Art and Design Commons^™

Folding Forms, Susan Tibbitts

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

“Folding Forms” is a creative research project that examined the process of converting two-dimensional graphics into three-dimensional forms for architectural and interior use. The work required a non-linear, design process involving hand sketching, digital graphics, printing, scoring, cutting and folding, resulting in conceptual, folded paper forms. Extensive prototype and exploratory models were built to achieve the desired outcome. The seemingly simple graphics produce complex forms.

Western Legacy, Jeremiah M. Watt

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

A selection of photos portraying Western Legacy.

Cele Houre Memes: An Eccentric English Psalter-Hours In The Huntington Library, Alexa Sand

Art and Design Faculty Publications

The Ellesmere Psalter-Hours (EL 9 H17) consists of two distinct but related manuscripts, an earlier Psalter and a later partial Book of Hours written and illuminated in England between about 1310 and 1325. Alexa Sand shows what this unusual book reveals about lay devotion as an expression of class ambition and social networking among the gentry of northwestern England in this period of internecine strife and political turmoil. The manuscript’s material structure and its iconographic, textual, and heraldic contents reflect its emulation not only of similar prayer books created for laywomen belonging to the gentry class but also of specific …

Relative Existence, Andrew S. Klc

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The imagination is the tool of creation. Before something can exist physically, it must first be envisioned mentally, as an idea. Fantasy morphs into a reality and I am transported to a realm where I can walk along canyon floors and grapple peaks. I am forging these worlds…my primordial creation.

Parallaxis, Carl Ray Wilson

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Parallaxis first began with an observation in my hometown. At nighttime, like a moth attracted to a flame, I would notice empty buildings that were closed or never opened for various reasons and relate them to my own inner vacancy. Seeing the lights on in these empty places motivated my curiosity and kept me studiously coming back.

I continued my exploration of empty buildings in Utah. Taking note of how capturing reflections transformed my images from documentary photography to internal forms of expression. It was at this time that reflections became the driving force within my image making. I became …

Convergence, Megan R. Mitchell

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Fences, doors and windows indicate a point of intersection between inside and outside, public and private. These porous boundaries provide enclosure while also allowing access to an outside world. I am drawn to these divisions in space both as aesthetic and metaphorical objects. They are the point of departure for an exploration of the intersection between real and imagined worlds.

I am fascinated by the ways that my brain filters and interprets the outside world, which then takes root in dreams and the imagination. Certain structures and landscapes hold a specific symbolic power; while completely inanimate, they seem to mirror …

Places, Kellyn Bailey

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

There is an certain discomfort that accompanies stepping outside the known into the unfamiliar. Yet in my life, the endeavors I have been the most uncertain about have often turned out to be the most rewarding to me. This is especially true in the case of traveling. My first major experience away from home came with an opportunity to participate in a month-long study abroad in Switzerland. My uneasiness about the prospect of spending an extended period of time thousands of miles away from home almost kept me from going. In my life, I can identify a small handful of …

Experience Design, Alexandra Lee Davis

Undergraduate Honors Capstone Projects

This undergraduate research project aims to explore the question: “What is Experience Design(XD)?” and “How can Experience Design be executed in a magazine, both print and online versions?” My methods included extensive research on the history of XD, ethnography of typical magazine users, the study of magazine layout and design principles (both in print and online form) and finally, the execution of an XD-minded print and online digital-comp version of a fashion/lifestyle magazine. I used the Adobe Creative Suite to compile my research into tangible proof of the theory of XD in action. My results proved to be difficult to …

Effective Poster Design, Kaylee S. White

Undergraduate Honors Capstone Projects

It is claimed that a poster has about three seconds to catch the attention of a passer-by. The success of that poster teeters on those few seconds. If it fails to attract attention, then it is ineffective. However, if it catches the interest of its viewer, then half of the battle is won. Having caught attention, the poster must next deliver a swift, effective, convincing message, which then leads the viewer to a desired thought or action. Quite an ambitious to-do list for one poster, right? Quickly arrest the attention of the viewer, deliver a swift clear message, effectively accomplish …

Technological Evolution And Its Effects On Graphic Design And Textbook Design, Danielle Renae Allen

Undergraduate Honors Capstone Projects

Technological Evolution and its Effects on Graphic Design and Textbook Design Although fundamental principles of art and design have been around for thousands of years, the development of new technology has greatly altered how designers must use these foundations. This paper investigates how this complex history has changed graphic design practices and specifically the design of textbooks. It also discusses technology’s huge role in changing the way design fundamentals are taught and practiced and how this affects where the profession is headed. Through researching the history of graphic design and then examining three editions of the textbook, Design Basics by …