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Art and Design Commons

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2019

Graphic design

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Articles 1 - 29 of 29

Full-Text Articles in Art and Design

Visual Identity: Cace, Sioux Center, Iowa, Vaughn Donahue Dec 2019

Visual Identity: Cace, Sioux Center, Iowa, Vaughn Donahue

Pro Rege

No abstract provided.


Visual Identity: Orange City Tulip Festival, Vaughn Donahue Dec 2019

Visual Identity: Orange City Tulip Festival, Vaughn Donahue

Pro Rege

No abstract provided.


Impact Of Computer-Based Peer Review On College Students’ Performance And Perceived Self-Efficacy In An Online Graphic Design Course, Sharon P. Wagner, Tracy Rutherford Nov 2019

Impact Of Computer-Based Peer Review On College Students’ Performance And Perceived Self-Efficacy In An Online Graphic Design Course, Sharon P. Wagner, Tracy Rutherford

Journal of Applied Communications

Prior research has indicated that the incorporation of computer-based peer review into writing instruction increases student engagement, improves student performance, and increases student perceptions of self-efficacy. This study used a quasi-experimental untreated control group design to examine the impact of computer-based peer review on student performance and perceived self-efficacy in an undergraduate agricultural graphic design course. The impact of participation in computer-based peer review on performance scores was investigated using a MANOVA. After two rounds of peer review, students improved their overall course performance by one-half letter grade. Perceptions of self-efficacy were further analyzed using a one-way repeated measures ANOVA. …


Learn The Terms: A Visual Glossary, 2019 Edition, Gayle Schaub, Vinicius Lima, Joshua Houchlei, Hannah Douglas Oct 2019

Learn The Terms: A Visual Glossary, 2019 Edition, Gayle Schaub, Vinicius Lima, Joshua Houchlei, Hannah Douglas

Open Teaching Tools

Understanding a discipline requires a fundamental understanding of its concepts, theories, and terminology. Critical to academic success, these are often assumed to be widely understood by students.

The students of Graphic Design V, fall 2019, created poster to help students understand one of the ACRL Framework’s concepts, information creation as a process. These bold, eye-catching informational posters, produced and disseminated in and outside of the Library, promote learning through innovative designs created by students for students.


Typography 1, Muyuan He Aug 2019

Typography 1, Muyuan He

Open Educational Resources

No abstract provided.


Save The Trees. Save Humanity., Lindsey Davis Jun 2019

Save The Trees. Save Humanity., Lindsey Davis

The Goose

Visual art by Lindsey Davis


Plenty : Wanting, Choosing,, Overwhelming Unloading, Christopher Cote May 2019

Plenty : Wanting, Choosing,, Overwhelming Unloading, Christopher Cote

Masters Theses

We seek well-being from products and fall prey to the media that promotes them to determine our wants and needs as equal. Consumption becomes an obsession. At some point we accumulate so much that we feel the need to organize or cleanse what’s overwhelmed us.

To highlight the aesthetics of consumption, advertisement, and brand proliferation, I turn their tactics against themselves. Plenty: Wanting, Choosing, Overwhelming, Unloading explores, points out, embraces, and edits the complexity we live within. With the hope of better navigating the abundance of consumer choice and its visual bombardment, Plenty tracks and exposes the cycle of material …


Record : From Signal To Atmosphere, And The Spaces Between Silence And Noise, Amy Auman May 2019

Record : From Signal To Atmosphere, And The Spaces Between Silence And Noise, Amy Auman

Masters Theses

Record is both a noun and a verb. Its meaning shifts through pronunciation, beginning with our cognitive interpretation and then emerging as a translation that we project from our mouths. This thesis book is an artifact, or record, of the past two years of artistic inquiry. My work, however, lives through movement in time—it records my impulses. This thesis is merely an open archive.

A range of stimuli competes for our conscious attention. The signals we choose to notice emerge from the periphery of our atmosphere, which includes everything from noise to silence. I use design to amplify and alter …


Groundwork, Marcus Peabody May 2019

Groundwork, Marcus Peabody

Masters Theses

This is hardly groundbreaking, but graphic designers

(or at least this graphic designer)

should gather up information first hand

(rather than waiting to be handed content)

using multiple points of view

(because design needs to be rooted in the broader world)

and then address the resultant multiplicity

(which is chaotic and confusing)

by charting a somewhat linear path through it

(because I have an editorial point of view)

while still acknowledging the underlying complexity

(because it's not the only point of view)

giving structure that is coherent with the subject

(because without structure you just have a pile of content) …


Re-Creation : A Package Design For Daily Life, Wei-Hao Wang May 2019

Re-Creation : A Package Design For Daily Life, Wei-Hao Wang

Masters Theses

This thesis grows out of my observations of and inquiries into daily scenes,+ which are wrapped within what I am calling a package. The human mind often puts daily encounters into manageable packages to facilitate interaction with them. This process, however, makes us dull or neglectful. Looking into daily scenes allows me to unpack these packages and reflect on ubiquitous objects, notions and actions so that I am able to see them anew. To me, it offers a break from the habitual responses in life.

Re-creation: A Package Design for Daily Life intends to create a similar occasion for my …


Lateral Movements : In Multifaceted Time And Space, Jieun Kim May 2019

Lateral Movements : In Multifaceted Time And Space, Jieun Kim

Masters Theses

Orient, shift, calibrate, and soar—these four lateral movements provoke new ways of seeing beyond flatness: the single fixed point of view. I question the reasons and consequences of the dominant point of view and suggest interpretative and playful versions of possibilities.

The distribution of the internet and satellite photography has heightened the perception, interaction, and access to the world—time and space have become flexible. I use these tools deceptively to shift toward dynamic and multiple perspectives both in physical and digital space.

I create graphic environments into which people can enter, inviting people to maneuver in this multifaceted time and …


Body Of Work, Oliva De Salve Villedieu May 2019

Body Of Work, Oliva De Salve Villedieu

Masters Theses

This yellow book filled with short stories, indexes, and a bright body of work, is a little bit rebellious, a little bit scandalous, but mostly self-indulgent. It is an invitation to release, unhinge, and get, consensually, tied up. Here graphic design is not a thinking tool, but rather an attitude—a desire to engage and skew. It is a place where affection translates into practice and lifts an eyebrow to modernism. The work is one of contrast; it contradicts and plays. By excavating simple systems for complex reasons, it deconstructs the fundamental primaries of graphic design and recontextualizes them by holding …


Cosmosis, Angela Torchio May 2019

Cosmosis, Angela Torchio

Masters Theses

Cosmographies deal with the order of nature. They are general descriptions of the universe, and this thesis is a cosmography, dealing with visual content, constraints, and the complexity of symbolism.

Visual experience is dynamic, interrelated, and inherently tied to a value hierarchy. On a micro level, design is my way of understanding the world, while on a macro level, it is a tool to generate new perceptual structures for engaging with, not merely seeing, design.

The work is based on the idea that multiple symbolisms are inherent to all things, and these symbolisms will shift based on context. Cosmographies are …


Abjad Orientations, Mohammed Nassem May 2019

Abjad Orientations, Mohammed Nassem

Masters Theses

This thesis investigates verbal and visual language through a lens of translation, queerness, and diaspora . Looking at graphic design as a reconciliatory space , I make use of its formal and typographic systems as devices to tell stories , examine cultures , and negotiate conflicting principles .

Abjad Orientations is a process of shifting the focal viewpoint to reorient myself and/or my audience and allow for a closer probe of our cultural reality . My eclectic identity as a Queer , Muslim , multilingual Arab living in the United States drives the form and content of my design inquiries …


Let's Meet Over There / Eury Kim., Eury Kim May 2019

Let's Meet Over There / Eury Kim., Eury Kim

Masters Theses

Small communities that were once reliant on the land for basic sustenance progressively grew into large urban states. Our current cities manufacture items that are exchanged for other goods, by building factories that exploit resources from the ground. These commodities are providing much more than just food and shelter. Industry makes sustenance a secondary need to production by objectifying nature.

Italian writer Italo Calvino compares the weight of two Industrial Revolutions, depicting the first with “rolling mills” and “molten steel,” the second “with bits of information that flow” also noting that everything we “value for lightness quickly reveals … unbearable …


Softweave, Annaka Olsen May 2019

Softweave, Annaka Olsen

Masters Theses

The contents of this volume are a weaving.1 The text lays parallel to a graphic design practice that emerges from research into computation, digital publishing and speculative design. I ask how we can change the structures of world building to become collaborative and ethical practices — resisting hierarchy and reclaiming agency in the spaces we occupy. By making soft modifications imbued with feminist praxis across a variety of automatic processes, softwares, feeds, and streams, this thesis explores ways to open up critical avenues of making in order to speculate on fluid futures that we can co-author.


Standards, Rules, Setting, Robert Mcconnell May 2019

Standards, Rules, Setting, Robert Mcconnell

Masters Theses

Greetings. Welcome to Standards, Rules, Setting. This short preamble serves as a user guide to the material that follows. It is, essentially, a set of standards that govern the organization and progression of the various items in this publication.

Everything in this book has been conceived and constructed in line with the Graphic Design Thesis Book Protocol. As my body of work deals with the communication of messages and the manipulation of their governing conventions and norms, this publication — as well — has been organized along similar principles.

There are five types of components in this thesis book: sections, …


Critical Discourse: Thinking About Power, Privilege, And Voice, Stephanie Werth May 2019

Critical Discourse: Thinking About Power, Privilege, And Voice, Stephanie Werth

Honors Projects

We Can Do Better is aimed at creating a space for a dialogue to occur, designed to facilitate conversation around the relationship of resources and identity. As a college student, engaging with difficult or unfamiliar topics is easier when participating in low-pressure, casual settings. Students will have to take chances and make choices, and may change their view of how opportunity affects everyone so they can make informed decisions. We Can Do Better intends for students to expand their knowledge of privileged identities in their community, understand constructed social systems through a dialogue of anecdotal evidence, gain empathy for those …


Learn The Terms: A Visual Glossary, 2018 Edition, Gayle Schaub, Vinicius Lima, Jacob Mol, Christina Elsholz Apr 2019

Learn The Terms: A Visual Glossary, 2018 Edition, Gayle Schaub, Vinicius Lima, Jacob Mol, Christina Elsholz

Open Teaching Tools

Understanding a discipline requires a fundamental understanding of its concepts, theories, and terminology. Critical to academic success, these are often assumed to be widely understood by students.

The students of Graphic Design V, fall 2018, created poster to help students understand one of the ACRL Framework’s concepts, scholarship as conversation. These bold, eye-catching informational posters, produced and disseminated in and outside of the Library, promote learning through innovative designs created by students for students.


Bringing Back Thumbnail Sketching: Design Thinking And Its’ Relationship To Concept Generation In Graphic Design, Casie M. Hoffman Apr 2019

Bringing Back Thumbnail Sketching: Design Thinking And Its’ Relationship To Concept Generation In Graphic Design, Casie M. Hoffman

Selected Honors Theses

Design thinking has been used in the business world for years, but are there other areas that it could apply and benefit greatly? How about in the graphic design world? The process of creating a design project is starting to be overlooked by many new designers, but this can cause our best ideas to stay hidden in the back of our heads. Perhaps if we took the process of design thinking and applied it to concept generation, we might find ourselves at the root of graphic design: the pen and paper. The expanded literature review and project take a closer …


False Advertising: A Look At Crisis Pregnancy Centers, Morgan Gale Mar 2019

False Advertising: A Look At Crisis Pregnancy Centers, Morgan Gale

Honors Projects

A crisis pregnancy center (CPC) is an anti-abortion organization that “counsels” pregnant individuals while pretending to be pro-choice, often giving out false or misleading medical information and discouraging sex outside of marriage. These centers are usually affiliated with evangelical Christian groups and outnumber actual abortion clinics: it is estimated by pro-life groups that over 2,500 CPCs currently operate across the United States.

This project aims to make the anti-abortion bias of CPCs more visible to BGSU students by presenting research in a format that is easy to read. The project also investigates the practices of Her Choice (The BG Pregnancy …


Quotations, Don Wightman Jan 2019

Quotations, Don Wightman

Art and Design Basics

A handout on post-modern semiotics ideas and art during the early biotechnology age (late 20th century). In addition to covering important designers such as Ettore Sottsass and April Grieman during the period, the handout mentioned the Mississauga Civil Centre designed by Architect Edward Jones as an example.


Lindsay Kropp, Senior Art Exhibition Portfolio, Lindsay M. Kropp Jan 2019

Lindsay Kropp, Senior Art Exhibition Portfolio, Lindsay M. Kropp

Senior Art Portfolios

The Senior Art Exhibition was on display in the Baer Gallery in the spring of 2019. This work consists of package design, advertising brochure, stop-motion film, and sculpture.


Sarah Chojnacki, Senior Art Exhibition Portfolio, Norbert College 4059114 Jan 2019

Sarah Chojnacki, Senior Art Exhibition Portfolio, Norbert College 4059114

Senior Art Portfolios

This is a portfolio created for Senior Art Exhibition 2019. This work included painting, collage, and graphic design.


They Named Me, They Know Me, Shannon Stanforth Jan 2019

They Named Me, They Know Me, Shannon Stanforth

Faculty-Selected Student Works

This book was printed on Neenah Environment ® PC 100 White in the Department of Art and Design at the University of Dayton in 2019 as part of the Berry Summer Thesis Institute under the mentorship of Professor Misty Thomas-Trout.

Typeset in the Ryman Eco and Shannon families. Ryman Eco was designed by Dan Rhatigan with Grey London in 2014 and is considered a sustainable typeface, using 33% less ink in print production. Shannon was designed by Janice Prescott Fishman and Kris Holmes for Compugraphic in 1982.


Urgency Reader, Paul Soulellis, Special Collections, Fleet Library Jan 2019

Urgency Reader, Paul Soulellis, Special Collections, Fleet Library

Graphic Design

252 pages : illustrations ; 28 cm. Edition of 110 numbered copies. Read more and download complete Urgency Reader 2019 here."Urgency Reader is a quick assembling of texts, risograph printed in Pawtucket, RI, and bound as a book at the last minute to launch at the Odds and Ends Art Book Fair at Yale University Art Gallery on December 6, 2019. Suggested topics from the open call included: urgency, craft, queerness, gender, transformation, kinship, race, survival ..."--cover wrapper. "Inspired by Omnibus News #1 (1969), Assembling (1970-87), and other assembling publications, Urgency Reader is an experiment in publishing as a …


Semiotics, Don Wightman Jan 2019

Semiotics, Don Wightman

Art and Design Basics

A handout on post-modern semiotics ideas and art during the early biotechnology age (late 20th century). In addition to covering important designers such as Ettore Sottsass and April Grieman during the period, the handout mentioned the Mississauga Civil Centre designed by Architect Edward Jones as an example.


A Thesis Is A Product Is A Tracking, Yixue Li Jan 2019

A Thesis Is A Product Is A Tracking, Yixue Li

Theses and Dissertations

In this work, I discuss how global products/ identities are made, transported and consumed, and the inevitable ‘mis-’ in acts of transmission. This research ranges from the miscommunication in languages and linguistics, to the gap between production and consumption. I investigate how things and humans are misread, mispronounced, misfit and mistranslated when they traverse social and cultural borders, arriving at a place in between languages, holding on to and letting go of things that are familiar to neither and both cultures. This work explores diverse media such as publications, videos and installations, and examines how they maybe used to address …


The Day Is Just Another Surface, Brooks M. Heintzelman Jan 2019

The Day Is Just Another Surface, Brooks M. Heintzelman

Theses and Dissertations

Within a practice founded on both typographic form and language, I have continued to push myself to make work that is more sensitive to place, more contextual, more (hopefully) generous toward a public audience. These pieces might serve as useful instruments of institutional critique, resources for comprehension, or moments in which to interrogate preconceived modes of seeing. I deploy original texts in public spaces in order that they might force viewers to decide how to personally resolve the content they encounter. Is it language or object? Literal or figurative? Graphic design or art? The further I develop this body of …