American Literature Commons^™

Rural Black Masculinity And The Blues In Not Without Laughter, Andy Oler

Publications

In the 1930 novel Not without Laughter, Langston Hughes represents a wide range of Black experience in the Midwest – the “picturesque” alongside the horrific, the old-fashioned, as well as the modern.Hughes uses the novel’s setting, the small town of Stanton, Kansas, to determine some of the limits placed on protagonist Sandy Rodgers and his family, and their attempts to work through them.

A Material Stratum: Black Bodies And Environmental Exploitation In Edward P. Jones' The Known World, Julia Woodward

The Quiet Corner Interdisciplinary Journal

This paper seeks to reckon with the entwined realities of black lives, environmental degradation, and the Anthropocene through engagement with Edward P. Jones’ 2003 novel The Known World and Kathryn Yusoff’s recent critical work on the Black Anthropocenes. Yusoff contends that, “Literally stretching black and brown bodies across the seismic fault lines of the earth, Black Anthropocenes subtend White Geology as a material stratum,” (xii). This paper will examine the ways in which Yusoff and Jones are in conversation, and try to elucidate the ways in which the Anthropocene is both built upon and a harbinger of mass death. How …

The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem

Theses and Dissertations

The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …

Passing Down: Nella Larsen's Questioning Of Eugenic Ideology, Sky R. Mcleod

Anthós

This article looks at Nella Larsen’s 1929 novel Passing and examines how eugenic ideology of the time period are explored and critiqued through the story and characters. The novel follows two light skinned black women who grew up together and are reunited as adults. This reconciliation takes place under the backdrop of the Harlem Renaissance where the expectations of New Negro womanhood mix with a growing wave of eugenic thought and practices. In the 1920’s many influential thinkers, including black leaders such as W. E.B. Du Bois, were convinced that the only way to move the human race forward was …

A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin

Beyond the Margins: A Journal of Graduate Literary Scholarship

Literary critics conducting a comparative study of Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple diligently tend to the relationship between the two women, particularly at an intertextual level. This paper sheds light on an important third member of this relationship: Black women readers. An articulation of Black regality, which involves the incorporation of monarchical symbols and titles in characterizations of Black people, provides these readers with political tools poised to liberate Black women from hegemonic male authority and control. Examining the significance of adornment for the self exclusively to combat invisibility, the power …

The Unarticulated Unseen: Britt Bennett’S “The Vanishing Half” And Her Intent On Revealing The Unseen In The Tradition Of Racial Passing, Caroline Maas Rue

All Theses

Throughout the trajectory of passing literature, there have been varying projections of racial identity as it is intertwined with choice and power. Despite the many commonalities between the archetypal passing novel, the differences in the way that passing is demarcated in various novels is indicative of the racial climate out of which it came. This paper considers Britt Bennett’s 2020 novel, The Vanishing Half, as a socio-political artifact of an allegedly post-racial era. In considering Bennett’s novel as a reflection of post-raciality, a comparative study incorporating Nella Larsen’s Passing, Douglas Sirk’s Adaptation of Imitation of Life, and Danzy …

She Speaks Her Truth: Black Female Self-Empowerment In African-American Centric Texts, Britt N. Seese

Master of Arts in English Plan II Graduate Projects

A Master's Portfolio that looks into African-American Women in African-American literature and theatrical works.

Valiant Consequences, Johnjulius Lodato

Student Publications

War and conflict are significant events that hold a reasonable possibility to alter countries and their cultural populations. These transforming effects can come in many forms, ranging from mental trauma to the abandonment or modification of culture and its ideals. In this illustration, perhaps no group has endured the same everlasting detrimental effects as the Native Americans and their underlying consequences stemming from World War 2. These detriments can be seen in the form of erratic drunken or violent behavior and forgotten traditions. On the contrary, these effects may have at one time been diminished and replaced by the gratitude …

The Rise Of An Eco-Spiritual Imaginary: Ecology And Spirituality As Decolonial Protest In Contemporary Multi-Ethnic American Literature, Andrew Michael Spencer

English Theses and Dissertations

The Rise of an Eco-Spiritual Imaginary reveals a shared ecological aesthetic among contemporary U.S. ethnic writers whose novels communicate a decolonial spiritual reverence for the earth. This shared narrative focus challenges white settler colonial mythologies of manifest destiny and American exceptionalism to instantiate new ways of imagining community across socially constructed boundaries of time, space, nation, race, and species. The eco-spiritual imaginary—by which I mean a shared reverence for the ecological interconnection between all living beings—articulates a common biological origin and sacredness of all life that transcends racial difference while remaining grounded in local ethnicities and bioregions. The novelists representing …

Orientalism Restated In The Era Of Covid-19, Joey Kim

Asian American Literature: Discourses & Pedagogies

This essay bridges a gap between an analysis of anti-Asian targeting and an analysis of Orientalism. Because histories of Orientalism and anti-Asian targeting pre-date the current moment, I demonstrate the centrality of Orientalism to the evolution of xenophobic language and sentiment in U.S.-foreign historical relations. I recount instances of anti-Asian, xenophobic, and “Yellow-Peril” rhetoric in the wake of the global COVID-19 pandemic. In doing so, I examine the racialization of COVID-19 as a trope of orientalism. This racialization, I argue, places the Asian-presenting body in a state of heightened visibility, precarity, and susceptibility to plunder. The newfound precarity of the …

Committed To The Fragment: Feminist Literature And The Promise Of Wellness, Lynne Beckenstein

Dissertations, Theses, and Capstone Projects

“I have never been able to blind myself” to the cruelty of a world that “destroys its own young in passing…out of not noticing or caring about the destruction,” Audre Lorde tells us in her 1980 “mythobiography” Zami: A New Spelling of My Name. This quality, Lorde says, “according to one popular definition of mental health, makes me mentally unhealthy.” In rejecting psychological self-possession as a sign of wellness, this passage also rejects it as one of sovereignty’s conditions. At the time of Lorde’s writing, this version of sovereignty already dominated the landscape of therapeutic culture in the United States, …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

Contesting Imagined Communities: Minor Feelings, Opacity, And Spectrality In Ling Ma’S Severance, Christine Marks

Publications and Research

This article foregrounds pandemic fiction’s subversive and visionary potential through the example of Ling Ma’s dystopian pandemic novel Severance (2018). Emphasizing fiction’s capacity for symbolic intervention in a pandemic era, I argue that the text undermines tropes of nation-building through strategic employment of minor feelings, opacity, and spectral liminality. My analysis focuses on the Chinese American protagonist’s conflicted relationship with imagined communities forged in the conventional “outbreak narrative” (Wald) as her unhomely positionality places her at odds with unifying ideological responses to the catastrophic upheaval of the pandemic. At the intersection of pandemic and diasporic literature, Ma’s novel constitutes a …

Nature, Magic, And Healing: How Leslie Silko Builds Her Native World, Ashton Q. Record

Student Publications

An essay examining how Leslie M. Silko utilizes the relationship between Nature and Native American Mystic Arts to create a full and vibrant world in her novel Ceremony.

Colonial Prehistories Of Indigenous North America, Mark A. Mattes

Faculty and Staff Scholarship

One of the most common inquiries received by Filson Historical Society librarians concerns the myth of Prince Madoc and the Welsh Indians. Of the myth’s many versions, the one most familiar to Ohio Valley History readers goes like this: Madoc, a Welsh prince escaping an internecine conflict over political rule at home, supposedly sailed to North America in the twelfth century. His force either landed at the Falls of the Ohio or made it there after landing further south and being driven north by hostile locals, possibly Cherokee people. Madoc and his contingent intermixed with Indigenous populations, whose fair-haired, blue-eyed, …

Charles Gibson And Indian Territory's Periodical Press, Tereza M. Szeghi

Biennial Conference: The Social Practice of Human Rights

I argue that Charles Gibson (Creek writer and journalist) offers an important but woefully understudied voice of resistance to the changes imposed upon the tribes of Indian Territory around the turn of the 20th century (such as forced allotment of tribal lands, dissolution of tribal governments, and Oklahoma statehood). In his regular column, “Rifle Shots,” Gibson offered a dynamic space in which to process and comment upon these changes. More specifically, while Gibson was quite outspoken in his critiques of the ways in which U.S. policies threatened Creeks’ sovereignty, culture, and well-being, his column also frequently contained reworkings of traditional …

Diversifying Woolf’S Room: Private Spaces And Creativity In The Works Of Willa Cather, Kate Chopin, Gayl Jones, And Alice Walker, Ebtesam M. Alawfi

Graduate Theses and Dissertations

There is a divergence between Woolf’s vision of private physical spaces necessary for creating art and that of some feminists of color such as Alice Walker, Ortiz Cofer, and Gloria Anzaldua. Both Woolf and these contemporary scholars agree on the importance of physical spaces for female artists. However, they disagree on the nature of these spaces. Woolf’s private physical space is a room with a lock on the door whereas these writers’ room is the kitchen table, the bus, or the welfare line. Walker and like-minded writers challenge the narrowness of Woolf’s room because her locked room is a luxury …

Review Of Chath Piersath's On Earth Beneath Sky, Loom Press, 2020, George Chigas

Journal of Southeast Asian American Education and Advancement

A critical analysis and review of Chath pierSath's 2020 collection of poems and sketches entitled On Earth Beneath Sky published by Loom Press

Give Me Liberty Or Give Me (Double) Consciousness: Literacy, Orality, Print, And The Cultural Formation Of Black American Identity In Harriet Jacobs’S Incidents In The Life Of A Slave Girl And Octavia Butler’S Kindred, Aisha Matthews

Third Stone

While literacy may have signified the humanity of male slaves in the antebellum South (at least in their own view), the English language and American print culture did not similarly empower female slaves towards positive subject-formation through discourse. This article will examine the tension between oral culture and print culture in Harriet Jacobs’s Incidents in the Life of a Slave Girl and Octavia Butler’s Kindred. Ultimately, an analysis of Jacobs’s work through the lens of book history and its power to shape cultural formation will suggest a critical imperative for the contemporary neo-slave narrative genre.

Accordingly, the agency of contemporary …

Skin Worlds: Black And Indigenous Science Fiction Theorizing Since The 1970s, Lou Cornum

Dissertations, Theses, and Capstone Projects

This dissertation unfolds along two trajectories, the first following from an ascendant interest in minoritarian traditions in speculative and science fiction and the second following the reiterative conversations across Black and Indigenous Studies. Science fiction theorizing is introduced as a frame for thinking these two trajectories together, with science fiction texts by authors Nalo Hopkinson, Octavia Butler, Gerald Vizenor, Leslie Marmon Silko and Samuel Delany providing a paraliterary mode of imagining the planetary from which to understand the interconnected processes of settler colonialism and trans-Atlantic slavery. Science Fiction theorizing across these texts disrupts notions of linear progressive time, human/alien boundaries, …

Within The Shadow Of The Cowboy: Myths And Realities Of The Old American West, Katherine Lamb

Undergraduate Theses

It has been argued that the American cowboy is the most widely misunderstood and misinterpreted figure in American history. This mythic figure does not look like the real ranch hands who littered the American West throughout the nineteenth century, nor does he act like them. Instead, he is set apart, as a figurehead of masculinity and American ideals, determined to roam the frontier as a guardian of justice and stability. This version of the cowboy, however, is not bound within the pages of novels or within limitations of film. Instead, the cowboy’s ideals, persona, look, and code remain a vivid …

Race Youth In Twentieth-Century American Literature And Culture, Claire E. Lenviel

Theses and Dissertations--English

Race Youth in Twentieth-Century American Literature and Culture argues for the centrality of black youth, both real and literary, to the trajectories of African American literature and its repudiation of white supremacy. Drawing on research into the rise of the adolescent and teenager as distinct social categories, I argue that age-based subjectivity should inform how we read race-based subjectivity. My first chapter explores how early twentieth-century black periodicals push back against white supremacist theories of human development in an explicit appeal to what I call “race youth,” the children and adolescents who would take up the mantle of racial uplift. …

“Fetch M’Dear”: Healers, Midwives, Witches, And Conjuring Women In Select Ya And Toni Morrison Novels, Diane Mallett-Birkitt

Electronic Theses and Dissertations

Accusations and persecution of witchcraft have been embedded in global culture for centuries. For as long as these persecutions have occurred, women have found themselves accused most frequently. Older women with herbal knowledge were often called on to assist with childbirth or termination of pregnancies and this “secret knowledge” often led them to be suspected of supernatural abilities, often of a satanic nature. Intrigued by these wise women who appeared to have mysterious powers and a penchant for arousing the ire of men in the legal, medical, and religious communities, I began to notice their frequent appearance in novels. Does …

Bodily Evidence: Racism, Slavery, And Maternal Power In The Novels Of Toni Morrison, Jonathan Garren

South Carolina Libraries

Jonathan Garren reviews Bodily Evidence: Racism, Slavery, and Maternal Power in the Novels of Toni Morrison by Geneva Cobb Moore.

The Chronology Of Harlem, Danielle Carr

Open Educational Resources

this course covers the chronology of harlem and the building of freshman composition genres for the high school student

Creating New Suns: Early Examples Of Afrofuturist Literature, Makeba Lavan

Dissertations, Theses, and Capstone Projects

Over the last twenty years, specifically with the summer 2002 issue of Social Text edited by Dr. Alondra Nelson, Afrofuturism has become a serious focus for academic inquiry. For people familiar with the term, Afrofuturism is presented as a movement borne of our contemporary moment. However, this dissertation explores the ways in which Afrofuturism is actually a cornerstone for both African American literature and the struggle for civil/human rights. I do this by exploring the following questions: How does the enslavement of African/ African Americans and its aftermath play out in early African American literature? How do African Americans writers …

The Gothic Other: A Critique Of Race, Gender, Slavery, And Systemic Oppression Found In Nathaniel Hawthorne, Toni Morrison, And Hannah Crafts, Kelly Franklin

Boise State University Theses and Dissertations

This thesis examines three novels all communicating ideas about race, gender, and slavery under the conventions of Gothic literature. Nathaniel Hawthorne’s The House of the Seven Gables (1851) show how patriarchy oppressed and haunted women while keeping slavery at the margins. Beloved (1987), by Toni Morrison, fictionalizes the account of a female slave who murdered her child to assert her power and reject slavery. However, Morrison rewrites and defies aspects of the Gothic mode by bringing the ghost of the murdered child back to life, and later showing steps the community can take to heal from their collective trauma. The …

Race, American Enlightenment, And The End Times, Mark A. Mattes

Faculty and Staff Scholarship

This chapter examines eighteenth- and early nineteenth-century visions of apocalypse regarding the future of black lives in the American body politic. It begins with readings of Jefferson’s fear of a black planet in Notes on the State of Virginia and Crèvecoeur’s depictions of racial terror in Letters from an American Farmer. The chapter then investigates the writing of an African American herald of the end times, Christopher MacPherson. The chapter reads the apocalyptic jeremiad of MacPherson’s pamphlet, Christ’s Millennium (1811), as a reparative response to the suppression of black voices and the annihilation of black lives.

The Personal Is Historical: Slavery, Black Power And Resistance In Octavia Butler’S Kindred, Megan Behrent

Publications and Research

No abstract provided.

Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova

Dissertations, Theses, and Capstone Projects

This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …