American Literature Commons^™

Selected Bibliography Of Work On Canadian Ethnic Minority Writing, Steven Tötösy De Zepetnek, Asma Sayed, Domenic A. Beneventi

CLCWeb Library

No abstract provided.

Women Of The New Walden: Gender In Sound Culture, Now And Then, Phylis Johnson

Reconstruction: Studies in Contemporary Culture

Sonic diversity in the midst of wilderness, as original and untamed, can confound and discomfort the novice listener who becomes overwhelmed by its plethora of mysterious languages. Transcendentalist Margaret Fuller, author of Summer on the Lakes (1844), expressed sensory overload when she was confronted with the sights and sounds of Niagara Falls. Sound permeates our life, from conception, birth, and varied sonic spheres of influence that penetrate our physical space. Sound acknowledges its relevance as a cultural influence within the socialization of the individual. For instance, high-powered car stereos and subwoofers swimming in bass overtones have become associated with masculinity. …

Gestures Toward Cross-Species Reciprocal Relations In Contemporary Poetics, Mary Newell

Reconstruction: Studies in Contemporary Culture

In this essay, I explore some embodied bases of ethical attitudes toward human/ animal exchanges in the texts of three contemporary authors: Mary Oliver, Heller Levinson, and Adrienne Rich. Since other species share with humans varieties of agency, sentience, and purposive activity, I suggest that reciprocity is a fundamental aim in cross-species relations. Phenomenological philosopher Maurice Merleau-Ponty depicts the correlation between embodied actions and attitudes, for example, between the hand movement of grasping and an appropriative attitude toward the natural world. His concept of reciprocity, grounded in the experience of one hand touching another, provides a reference for encounters that …

Lynching The White Imagination: Changing The Dynamics Of Lynching And Rewriting The Cult Of True Womanhood In Grimke, Johnson, And Terrell, Melissa L. Antonucci

English Theses & Dissertations

Despite critics'ack and forth argument over the merits, or lack thereof, of a uniquely black theatre experience, black women playwrights, much like their male counterparts, were once wholly invisible to the white community. But what makes their invisibility unique is their absence in the black world and in literary scholarship. Unfortunately, modern scholarship has oftentimes dismissed these exceptionally powerful plays, cataloging them as poorly written and lacking stylistic and formal elements. It was only recently that they were included in a highly male-dominated history of African American theatre and art. The question of their use of sentimentality, however, remains unanswered. …

Balancing Rosie And June: A Study Of Lynchburg College Postwar Alumnae And The Impact Of The Feminine Mystique, Dinah Watson

Undergraduate Theses and Capstone Projects

In 2003, the movie Mona Lisa Smile debuted describing the frustrations that many college women may have faced in the years after World War II. Wellesley College was the elite all-female institution that openly and proudly prepared its young women with the proper rules of etiquette and correctness. Despite Wellesley’s own excellent academic reputation, its close proximity to the prestigious single-sex male college, Harvard, made it even more appealing and convenient for the Wellesley girls to find a “suitable” husband. The novice young art instructor, Katherine Watson, was unique in that she wanted to offer her students not only a …

Placards: Mkr Society, Edna Saffy And Grady Johnson

Saffy Collection - All Textual Materials

Name cards for Marjorie Kinnan Rawlings Society event designating the Marjorie Kinnan Rawlings Farm a National Historic Landmark, March 3, 2007.

Sex, Drugs, And Mingling Spirits: Teaching Nineteenth-Century Women Poets, Cheryl Walker

Scripps Faculty Publications and Research

Book abstract:

Twentieth-century modernism reduced the list of nineteenth-century American poets to Walt Whitman, Emily Dickinson, and (less often) Edgar Allan Poe. The rest were virtually forgotten. This volume in the MLA series Options for Teaching marks a milestone in the resurgence of the study of the rest. It features poets, like Henry Wadsworth Longfellow and Lydia Huntley Sigourney, who were famous in their day, as well as poets who were marginalized on the basis of their race (Paul Laurence Dunbar, Alexander Posey) or their sociopolitical agenda (Emma Lazarus, John Greenleaf Whittier). It also takes a fresh look at poets …

Review Of Reclaiming Authorship: Literary Women In America, 1850-1900, Melissa J. Homestead

Department of English: Faculty Publications

Like Naomi Z. Sofer's Making the America of Art (2005) and Anne E. Boyd's Writing for Immorality (2004), Susan Williams Reclaiming Authorship seeks to recreate and analyze how American women authors in the second half of the nineteenth century understood their own authorship. All three include Louisa May Alcott, Elizabeth Stuart Phelps, and Constance Fenimore Woolson as subjects, but Williams includes authors who did not conceive of their authorship in a high cultural mode (Maria Cummins, Elizabeth Keckley, Mary Abigail Dodge), and she traverses the careers of Alcott and Phelps so as to emphasize their movements in and out of …

Louisa May Alcott [From Oxford Encyclopedia Of Women In World History], Melissa J. Homestead

Department of English: Faculty Publications

American fiction writer best known as the author of the girls’ novel Little Women (1868-1869). Alcott was born in Germantown, Pennsylvania, to Abigail May Alcott and the progressive educator Bronson Alcott. The March family of Little Women was an idealized version of her own family, which was far less stable and more mobile. Alcott’s father’s idealistic education, and reform ventures regularly failed, necessitating the family’s frequent moves, and she and her mother increasingly provided the family’s economic support. Her childhood and adolescence were split primarily between Concord and Boston, Massachusetts, where she was deeply influenced by members of her father’s …

Willa Cather [From The Oxford Encyclopedia Of Women In World History], Melissa J. Homestead

Department of English: Faculty Publications

American novelist, Born in Virginia, Cather moved with her family to Nebraska in 1883 and is best known as a novelist of the American prairie. However, her life history and literary output belie this characterization. As a student at the University of Nebraska she published short stories and poems and worked as a journalist. This experience earned her a position at the Home Monthly magazine in Pittsburgh, Pennsylvania. When the magazine failed, she stayed in Pittsburgh, first returning to newspaper journalism and then teaching high school. For several years she lived in the family home of Isabelle McClung, a young …

Introduction To Signet Classic's The Song Of The Lark By Willa Cather (2007), Melissa J. Homestead

Department of English: Faculty Publications

In May of 1912, Willa Cather traveled to Winslow, Arizona, to visit her brother, Douglass, who worked for the railroad. The year before, she had begun a leave of absence from McClure's Magazine, where she had been an editor since 1906, so that she could focus her energies on writing fiction. Although she had been publishing short fiction regularly since 1892, her first novel-the cosmopolitan, somewhat derivative Alexander's Bridge ‒ did not appear until 1912. Feeling tired and unwell, she, like many other Americans, sought renewal in the dry air and open spaces of the desert. After six years in …

Cuban Femininity And National Unity In Louisa May Alcott's Moods And Elizabeth Stoddard's "Eros And Anteros", Nina Bannett

Publications and Research

This book chapter compares the depictions of Cuban women in Louisa May Alcott's first adult novel Moods (1864) and Elizabeth Stoddard's short story "Eros and Anteros" (1862). Both writers configure a love triangle between an Anglo man and two women, one Anglo and one Cuban. In both texts, the Cuban woman is rejected as an unsuitable choice for an Anglo man. Alcott’s and Stoddard’s decision to re-value the Anglo woman as the more appropriate choice can be read as a rejection of the popular nineteenth-century political doctrine of manifest destiny and, at least with Alcott, of the United States’s dependence …

"Unrighteous Compact": Louisa May Alcott's Resistance To Contracts And Promises In Moods, Nina Bannett

Publications and Research

Alcott’s first adult novel, Moods, initially published in 1864, presents oral promises between women as extralegal alternatives to standard legal contracts between men and women. In the 1864 edition of Moods, Alcott's protagonist, Sylvia Yule, fails to understand the constraints of marriage as a type of contract, and the results are dramatic. In fact, Alcott undermines the idealized marriage plot so crucial to her later, wildly popular works like Little Women (1868-69). In the 1864 Moods, Alcott boldly questions both legal contracts and oral promises characteristic of nineteenth-century conceptions of romantic love and heterosexual friendship.

De La Mujer Invisible Al Feminismo Ineludible: Política Y Antropología En La Historiografía De La Mujer, Robert H. Holden

History Faculty Publications

La historiografía de la mujer, desde el comienzo de su etapa contemporánea en los años setenta del siglo pasado, es analizada en dos vertientes relacionadas: Una, su politización al servicio del movimiento social que aboga por la extensión de los derechos de la mujer y que dió luz a dicha historiografía; dos, el papel central que ha jugado la pregunta antropológica, ‘¿Qué es la mujer’?, y la variedad de respuestas que esta pregunta ha generado. El autor sostiene que tanto la intensa politización como el desarrollo de una antropología cada vez más materialista, como tendencias interdependientes, han llegado a caracterizar …

Papas' Baby: Impossible Paternity In Going To Meet The Man, Matt Brim

Publications and Research

"Papas' Baby: Impossible Paternity in Going to Meet the Man" employs the conceit of “impossible” fatherhood to critique mutually reinforcing racist and heteronormative constructions of reproduction. It argues, first, that the white paternal fantasy of creating “pure” white sons is undermined by the homoerotic necessity of bring the phantasmatic black eunuch, castrated yet powerfully potent, into the procreative white bed. The “fact” of the “white” child produced in that marital bed, however, not only cloaks the failure of racial reproduction in the living proof of success but also occludes the male/male union that subtends the heteronormative fantasy of reproduction. …

Review Of Mizora: A Prophecy, By Mary E. Bradley Lane, Melissa Purdue

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Oy Science Fiction: On Genre, Criticism, And Alien Love: An Interview With Marleen S. Barr, Marlene S. Barr, Ximena Gallardo C., C. Jason Smith

Reconstruction: Studies in Contemporary Culture

[First paragraph of Abstract]

Marleen S. Barr is a pioneer of feminist science fiction criticism and a leader in the fight against the ghettoizing influences of genre-labeling in literary criticism. While the noteworthy Feminist Fabulation: Space/Postmodern Fiction (University of Iowa Press, 1992) has been praised as Barr's seminal work in feminist science fiction criticism and theory, it is in Genre Fission: A New Discourse Practice for Cultural Studies (U of Iowa P, 2000) where she takes on literary critics' discriminatory practices against genre fiction in general and fantasy and science fiction in particular.

At Home In The City: Urban Domesticity In American Literature And Culture, 1850-1930, Elizabeth Klima

University of New Hampshire Press: Open Access Books

An interdisciplinary study of urban literature and domestic architecture in the United States from 1850-1930. With chapters on the hotel, Central Park, tenement houses, and apartment buildings, At Home in the City juxtaposes literary criticism with a history of the built environment to show the inception of American modernity. Works treated include: The Blithedale Romance by Nathaniel Hawthorne, Ruth Hall by Fanny Fern, The Bostonians by Henry James, How the Other Half Lives by Jacob Riis, Sister Carrie by Theodore Dreiser, The Custom of the Country by Edith Wharton, Charlotte Perkins Gilman's feminist urban utopias, and Nella Larsen's Quicksand.

Female Iconography In Invisible Man, Shelly J. Eversley

Publications and Research

Argument concerning female visuality in Ralph Ellison's novel, Invisible Man.

History Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

The Infinite Plasticity Of The Digital: Posthuman Possibilities, Embodiment And Technology In William Gibson's Interstitial Trilogy, Tama Leaver

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

Ever since William Gibson coined the term cyberspace in his debut novel Neuromancer, his work has been seen by many as a yardstick for postmodern and, more recently, posthuman possibilities. This article critically examines Gibson's second trilogy (Virtual Light, Idoru and All Tomorrow's Parties), focusing on the way digital technologies and identity intersect and interact, with particular emphasis on the role of embodiment. Using the work of Donna Haraway, Judith Butler and N. Katherine Hayles, it is argued that while William Gibson's second trilogy is infused with posthuman possibilities, the role of embodiment is …

Querying The Modernist Canon: Historical Consciousness And The Sexuality Of Suffering In Faulkner And Hart Crane, Peter Lurie

English Faculty Publications

The extended historical “moments” that Crane and Faulkner both seek to offer readers may then be defined by their affinities with pain. In the context of American history, that painfulness refers to the experience of historical subjects such as the American Indian as well as marginalized populations like Southern blacks and, as with young Thomas Sutpen, rural poor whites. What both Faulkner and Crane signal in key sections of their work is the way that historical awareness, on the part of either characters or readers, is activated by and necessitates a textual effect of suffering. It is the different valence …

Selected Definitions For Work In Communication And Media Studies & Selected Bibliography Of Publications In Comparative Media Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Toward A Framework Of Audience Studies In Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Constance Cary Harrison, Refugitta Of Richmond : A Nineteenth-Century Southern Woman Writer's Critically Intriguing Antislavery Narrative Strategy, Gaillynn Marie Bowman

Theses, Dissertations and Capstones

Although often maligned by literary scholars, Constance Cary Harrison, nineteenth-century novelist, journalist, essayist, and short-story author, achieved popular success with her subtle, but often radical, explorations of gender, and slavery during the antebellum and post-Civil War years. Furthermore, Harrison developed innovative characterizations of African-Americans while seeking nineteenth-century southern and northern readership through conciliatory prose. In particular, Harrison characterized a slave who gained his freedom and maintained a successful, independent life, without white assistance. This unique perspective for a Southern writer of her era stemmed from the war time destruction of her homestead, Vaucluse, which compelled Harrison to recreate an idealized …

The Source Of Hip, Shelly J. Eversley

Publications and Research

This essay situates Norman Mailer's "The White Negro" (1957) and Jack Keroauc's The Subterraneans (1958) in the context of 1950s racial integration and the transformative potential of interracial sex. It argues that both authors' terms, "beat" and "hip," depend on the idea of "the Negro" whose status allows them to imagine a counter culture essential to their midcentury articulations of individual integrity and creative freedom.

Selected Bibliography For The Study Of Central And East European Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Constructivism And Comparative Cultural Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Selected Journals Of Media And Communication Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Chronological Bibliography Of The Works Of Catharine Maria Sedgwick, Lucinda Damon-Bach, Allison Roepsch, Melissa J. Homestead

Department of English: Faculty Publications

This two-part bibliography has been built by consulting the Bibliography of American Literature (BAL) and the bibliographies compiled by Sister Mary Michael Welsh ("Catharine Maria Sedgwick: Her Position in the Literature and Thought of Her Time up to 1860," Ph.D. diss., Catholic University of America, 1937) and Richard Ranus Gidez ("A Study of the Works of Catharine Maria Sedgwick," Ph.D. diss., Ohio State University, 1958); library cataloging records; and the personal records of Lucinda Damon-Bach and Melissa J. Homestead. In most cases, entries have been confirmed through books, periodicals, photocopies, or microfilm received through interlibrary loan. We were not able …