Art and Design Commons^™

Blanket Statements, Issue 115, Spring 2014

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 115, Spring 2014

Society And Style: Prints From The Sheldon Museum Of Art, Alison G. Stewart, Paul Royster

Zea E-Books Collection

This collection of works explores how Societies and Styles changed over the course of Early Modern Europe (1500-1800) from the time of the advent of printing on paper to the Industrial Revolution and beyond through little-seen printed masterpieces from the Sheldon Museum of Art’s collection. Today, “print” continues to endure even as new forms of digital publications transform our world in previously unimaginable ways, just as printing did centuries ago.

This exhibition offers a view into the ways printed works of art on paper (mostly woodcuts, engravings, and etchings) showcase society and its various aspects, ranging from one Christian martyrdom …

Abstracts And Presenter Biographies From 14th Biennial

Textile Society of America: Symposium Proceedings

No abstract provided.

Coast Salish Spinning: Looking For Twist, Finding Change, Liz Hammond-Kaarremaa

Textile Society of America: Symposium Proceedings

Coast Salish textiles from the Pacific Northwest (northwest Washington state and southwest British Columbia) are relatively rare and unknown yet are masterpieces of sophisticated weaving and spinning techniques. Coast Salish blankets and robes, and the tools used to make them, have been the subjects of a few seminal works (Gustafson 1980; Loughran-Delahunt 1996; Marr 1979; Vanderburg 1953), but other than the occasional recording of the direction of twist, the spinning characteristics of the yarn itself have not been the focus of research. This gap is curious, given the uniqueness of Coast Salish spinning tools, the corresponding techniques, and the fibres …

Needle Lace To Valley Walking: İğne Oyası As Landscape Ornamentation, Olivia Valentine

Textile Society of America: Symposium Proceedings

In 2012-13, I lived and worked in Turkey, researching the traditional needle lace edging of İğne Oyası and creating relationships between this textile edge, the contemporary urban fabric, and the rural landscape of Turkey. In this paper, I will speak about my time in Turkey, presenting my research into the traditional needle lace edge of oya and my studio production, where I used my research to create this needle lace edge at new scales and in new materials and contexts.

Dressing The Leader, Dressing The Ancestor: The Longue Durée In The South Central Andes, Ann H. Peters

Textile Society of America: Symposium Proceedings

The preservation and adornment of the dead in the South Central Andes can be traced over some twelve thousand years. The potential for preservation of human bodies and fine textiles in desert sands and high altitude caves contributed to a continuing social and political role of the dead in the lives of the living. Colonial period documents describe well-dressed mortuary bundles that participated in public ritual and could be cited as proof of heritage and validation of social leadership. However, the nature of social and political ancestry and its relationship to power change over time with the development of large-scale …

Textile Society Of America Newsletter 26:1 — Winter 2014, Textile Society Of America

Textile Society of America: Newsletters

Symposium 2014 at UCLA
Director's Corner
From the President
TSA News
TSA Study Tours
TSA Member News
TSA Program Reports
Textile Community News
Conference Review
Exhibition Review
Book Reviews
Calendar-Conferences & Symposia, Calls for Artists, Exhibitions
From the Editor

An American Textile Company To The Trade: The Corporate History And Textile Collection Highlights Of Kravet Inc., Deborah E. Kraak

Textile Society of America: Symposium Proceedings

Historic textiles “live” in museums and private collections, carefully stored for research and exhibition. Those in the archives of furnishing fabric companies live in a different way: reinterpreted for the consumer, either in exact reproductions or more loosely in fabrics that adapt historic motifs or are inspired by them.1 One of the largest and most important collections of historic American and European printed fabrics belongs to Kravet Inc., an American textile company to the trade based in Bethpage, New York. More than 52,000 historic textile documents belong to Kravet through its own holdings and the archives of the textile firms …

The Secrets Of Alorese ‘Silk’ Yarn: Kolon Susu, Triangle Trade And Underwater Women In Eastern Indonesia1, Emilie Wellfelt

Textile Society of America: Symposium Proceedings

Eastern Indonesia is known for a great variety of textiles. One part of the region that has been largely overlooked in the literature is textiles of the Alor archipelago. However, the literature does recognise and speculate about the unusual silky character of some Alorese cloths that have entered Western museum collections. Based on fieldwork among weavers in the village Uma Pura, situated on a small island in the Pantar strait, this paper reveals the secret behind the characteristic shiny finish of the ‘silk’ sarongs from Alor. Ruled by necessity rather than choice weavers used to mix cotton with fibres from …

Conversationa And Encounter, Belinda Von Mengrsen

Textile Society of America: Symposium Proceedings

Textile artists often use items of traditional textile material culture as sites for primary research or encounter within their conceptual and physical practice. This research practice is, however, far more than aesthetic or visual analysis: rather, it allows for the observation of that border territory in which a new work of art begins and ends—the very place from which the ideas come—and also of how influences are layered, and evolve within our psyche. Ruth Hadlow, has described the use of traditional West-Timorese woven textiles as “a ‘tool’ with which to think?” (Hadlow, 2013). Through such tools, primary research may operate …

A Fragmented Treasure On Display: The Turfan Textile Collection And The Humboldt Forum, Mariachiara Gasparini

Textile Society of America: Symposium Proceedings

In the summer 2012, thanks to the Department of Central Asian Art of the museum and the International Dunhuang Project (IDP) at the British Library in London, UK, the so-called Turfan textile collection--gathered during the last century Prussian Turfan Royal Expeditions in the Tarim Basin--held in the Museum of Asian Art in Berlin, Germany, was finally microscopically analyzed and digitized. Except for a couple of pieces taken into account in previous studies as examples of comparison, the collection as a whole (ca. 350 pieces) has not enjoyed particular attention from scholars in the fields of Chinese or Central Asian art …

Threads Of Feeling: Embroidering Craftivism To Protest The Disappearances And Deaths In The “War On Drugs” In Mexico, Maureen Daly Goggin

Textile Society of America: Symposium Proceedings

Since 2006, at least 130,000 men, women, and children have been killed and another 27,000 have disappeared in the “War on Drugs” in Mexico. This violence affects all “socio-economic levels [who are being] plagued by kidnapping, extortion and murder.” Many connected to those who have gone missing or died have been demanding that authorities locate their loved ones. Frustrated with the lack of action, a Mexican activist group of artists called Fuentes Rojas Red Fountains came together in January 2011 to “raise the visibility for the victims of the US-Mexico Drug War” by, among other things, dying fountains red. Later …

Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

When Jacob Seisenegger and Titian painted individual portraits of Emperor Charles V around 1532, a dog replaced such traditional accouterments of imperial power as crown, scepter, and orb.3 Charles placed one hand on the dog’s collar, a gesture indicating his companion’s noble qualities including faithfulness.4 At the same time, another more down-to-earth meaning for the dog had become prominent in the decades before the imperial portraits: the interest in and ability to eat anything in sight. This pig-like ability resulted in dogs, alongside pigs, becoming emblems of indiscriminate and gluttonous eating and drinking during the early sixteenth century when humanists, …

Blanket Statements, Issue 118, Winter 2014–2015

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 118, Winter 2014–2015

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 35 (2014), Lynne Zacek Bassett, Nancy C. Bavor, Joyce D. Hammond, Marin F. Hanson, Laurel Horton, Christine E. Humphrey

Uncoverings Journal

Preface by Lynne Zacek Bassett

Knockers, Pickers, Movers, and Shakers: Quilt Dealers in America, 1970-2000 by Nancy C. Bavor

Tlfaifai in Tahiti: Embracing Change by Joyce D. Hammond

"One Hundred Good Wishes Quilts": Expressions of Cross-Cultural Communication by Marin F. Hanson

Weft-Loop Woven Counterpanes in the New Republic: The Rediscovery of a Textile Legacy by Laurel Horton

Quilt Documentation Projects, 1980-1989: Exploring the Roots of an National Phenomenon by Christine E. Humphrey

Contributors

Index

Inscribed Cotton Ikat From Yemen In The Tenth Century Ce, Carol Bier

Textile Research Works

More than a thousand years ago, Baghdad was capital of the Islamic empire under the Abbasid caliphs, and Yemen was a flourishing center of agriculture and trade. Among its famous products were dyestuffs, and cotton cloth with warp stripes, patterned using techniques of compression resist. As the strength of the Abbasid caliphate declined and claims to power gained hold in the provinces, regional artistic styles began to emerge. The rulers of Yemen adopted one of the prerogatives of the Abbasid caliphs, bestowing honor by rewarding their subjects with inscribed textiles called tiraz. From burial sites in Egypt, many such textiles …

Robert Hillestad, Professor And Fiber Artist, Marilyn Delong

Department of Textiles, Merchandising and Fashion Design: Department Information

Dr. Hillestad has been a member of the Costume Society of America since 1978 and has participated in many annual Symposia. Dr. Hillestad has multi-faceted abilities—he is a superb design educator as well as an active fiber and apparel artist—and he integrates the two roles of educator and artist expressively, superbly, and elegantly. Dr. Hillestad is professor emeritus at the University of Nebraska, Lincoln. In 1997, The Robert Hillestad Textiles Gallery on the Lincoln Campus of the University of Nebraska was named in his honor upon recommendation of the faculty in the Department of Textiles, Clothing and Design and the …

Sinan’S Screens: Networks Of Intersecting Polygons In Ottoman Architecture, Carol Bier

Textile Research Works

An often overlooked characteristic of Sinan’s architectural production of the 16th century is the use of low screening walls and windows carved of marble with pierced openwork or tracery to let in light and allow for air circulation. Typically these screens display polygonal networks often with intersecting polygons. This paper explores aspects of these carved patterns, which have antecedents in earlier Islamic architecture, attributing particular significance to this architectural feature in the works of Sinan and three successors whom he had trained. These slabs (and their counterparts in forged iron) may be considered études, serving as opportunities for the training …

Rematerializing: Interviews With Emerging Artists About Physicality, Pattern And Textile Techniques, Caroline Hayes Charuk

Textile Society of America: Symposium Proceedings

This paper will be a presentation of emerging Bay Area artists who draw upon textile materials, forms, and processes, but who refuse the label of ‘textile artist’ in favor of a more ambiguous relationship. References to textiles may be foundational for the work, or brought in as a means to an end. The conceptual basis of their work is contained within its physicality, and they acknowledge (or knowingly set aside) histories of handwork. Each artist has a practice that necessarily slides on a line between the dematerialization of conceptual art and a rematerialization that recognizes haptic experience as indispensable and …

Maguey Hammock: A Weaving Of Resistance And Persistence In Puerto Rico, Soraya Serra Collazo

Textile Society of America: Symposium Proceedings

Textiles are primary technology to almost all societies. Puerto Rico and the Caribbean are no exceptions. There is an object that has been weaved in the region since pre-Columbian times and it is still passing through the fingers of local artisans. Hamaca, an invention of the American inhabitants,² is an indigenous voice incorporated into many languages. It was in the Caribbean, where Europeans saw its utility, and it was quickly incorporated as the best way of sleeping in their transatlantic voyages. Its production has spread throughout the world and today it is made in many countries. In Puerto Rico …

Thea 474: Digital Animation—A Peer Review Of Teaching Project Benchmark Portfolio, Steve Kolbe

UNL Faculty Course Portfolios

This portfolio provides an overview of student learning in my Digital Animation course - THEA 474. This report serves as documentation of my attempts to define and refine the course goals, activities, assignments, and assessment. Through this portfolio, I hope to more effectively see ways to make this course more impactful for the students, but also to lay the groundwork for additional courses within the major in order to open up a more realized and robust animation focus at the Johnny Carson School of Theatre & Film. A facet of student learning that I plan to document and improve upon …

The Contribution To And Effect Of Design And Architecture On Health And Activity Promotion (H&Ap) In The Workplace, Krystal L. Schumacher

Architecture Masters of Science Program: Theses

Expanding the research and awareness on the contribution to and affect of design and architecture on health and activity promotion in the workplace (h&ap) is essential in moving forward in the design of working environments. As humans, we spend the majority of our time indoors, for an average American adult he or she spends the majority of the day in a working environment. The impact that our spaces have is much deeper than the aesthetic. Our environments can depict how we act, feel and operate based on the design of our surroundings. Through this research, the goal was to study …

Blanket Statements, Issue 113, Fall 2013

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 113, Fall 2013

Textile Society Of America Newsletter 25:3 — Fall 2013, Textile Society Of America

Textile Society of America: Newsletters

Textiles Close Up: 2013–14 Programs
From the President
Director's Corner
TSA News
TSA Member News
Featured Collection: Altar Frontals in the Florence Benedictine Abbey
Textile Community News
Conference Review: Weaving History Conference
Book Reviews
Calendar-Conferences & Symposia, Exhibitions

Embracing Change: Exploring How Creative Professionals Use Interactive Media In Advertising Campaigns, Adam Wagler

College of Journalism and Mass Communications: Faculty Publications

Advertising agencies are incorporating new forms of interactive media into campaigns as media continues to rapidly change. The purpose of this phenomenological qualitative study is to explore how five creative professionals at leading advertising agencies in the Midwest are integrating interactive media into campaigns. Through a series of interviews this project helps solidify what it means to integrate interactive media. The findings illustrate a fundamental shift in an industry that is moving away from “advertising.” An industry built around traditional media now requires creatives to incorporate dynamic, mobile, and social media into the marketing mix. Advertising agencies must engage audiences …

The Psychological Effects Of Perceived Scarcity On Consumers’ Buying Behavior, Shipra Gupta

College of Business: Dissertations, Theses, and Student Research

This research seeks to provide an understanding of consumers’ psychological responses to the scarcity environments that are strategically created by retailers. A mixed method design provides both qualitative and statistical understanding of this phenomenon. The findings across four studies define a new construct that captures consumers’ understanding of the product shortage that is strategically created by the retailer, differentiates it from scarcity situations where the retailer does not necessary limit the supply of the product, and suggests that consumers react differently in the varied conditions. The study suggests that strategically controlled environments, by creating product uncertainty, are able to motivate …

Blanket Statements, Issue 112, Summer 2013

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 112, Summer 2013

Zea E-Books: Open-Access Digital Imprint Of The University Of Nebraska-Lincoln Libraries, Sue Ann Gardner, Paul Royster

University of Nebraska-Lincoln Libraries: Presentations

Intended to complement, not compete with, the University of Nebraska Press, Zea E-Books gives a voice to scholars whose works would not meet the financial publication demands of a traditional press.

Electrospun Plant Protein Scaffolds With Fibers Oriented Randomly And Evenly In Three-Dimensions For Soft Tissue Engineering Applications, Shaobo Cai

Department of Textiles, Merchandising and Fashion Design: Dissertations, Theses, and Student Research

In this work, electrospinnable and water stable soyprotein was extracted by using a reducing agent in mild alkaline condition, and novel 3D zein and 3D pure soyprotein electrospun scaffolds with three-dimensionally and randomly oriented fibers and large interconnected pores were successfully fabricated by reducing surface resistivity of materials. This unique structure is different from most electrospun scaffolds with fibers oriented mainly in one direction. The structure of novel 3D scaffolds could more closely mimic the 3D randomly oriented fibrous architectures in many native extracellular matrixes (ECM). Confocal laser scanning microscope shows that instead of becoming flattened cells when cultured in …

Environmentally Friendly Sizing Agent From Corn Distillers Dried Grains, Yue Zhang

College of Education and Human Sciences: Dissertations, Theses, and Student Research

Distillers dried grains (DDGS), the coproducts of corn ethanol production, were used as a textile sizing agent on cotton, polyester and polyester/cotton blends in an effort to find inexpensive and biodegradable alternatives to sizing agents such as poly(vinyl alcohol) that are currently used. Although DDGS is an inexpensive, biodegradable and abundant co-product, it has limited industrial applications. DDGS is a mixture of carbohydrates, proteins and oil which are used as sizing agents or as size additives. The effects of DDGS extraction conditions on sizing evaluation parameters such as fiber adhesion, film properties, viscosity and fabric abrasion were studied in comparison …