Arts and Humanities Commons^™

The Morphological And Audiative Interconnectedness Of Sound: Equivalence In A Multidimensional Soundscape, Martin Vishnick

The 21st Century Guitar

This paper draws on the authorʼs recent theoretical and practical research into the morphology of sound and audiation. In particular, it explores the notion of equivalence in a multidimensional soundscape. Correlations between the interconnectedness of sound-based morphologies emanating from extended guitar techniques and comprehending internal auditory imagination when sound is not physically present will be assessed. To express an all-encompassing mental and visual image of apprehending the value of sound from a morphological and audiative perspective, three-dimensional topological diagrams will be evaluated ‒ a development of previous two-dimensional visualisations. In regard to morphologies, topics of interest are spectromorphology, spatiomorphology, spectral …

Scordator: A Digital Map Of All Scordature, Paulo Vaz De Carvalho, Rui Penha

The 21st Century Guitar

Scordatura is often used in stringed instruments to overcome constraints posed by their tuning. Finding the right scordatura for a particular situation may be a time-consuming task, especially for non-guitarist composers. In this contribution, we present a web application designed to show a tuning chart for any chordophone equipped with a maximum of eight strings, each tunable to a pitch in the range of a full keyboard. The application also provides visualization of the available positions for live MIDI notes within a given scordatura.

Composing Idiomatic Music For Guitar Using Distant Reading Strategies, Giovanni Albini, Matilde Oppizzi

The 21st Century Guitar

The composition of new music for guitar can involve two issues: 1) composers that have no experience with the instrument might not be able to compose a score that is idiomatic, accommodating and highlighting the unique characteristics and features of the conventional guitar techniques; and 2) composer-guitarists might repeat clichés that can origin from their performance habits. In this respect, the aim of this paper is to answer the following questions: can distant reading methods help in defining strategies for composing new idiomatic music for guitar? If so, how they can be defined and implemented? Distant reading methods allow to …

Jorge Peixinho ‒ In Memoriam For Solo Guitar: A Compositional And Interpretative Tribute, Pedro Baptista, Pedro Rodrigues, Evgueni Zoudilkine

The 21st Century Guitar

This paper focuses on a compositional and interpretative tribute, consisting of a work for solo guitar composed by Pedro Baptista in 2021 and titled Jorge Peixinho ‒ In Memoriam. The piece is intended to crystallize, focus and amplify recurrent and characteristic elements of Jorge Peixinhoʼs (1940-1995) guitar writing, During the second half of the 20th century, shaping the avant-garde musical movement in Portugal, this composer developed and used a range of techniques, effects, gestures and structures, which Baptista now explores in a systematic way. These elements were identified through analysis and hands-on exploration with the guitar of Peixinhoʼs manuscripts, as …

Notational Types In Scores For Guitar And Electronics, Belquior G. S. Marques

The 21st Century Guitar

Notation is one of the factors upon which the longevity of mixed music is dependent. In this paper, I first discuss how academic production has conceived representation in works with electronics and dealt with inherent problems. After, I present the nine representational strategies I have identified in repertoire for guitar and electronics. These notational types aid understanding how composers conceive the interaction between the acoustic and electroacoustic parts in mixed music performance. Their simultaneous use, even if redundant, can help understanding instrumental performance issues and contribute to the preservation of the electronic part. I conclude with some considerations about the …

Composing For Guitar Orchestra: Challenges And Advantages Of Homogeneous Orchestration, Jason Noble, Steve Cowan

The 21st Century Guitar

The term orchestration tends to invoke heterogeneous combinations of instruments, especially those of the symphony orchestra. But homogeneous ensembles, comprised of combinations of the same kind of instrument, also make up an important part of the musical and music-pedagogical landscapes. As we argue in this paper, orchestrating for homogeneous ensembles is grounded in the same perceptual principles as orchestrating for heterogeneous ensembles, and may be analyzed using the same taxonomy of orchestral effects. In general, effects based on perceptual similarity between sounds are facilitated in homogeneous orchestration, while effects based on perceptual difference require greater attention to detail on the …

Formalizing The FretboardʼS Phantasmic Fingers, Nathan Smith

The 21st Century Guitar

This paper shows how the symmetric group S4 can be used to analyze the manifold ways fingers connect with fretted instruments. S4, visualized as the symmetrical manipulations of a cube, consists of all possible permutations of four elements. Therefore, the operations can be used for the fingers of both the fretting and picking hands. I highlight two types of subgroups in S 4 , dihedral (𝔻8 and 𝔻6) and cyclic (ℤ4 and ℤ3), in order to analytically model the experiential differentiation between grouped and isolated conceptions of finger action, respectively. In addition to finger transformations, I define contextual operations that …

Modes Of Listening In The Interpretation Of Electroacoustic Music, Lauren Wilson

The 21st Century Guitar

A cursory look through the literature on modes of listening reveals a wealth of different ways to attend to oneʼs sonic environment. Authors in the literature describe various, nuanced modes to frame oneʼs listening, and yet the terms also have central commonalities. In this essay, I explain that bringing these authors into dialogue with one another in a way that emphasizes these commonalities provides a rich interpretive tool, particularly for electroacoustic music. These different listenings ultimately compose my analysis, and I suggest that consciously engaging with modes of listening can shape listener experiences of electroacoustic music in analytically fruitful ways. …

William Walton: The Evolution Of The Five Bagatelles, Kenneth Kam

The 21st Century Guitar

The distinguished British composer, William Walton wrote his first work involving the guitar in 1960. This is the song cycle Anon. in Love, composed for tenor Peter Pears and guitarist Julian. He wrote his only solo guitar work in 1971, Five Bagatelles, which he dedicated to the composer Malcolm Arnold, and was premiered by Bream in the same year. Walton admitted that he had never thought of writing for the guitar but was encouraged to do so by Julian Bream. This work was written hand-in-hand between Bream and Walton in Ischia, Italy, in which Bream even provided a chart which …

For The Love Of Stories: Re-Examining Academia’S Responsibility In Presenting Literature In The 21st Century, April Trepagnier

Honors College Theses

Angus Fletcher, a neuroscientist who hung up his lab coat to earn a Ph.D. in literature from Yale, studies stories as, “a narrative-emotional technology that helped our ancestors cope with the psychological challenges posed by human biology...an invention for overcoming the doubt and the pain of just being us.” But students entering college are losing interest in this “technology.” A 2017 report by the American Academy of Arts and Science showed a “statistically significant decline” in the number of English graduates from 2011-2012 to 2016-2017. Peter Barry, Professor Emeritus of English at Aberystwyth University, may offer insight into this trend. …

Marie De France And The Wife Of Bisclavret: A New Understanding, Katie Despeaux

Foreign Languages & Literatures ETDs

Marie de France’s werewolf lai, Bisclavret, was met with immediate and long-lasting fascination, replication, and criticism. As part of what Caroline Walker Bynum calls “the werewolf renaissance,” the story breaks with traditional understandings of werewolves: Bisclavret is not the villain of the story but presents instead as a sympathetic character, victimized by his wife’s collaboration with another man who steals his clothes and prevents him from regaining his human form.

Modern scholarship generally falls within two opposite camps: those for whom the wife is disloyal to her husband; and those for whom Marie herself was disloyal to her gender. …

Clark Memorandum: Spring 2023, J. Reuben Clark Law School, Byu Law School Alumni Association, J. Reuben Clark Law Society

The Clark Memorandum

• Fidei Defensor: Defending Faith to Enable Communities of Reconciliation
• Conscience, Peacebuilding, and Faith-Based Law Schools
• Elvis Was Right: The Unavoidable Intersection Between Personal Values and a Fulfilling Practice of Law
• The Future of the Establishment Clause: Implications of Kennedy v. Bremerton School District

Coming Of Age In The Multiverse What Japanese Anime Say About Growing Up Amidst The Chaos And The Illogical, Yukana Inoue, Kenneth Provencher

Honors Thesis

In recent years, there has been a noticeable increase in the interest in multiverse storylines in coming of age stories, with the popularity of works like “Everything Everywhere All at Once” and “Spider-Man: Into the Spiderverse” — all narratives that deal with characters who are coming of age in an unnatural environment where multiple dimensions exist. Anime, as a medium, especially possesses the unique capability to convey multiverse narratives given its freeform and limitless nature. In my research, I focus on two coming-of-age anime series that feature multiverse narratives — “Sonny Boy” and “The Tatami Galaxy” — to explore what …

The Road Not Taken, Erika Lerfald

Calliope

No abstract provided.

Cinderella, Kevin Sparks

Calliope

No abstract provided.

Who The Mountain Made Me, Katie Cisar

Calliope

No abstract provided.

Harbor Seal Waking Up From A Nap, Daniel Rubianto

Calliope

No abstract provided.

Strawberry Soju, Linda Ma

Calliope

No abstract provided.

Lady Temptation, J R. Sloan

Calliope

No abstract provided.

Sunset At Bryce Canyon, Michael Dibacco

Calliope

No abstract provided.

Time And All Of His Friends: A London Interlude, Mikaela Eackles

Calliope

No abstract provided.

Pharmacy, Reuben Radford

Calliope

No abstract provided.

The Prelude, Gene Davis

Calliope

No abstract provided.

Changes, Erika Lerfald

Calliope

No abstract provided.

A New Birth Of Freedom, Will Hanson

Calliope

No abstract provided.

The Exponent Telegram Obituary, Cody Mccoy

Calliope

No abstract provided.

Paul, Mason Marrs

Calliope

No abstract provided.

Sit Ups, Kevin Sparks

Calliope

No abstract provided.

Purple Moments, Tucker Deitz

Calliope

No abstract provided.

Walk The Line, Raina Brown

Calliope

No abstract provided.