorists, practitioners, and students. How …

Interior Decoration To Exterior Surface: The Beleaguered Relief, Susan Hedges

Interiority

Surface articulation is a critical issue for interior architecture, and this paper sees the wall as a point of intersection where art and structure may converge and collide. A place of experimentation and a site of performance, built volumes and surface embellishments blur and reinforce edge conditions and ornament as embellishment and essential structure merge.

This paper explores a sculptural relief Copper Crystals (1965) constructed by Jim Allen for the ICI (Imperial Chemical Industries) House (1964) situated at 61 Molesworth Street in Wellington, New Zealand. Following the building's failure, due to a 7.8 magnitude earthquake, the sculptural relief survived a …

Interiority In Everyday Space: A Dialogue Between Materiality And Occupation, Paramita Atmodiwirjo, Yandi Andri Yatmo

Interiority

Everyday space is a setting where ordinary acts, activities and events take place. It is interesting to examine closely how interiority is defined, understood and manifested in everyday space as a way to understand the inhabitation of the interior. The interiority of everyday space is defined not only by occupation but also through materiality. This issue of Interiority presents articles that address the relationships between interior materiality and different perceptual constructs and experiences of architectural space as inherent in the occupation of the everyday space.

Designing The Threshold: A Close Reading Of Olafur Eliasson’S Approach To ‘Inside’ And ‘Outside’, Demet Dincer, Thea Brejzek, Lawrence Wallen

Interiority

This article discusses Icelandic installation artist Olafur Eliasson’s approach of the threshold as a productive liminal space rather than as a static boundary between the inside and the outside. Often defined as the physical division between the interior and the exterior in architecture, the authors argue that by looking at Eliasson’s works in detail, the threshold’s inherent capacity of comprising a dynamic dialogue between inside and outside where one is determined by the other unfolds. This paper proposes that designing the relationships between inside and outside involves subtle renegotiations and redefinitions of conventionalised notions of their boundaries and a resultant …

Performative Interiors: Terminological And Theoretical Reflections On The Term 'Performative', Ayman Kassem

Interiority

‘Performative’ is an emerging term in architectural discourse. The word ‘performative’ is able to describe spatial qualities and design approaches. The term is mostly linked to the concepts of open-form, and flexibility which are characters that give the spatial design a strategic aspect as the ability to anticipate and host predicted and unpredicted occurrences, and to adjust to future changes, which also gives architecture the character of an unfolding ‘event’ in time and in space. This paper seeks to investigate the terminological and the theoretical dimensions of the term ‘performative.’

Material Atmospheres: Theorising Recent Shifts In Interior Visualisation, Gregory Marinic

Interiors Faculty Publications

Much like Walter Benjamin's analysis of the Parisian arcades during the interwar years of the early 20th century, emerging methods of seeing interior spaces reveal a deeper gaze into the contextual, material, and phenomenological conditions that produce more nuanced visions of interiority. A collective consciousness surrounding these constructed narratives is reflected in charged associations with the most salient imperatives of our time—globalisation, resource depletion, ecological degradation, and political instability—as well as their corresponding effects on the built environment. These visual provocations have incrementally percolated up to embody an expanding field of design activism for educators, theorists, practitioners, and students. How …

Design For Living Complexities, Peter J. Taylor

Working Papers in Critical, Creative and Reflective Practice

Lectures from a 12-session course that addresses the intersection of design with critical thinking. Design in this course means intentionality in construction, which involves a range of materials, a sequence of steps, and principles that inform the choice of materials and the steps. Design also always involves putting people, as well as materials, into place. This happens by working with the known properties of people, as well as the known properties of material, and trying out new arrangements to work around their constraints (at least temporarily). Critical thinking, as I define it, involves understanding ideas and practices better when we …

Writing About Art, Ana Marjanovic

Open Educational Resources

The course focuses on practice in the styles and forms of expository writing required in the arts. It recommends the readings that acquaint students with standards of good writing about the arts.

The Ocean's Skin | A Talk By Philip Hoare, Liberal Arts Division, Ncss Graduate Program

Nature-Culture-Sustainability Studies (NCSS) Lectures

VIEW EVENT PHOTOS

Lecture, January 18, 2019. 5:00 – 7:00 pm, Metcalf Auditorium, RISD Museum/Chace Center. Philip Hoare, a frequent visitor to Cape Cod, is obsessed with the sea. He swims in it every day - winter and summer. In this talk, drawing on his new book, RISINGTIDEFALLINGSTAR, he looks at the way we humans relate to the sea’s natural history - its whales, its birds, its tides, its myths. From Thoreau to Melville, from Virginia Woolf to Oscar Wilde, from Percy Shelley to Sylvia Plath, he takes up human stories to see how they intertwine with watery mysteries and …

Contemplative Interiors: Ceramics And Furniture, Alla Myzelev, Kala Stein, James Johnson

Geneseo Authors

Exhibit Catalog for the show Contemplative Interiors exhibited at the Lockhart Gallery at SUNY Geneseo from February 6, 2019-March 15, 2019. Exhibit Curator: Alla Myzelev.

Waste Size: The Skinny On The Environmental Costs Of The Fashion Industry, Elisha Teibel

William & Mary Environmental Law and Policy Review

The fashion industry is a web of complex global markets currently valued at $3 trillion that employs somewhere around sixty million people worldwide and is estimated to be one of the most labor-intensive industries on the planet. Over the past couple of decades, the industry has evolved into a highly fragmented sector with complicated supply chains and completely unstandardized production practices, which vary by factory and by country. The most significant facet of the fashion trade is the clothing and textile industry. The current total value of the clothing and textiles trade is estimated at $726 billion and a staggering …

Consumers’ Preference Leading Purchase Intention Toward Manipulation Of Form And Transparency For Juice Packaging Design, Swati Pal, Abhishek Yevalkar, Amrita Bhattacharjee, Shivani Holkar

Journal of Applied Packaging Research

Packaging plays a fundamental role on consumer’s intention to purchase, as it may be the first contact between the consumer and the product. The product packaging has a crucial role to attract consumer, force them to choose the product and act as a brand communication vehicle. The point of focus is how the elements of the package design affect consumer’s perceptions about products and brand. In this study, to understand the effect of package form and transparency on consumers’ pre-purchase preference of juice packaging, the participants (N=60) are asked to assess six designs against a 5-point Likert scale. The findings …

Creativity-Integrated Art History: A Pedagogical Framework, Alysha Meloche, Jen Katz-Buonincontro

Art History Pedagogy & Practice

Art history offers a unique opportunity for students to encounter real, historical examples of the creative process in action. By showing examples of the complex process through which artwork is created, art history classes can provide emulative examples for the next generation of innovative designers, artists, historians, educators, and creative thinkers. Art history has a tradition of teaching Big-C creativity principles by highlighting creative products and individuals. Therefore, the art object is emphasized at the expense of unpacking the process and everyday, or mini-c, creativity of the work. At a time when the field of Art History is beginning to …

Japanese-English Translation: Kitaōji Rosanjin--A Few Words For Aspiring Potters, Or Concerning The Relation Of The Person To The Work Of Art, Christopher Southward

Comparative Literature Faculty and Student Scholarship

Translation of 「陶芸家を志す者のために：芸術における人と作品の関係について」、北大路魯山人著—a speech delivered by Japanese potter, painter, lacquer artist, and restaurateur Kitaōji Rosanjin at Alfred State University, NY in April 1954. Part of a noncommissioned work in progress: Kitaōji Rosanjin: Reflections on Pottery, Travel, and Culinary Life All rights reserved, Christopher Southward (2019). Source, Aozora Bunko (a digital archive of Japanese-language literary work in the public domain): General website: https://www.aozora.gr.jp/ Current text: https://www.aozora.gr.jp/cards/001403/files/55081_54778.html

Claycomb, Marilou (Irwin), B. 1936 (Sc 3314), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 3314. Collection of four Home Worker Handbooks detailing work done by Marilou (Irwin) Claycomb for Eleanor Beard, Inc. of Hardinsburg, Breckinridge County, Kentucky. Irwin did contract quilting from June 1959 until August 1966. Each of the four U.S. Department of Labor #FO-75 booklets list the date issued, number, style, article, rate, date returned, number completed, hours worked, wages and date of payment of her public contract work.

Dress Up, Ye'ela B. Wilschanski

Theses and Dissertations

Dress Up (Performance, 40 minutes) is a dress that functions as a floor, blanket, tablecloth, book and walls. It tells a visual story about domestic care giving rituals, referencing different times and places.

Archaeology Of Social Patterning, Chase Bray

Theses and Dissertations

The episteme that created the grid as a structure for logic has been usurped. We compose meaning from an adulterated grid, or pattern. I process meaning through the abuse of acrid patterns and the grid, the reduction of imagery to silhouettes and by referencing both cultural and classical mythology.

The Social Role Of The Artist, Gabino A. Castelan

Theses and Dissertations

Gabino A. Castelán, tells a personal story of loss that influenced his artistic practice. He embraced this narrative to create two projects “Practice of Everyday Life-205 (PoEL-205) and the formation of a temporary collective called, Cultural Workers. He presents two case studies of twenty-first century artists, whose projects have business models that allow them to function in social roles during political and social turmoil. "Conflict Kitchen" and "Rebuild Foundation" provide context about running for-profit and not-for-profit artistic practices. Castelan writes about these projects' influencing his artistic practice in general.