Art and Design Commons^™

A Relationship Of Parts, Jacob Francois

School of Art, Art History, and Design: Theses and Student Creative Work

Through their actions these sculptures allude to our own bodies. The viewer having never seen such an object, its components take on names: lungs, mouth, appendages, or ribs. Our perception of the object shifts to somewhere between what we are and what it is. This shift in perception allows the viewers to project self upon these sculptures. It is not the physical likeness that we identify with, but their actions. Unlike mechanical tools, these objects serve no purpose. If they were accomplishing a task they would only be machines. The function only serves their existence.

The pumps and valves of …

Baye Fadioul Niang: A Brief Biography Of An Ebeniste In Senegal, Katie Jo Niang

Interior Design Program: Student Creative Activity

Baye Fadioul Niang described himself as a traditional European designer of wood furniture, doors, and trim. In 1945, at age 22, Fadioul began designing furniture as an apprentice in the state labor department of Kaolack. He settled in Dakar, where Fadioul not only designed and constructed furniture, but was a popular informal educator in the business. His furniture shop became a center for education in Menuserie and Ebenisterie, which is the art of furniture making. In 2005 Fadioul retired from furniture making because of deteriorating eyesight. Includes photos taken in February 2013 in Dakar, Senegal.

Blanket Statements, Issue 111, Spring 2013

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 111, Spring 2013

The Ambiguous Graveyard: Religious Sympathy And Erotic Desire In Sir John Everett Millais's The Vale Of Rest, Greg W. Spangler

School of Art, Art History, and Design: Theses and Student Creative Work

The Vale of Rest, 1859, despite or because of its oddities—two nuns digging a grave—was in its own day understood as a touchstone for Sir John Everett Millais and his career. Its critical reception in 1859 was hostile, with charges of “ugliness,” but by 1897, it was hanging in the Tate museum. Scholars and biographers have accordingly seen it as a turning point in Millais’s abandonment of Pre-Raphaelite realism for a more aestheticized and bourgeois style. The subject of nuns has led other scholars to investigate Millais’s sympathies with the Oxford Movement, the midcentury effort to reform the Anglican …

Constructions, Sean Ryan Larson

School of Art, Art History, and Design: Theses and Student Creative Work

I have always been drawn to investigating the nature of ambiguous objects; objects whose role is unclear; objects that fall between distinct categories, and that exist in what appears to be transitional stages. The pieces I make provoke the imagination by building in experimental self-defined systems that refer to contemporary architecture, as well as comment on the ceramic and non-ceramic process. My pieces vary in form and intention just as the skyline carries changes in form and order. I want to make experimental objects that develop in front of me from the ground up, without a pre-planned result. Using fundamental …

Textile Society Of America Newsletter 25:2 — Spring/Summer 2013, Textile Society Of America

Textile Society of America: Newsletters

New TSA Program: Textiles Close Up
From the President
TSA News
TSA Study Tours
TSA Member News
In Memoriam: Irene Good
Textile Community News
Exhibition Review
Book Reviews
Call for Papers: TSA Symposium 2014 [New Directions: Examining the Past, Creating the Future, Los Angeles, California, September 10–14, 2014]
Calendar-Conferences & Symposia, Exhibitions, Lectures, Workshops, Tours

Geographies Of Story, Emma Nishimura

School of Art, Art History, and Design: Theses and Student Creative Work

Family stories are told and retold, evolving over time with new details and other layers. One story merges with the next, while photographic images, oral and written accounts dissolve into the fabric of memory, building the family narrative. Both individual and collective, these histories continue to grow and transform as a new language is created, one that is visual, written, spoken and unspoken. As the complexities develop, the impact of these stories on our lives and the need to make sense of them in relation to our own identities increases. Yet, as I wade through my own family’s tales, the …

Blanket Statements, Issue 114, Winter 2013–2014

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 114, Winter 2013–2014

Textile Society Of America Newsletter 25:1 — Winter 2013, Textile Society Of America

Textile Society of America: Newsletters

Symposium Reports from SNPS Award Recipients
From the President
TSA Programs and Events
TSA News
TSA Member News
In Memoriam: Terry Satsuki Milhaupt
Symposium Reports from Workshop Scholarship Recipients
Featured Collection: The Anokhi Museum of Hand Printing, Rajasthan, India
Book Reviews
Conference Reviews
Textile Community News
Calendar-Conferences & Symposia, Exhibitions, Lectures, Workshops, Tours

The Birth Of Mass Media: Printmaking In Early Modern Europe, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

In the digital age, when images and films can be streamed with lightning speed onto computers at the press of a button, it is hard to fathom the society-altering impact the new printed image had when it first appeared in Europe around 1400. The introduction of printed images or repeatable pictorial statements irrevocably changed the practice of manually producing images one by one, by making them available in identical form, as multiple examples printed onto paper, a material that was newly available in Europe. Such multiples appeared first as independent images, then as book illustrations, but either way, this process …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 34 (2013), Lynne Zacek Bassett, Hallie E. Bond, Cheryl Cheek, Sharon Fulton Pinka, Merikay Waldvogel, Sarah Bliss Wright

Uncoverings Journal

Preface by Lynne Zacek Bassett

Adirondack Quilts and Comforters: A Regional Study by Hallie E. Bond

The "Cooish" Rescue of the Quilt in Harry Kelly's Cottage by Cheryl Cheek

Lowcountry Chintz: The Townsend/Pope Quilt Legacy by Sharon Fulton Pinka

Printed Panels for Chintz Quilts: Their Origin and Use by Merikay Waldvogel

Alabama Cotton and Bemis Bags: Pieced into Quilt History by Sarah Bliss Wright

Contributors

Index

Review Of Michel & Nosch, Eds., Textile Terminologies In The Ancient Near East And Mediterranean From The Third To The First Millennia Bc., Carol Bier

Textile Research Works

Textile production comprised the major manufacturing industry of the ancient Near East and eastern Mediterranean, yet it has received relatively little scholarly attention. As garments and furnishings, textiles may provide warmth and utility, but they are also indicators of status, objects of trade and tribute, products of technology, and economic generators. The role of textiles is both pervasive and complex, yielding rich and specific vocabularies that do not easily transcend time and space for contemporary understanding. This brilliant volume offers a compilation of twenty-two papers that result from an exciting collaboration between the Danish National Research Foundation's Centre for Textile …

Blanket Statements, Issue 109, Fall 2012

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 109, Fall 2012

Textile Society Of America Newsletter 24:3 — Fall 2012, Textile Society Of America

Textile Society of America: Newsletters

Textiles & Politics: Textile Society of America 13th Biennial Symposium, September 19–22, 2012, Washington, DC
From the President
TSA News
TSA Member News
Textile Community News
In Memoriam: Ghanian Weaver Bobbo Aghiable
Conference Reviews
Exhibition Review
Calendar-Conferences & Symposia, Exhibitions, Lectures, Workshops

The Mamluk Kaaba Curtain In The Bursa Grand Mosque, Sumiyo Okumura

Textile Society of America: Symposium Proceedings

A Kaaba curtain is a door curtain which covers the door of the holy Kaaba, the most sacred site of Islam in Mecca. Upon the occasion of the conquest of Egypt and Hejaz by Sultan Selim I in 1517, Selim I donated a Kaaba door curtain to the Bursa Grand Mosque, one of the five most important mosques in the Islamic World. This Mamluk curtain is very different from Ottoman Kaaba curtains in both its shape and design motifs. It is noticeable that five fragments, including a piece of inscription, hang down from the upper border. We see a similar …

The Kanga, A Cloth That Reveals- Co-Production Of Culture In Africa And The Indian Ocean Region, Phyllis A. Ressler

Textile Society of America: Symposium Proceedings

The Kanga is one of Africa's least understood textiles. As a simple cotton, colorful, hand and machine printed cloth it embodies dynamic historical co-production of culture throughout African and Indian Ocean trade networks. Exploring African mercantile trade history, the coproduction and exchange of iconography, the diverse use and meanings of the Kanga, suggests a valuable discursive role for this textile. Despite its longevity of more than 150 years, its significant role in creation of identities, and its contribution to communication through design and social meaning, the Kanga, receives limited attention in textile research. Though seen by many as a simple …

The Parenthetical Notation Method For Recording Yarn Structure, Jeffrey C. Splitstoser

Textile Society of America: Symposium Proceedings

Until now, describing yarn structure has been more art than science, especially for complex yarns and cordage like those encountered at Cerrillos, a Paracas (ca. 900-100 B.C.E.) site in the Ica Valley of Peru, where yarns and cordage frequently involve multiple colors, sub-structures, and materials (e.g., Image 1). My early attempts at describing yarn structures using notation were essentially undecipherable to others. Likewise, narrative methods proved too wordy and no less confusing. (For instance, a narrative description of the structure of specimen 2001-L185-B1654- S001, a rope-like yarn pictured in Images 2 and 3, would be: Twelve Z-spun-singly-ply yarns Ztwisted with …

The Twenty-First Century Voices Of The Ashanti Adinkra And Kente Cloths Of Ghana, Carol Ventura

Textile Society of America: Symposium Proceedings

Craft production and use are continually adapting to meet the needs of consumers and the market in order to survive. The Adinkra and Kente cloths of Ghana are no exception, having maintained their visibility and viability by addressing changing and challenging economic and political realities. Fabric strips are sewn together to produce rectangular Adinkra and Kente cloths that are wrapped around human bodies in styles determined by gender and rank. These cloths are not only beautiful, but communicate as well. Old and new symbols representing proverbs, beliefs, and politics are woven into Kente and printed onto Adinkra cloths. Commemorative fabrics …

Queen Alexandra’S 1902 Coronation Gown, Donald Clay Johnson

Textile Society of America: Symposium Proceedings

Queen Victoria's wearing black mourning clothes for 40 of the 63 years of her reign prompted much discussion between fashion-setting Prince Edward and Princess Alexandra about what should the new queen wear for her coronation, the first state occasion in which they, as king and queen, could define taste and fashion for what was to become the Edwardian era. With such a long interval of time since the last coronation there were no strong expressions of traditional attire for such a ritual occasion which prompted the new king and queen to think expansively about the roles and functions the coronation …

Samplers, Sewing And Star Quilts: Changing Federal Policies Impact Native American Education And Assimilation, Lynne Anderson

Textile Society of America: Symposium Proceedings

Illustrating the U.S. federal government's changing policies on the assimilation of Native American children is the role of needlework instruction in the schooling of Indian girls. Described and discussed are three examples of 19th and 20th century policy, with emphasis on the textiles resulting from those policies. Early 19th century policy supported mission schools for Indians. Learning to sew was a valued domestic skill in 19th century female education, culminating in the making of a needlework sampler. This focus was adopted in mission schools, illustrated by Christeen Baker's 1830 sampler stitched at the Choctaw Mission School in Mayhew, Mississippi. Shortly …

Money Painting And The Duplicitous Multiple: The Interdependence Of American Copyright Legislation And Artistic Production, Jaclyn N. Siemers

School of Art, Art History, and Design: Theses and Student Creative Work

In this thesis I investigate the interworking and influences of the United States’ federal copyright legislation, specifically its relationship to the history of artistic production from the late nineteenth-century to the present. A detailed analysis of the evolving copyright statute, the social and legal impact of the multiple (including the counterfeit copy), and the progressive recurrence of representational money paintings will reveal the mutually dependent relationship of copyright legislation and artistic production. The progression of styles in America art—nineteenth-century trompe l’oeil illusionism, mid-century Abstract Expressionism, Pop art, and contemporary appropriation art—provides an illustrated roadmap of the complex relationship between the …

Blanket Statements, Issue 108, Summer 2012

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 108, Summer 2012

Framing Cultural Capitalism: William Wilson Corcoran And Alice Walton As Patrons Of The American Art Museum, Kelsey E. Tyler

School of Art, Art History, and Design: Theses and Student Creative Work

In 2011, Alice Walton opened what is now considered to be among the most important American art collections in the country, in a museum called Crystal Bridges, in Bentonville, Arkansas. What is remarkable is not only the exorbitant amount of money spent to open the museum - over $800 million dollars - but also that she was the primary financier. William Wilson Corcoran, a mid-nineteenth-century banker, in many ways is a better comparison than Morgan or Gardner, as like Walton he intended to found a museum dedicated specifically to American art. His museum, which he hoped would become a national …

Nebraska Art Today: A Centennial Invitational Exhibition, James B. Schaeffer

Sheldon Museum of Art: Catalogs and Publications

Anniversaries make suitable opportunities for summing up - appraising past progress and looking forward to a better future. Hence, in Nebraska's 100th year as one of the United States of America, it is appropriate that we trace activity in the arts during pioneer days and the period of expansion, pausing perhaps to offer congratulations for past accomplishments or to wish that achievement had been higher.

Middle Western culture is a transplant and a product of the times. The newly-opened territory offered opportunities for material advancement, and settlers either brought with them an acquaintance with genteel living or a desire for …

You Are Some Other Thing, Victoria Hoyt

School of Art, Art History, and Design: Theses and Student Creative Work

There is only one book I reread on a regular basis. Housekeeping by Marilynne Robinson, published in 1980, is a story about drifting and loss and longing, of women existing in the world in an uneasy, awkward way. The idea of living in a house is foreign to the transient Aunt Sylvie and when she suddenly has to take care of her nieces, she manages to bring all her homeless habits indoors. She eats in the dark and sleeps on top of her covers and throws rocks at the neighbors’ dogs. My favorite is her collection of tin cans and …

Lady Windermere's Fan: The Black And White Of It, Jacob Lawrence Heger

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The purpose of this thesis is to describe the process used to create the scenic design for the Johnny Carson School of Theatre and Film at the University of Nebraska-Lincoln's 2011 production of Oscar Wilde's Lady Windermere's Fan, A Play About a Good Woman. Within this paper I will look at the process used to create the set design, the execution of the set design and the final product when seen in a fully realized production.

Advisor: Sandy Veneziano

Three Musketeers And A Rock Band, Brandi K. Kawamoto

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis is the culmination of my scenic design work for Ken Ludwig’s The Three Musketeers in the Howell Theater at the Johnny Carson School of Theatre and Film at the University of Nebraska-Lincoln in the spring semester of 2012. Within this paper I will look at the conceptualization process, historical research, execution of the set design, the realized final product, and the critique process. The rough sketches, research images, computer draftings, finalized renderings, and production photos are featured within the thesis.

Advisor: Sandy Veneziano

Transcendent Materiality, Lauren E. Mabry

School of Art, Art History, and Design: Theses and Student Creative Work

I make painterly, abstract, ceramic objects. My obsession with surface and materiality compels me to investigate the relationship between images and objects through the inherent qualities of ceramic material. Primarily my work communicates directly, through its formal and aesthetic qualities, but it may also be understood in relationship to abstract painting, minimal work, and process art. I exploit the intrinsic qualities of ceramic material producing works that are warm, seductive, and surprising. Ultimately, my work is a synthesis of intuitive, expressive surfaces and elemental forms.

In this body of work there are two main forms: cylinders and curved planes- as …

Changsha: Photographs By Rian Dundon, Rian Dundon

China Beat Blog: Archive 2008-2012

Rian Dundon, whose photographs have previously appeared at China Beat, will soon be releasing a new book of photography on China, Changsha. Dundon’s book will feature a forward written by friend of the blog Gail Hershatter and includes his photos of and essays on the Hunan province city of Changsha. For more information, and to pre-order a copy of the book, see the book’s website (pre-sales of the book are part of a crowd-funding campaign raising funds for its first run with the publisher, Emphas.is). Below is a special teaser of Changsha material that Dundon has prepared for China Beat …

Blanket Statements, Issue 107, Spring 2012

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 107, Spring 2012