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Articles 241 - 270 of 274

Full-Text Articles in Art and Design

Patrick Hogan, Anne Ayres Jan 2001

Patrick Hogan, Anne Ayres

Exhibit Catalogues

This exhibition was organized by the Otis Gallery of Otis College of Art and Design in Los Angeles, California. Essay by museum director, Anne Ayres.


Ray Jonas: Sam Erenberg, Ray Jonas, Sam Erenberg, Frank Mcentire Jan 2000

Ray Jonas: Sam Erenberg, Ray Jonas, Sam Erenberg, Frank Mcentire

Exhibit Catalogues

Catalog of works by Ray Jonas and Sam Erenberg from the exhibition shown at the Nora Eccles Harrison Museum of Art. Essay by curator of exhibition, Frank McEntire.


Ray Jonas And Sam Erenberg, Frank Mcentire Jan 2000

Ray Jonas And Sam Erenberg, Frank Mcentire

Exhibit Catalogues

Brief biographies of scupltor Ray Jones and painter Sam Erenberg written by curator Frank McEntire.


Frontage Road, Ric Collier Jan 1999

Frontage Road, Ric Collier

Exhibit Catalogues

Frontage Road is a profound collaborative exhibition initiated by a simple conversation with Anne Ewers, General Director of the Utah Opera.


Moving Monumentally Into The New Millennium: New Acquisitions For The New Century, Steven W. Rosen Jan 1999

Moving Monumentally Into The New Millennium: New Acquisitions For The New Century, Steven W. Rosen

Exhibit Catalogues

Exhibition Checklist


Depression-Era Printmakers Of Utah, Will South Jan 1999

Depression-Era Printmakers Of Utah, Will South

Exhibit Catalogues

Documentation of significant prints made during the Depression-Era in Utah. It presents, for the first time, through the print mediem, the visual veiwpoints of eighteen Utah artists during this agonizing and debilitating era. Essay by Dr. Will South


Alternate Realities, Nora Eccles Harrison Museum Of Art Jan 1999

Alternate Realities, Nora Eccles Harrison Museum Of Art

Exhibit Catalogues

With expertise, enthusiasm, and a keen eye, the Caine Foundation has, for the past fifteen years, sought out key Western artworks that offer new twists on the story of twentieth-century American art. The core of the collection explores certain key art histroical moments, as evidenced by healthy examples of Los Angelse Post-Surrealism, Santa Fe Transcendentalism, Bay Area Abstract Expressionism, and San Francisco Funk.


Behind The Lines: Drawings And Objects, Michael David Hall Jan 1999

Behind The Lines: Drawings And Objects, Michael David Hall

Exhibit Catalogues

Behind the Lines is an apt description for the Salt Lake Art Center's exhibition of Hall's drawings and sculptures.


Impressions In Clay: Kyung-Hwan Won, Nora Eccles Harrison Museum Of Art Jan 1999

Impressions In Clay: Kyung-Hwan Won, Nora Eccles Harrison Museum Of Art

Exhibit Catalogues

Presentation of Associate Professor of Ceramics, Kyung-Hwan Won, including list of exhibitions in his career.


Tea Bowl: Imperfect Harmony, Gretchen A. Mehring, Greater Lafayette Museum Of Art Jan 1998

Tea Bowl: Imperfect Harmony, Gretchen A. Mehring, Greater Lafayette Museum Of Art

Exhibit Catalogues

These tea bowls, with their intimate scale and individual personalities, simultaneeously offer an apprectiation of the past and the contemporary. The subtle beauty of traditional-style bowls contrasts with the more exuberant contemporary idiom, raising an awareness of the role that art has, and can play, in everyday life.


Von Allen-Mcgowan: Sculptor, Steve Rosen Jan 1997

Von Allen-Mcgowan: Sculptor, Steve Rosen

Exhibit Catalogues

A look at the works of sculptor Von Allen-McGowan and an interview with the artist conducted by Director of the Nora Eccles Harrison Museum of Art, Steve Rosen.


Avard T. Fairbanks: Distinguished American Sculptor, Scholar And Teacher, Nora Eccles Harrison Museum Of Art Jan 1997

Avard T. Fairbanks: Distinguished American Sculptor, Scholar And Teacher, Nora Eccles Harrison Museum Of Art

Exhibit Catalogues

Mr. Fairbanks was a man of his time. His scrupulous attention to anatomical detail made him a super realist as he worked from the interior structure of the human figrue outward to an accurate presentaion of each turning of a mouth, drooping of an eyelid or flexing of a muscle. He saw the human figure, male or female, as an object to be venerated, a mirror of elevated spiritual and aesthetic vaules more than just simplistic replication. His works, whether religious, mythological, industrial or as versitic portraiture, carried the Fairbanks ideal that "The arts are created for contemplation and edification, …


Tea Bowl: Imperfect Harmony, Gretchen Mehring Jan 1997

Tea Bowl: Imperfect Harmony, Gretchen Mehring

Exhibit Catalogues

Exhibition catalog for Tea Bowl: Imperfect Harmony, a traveling exhibition. "These tea bowls, with their intimate scale and individual personalities, simultaneously offer an appreciation of the past and the contemporary. The subtle beauty of traditional-style bowls contrasts with the more exuberant contemporary idiom, raising an awareness of the role that art has, and can play, in everyday life. As we approach the millennium in an age of mass production, consumption, and get-it-to-go attitudes, the words of Kakuzo Okakura are still relevant, "Do we not need the tea room more than ever?"


Von Allen-Mcgowan: Sculptor, Nora Eccles Harrison Museum Of Art Jan 1997

Von Allen-Mcgowan: Sculptor, Nora Eccles Harrison Museum Of Art

Exhibit Catalogues

Interview taken place on January 28, 1997 between Von Allen-McGowan, a sculptor at Brigham young university and Steven Rosen, director of the Nora Eccles Harrison Museum of Art at Utah State Univerisity.


Three-Dimensional Utah: 100 Years Of Sculpture, Nora Eccles Harrison Museum Of Art Jan 1996

Three-Dimensional Utah: 100 Years Of Sculpture, Nora Eccles Harrison Museum Of Art

Exhibit Catalogues

Three-Dimensional Utah: 100 Years of Sculpture began as a series of conversations about sculptors and sculpture nearly six years ago. Specific development of the exhibition began three years ago during the process of creating a national inventory of outdoor sculpture for a program called Save Outdoor Sculpture (SOS)! Utah is home to more than 200 pieces of outdoor sculpture.


The Reality Of Abstraction: Painting In Utah 1946-1996, Steven W. Rosen, Ann Poore Jan 1996

The Reality Of Abstraction: Painting In Utah 1946-1996, Steven W. Rosen, Ann Poore

Exhibit Catalogues

The exhibition, The Reality of Abstraction: Painting in Utah, 1946-1996, has been carefully organized to show how Utah's painters responded to the clarion call and challenges of the exciting post World War II creativity.


The Reality Of Abstraction: Painting In Utah 1946-1996, Ann Poore Jan 1995

The Reality Of Abstraction: Painting In Utah 1946-1996, Ann Poore

Exhibit Catalogues

Exhibition catalog for The Reality of Abstraction: Painting in Utah 1946-1996, a traveling exhibition that focuses on Utah artists that work in the style of abstraction.


Peter Krasnow: Sculptor And Draftsman, Nora Eccles Harrison Museum Of Art Jan 1994

Peter Krasnow: Sculptor And Draftsman, Nora Eccles Harrison Museum Of Art

Exhibit Catalogues

Peter Krasnow was identified as a significant contributor to the ideas of modernism which were manifested in architecture, painting, sculpture, literature, and movie making.


Peter Krasnow: Sculptor/ Draftsman, Tobey C. Moss, Steven W. Rosen Jan 1994

Peter Krasnow: Sculptor/ Draftsman, Tobey C. Moss, Steven W. Rosen

Exhibit Catalogues

Exhibition catalog from Peter Krasnow: Sculptur/Draftsman shown in the Nora Eccles Harrison Museum of Art. Essay by Tobey C. Moss.


In Memoriam: George Dibble, Nora Eccles Harrison Museum Of Art Jan 1993

In Memoriam: George Dibble, Nora Eccles Harrison Museum Of Art

Exhibit Catalogues

Remembering George Smith Dibble through a collection of his paintings on paper.


The Allure Of Illusionism: Trompe L'Oeil In Contemporary American Painting, Steven W. Rosen, Rose M. Milovich Jan 1992

The Allure Of Illusionism: Trompe L'Oeil In Contemporary American Painting, Steven W. Rosen, Rose M. Milovich

Exhibit Catalogues

The creators of trompe l'oeil works, whether drawings, paintings, or three-dimensional objects are less concerned with replicating reality using pictorial devices such as perspective, and instead concentrate their efforts on precisely rendering the richness of the material world. The object then goes beyond a work of art and becomes a carefully defined artifact which frces the eyse to contront its absolute reality.


The Intermountain Indian School, Lewis A. Williams May 1991

The Intermountain Indian School, Lewis A. Williams

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The past year and a half I have focused all my artistic effort on the subject of my thesis: The Intermountain Indian School at Brigham City, Utah. My artistic approaches and modes of depiction have varied greatly during this time period. The following describes the progression and purpose of my visual investigation and artistic development.


Recent Fires: Contemporary American Ceramics, Philip Rawsom Jan 1990

Recent Fires: Contemporary American Ceramics, Philip Rawsom

Exhibit Catalogues

Exhibition catalog for Recent Fires: Contemporary American Ceramics. Introduction to the exhibition and essay, Ceramics Overview written by Philip Rawson.


Recent Fires: Contemporary Amercian Ceramics, Philip Rawson Jan 1990

Recent Fires: Contemporary Amercian Ceramics, Philip Rawson

Exhibit Catalogues

This show illustrates something of the depth and range of American ceramics since World War II. It includes both very well-known and less well-known names. As most of the pieces are vessels of one kind or another (with a few oustanding exceptions) it expressly refers us to the roots of the ceramic art in handling clay by throw-potting. Many pieces in fact embody in their imagery the axially centered container. There are also some of those charmingly ironic and brightly glazed confections which have become very popular in recent years, partly for their hi-tech look. But this show is not …


Conversation On Instructional Design, Robert M. Gagné, M. David Merrill Jul 1989

Conversation On Instructional Design, Robert M. Gagné, M. David Merrill

University Extension - OCW

This conversation between Dr. Robert Gagné, and Dr. M. David Merrill, took place July 10, 1989 before an audience of about 200 at Utah State University. A series of papers based on this discussion later appeared in Educational Technology Magazine. The conversation highlights the main points of Gagne and Merrill's respective learning theories, and a comparison of the events of instruction, and Component Display Theory.

From Wikipedia -Robert Mills Gagné was an American educational psychologist best known for his "Conditions of Learning". Gagné pioneered the science of instruction during WWII for the air force with pilot training. Later he went …


4 X 4: Sixteen Printmakers From The Four Corner States, Norra Eccles Harrison Jan 1987

4 X 4: Sixteen Printmakers From The Four Corner States, Norra Eccles Harrison

Exhibit Catalogues

This exhibition encompasses artists from four states which area in the heart of the wester United States. Except for the subject matter of some of the prints, one would find it difficult to define this group of works as having some shared regional aesthetic. Indeed, quite the opposite is the case. The works demonstrate that the artists are part of a national, if not international, printmaking world which is characterized by individuality in the choices of style, media, and subject matter. Visual heterogeneity dominates the works. Their westernness is, simply, a factor of a geopolitical reality, not artistic criteria.


4 X 4: Sixteen Printmakers From The Four Corner States, Nora Eccles Harrison Museum Of Art Jan 1987

4 X 4: Sixteen Printmakers From The Four Corner States, Nora Eccles Harrison Museum Of Art

Exhibit Catalogues

This exhibition encompasses artists from four states which are in the heart of the western United States. Except for the subject matter of some of the prints, one would find it difficult to define this group of works as having some shared regional aesthetic. Indeed, quite the opposite is the case. The works demonstrate that the artists are part of a national, if not international, printmaking world which is characterized by indiviuality in the choices of style, media, and subject matter. Visual heterogeneity dominates the works. Their westernness is, simply, a factor of a geopolitical reality, not artistic criteria.


Gaell Lindstrom, Peter S. Briggs Jan 1986

Gaell Lindstrom, Peter S. Briggs

Exhibit Catalogues

The nora Eccles harrison Museum of Art presents Gaell's first retrospective exhibit thereby acknowledging his artistic and educational contributions.


Ten Utah Painters, Andrew Whitlock Jan 1984

Ten Utah Painters, Andrew Whitlock

Exhibit Catalogues

Today the art world is rich and diverse with regional as well as national art centers. As in the past, art is alive and well in Utah. The show Ten Utah Painters invites us to see and experiece what some of Utah's best contemporary artists are doing. Their paintings invite us to look and to enjoy but also to learn and open up our visual senses to a broader vista.


Chosen People, S. Eugene Needham May 1981

Chosen People, S. Eugene Needham

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

This thesis is an explanation of the artist's philosophy of art and religion which brought him to complete the specific paintings prepared for his graduate show. The paintings are of a generally religious nature, painted for the artist's private enjoyment and need for individual expression. The artist, admiring the achievements of Christian Art and wanting to add his statement, has researched related areas of thought to support his beliefs in life's ultimate considerations. Within the scope of the artist's ability he has produced a limited vision of Christian subjects with hopefully original Mormon-Hebraic overtones. The thesis also develops a theoretical …