American Literature Commons^™

Scared Sexless: Divergence From Faulkner’S Archetypal Women In “Barn Burning”, Laura Bass

ScholarsArchive Data

This essay discusses the way that Faulkner describes the women in "Barn Burning" and the social implications for the "white trash" woman.

"O Lost Moon Sisters" : Feminist Revisions In Diane Di Prima's Loba, Chelsea Megan Mathes

Masters Theses & Specialist Projects

In her master work, Loba, Diane di Prima revises a variety of traditionally malecentered narratives from a feminist viewpoint in the long tradition of feminist revision that is a cornerstone of Second Wave Feminism. This thesis examines five of the revisions of Christian, Jewish, and Greek stories present in Loba: The Virgin Mary, Eve, Lilith, Helen of Troy, and Persephone. Di Prima revises these stories to include the full— physical, spiritual, and emotional—experience of the woman, often from her own point of view, to give the woman agency over her own story and subvert the woman-as-object tradition present in male-authored …

Elizabeth Bishop's Perspectives On Marriage, Jeffrey Westover

English Literature Faculty Publications and Presentations

Marriage can never be renewed except by that which is always the source of true marriage: that two human beings reveal the You to one another.
- Martin Buber

In a number of texts, both published and unpublished, Elizabeth Bishop addresses the themes of marriage, love, and courtship. Such issues were vexed ones for her. As a young woman, she rejected Robert Seaver’s marriage proposal (Millier, Elizabeth Bishop 112). Later, her friend Pauline Hemingway wondered in a letter whether she and Tom Wanning were engaged (Millier, Elizabeth Bishop 201), and Robert Lowell famously confessed to her that she was the …

Curious Natures: Constructing Queer Ecologies In Early America, Richard Lee Parmer Jr.

Theses and Dissertations--English

This dissertation argues that early American writers often constructed queer ecologies in order to naturalize Anglo-American civilization and justify its expansion into Native American territories. Since there is so little textual evidence on the subject, the major challenge to studying sexuality in early America is approaching sexuality studies creatively—to broaden both our understanding of what counts as sexual discourse and our frameworks for analyzing it. My dissertation addresses this challenge through what many ecocritical scholars of sexuality call queer ecology. In their groundbreaking anthology on the topic, Catriona Mortimer-Sandilands and Bruce Erikson remind us that, historically and in the present, …

Vulnerability, Trauma, And Testimony In American Women’S Literature: A Long History, Jennifer L. Fife

Graduate Research Theses & Dissertations

This study examines the effects of vulnerability and trauma in American women’s literature across the intersections of genre, race, and time. In this dissertation I have applied a feminist long history approach to examine women’s literature from the seventeenth through twenty-first centuries together inspired by Mary Beard’s theory that compartmentalizing women’s history ignores long-range patterns and contributions. I have assembled the beginnings of a canon of women’s trauma literature that allows women writers to form a multi-century discourse community wherein trauma and recovery may occur. This analysis applies twentieth century medical research about trauma and recovery, particularly that of Judith …

Telling Stories, Healing Cultures: Feminist Healing Narratives By Contemporary American Women Of Color, Lindsay Marie Vreeland

Graduate Research Theses & Dissertations

Due to their experiences of oppression as a result of intersecting identities, women of Color are the most disenfranchised by Eurocentric patriarchal accounts and typically most in need of healing. As I explore in my research, works by women writers of Color—such as Louise Erdrich’s Four Souls, Sandra Cisneros’s Have You Seen Marie?, jia qing wilson-yang’s Small Beauty, and Toni Morrison’s Home and Paradise—gathered in this dissertation intentionally question and revise white settler versions of history that devalue people of Color; however, they also revise familiar stories and cultural traditions in their own communities. Doing so both empowers and enables …

(In)Equities In The Publishing Industry: The Politics Of Representation, Hallie R. Lepphaille

Cal Poly Humboldt theses and projects

This project contains an overview and key introductory sections of an intersectional, equity-based literary publishing course textbook. The full-length edited collection, currently under external review for publication, seeks to rectify long-held disparities of the publishing industry in regard to hiring, acquisitions, developmental editing, and considerations in audience, readerships, and marketing. Each chapter examines the ways that racism, ableism, heterosexism, and cisnormativity, operate in the industry, limiting who is represented at an editor’s desk and in the pages of published books. The collection is intended to be utilized in upper-division and graduate-level literary publishing courses. This project is a response to …

The Cast Of A Giant's Shadow, Angela Kay Steineman

Masters Theses

Adapting fairy tales and folklore has been an ongoing endeavor by storytellers and artists since the very first story was repeated. The evidence can be seen in the many versions of fairy tales like those of the sleeping beauty, from Giambattista Basile’s “Sun, Moon, and Talia” to Walt Disney’s Maleficent. However, unlike their European counterparts, adaptations of American tales outside of children’s literature are not as ubiquitous. My writing rectifies this by adding to the resurging interest as seen in recent retellings like Matt Bell’s Appleseed: The Monstrous Birth (2019).

In an effort to reframe the American tall tale …

Cuba Journals Volume I - Transcription, Laura Swarner

Undergraduate Theses

The document is a transcribed version of volume I of the digital copy of the Cuba Journals which can be found online at the New York Public Library Archives. The Cuba Journals were written by Sophia Peabody Hawthorne during her time abroad in Cuba recovering from illness.

Contemporary Stories Of Female Development And The Outer Limits Of Maternal Sexuality In Susan Choi’S My Education And Amy Sohn’S Prospect Park West, Christa Baiada

Publications and Research

While liberal sexuality has been integrated into contemporary discursive understandings of female possibilities, barriers remain to representing mothers as sexual beings. This essay explores maternal representations in Choi’s My Education (2013) and Sohn’s Prospect Park West (2009) that challenge cultural ideals of good motherhood and invite scrutiny of normative paths and goals of female development. These 21^st-century American novels confront and even embrace active maternal sexuality but retreat at the boundary of the maternal/sexual breast to allow protagonists in contemporary alterations of female stories of development to achieve maturity through acceptance of the ideal of good motherhood .Each …

Through The Mouth: An Essay On Appetite And Ecocide, Iemanja Brown

Dissertations, Theses, and Capstone Projects

This dissertation is an exploration of mourning and resilient joy in the midst of ecocide. Resisting the pervasive classification of the human as inherently destructive, I look to appetite as an aesthetic procedure that includes a material desire for intimacy with the more-than-human. My study considers the intersections of aesthetic production (primarily twentieth-century poetry and visual art), climate science, geology, cultural studies, theory within the contemporary nonhuman turn, and Alfred North Whitehead’s philosophy of organism. I employ an interdisciplinary approach, which helps me explore the various ways that literal and figurative appetite can be a way of sensing and exploring …

Words Are Found Responsible: Poetry's Jurisdiction And The Transformation Of Equal Rights, Talia Shalev

Dissertations, Theses, and Capstone Projects

Across various academic fields and from a range of political orientations, scholars note that a pervasive rights discourse shapes the imaginable horizons of identity, politics, and social life in the United States. Many critiques of rights since the 1970s highlight a particular conundrum of this rights culture: existing rights law and ubiquitous rights invocations fail to guarantee equal conditions for thriving across racialized and gendered axes of identity. Words Are Found Responsible: Poetry’s Jurisdiction and the Transformation of Equal Rights emphasizes and complicates elements of these critiques by reading poetry of the 1970s and 1980s in relation to shifting rights …

Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova

Dissertations, Theses, and Capstone Projects

This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …

Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet

The Journal of Purdue Undergraduate Research

This research examines and expands on the critical outlook concerning the scope and function of identity in the literature of James Baldwin. Looking at Another Country specifically, the essay expounds on the universality of oppressive conditions shown to operate across factors of race, gender, and sexuality. Critical discussion has largely focused on Baldwin’s construction of male identities and sexual experiences; this essay argues for the importance of the novel’s female psychological depictions and how these character profiles operate in relation to male profiles. A significant universal aspect considered is the visibility of trauma: how its appearance communicates repressed pain and …

'Tomboy' Is Anachronistic. But The Concept Still Has Something To Teach Us, Lynne Stahl

Faculty & Staff Scholarship

This article explores the tomboy trope in film and literature and the "taming" that characterizes it, framing both in relation to contemporary debates about gender and sexual identity as well as cultural anxieties around queer, trans, and nonbinary identity. Examining texts from Louisa May Alcott's Little Women to the 1980 film Little Darlings, the article argues that even while the term tomboy may be obsolete, tomboy narratives document processes of rebellion that hold continuing value.

“An’ No Place To Lead ‘Em”: The Grapes Of Wrath And The Breakdown Of Myth, Nicholas F. Comeaux

LSU New Orleans Theses and Dissertations

In spite of its common designation as an outmoded classic of sentimental middlebrow literature, John Steinbeck’s The Grapes of Wrath remains relevant as a milestone in an extended liminal stage between the failing cultural myths of the past and the founding of newly relevant shared stories. This stage begins with the Enlightenment and continues to present-day conflicts over identity, labor, migrants, notions of truth itself, the function and responsibilities of government, and our shared ecological destiny. Arriving near the end of the Depression and its concurrent economic and environmental disasters, The Grapes of Wrath reflects a particularly chaotic stage in …

Does Money Indeed Buy Happiness? “The Forms Of Capital” In Fitzgerald’S Gatsby And Watts’ No One Is Coming To Save Us, Allie Harrison Vernon

English (MA) Theses

Looking primarily at two critically acclaimed texts that concern themselves with American citizenship—F. Scott Fitzgerald’s The Great Gatsby and Stephanie Powell Watts’ No One is Coming to Save Us—I analyze the claims made about citizenship identities, rights, and consequential access to said rights. I ask, how do these narratives about citizenship sustain, create, or re-envision American myth? Similarly, how do the narratives interact with the dominant culture at large? Do any of these texts achieve oppositional value, and/or modify the complex hegemonic structure? I use Pierre Bourdieu’s “The Forms of Capital” to investigate the ways in which economic, cultural, …

“Flowing Along The Wall”: Anarcha-Feminist Bioethics And Resistance In Octavia E. Butler’S Dawn 2019., Theresa Mendez

Master's Theses

Science fiction (sf) texts conversant with the temporal play between past, present, and future push readers to imagine the extremes of human and environmental existence, interaction, and potential. Simultaneously, despite the sf genre’s tendency to traffic in extremes, these texts provoke readers to consider the ways in which these imagined worlds are grounded in history as well as in the contemporary social moment. As Donna Haraway has argued, “the boundary between science fiction and social reality is an optical illusion” (306). This illusory boundary must continue to be traversed in order to consider how sf literatures, particularly those which imagine …

Posthuman And Alien Breeding: The Implications Of Cybersex In Octavia Butler’S Dawn 2019., Elizabeth Rutkowski

Master's Theses

Speculative science fiction affords new ways for authors to represent social problems of the modern day in an apocalyptic manner. Authors such as Octavia Butler use science fiction to analyze social injustices revolving around race, gender, and sexuality. Throughout her novel Dawn, Butler uses the posthuman to represent minority groups in the late twentieth century. The posthuman represents those who have moved from humanity towards a new opportunity that is mixed with the potential for struggle. 1 As demonstrated through Butler’s work posthumanism blurs the lines between binaries such as male / female, straight / gay, and consensual / nonconsensual …

The Woman We Don’T Want To Be: The Anti-Heroine In American Women’S Modernisms, Madison Priest

Dissertations, Theses, and Capstone Projects

Anita Loos’ Lorelei has a baby because “a kid that looks like any rich father is as good as money in the bank.” Edith Wharton’s Undine uses hers as a pawn in divorce negotiations with the child’s father. Jessie Redmon Fauset’s Angela abandons her sister so her boyfriend won’t guess she’s black, and Nella Larsen’s Helga frustrates and alienates everyone she loves. Yet these protagonists were subject not just to gleeful mockery and sanction, but to furtive pity, uncomfortable recognition, even envy. Each age calls for its own bogeys; and the anti-heroine was, I contend, the perfect instantiation of American …

“This Unique Empire” : Sylvia Plath And Anne Sexton’S Embodied Poetry As L’Ecriture Feminine, Theresa Kircher

Theses, Dissertations and Culminating Projects

This thesis seeks to place the poetry of Sylvia Plath and Anne Sexton within a larger discussion of contemporary feminist thought regarding corporeality and Hélène Cixous’ idea of l’ecriture feminine from her 1976 essay “The Laugh of the Medusa.” Beginning with the basic premise of the mind/body dichotomy that was the basis for western philosophy, this thesis argues that contemporary feminist discourse shies away from viewing women’s bodies as a source of empowerment, hoping to avoid exposure to bioessentialist critiques, and instead focusing on women’s access to areas of intellectual power. This thesis posits that rather than uphold the power …

Sexual Harassment Of Professional Women: Joan Williams's The Wintering And Her Apprenticeship With William Faulkner, Naoko Ohri

Dissertations, Theses, and Capstone Projects

Sexual harassment in the workplace and sexual harassment in higher education have been conceptualized as separate phenomena. Most of prior research on sexual harassment have been conducted in either one of the two categories (Paludi and Paludi Jr. 2003). However, this classification oversimplifies the distinction between the sites of sexual harassment. The existing dichotomy is too organization-oriented and runs the risk of overlooking variants that might be relevant among profession. Such an ossified definition needs a modification so as to capture the subtler reality of sexual harassment. Especially for professional people, sexual harassment can occur in many places including workplaces …

Politicized Identity In Peter Ho Davies's The Welsh Girl And The Fortunes, Savanna S. Batson

English Department Theses

This thesis explores the effects of politicized identities on the basis of particular aspects of an individual’s being, such as gender, ethnicity, or nationality in Peter Ho Davies’s novels The Welsh Girl (2007) and The Fortunes (2016). By carefully studying each of his protagonists within the context of the particular time and place in which they have come of age, and are now living, this thesis demonstrates how Davies engages with themes of identity, community, and alienation relative to the specific socio-cultural matrix that informs the politicization of identities at their time. It explores how Davies’s characters undergo the process …

A Pilgrim’S Progress For The Digital, Post-Human(Ist) Age?: Social And Religious Allegory In Russell Banks’S Lost Memory Of Skin, David J. Buehrer Dr.

South East Coastal Conference on Languages & Literatures (SECCLL)

In Lost Memory of Skin (2011), his twelfth novel, Russell Banks continues his exploration of the dark underbelly of American society—in this instance, the moral wilderness of a group of convicted sex offenders exiled to living beneath a concrete causeway in the south Florida city of Calusa, a fictionalized Miami. Banks, who has long been “our premier chronicler of the doomed and forgotten American male” (Schulman 8), focuses in Lost on a twenty-two-year-old parolee referred to throughout only as “The Kid.” While guilty and duly convicted of propositioning an underage girl online for sex, The Kid is still presented in …

Sylvia Plath And "The Bigger Things": War, History, And Modernism At Midcentury, Reagan Lothes

Dissertations, Theses, and Capstone Projects

Sylvia Plath and “the bigger things” explores the ways in which Plath’s “confessionalism”—so often read as antithetical to T. S. Eliot’s notion of “impersonality”—constituted not a break from modernism but rather a negotiation of its transatlantic legacy. In doing so, it works against a long-standing critical tradition that has defined Plath, who was living in England as she composed her Ariel poems, as nonetheless a distinctly American poet and one focused uniquely—and, as some have claimed, even pathologically—on the self. An examination of Plath’s published work, including interviews, statements of poetics, journal entries, and letters, in the context of a …

Performing Desire In Times Square: Sailors, Hustlers And Masculinity, Kel R. Karpinski

Dissertations, Theses, and Capstone Projects

From WWII to the early 1970s, New York City as a port town created a liminal space extending from the piers in the Brooklyn Navy Yard all the way to Times Square in Midtown Manhattan. In Times Square, through interactions on the street, in bars and in hotel rooms, desire and masculinity become a performance between and for men. The queerness of these performances lies in the fact that they fall outside of the norms of society both as same-sex encounters and because sex work is viewed as “deviant.” Further, these interactions eschew traditional labels and limits of desire and …

Teaching Visual Literacies: The Case Of The Great American Dust Bowl, Mary F. Rice, Ashley K. Dallacqua

SANE journal: Sequential Art Narrative in Education

Teachers and students require a range of tools to engage with visual texts. Using The Great American Dust Bowlby Don Brown (2013) as an exemplar text, we outline four conceptions of visual literacy: rhetorical, instructional, industrial and visuo-spatial and discuss their use in our literacy education practice. In addition, we provide a brief model of a second text, The Arrival (Tan, 2013) and a list of suggested texts for students at different levels (elementary, middle, and high school). We argue that these tools have the potential to deepen conceptions of visual literacies and empower teachers and students to understand …

Show Her It's A Man's World: How The Femme Fatale Became A Vehicle For Propaganda, Leann Bishop

Williams Honors College, Honors Research Projects

During World War II women joined the workforce in droves due to propaganda such as Rosie the Riveter. When Soldiers began returning from the war they wanted stability and normalcy. They wanted to return to the America they left where women ran the household and men went to work. Women, however, experienced a new sense of freedom from working and wanted to continue their liberation. It was during this time that femme fatales, the sultry women of film noir became popular. They represented the liberated women of the 1940s. The film industry saw an opportunity to use these women found …

Subverting The Patriarchal Panopticon: Challenges To Eugenics Rhetoric In The Novels Of Mccullers And Welty, Regina Marie Young

Electronic Theses and Dissertations

My thesis takes into consideration the scope of eugenics ideologies and their influence on literature specifically two mid-twentieth century authors from the U.S. South Carson McCullers and Eudora Welty. I contend that both writers engage with eugenics rhetoric challenging and subverting the prevailing ideology of the day albeit in differing ways. McCullers and Welty address different facets of eugenics rhetoric in their novels— namely the nature of “defect” and the criteria for “fitness” for “citizenship.” This thesis interrogates the ways in which these writers develop rhetorical strategies for resisting eugenics ideologies in their respective novels Reflections in a Golden Eye …

"Bachelor Buttons": Feminist And Womanist Essays And Poems, Billy E. Clem Jr.

Graduate Research Theses & Dissertations

In this critical and creative dissertation, I sketch a brief study of selected multicultural hybrid texts in contemporary US Anglophone literary studies; discuss their implications for reading, writing, and teaching; and present my own hybrid text.

Second-wave feminist and womanist theories and practices opened literary and cultural studies to new and exciting ideas and methods for reading, teaching, and writing both canonical and non-canonical Anglophone texts. One genre emerging anew by these theories, practices, and practitioners is the literary hybrid text, a multi-genre form composed of a variety of prose genres, poetry, drama, and/or visual imagery. Hybrid texts ask readers …