American Literature Commons^™

Balancing Rosie And June: A Study Of Lynchburg College Postwar Alumnae And The Impact Of The Feminine Mystique, Dinah Watson

Undergraduate Theses and Capstone Projects

In 2003, the movie Mona Lisa Smile debuted describing the frustrations that many college women may have faced in the years after World War II. Wellesley College was the elite all-female institution that openly and proudly prepared its young women with the proper rules of etiquette and correctness. Despite Wellesley’s own excellent academic reputation, its close proximity to the prestigious single-sex male college, Harvard, made it even more appealing and convenient for the Wellesley girls to find a “suitable” husband. The novice young art instructor, Katherine Watson, was unique in that she wanted to offer her students not only a …

Placards: Mkr Society, Edna Saffy And Grady Johnson

Saffy Collection - All Textual Materials

Name cards for Marjorie Kinnan Rawlings Society event designating the Marjorie Kinnan Rawlings Farm a National Historic Landmark, March 3, 2007.

Sex, Drugs, And Mingling Spirits: Teaching Nineteenth-Century Women Poets, Cheryl Walker

Scripps Faculty Publications and Research

Book abstract:

Twentieth-century modernism reduced the list of nineteenth-century American poets to Walt Whitman, Emily Dickinson, and (less often) Edgar Allan Poe. The rest were virtually forgotten. This volume in the MLA series Options for Teaching marks a milestone in the resurgence of the study of the rest. It features poets, like Henry Wadsworth Longfellow and Lydia Huntley Sigourney, who were famous in their day, as well as poets who were marginalized on the basis of their race (Paul Laurence Dunbar, Alexander Posey) or their sociopolitical agenda (Emma Lazarus, John Greenleaf Whittier). It also takes a fresh look at poets …

Review Of Reclaiming Authorship: Literary Women In America, 1850-1900, Melissa J. Homestead

Department of English: Faculty Publications

Like Naomi Z. Sofer's Making the America of Art (2005) and Anne E. Boyd's Writing for Immorality (2004), Susan Williams Reclaiming Authorship seeks to recreate and analyze how American women authors in the second half of the nineteenth century understood their own authorship. All three include Louisa May Alcott, Elizabeth Stuart Phelps, and Constance Fenimore Woolson as subjects, but Williams includes authors who did not conceive of their authorship in a high cultural mode (Maria Cummins, Elizabeth Keckley, Mary Abigail Dodge), and she traverses the careers of Alcott and Phelps so as to emphasize their movements in and out of …

Louisa May Alcott [From Oxford Encyclopedia Of Women In World History], Melissa J. Homestead

Department of English: Faculty Publications

American fiction writer best known as the author of the girls’ novel Little Women (1868-1869). Alcott was born in Germantown, Pennsylvania, to Abigail May Alcott and the progressive educator Bronson Alcott. The March family of Little Women was an idealized version of her own family, which was far less stable and more mobile. Alcott’s father’s idealistic education, and reform ventures regularly failed, necessitating the family’s frequent moves, and she and her mother increasingly provided the family’s economic support. Her childhood and adolescence were split primarily between Concord and Boston, Massachusetts, where she was deeply influenced by members of her father’s …

Willa Cather [From The Oxford Encyclopedia Of Women In World History], Melissa J. Homestead

Department of English: Faculty Publications

American novelist, Born in Virginia, Cather moved with her family to Nebraska in 1883 and is best known as a novelist of the American prairie. However, her life history and literary output belie this characterization. As a student at the University of Nebraska she published short stories and poems and worked as a journalist. This experience earned her a position at the Home Monthly magazine in Pittsburgh, Pennsylvania. When the magazine failed, she stayed in Pittsburgh, first returning to newspaper journalism and then teaching high school. For several years she lived in the family home of Isabelle McClung, a young …

Introduction To Signet Classic's The Song Of The Lark By Willa Cather (2007), Melissa J. Homestead

Department of English: Faculty Publications

In May of 1912, Willa Cather traveled to Winslow, Arizona, to visit her brother, Douglass, who worked for the railroad. The year before, she had begun a leave of absence from McClure's Magazine, where she had been an editor since 1906, so that she could focus her energies on writing fiction. Although she had been publishing short fiction regularly since 1892, her first novel-the cosmopolitan, somewhat derivative Alexander's Bridge ‒ did not appear until 1912. Feeling tired and unwell, she, like many other Americans, sought renewal in the dry air and open spaces of the desert. After six years in …

"Unrighteous Compact": Louisa May Alcott's Resistance To Contracts And Promises In Moods, Nina Bannett

Publications and Research

Alcott’s first adult novel, Moods, initially published in 1864, presents oral promises between women as extralegal alternatives to standard legal contracts between men and women. In the 1864 edition of Moods, Alcott's protagonist, Sylvia Yule, fails to understand the constraints of marriage as a type of contract, and the results are dramatic. In fact, Alcott undermines the idealized marriage plot so crucial to her later, wildly popular works like Little Women (1868-69). In the 1864 Moods, Alcott boldly questions both legal contracts and oral promises characteristic of nineteenth-century conceptions of romantic love and heterosexual friendship.

Oy Science Fiction: On Genre, Criticism, And Alien Love: An Interview With Marleen S. Barr, Marlene S. Barr, Ximena Gallardo C., C. Jason Smith

Reconstruction: Studies in Contemporary Culture

[First paragraph of Abstract]

Marleen S. Barr is a pioneer of feminist science fiction criticism and a leader in the fight against the ghettoizing influences of genre-labeling in literary criticism. While the noteworthy Feminist Fabulation: Space/Postmodern Fiction (University of Iowa Press, 1992) has been praised as Barr's seminal work in feminist science fiction criticism and theory, it is in Genre Fission: A New Discourse Practice for Cultural Studies (U of Iowa P, 2000) where she takes on literary critics' discriminatory practices against genre fiction in general and fantasy and science fiction in particular.

At Home In The City: Urban Domesticity In American Literature And Culture, 1850-1930, Elizabeth Klima

University of New Hampshire Press: Open Access Books

An interdisciplinary study of urban literature and domestic architecture in the United States from 1850-1930. With chapters on the hotel, Central Park, tenement houses, and apartment buildings, At Home in the City juxtaposes literary criticism with a history of the built environment to show the inception of American modernity. Works treated include: The Blithedale Romance by Nathaniel Hawthorne, Ruth Hall by Fanny Fern, The Bostonians by Henry James, How the Other Half Lives by Jacob Riis, Sister Carrie by Theodore Dreiser, The Custom of the Country by Edith Wharton, Charlotte Perkins Gilman's feminist urban utopias, and Nella Larsen's Quicksand.

History Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Selected Definitions For Work In Communication And Media Studies & Selected Bibliography Of Publications In Comparative Media Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Toward A Framework Of Audience Studies In Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Constance Cary Harrison, Refugitta Of Richmond : A Nineteenth-Century Southern Woman Writer's Critically Intriguing Antislavery Narrative Strategy, Gaillynn Marie Bowman

Theses, Dissertations and Capstones

Although often maligned by literary scholars, Constance Cary Harrison, nineteenth-century novelist, journalist, essayist, and short-story author, achieved popular success with her subtle, but often radical, explorations of gender, and slavery during the antebellum and post-Civil War years. Furthermore, Harrison developed innovative characterizations of African-Americans while seeking nineteenth-century southern and northern readership through conciliatory prose. In particular, Harrison characterized a slave who gained his freedom and maintained a successful, independent life, without white assistance. This unique perspective for a Southern writer of her era stemmed from the war time destruction of her homestead, Vaucluse, which compelled Harrison to recreate an idealized …

The Source Of Hip, Shelly J. Eversley

Publications and Research

This essay situates Norman Mailer's "The White Negro" (1957) and Jack Keroauc's The Subterraneans (1958) in the context of 1950s racial integration and the transformative potential of interracial sex. It argues that both authors' terms, "beat" and "hip," depend on the idea of "the Negro" whose status allows them to imagine a counter culture essential to their midcentury articulations of individual integrity and creative freedom.

Selected Bibliography For The Study Of Central And East European Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Constructivism And Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Selected Journals Of Media And Communication Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Chronological Bibliography Of The Works Of Catharine Maria Sedgwick, Lucinda Damon-Bach, Allison Roepsch, Melissa J. Homestead

Department of English: Faculty Publications

This two-part bibliography has been built by consulting the Bibliography of American Literature (BAL) and the bibliographies compiled by Sister Mary Michael Welsh ("Catharine Maria Sedgwick: Her Position in the Literature and Thought of Her Time up to 1860," Ph.D. diss., Catholic University of America, 1937) and Richard Ranus Gidez ("A Study of the Works of Catharine Maria Sedgwick," Ph.D. diss., Ohio State University, 1958); library cataloging records; and the personal records of Lucinda Damon-Bach and Melissa J. Homestead. In most cases, entries have been confirmed through books, periodicals, photocopies, or microfilm received through interlibrary loan. We were not able …

Behind The Veil? Catharine Sedgwick And Anonymous Publication, Melissa J. Homestead

Department of English: Faculty Publications

Catharine Sedgwick's name appeared on the title page of only one of her books published during her lifetime, her 1835 Tales and Sketches, a volume collecting pieces that had originally appeared in the annually published "gift books" in the preceding nine years. Sedgwick is the earliest writer included in Mary Kelley's influential book on women's authorship, Private Woman, Public Stage: Literary Domesticity in Nineteenth-Century America, and Kelley claims that women writers published anonymously or pseudonymously because of the great anxiety that appearing in public through the medium of print caused them: "The literary domestics could write and, as …

John Irving, Female Sexuality, And The Victorian Feminine Ideal, Tara Coburn

Masters Theses

In an interview about The Cider House Rules, John Irving states, "It is never the social or political message that interests me in a novel" (qtd. in Herel, para. 18). However, in book reviews, jacket blurbs, literary criticism, and Irving's own writing, readers and critics and Irving often assert that he is a neo-Victorian novelist, and the Victorians were a notoriously political bunch. Though Irving does not admit to the political nature of his writing, the way he treats feminist politics in his fiction has drawn particular notice by the media, who often label him as a feminist writer. …

The Flowers That Bloom In The Spring: A Critical Look At Flower Imagery In Margaret Atwood's The Handmaid's Tale, Elizabeth Peloso

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Claiming The Feminine: Assimilationism And Militantism In Three Lesbian Texts, Travis Ferrell

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Journey To The Frontiers Of Perception: How Women Wrote About The Westward Movement During The Nineteenth Century In Relation To Land, Animals, And The Domestic Sphere, Brandi Dale Spelbring

Masters Theses

No abstract provided.

The Oswald Review Undergraduate Research And Criticism In The Discipline Of English: Volume 3 Fall 2001

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Style Guide Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Copyright Clcweb: Comparative Literature And Culture ©Purdue University, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Why Are Those Women So Angry? (Alienating People Of Good Will), Janet Bing

English Faculty Publications

(First paragraph) Until quite recently, I dismissed criticisms of "angry feminists" as a sexist stereotype. I was tired of hearing people say, "I believe in equal pay for equal work, but I dislike those bra-burning feminists!" Perhaps I'm too young, but almost all of my friends are feminists, and I have yet to meet anyone who has burned her bra, so this comment always strikes me as bizarre. However, recently I have begun to think seriously about the power of stereotypes and the ability of people to disregard messages they do not want to hear. I now realize that feminists …

Towards The History Of Hungarians In Alberta, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Advisory Board And Editors Of Clcweb: Comparative Literature And Culture, Ari Ofengenden

CLCWeb Library

No abstract provided.