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Articles 1 - 10 of 10
Full-Text Articles in American Literature
The Source Of Hip, Shelly J. Eversley
The Source Of Hip, Shelly J. Eversley
Publications and Research
This essay situates Norman Mailer's "The White Negro" (1957) and Jack Keroauc's The Subterraneans (1958) in the context of 1950s racial integration and the transformative potential of interracial sex. It argues that both authors' terms, "beat" and "hip," depend on the idea of "the Negro" whose status allows them to imagine a counter culture essential to their midcentury articulations of individual integrity and creative freedom.
Selected Bibliography For The Study Of Central And East European Culture, Steven Tötösy De Zepetnek
Selected Bibliography For The Study Of Central And East European Culture, Steven Tötösy De Zepetnek
CLCWeb Library
No abstract provided.
Constructivism And Comparative Cultural Studies, Steven Tötösy De Zepetnek
Constructivism And Comparative Cultural Studies, Steven Tötösy De Zepetnek
CLCWeb Library
No abstract provided.
Selected Journals Of Media And Communication Studies, Steven Tötösy De Zepetnek
Selected Journals Of Media And Communication Studies, Steven Tötösy De Zepetnek
CLCWeb Library
No abstract provided.
Claiming The Feminine: Assimilationism And Militantism In Three Lesbian Texts, Travis Ferrell
Claiming The Feminine: Assimilationism And Militantism In Three Lesbian Texts, Travis Ferrell
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
The Flowers That Bloom In The Spring: A Critical Look At Flower Imagery In Margaret Atwood's The Handmaid's Tale, Elizabeth Peloso
The Flowers That Bloom In The Spring: A Critical Look At Flower Imagery In Margaret Atwood's The Handmaid's Tale, Elizabeth Peloso
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Chronological Bibliography Of The Works Of Catharine Maria Sedgwick, Lucinda Damon-Bach, Allison Roepsch, Melissa J. Homestead
Chronological Bibliography Of The Works Of Catharine Maria Sedgwick, Lucinda Damon-Bach, Allison Roepsch, Melissa J. Homestead
Department of English: Faculty Publications
This two-part bibliography has been built by consulting the Bibliography of American Literature (BAL) and the bibliographies compiled by Sister Mary Michael Welsh ("Catharine Maria Sedgwick: Her Position in the Literature and Thought of Her Time up to 1860," Ph.D. diss., Catholic University of America, 1937) and Richard Ranus Gidez ("A Study of the Works of Catharine Maria Sedgwick," Ph.D. diss., Ohio State University, 1958); library cataloging records; and the personal records of Lucinda Damon-Bach and Melissa J. Homestead. In most cases, entries have been confirmed through books, periodicals, photocopies, or microfilm received through interlibrary loan. We were not able …
Behind The Veil? Catharine Sedgwick And Anonymous Publication, Melissa J. Homestead
Behind The Veil? Catharine Sedgwick And Anonymous Publication, Melissa J. Homestead
Department of English: Faculty Publications
Catharine Sedgwick's name appeared on the title page of only one of her books published during her lifetime, her 1835 Tales and Sketches, a volume collecting pieces that had originally appeared in the annually published "gift books" in the preceding nine years. Sedgwick is the earliest writer included in Mary Kelley's influential book on women's authorship, Private Woman, Public Stage: Literary Domesticity in Nineteenth-Century America, and Kelley claims that women writers published anonymously or pseudonymously because of the great anxiety that appearing in public through the medium of print caused them: "The literary domestics could write and, as …
Emily Dickinson's And Christina Rossetti's Portrayals Of Goblins And Their Threat To Feminine Integrity, Miki Jean Hazard
Emily Dickinson's And Christina Rossetti's Portrayals Of Goblins And Their Threat To Feminine Integrity, Miki Jean Hazard
Dissertations, Theses, and Masters Projects
No abstract provided.
John Irving, Female Sexuality, And The Victorian Feminine Ideal, Tara Coburn
John Irving, Female Sexuality, And The Victorian Feminine Ideal, Tara Coburn
Masters Theses
In an interview about The Cider House Rules, John Irving states, "It is never the social or political message that interests me in a novel" (qtd. in Herel, para. 18). However, in book reviews, jacket blurbs, literary criticism, and Irving's own writing, readers and critics and Irving often assert that he is a neo-Victorian novelist, and the Victorians were a notoriously political bunch. Though Irving does not admit to the political nature of his writing, the way he treats feminist politics in his fiction has drawn particular notice by the media, who often label him as a feminist writer. …