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Articles 241 - 270 of 544
Full-Text Articles in American Literature
“Vital Glowing Things”: The Art Of Women’S Writing, 1910-1935, Elizabeth C. Decker
“Vital Glowing Things”: The Art Of Women’S Writing, 1910-1935, Elizabeth C. Decker
Dissertations, Theses, and Capstone Projects
The rising field of new modernisms continues to breathe new life into the literature of marginalized writers of the late-nineteenth and early-twentieth century. By imagining modernism as a series of modes and strategies, and expanding the axes upon which we map modernism’s boundaries, we make way for writers who were shut out by the often imbalanced, limited modernism of the past and illuminate the field with new possibilities. This dissertation takes part in this exciting, vibrant conversation by identifying a mode of modernism present in the literature of three early twentieth-century women writers, who all used visual art techniques to …
The Strains Of Confessional Poetry: The Burdens, Blunders, And Blights Of Self-Disclosure, Lara Rossana Rodriguez
The Strains Of Confessional Poetry: The Burdens, Blunders, And Blights Of Self-Disclosure, Lara Rossana Rodriguez
Dissertations, Theses, and Capstone Projects
When a provocative style of autobiographical verse had emerged in postwar America, literary critics christened the new genre “confessional poetry.” Confessional poets of the 1960s and ’70s are often characterized by scholars of contemporary poetry as a cohort of writers who, unlike previous generations before them, dared to explore in their work the personal and inherited traumas of mental illness, family suicides, failed marriages, and crushing addictions. As a result, the body of work these writers produced is often experienced as a collection of stylized, literary self-portraits. What can these self-portraits reveal to us about the connection between confessional poetry …
Pedagogy And Profit: Multiethnic Literature, Gender And Young Adult Publishing, Allison S. Layfield
Pedagogy And Profit: Multiethnic Literature, Gender And Young Adult Publishing, Allison S. Layfield
Open Access Dissertations
This project argues that the adult/young adult division has the effect of maintaining social difference—especially along the lines of race and gender—while simultaneously ignoring the process of maintaining social hierarchies that occurs during the publication, reviewing and educational selection processes. Chapter One brings together the history of YAL as a pedagogical tool with its publishing history in order to show that both forces have redefined the genre in response to changing notions of social responsibility tied to American citizenship. There were five major eras within the history of young adult literature, each of which responded to changing notions of citizenship. …
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Dissertations, Theses, and Capstone Projects
Archiving the '80s: Feminism, Queer Theory, & Visual Culture locates a shared genealogy of feminism and queer theory in the visual culture of 1980s American feminism. Gathering primary sources from grant-funded research in a dozen archives, I analyze an array of image-text media of women, ranging from well known creators like Gloria Anzaldúa, Alison Bechdel, and Nan Goldin, to little known ones like Roberta Gregory and Lee Marrs. In each chapter, I examine how each woman develops movement politics in her visual production, and I study the reception of their works in their communities of influence. Through studying hybrid visual …
Animate Impossibilities: On Asian Americanist Critique, Racialization, And The Humanities, Frances H. Tran
Animate Impossibilities: On Asian Americanist Critique, Racialization, And The Humanities, Frances H. Tran
Dissertations, Theses, and Capstone Projects
This dissertation works from and through the field of Asian American studies, drawing on Asian Americanist cultural critique and minority discourse, to investigate the relationship among race, the politics of knowledge, and the epistemic function of the humanities. Proliferating discourses on “post-race” and “colorblindness” characterizing the present moment posit a progressive movement beyond racial division, towards recognizing and incorporating minority difference into the academy. However, even as issues like “diversity” have gained visibility as institutional objectives, I contend that this heightened visibility occludes the structural conditions that allow racialization to persist. In this project, I follow the work of thinkers …
New Appalachians Of The Twenty-First Century: Reinventing Metanarratives And Master-Images Of Southern Appalachian Literature, Kelsey Alannah Solomon
New Appalachians Of The Twenty-First Century: Reinventing Metanarratives And Master-Images Of Southern Appalachian Literature, Kelsey Alannah Solomon
Electronic Theses and Dissertations
The Appalachian studies tradition ascertains that Appalachian people politically, socially, and academically represent a heterogeneous minority group of our own. In post-capitalistic America, however, the Appalachian region serves as a hotspot for media misrepresentation and tourism that perpetuate through works of fiction, nonfiction, and scholarship both negative and positive stereotypes in the overall American consciousness. Twenty-first-century Appalachian authors, I contend, are reinventing Appalachia from its postmodern rubble through fictionalized reconceptualizations of our region’s history, shifts in our collective consciousness from anthropocentric to ecocentric, and subversions of the heteronormative discourse of our internal colony through explorations of the psychosexual. The contemporary …
"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal
"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal
Department of English: Dissertations, Theses, and Student Research
This digital anthology explores feminism in selected short fiction by women writers from the 1911 run of the popular women’s magazines Woman’s Home Companion, Ladies’ Home Journal, and The Farmer’s Wife. This fiction furthered the women’s rights movement by allowing women to imagine a world similar to their own with a heroine who voiced their desires and enacted change. Rather than the more experimental, inaccessible literature of avant garde high modernist writers consumed by the upper class, popular fiction reached a wider, middle class audience and was more effective at producing a progressive zeitgeist following the stilted Victorian …
Empathy In Its Entirety, Callie Reymann
Empathy In Its Entirety, Callie Reymann
Best Integrated Writing
Reymann critically analyzes three novels through the lens of empathy and then applies her critical analysis and observations to her experiences as a person diagnosed with Asperger’s Syndrome.
Conflicting Cultural Identity And The Baz Benin In Edwidge Danticat’S Claire Of The Sea Light, Kellianne Rinearson
Conflicting Cultural Identity And The Baz Benin In Edwidge Danticat’S Claire Of The Sea Light, Kellianne Rinearson
Best Integrated Writing
Rinearson explores the connection between the gangs in Edwidge Danticat’s Claire of the Sea Light and mythological figures in Haitian folklore thus adding nuance to the discussion of Caribbean cultural identity.
The Grimké Sisters: Radical Defenders Of Women’S Rights And Abolition, Megan Bailey
The Grimké Sisters: Radical Defenders Of Women’S Rights And Abolition, Megan Bailey
Best Integrated Writing
Bailey examines the intersection of gender and religion in the abolition movement of the American Civil War and argues that the Grimké sisters’ effectiveness in preaching against slavery was undermined by the perception that they were too radical.
Best Integrated Writing 2016 - Complete Edition
Best Integrated Writing 2016 - Complete Edition
Best Integrated Writing
Best Integrated Writing includes excellent student writing from Integrated Writing courses taught at Wright State University. The journal is published annually by the Wright State University Department of English Language and Literatures.
The Fictions Of Whiteness: Transatlantic Race Science, Gender, Nationalism, And The Construction Of Race In Nineteenth-Century American Fiction (1823-1867), Philip E. Kadish
The Fictions Of Whiteness: Transatlantic Race Science, Gender, Nationalism, And The Construction Of Race In Nineteenth-Century American Fiction (1823-1867), Philip E. Kadish
Dissertations, Theses, and Capstone Projects
Fictions of Whiteness argues that political beliefs preceded and determined the race science theories which nineteenth century American white novelists applied or invoked in their work, the inverse of the current critical consensus. For issues ranging from Indian removal to slavery and Reconstruction, and utilizing theories from of Condorcet, Buffon, Camper, Louis Agassiz, James Pritchard, Johannes Blumenbach, and George Borrow these authors shifted allegiances to divergent race theories between and within works, applied those theories selectively to white, black, and Indians characters, and applied the same scientific race theories to politically divergent rhetorical ends. By analyzing shifting application of different …
Loving The Unlovable Body In Lois Ann Yamanaka’S Saturday Night At The Pahala Theatre, Christa Baiada
Loving The Unlovable Body In Lois Ann Yamanaka’S Saturday Night At The Pahala Theatre, Christa Baiada
Publications and Research
Lois-Ann Yamanaka’s award-winning yet remarkably neglected Saturday Night at the Pahala Theatre (1993) explores female adolescence and coming of age in a rich, polyphonic collection of verse novellas. “Loving the Unlovable Body” focuses on Yamanaka’s treatment of this transition as a fully embodied, fraught, and often painful experience by explicating the uses of several tropes used to express girls’ experiences of their bodies: eating, voice, eyes, fragmentation, and marking/naming. These metaphors contribute to the development of a complex range of possibilities from devastating to hopeful, presented in juxtaposition and interplay, for girls’ relationships to their culturally denigrated bodies and the …
“Yellow Crowfoot In The Pond,/Not Lotus, Not Lily”: Mapping The River, Mapping Voices, Pamela J. Rader
“Yellow Crowfoot In The Pond,/Not Lotus, Not Lily”: Mapping The River, Mapping Voices, Pamela J. Rader
Asian American Literature: Discourses & Pedagogies
This paper examines the prosody of Chin’s eponymous poem, "The Phoenix Gone, The Terrace Empty," through an eco-critical lens. While it does not dismiss the hybrid cultural influences of the poem, it focuses on the ways the non-human agents, or the figures in the poem’s landscape, “speak.” Poetry, like the poem’s terraced gardens, traces tension between the controlling human forces experienced by the narrating female I personas and the natural world’s affective inclinations.
Come Together: Desire, Literature, And The Law Of The Sexual Revolution, Eir-Anne E. Edgar
Come Together: Desire, Literature, And The Law Of The Sexual Revolution, Eir-Anne E. Edgar
Theses and Dissertations--English
While some scholars have viewed the Sexual Revolution as a “war” with winners and losers, this project finds that all Americans were subject to the fantasy of liberation. This fantasy takes different forms during the era, including relaxed sexual strictures against pre-marital sex, the availability of birth control, and an increased focus on sexual pleasure. However, the seemingly liberatory quickly becomes conservative, coming into focus through the analysis of court cases and legal mandates that protected the declining structures of marriage and heteronormativity. Beginning with widespread fears about interracial mixing in the early 1950’s, escalated by the end of segregation …
Arts: Fiction And Fiction Writers: The Americas, Rachel Norman
Arts: Fiction And Fiction Writers: The Americas, Rachel Norman
Faculty Publications
This essay by Rachel Norman, which originally appeared in the Encyclopedia of Women & Islamic Cultures, discusses contemporary Muslim fiction published in the United States with a particular focus on three novels: Mojha Kahf's The Girl in the Tangerine Scarf, Laila Halaby's Once in a Promised Land, and Randa Jarrar's A Map of Home.
Father Of All Destruction: The Role Of The White Father In Contemporary Post-Apocalyptic Cinema, Felicia Cosey
Father Of All Destruction: The Role Of The White Father In Contemporary Post-Apocalyptic Cinema, Felicia Cosey
Theses and Dissertations--English
Since September 11, 2001 a substantial number of English-language, post-apocalyptic films have been released. This renewed interest in the genre has prompted scholars to examine the circumstances within western society that make post-apocalyptic films appealing to audiences. The popularity of these films derives from a narrative structure that reinforces conservative notions of good and bad and moral absolutism. The post-9/11, post-apocalyptic film typically features a white male hero who, in one way or another, reestablishes the pre-apocalyptic social order through proclamations of mandatory and prohibitive laws that must be adhered to by the survivors. The hero of post-apocalyptic film does …
The Color Of Memory: Reimagining The Antebellum South In Works By James Mcbride Through The Use Of Free Indirect Discourse, Janel L. Holmes
The Color Of Memory: Reimagining The Antebellum South In Works By James Mcbride Through The Use Of Free Indirect Discourse, Janel L. Holmes
Theses and Dissertations
This thesis examines the use of interior narrative techniques such as free indirect discourse and internal monologue in two of James McBride’s neo-slave narratives, Song Yet Sung (2008) and The Good Lord Bird (2013). Very limited critical attention has been given to these neo-slave narratives that illustrate McBrides attention to characterization and focalized narration. In these narratives McBride builds upon the revelations he explores in his bestselling memoir, The Color of Water (1996, 2006), where he learns to disassociate race and character. What he discovers about not only his mother, but also himself, inspires his re-imagination of the people who …
Novelistic Intimacies: Reading And Writing In The Late Age Of Print, Vincent Michael Haddad
Novelistic Intimacies: Reading And Writing In The Late Age Of Print, Vincent Michael Haddad
Wayne State University Dissertations
In Novelistic Intimacies, I consider the political and aesthetic structure of intimacy in a diverse set of narrative forms produced in the so-called digital age, or the late age of print—from encyclopedic and metafictional novels to graphic storytelling and Afrofuturist fantasy. As an organizing principle, intimacy forces us to consider, at once, how novelists have attempted to restore language and narrative with personal meaning after postmodernism—often termed New Sincerity or post-irony. At the same time, intimacy allows us to see how novelists have experimented on the materiality of the book and the eroticism of language to invent new, impersonal modes …
Sherwood Anderson’S "Shadowy Figure": Rural Masculinity In The Modernizing Midwest, Andy Oler
Sherwood Anderson’S "Shadowy Figure": Rural Masculinity In The Modernizing Midwest, Andy Oler
Publications
No abstract provided.
Toward An Ontology Of Exhaustion: On The Affective Structures Of Masculinity In The American Oilfield, John W. Jepsen
Toward An Ontology Of Exhaustion: On The Affective Structures Of Masculinity In The American Oilfield, John W. Jepsen
Graduate Student Theses, Dissertations, & Professional Papers
What is the significance of the oil encounter in the lives of men living and working in the modern oilfields of the United States? Engaging with both literary examples of the lives of men in the Interior West and the personal experiences and reflections of the author, this essay seeks to examine the connections between ideology and place as it works to shape the identity and affect of men in America's oilfields, ultimately ending in them identifying with the very resources their activities seek to exploit and exhaust. Utilizing Theodore Adorno's Minima Moralia as its moral touchstone, this essay works …
Female Anti-Heroes In Contemporary Literature, Film, And Television, Sara A. Amato
Female Anti-Heroes In Contemporary Literature, Film, And Television, Sara A. Amato
Masters Theses
The anti-hero character has steadily become more popular in contemporary literature, film, and television. Part of this popularity is due to the character's appeal to the audience. This character type often commits acts that challenge the regulations of society. These acts, however, can become wish fulfillment for some audience members, making the acts of the character a vicarious experience as well as making the character more relatable because of the character's flawed nature.
This study will trace some of the evolution of the female anti-hero by discussing an ancestral character of the female anti-hero—Hester Prynne the protagonist of Nathanial Hawthorne's …
Perspectives Of Ethical Identity In Ng's Steer Toward Rock And Jen's Mona In The Promised Land, Hui Su
Perspectives Of Ethical Identity In Ng's Steer Toward Rock And Jen's Mona In The Promised Land, Hui Su
CLCWeb: Comparative Literature and Culture
In her article "Perspectives of Ethical Identity in Ng's Steer toward Rock and Jen's Mona in the Promised Land" Hui Su examines Fae Myenne Ng's and Gish Jen's novels. In the novels, the protagonists make different decisions: in Steer Toward Rock Jack after displacement in China adopts US-American identity and in Mona in the Promised Land Mona, a second generation Chinese American, selects Jewish identity. Owing to their different situations, the two protagonists reflect challenges of identity building in the case of the "Other" in US-American culture and society. Su argues that Ng and Jen, although varying in their …
Narrative Ethics And Alterity In Adichie's Novel Americanah, Nora Berning
Narrative Ethics And Alterity In Adichie's Novel Americanah, Nora Berning
CLCWeb: Comparative Literature and Culture
In her article "Narrative Ethics and Alterity in Adichie's Novel Americanah" Nora Berning analyses Chimamanda Ngozi Adichie's novel through the lens of a narrative ethics of alterity. Focusing on the notion of alterity, Berning argues that a specific turn-of-the-century ethics emerges in contemporary fictions of migration in general and in intercultural novels in particular. An ethical genre in its own right, such twenty-first century fictions as Americanah generate a particular kind of ethical knowledge that revolves around questions of identity and alterity and around individual and collective perceptions of self and other. By addressing the interplay of "the ethics …
Characters Through Time, Alyssa Venezia
Characters Through Time, Alyssa Venezia
Honors Thesis
T. S. Eliot once wrote that we “often find that not only the best, but the most individual parts of [an author’s] work may be those in which the dead poets, his ancestors, assert their immortality most vigorously” (Eliot 37). By focusing on character adaptations, one comes to understand how authors of children’s books are able to adapt classic literature into age-appropriate texts that retain the merits of the original. Five sets of characters shall be analyzed to demonstrate the success of the adaptations presented in children’s literature. In the first, Sir Bedivere from Sir Thomas Malory’s Le Morte Darthur …
"It's No Life Being A Steer": Violence, Masculinity, And Gender Performance In The Sun Also Rises And In Our Time, Brock J. Thibodaux
"It's No Life Being A Steer": Violence, Masculinity, And Gender Performance In The Sun Also Rises And In Our Time, Brock J. Thibodaux
LSU New Orleans Theses and Dissertations
Nearly all discussions of Hemingway and his work touch on the theme of masculinity, a recurrent theme in all of his works. Examinations of Hemingway and his relationship to masculinity have almost unanimously treated the author as a misogynist and a champion of violent masculinity. However, since the posthumous publication of The Garden of Eden in 1986, there has been much discussion of Hemingway’s uncharacteristic use of androgynous characters in the novel. Critics have taken this as a clue that Hemingway possessed a complex attitude regarding gender fluidity, but have failed to examine the constructions of gender and identity in …
The Awkward Academic: Why Judith Reads James In Joyce Carol Oates's "My Warszawa: 1980", Kerry Sutherland
The Awkward Academic: Why Judith Reads James In Joyce Carol Oates's "My Warszawa: 1980", Kerry Sutherland
Bearing Witness: Joyce Carol Oates Studies
Joyce Carol Oates’s short story “My Warszawa: 1980” follows the journey of well-respected academician Judith Horne as she travels to and within Poland to participate in an international conference on American culture. She has a vague connection to Poland, with remote family members who were killed in Auschwitz and a Jewish ancestry that can be seen in her features, but she considers these facts unimportant to who she is at the moment. She travels with her lover, who is as remote emotionally as her dead forbears are physically. The emotional connections she makes with the people and land begin to …
Suffering Sisters, Silent Majorities, And Societal Oppression: Comparing The Anti-War Themes And Strategies Of Kurt Vonnegut’S Slaughterhouse-Five And Katherine Anne Porter’S “Pale Horse, Pale Rider”, Melissa N. Miller
Senior Honors Theses
Kurt Vonnegut’s Slaughterhouse-Five and Katherine Anne Porter’s “Pale Horse, Pale Rider” are quite dissimilar in style, but these two works convey overall anti-war themes. The works were written in different eras, portray different wars, and are strongly influenced by the lives of the authors themselves; however, these unique factors work together in both works to convey similar messages regarding war’s oppressive nature and corruption of mankind. Vonnegut and Porter employ various methods to communicate these messages, some unique to the respective works and some shared by the two. The characters of Montana Wildhack and Miranda Gay—two oppressed female characters imprisoned …
"Casting Aside That Ficticious Self.": Deciphering Female Identity In The Awakening 2015, Anne L. Dicosimo
"Casting Aside That Ficticious Self.": Deciphering Female Identity In The Awakening 2015, Anne L. Dicosimo
Master's Theses
Kate Chopin’s female protagonists have long since fascinated literary critics, raising serious questions concerning the influence of nineteenth-century female gender roles in her writing. Published in 1899, The Awakening demonstrates the changeability of the various representations of woman. In the nineteenth century, the subject of women may be divided into two categories: the True Woman and the New Woman. The former were expected to “cherish and maintain the four cardinal virtues of piety, purity, submissiveness and domesticity” (Khoshnood et al.), while the latter sought to move away from hearth and home in order to focus on education, professions, and political …
Daisy And Frederick: An Exploration Of Innocence And Its Consequences In Henry James' Daisy Miller: A Study 2015, Mark Andrew Meyer Ii
Daisy And Frederick: An Exploration Of Innocence And Its Consequences In Henry James' Daisy Miller: A Study 2015, Mark Andrew Meyer Ii
Master's Theses
No abstract provided.