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Articles 2881 - 2910 of 4556

Full-Text Articles in Arts and Humanities

The Superintendent's Point Of View Concerning Music In The High Schools Of Washington State, Morris Ray Pedersen Jan 1970

The Superintendent's Point Of View Concerning Music In The High Schools Of Washington State, Morris Ray Pedersen

All Master's Theses

A common philosophy of administrators and music educators should be prerequisite for a successful music program. This philosophy should permit enough flexibility to allow for individual differences and yet be rigid enough to encompass general education needs and goals. It can only be shared through communication. The place of music within the curriculum will be understood through this communication between the music educator and the chief administrator. It shall be the purpose of this study to encourage the shared philosophy and communication relationship between school music educators and their administrators.


Amahl And The Night Visitors Dec 1969

Amahl And The Night Visitors

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1969 performance of Amal and the Night Visitors by Gian-Carlo Menotti.

Amal and the Night Visitors is an opera about a young crippled boy name Amal who lives with his mother, and special night they are visited by the Magi, who are journeying in search of the Christ child.


An Original Composition For Symphonic Wind Ensemble In Contemporary Style, Patrick Ellis Thompson Aug 1969

An Original Composition For Symphonic Wind Ensemble In Contemporary Style, Patrick Ellis Thompson

All Master's Theses

The purpose of the composition, Overture for Symphonic Winds, is to contribute to the list of works designed exclusively for wind ensemble performance.


An Analytical Study Of The Holy Sonnets Of John Donne By Benjamin Britten, Richard Arthur Ruth Jr. Jul 1969

An Analytical Study Of The Holy Sonnets Of John Donne By Benjamin Britten, Richard Arthur Ruth Jr.

All Master's Theses

The purpose of this study is to show some of the techniques used in the melody, rhythm and harmony Benjamin Britten used in setting The Holy Sonnets of John Donne. This study also shows the ways in which these techniques serve to bring out the full meaning of the text.


The Lieder Of Richard Strauss, Gary Dwight Welch Jul 1969

The Lieder Of Richard Strauss, Gary Dwight Welch

All Master's Theses

There have been many works written about the Lieder of Brahms, Schubert, et cetera. However, no one has chosen to write about the Lieder of Richard Strauss. The writer has set out to gain a more thorough knowledge of the Strauss techniques. To find possible relationships between his vocal and instrumental lines, his opera and song and to see how the German language affects or does not affect the vocal line of the Lieder.


Historical Development Of The Clarinet With Special Emphasis On Technique And The Resolving Of Technical Problems, Virgil M. Kocher Jun 1969

Historical Development Of The Clarinet With Special Emphasis On Technique And The Resolving Of Technical Problems, Virgil M. Kocher

All Master's Theses

This paper was written for the purpose of discovering how the clarinet developed into the important instrument it is today. There have been many changes and additions to the mechanism and also in tonal characteristics since the first two-keyed clarinet was invented. These changes were the result of an effort to extend the range of the instrument, improve its tone, and to meet the demands of the composers of the day.


74th Annual Spring Concert; 74th Annual Convocation, Sherwood Music School May 1969

74th Annual Spring Concert; 74th Annual Convocation, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 74th Annual Spring Concert at Orchestra Hall (220 South Michigan Avenue) on May 20, 1969 and the Convocation ceremony at The Kungsholm (100 East Ontario Street) on June 17th, 1969.


A Lutheran Evaluation Of Arguments Against The Use Of Musical Instruments In Public Worship, Mark P. Bangert Apr 1969

A Lutheran Evaluation Of Arguments Against The Use Of Musical Instruments In Public Worship, Mark P. Bangert

Master of Sacred Theology Thesis

The purpose of this study is to present those arguments which have been advanced against the use of musical instruments in public worship, to analyze them for purposes of clarification and categorization, and to evaluate them from a Lutheran point of view.


A History Of The Violin Étude To About 1800 Volume Ii, K. Marie Stolba Jan 1969

A History Of The Violin Étude To About 1800 Volume Ii, K. Marie Stolba

Fort Hays Studies Series

The purpose of this study is to investigate and ascertain the history and development of the étude as a specific form of didactic literature for the violin. All influential factors, both non-musical and musical, are considered; in a study of this type, however, more space is devoted to the musical than to the non-musical elements. This being the case, an investigation of instructional materials for the violin comprises the major portion of this writing. The period covered is form 1523 to around 1800.


Interview No. 573, Sounds Of New York Jan 1969

Interview No. 573, Sounds Of New York

Combined Interviews

Sounds from New York's various ethnic neighborhoods. Narrated by Tony Schwartz.


The Seasons : Four Poems By Robert Frost For Tenor And Orchestra : Opus 5 (1969), Richard Meeks Jan 1969

The Seasons : Four Poems By Robert Frost For Tenor And Orchestra : Opus 5 (1969), Richard Meeks

University of the Pacific Theses and Dissertations

No abstract provided.


An Historical Study Of The Solo Concerto Cadenza, Toni Christine Rydman Aug 1968

An Historical Study Of The Solo Concerto Cadenza, Toni Christine Rydman

All Master's Theses

The study of the solo concerto cadenza is one that encompasses the areas of performance, history and theory. Even though the cadenza occupies a small place in the total music literature, it is a sort of microcosm of music. It would be impossible to make a study of the cadenza without completely understanding the concerto and related forms of music. An historical study such as this can lead to deeper understanding of the music to be performed.


Religious Music Among The Jews, Walter E. Buszin Jul 1968

Religious Music Among The Jews, Walter E. Buszin

Concordia Theological Monthly

"Where were you ... when the morning stars sang together and all the sons of God shouted for joy?" With these words God challenged Job, who is referred to at times as the patron saint of musicians. God's words to Job serve to remind the Old Testament reader that already earlier, in prehistoric times, worship and song had been used together to glorify and extol the Creator. Ancient peoples, including Egyptians, Greeks, Romans, and a veritable host of early generations of mankind, recognized that the primary function of music is to honor and worship the Deity. Africans, Asiatics, Mongolians, Europeans, …


73rd Annual Spring Concert; 73rd Annual Convocation, Sherwood Music School May 1968

73rd Annual Spring Concert; 73rd Annual Convocation, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 73rd Annual Spring Concert at Orchestra Hall (220 South Michigan Avenue) on May 23, 1968 and the Convocation ceremony at The Kungsholm (100 East Ontario Street) on June 18, 1968.


Beethoven’S An Die Ferne Geliebte, Paul R. Piersall May 1968

Beethoven’S An Die Ferne Geliebte, Paul R. Piersall

All Master's Theses

Beethoven has often been accused of writing vocal music which exceeds some normal limitations of the voice. Such unfortunate accusations result in many singers avoiding his vocal music. Through means of historical evidence presented in this paper, through an examination of An die ferne Geliebte and its performance, the writer hopes to dispel some of this misunderstanding of Beethoven's vocal music.


Recital Report, Douglas C. Brenchley May 1968

Recital Report, Douglas C. Brenchley

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

In selecting the compositions to be presented in this graduate recital, several important factors had to be considered. First, this candidate felt that it was very important to include a variety of music in the recital; songs and arias from different eras of history, performed in their original languages, including French, German, Italian and English. Representative composers had to be selected, allowing the candidate to sing music worthy of a graduate recital. This music also had to include those qualities which would tax the candidate's ability as an educator and performer; rhythm, style, range, interpretation and technique--all of these qualities …


Arts Festival 1968, Taylor University Apr 1968

Arts Festival 1968, Taylor University

Fine Arts Festival

The program of the Fine Arts Festival of Taylor University, April 17-22, 1968.


A History Of The Violin Étude To About 1800 Volume I, K. Marie Stolba Jan 1968

A History Of The Violin Étude To About 1800 Volume I, K. Marie Stolba

Fort Hays Studies Series

The purpose of this study is to investigate and ascertain the history and development of the étude as a specific form of didactic literature for the violin. All influential factors, both non-musical and musical, are considered; in a study of this type, however, more space is devoted to the musical than to the non-musical elements. This being the case, an investigation of instructional materials for the violin comprises the major portion of this writing. The period covered is form 1523 to around 1800.


Interview No. 572, Voices From The Past Jan 1968

Interview No. 572, Voices From The Past

Combined Interviews

25 tapes containing recordings of various political, entertainment and religious personalities.


Luther The Musician, Charles L. Hill Jan 1968

Luther The Musician, Charles L. Hill

Honors Theses

The chief contributions of Martin Luther to Western civilization are in the fields of theology and religious reform; but his influence upon, and even his direct contributions to, the development of music also are of considerable importance. Luther has established a place for himself in history as "the great German religious reformer who began the Protestant Reformation" (Brit., 436), but his abilities as a musician are often overlooked. That Luther had a great love for music is clear from a letter which he sent to Ludwig Senfl, the court musician at Munich, on October 4, 1530, in which he says: …


Effects Of Music Backgrounds On Silent Reading Test Results Of Sixth Grade Students, Delbert Ray Rydquist Jan 1968

Effects Of Music Backgrounds On Silent Reading Test Results Of Sixth Grade Students, Delbert Ray Rydquist

University of the Pacific Theses and Dissertations

It was the purpose of this study to analyze the effect that three backgrounds had on the silent reading achievement test results of sixth grade students. No music, soothing instrumental music, and stimulating instrumental music were used.


An Original Composition For Chorus Missa Brevis, Robert Austin Barbey Jan 1968

An Original Composition For Chorus Missa Brevis, Robert Austin Barbey

All Master's Theses

In the composition of this Mass the composer was faced with several alternatives in the selection of a suitable musical style. These choices were narrowed to include (1) "traditional" or "romantic"; (2) "pop"; or "jazz"; (3) "folk-mass"; or (4) avant garde. The ultimate choice was a synthesis, consisting of devices from fourteenth century music, and elements of contemporary style.


A Study Of The Effects Of The Italian Influence On The Vocal Literature Of Handel For The Purpose Of Proper Interpretation, Francis Gene Demiero Jul 1967

A Study Of The Effects Of The Italian Influence On The Vocal Literature Of Handel For The Purpose Of Proper Interpretation, Francis Gene Demiero

All Master's Theses

It is the purpose of this study (1) to investigate the influential philosophies and musical forms of the Baroque, (2) to survey the shaping factors of Handel's life and career, (3) to determine the major characteristics of the dominating Italian principles, and (4) to cite compositional examples of this Italian influence.


Motival Structure Of Susannah, A Music Drama By Carlisle Floyd, Sue Ellen Mcmurray Jun 1967

Motival Structure Of Susannah, A Music Drama By Carlisle Floyd, Sue Ellen Mcmurray

All Master's Theses

The purpose of this study was (1) to locate and identify the various musical motives within the opera Susannah; (2) to point out the significance of each motive; (3) to examine the transformations of each motive; and (4) to demonstrate how the motive structure relates to both the visible series of events and to the psychological progress of the opera.


72nd Annual Convocation; 72nd Annual Spring Concert, Sherwood Music School May 1967

72nd Annual Convocation; 72nd Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 72nd Annual Spring Concert at Orchestra Hall (220 South Michigan Avenue) on May 25, 1967 and the Convocation ceremony in the Florentine Room of the Congress Hotel (500 South Michigan Avenue) on June 15, 1967.


An Analysis Of “Little Bat” In The Opera Susannah, James William Dewey May 1967

An Analysis Of “Little Bat” In The Opera Susannah, James William Dewey

All Master's Theses

Using both a unique character development and an interweaving of the main motives found throughout the opera, Little Bat emerges as one of the prominent characters in the opera Susannah.


The Mikado Jan 1967

The Mikado

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1967 performance of Mikado by W.S. Gilbert and Arthur Sullivan.

The Mikado is the comic opera about the romance between Nanki-Poo, the son of Japan’s Mikado, and Yum-Yum, the ward of the High Executioner of Titipu.


Mr. And Mrs. C.W. Best Collection Of Autographs In The Mary M. Vial Music Library Of The Oberlin College Conservatory Of Music, Mary M. Vial Music Library, Oberlin College Conservatory Of Music, Oberlin College Library Jan 1967

Mr. And Mrs. C.W. Best Collection Of Autographs In The Mary M. Vial Music Library Of The Oberlin College Conservatory Of Music, Mary M. Vial Music Library, Oberlin College Conservatory Of Music, Oberlin College Library

Exhibition Catalogs

Publication Date: 1967
/="/">A catalog of a collection of holographs and autographs related to the field of music.


The Perception Of Musical Intervals: The Theory Of Property Arrays, Aikin Orange Connor Jan 1967

The Perception Of Musical Intervals: The Theory Of Property Arrays, Aikin Orange Connor

University of the Pacific Theses and Dissertations

The purpose of the study was to develop a theory of the aural perception of simultaneous musical bitones, called vertical or harmonic intervals. The study was specifically concerned with: (1) formulating a theory of vertical interval perception, (2) documenting the psychological premises of the theory, ( 3) implementing the theory by developing a model, (4) testing the theory by utilizing the model to analyze empirical data of interval recognition errors, and (5) delineating implications of the new theory for pedagogy and research.

The theory developed in the study is called the Theory of Property Arrays because it identifies the structure …


Concertante For Chamber Music, Frederick David Giggy Jan 1967

Concertante For Chamber Music, Frederick David Giggy

University of the Pacific Theses and Dissertations

Concentrate for Chamber Orchestra -- Music