Arts and Humanities Commons^™

Reflections: A Meditation On Ballet And Pain, Claire Madeline Silverman

Honors Theses

The defining details of the character of Giselle are that she loves to dance even though she knows it could kill her (for she has a frail heart), and that she is in love with a peasant boy named Loys, though she knows her mother dislikes him. She is defiant, determined to follow her desires.

Giselle wasn’t one of the ballets that stuck out to me when I was younger. I loved the Tchaikovsky ballets — Swan Lake, The Sleeping Beauty, The Nutcracker — and later Romeo and Juliet (Macmillan’s version) became my favorite. Giselle existed at my periphery. It’s …

Literature, Pandemic, And The Insufficiency Of Survival: Boccaccio’S Decameron And Emily St. John Mandel’S Station Eleven, Anthony P. Russell

Interdisciplinary Journal of Leadership Studies

The question of literature’s utility in relation to the “real world” has been asked since at least the time of Plato. This essay examines an extreme instance of this problem by investigating two works, Giovanni Boccaccio’s Decameron (1349-1353) and Emily St. John Mandel’s Station Eleven (2016), that argue for the value of art in the midst of catastrophe. Boccaccio’s collection of 100 tales, written in the context of the Black Plague, and Mandel’s post-apocalyptic novel about a world devastated by a killer flu, overlap and diverge in instructive ways in making their cases for the important role of literature in …

Le Poème | La Danseuse, Karen Fleming

Arts & Sciences Student Symposium

le poème | La Danseuse is a piece that explores the relationship between historical, often male-created representations of the female dancer and the possibilities that exist for female dancers to claim their own identities in the twenty-first century. Drawing on modernist poetry and early modern dance, the film component of the piece emphasizes the ways in which the poetic image of the female dancer as an ideal, ethereal figure is a mere projection, or something unreal. Once the dancer on stage emerges, she begins to push back against the trappings of the historic gaze and ultimately breaks out of its …

El Nostre Dramaturg: In Memoriam Jmbij, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

La figura del dramaturg Josep M. Benet i Jornet mort el 6 d'abril passat, és evocaddae des de la llunyania geogràfica i l'amistat personal per una de les millors estudioses del teatre català contemporani.

[Introduction To] Writing And The Body In Motion: Awakening Voice Through Somatic Practice, Cheryl Pallant

Bookshelf

Based upon the author’s lifetime practices as a dancer, poet and teacher, this innovative approach to developing body awareness focuses on achieving self-discovery and well-being through movement, mindfulness and writing.

Written from a holistic (rather than dualistic) view of the mind-body duality, discussion and exercises draw on dance, psychology, neuroscience and meditation to guide personal exploration and creative expression.

Històries De Broadway, Hollywood I Altres Llocs: El Periple Nord-Americà De Terra Baixa D’Àngel Guimerà, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

This article reviews the American tour of Àngel Guimerà's Terra baixa.

El 1903 es representa de ‘Marta of the Lowlands’ (la versió en llengua anglesa de ‘Terra baixa’) a Broadway, amb Corona Riccardo i, després, amb Fernanda Eliscu. Aquest va ser l’inici del periple del teatre de Guimerà pels escenaris dels Estats Units. De fet, entre 1903 i 1914, dues de les seves obres teatrals més conegudes, ‘Terra baixa’ (1896) i ‘Maria Rosa’ (1894), van gaudir d’una presència força continuada en llengua anglesa als escenaris teatrals d’aquest país i del Canadà, passant per més de 80 teatres diferents (amb més …

Hamilton, Democracy, And Theatre In America, Patricia Herrera

Theatre and Dance Faculty Publications

I, along with University of Richmond professors Lázaro Lima and Laura Browder, received an National Endowment for the Humanities and the American Library Association Latino Americans grant this year to organize the Latinos in Richmond program, which coincided with two classes that we taught this spring: the Tocqueville Seminar “Performing Latino USA: Democracy, Demography, and Equality” and the First-Year Seminar “Telling Richmond’s Latino Stories: A Community Documentary Project.” Since the goal of both courses was to explore how Latinos—the nation’s largest “minority” group in a representative democracy like America­—is also the most underrepresented, I was interested in understanding Hamilton through …

The Theater Of Maria Aurèlia Capmany And The Reverberations Of Civil War (History, Censorship, Silence), Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Maria Aurèlia Capmany (1918-1991) was one of the most prominent Catalan writers of the twentieth century, occupying a singular place in the intellectual and cultural life of Catalonia during the period of the Franco dictatorship and the democratic transition. Her theater is aesthetically daring in its integration of an ample range of contemporary dramatic modes, from intellectually complex to more popular forms of spectacle. Epic theater, monologue, documentary theater, historical drama, and "literary cabaret" (a genre of her own invention)~ all make repeated appearances throughout her theatrical trajectory. Moreover, on the whole her work stands as a testament to her …

L'Aventura Nord-Americana De «Maria Rosa» De Guimerà, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

En l'època actual, en la qual l'èxit teatral s'acostuma a mesurar en funció del reconeixement internacional, molts dramaturgs contemporanis han somniat en un muntatge a Nova York o, fins i tot, en un triomf a Hollywood. Potser els sorprendria saber que fa aproximadament cent anys Àngel Guimerà, sens dubte el dramaturg català més prominent del seu temps, ja havia acomplert aquest somni gairebé impossible quan dues de les seves obres teatrals més famoses, Maria Rosa (1894) i Terra baixa (1896), es van estrenar en versió anglesa sota els focus de Broadway. De fet, entre els anys 1903 i 1914, les …

Maria Rosa, Adaptada Al Cinema Per Cecil B. Demille, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

En l'época actual, en la qual l'éxit teatral s'acostuma a mesurar en funció del reconeixement internacional, molts dramaturgs contemporanis han somniat un muntatge a Nova York o, fins i tot, un triomf a Hollywood. Potser els sorprendria saber que fa aproximadament cent anys, Ángel Guimerá, sens dubte el dramaturg catalá més prominent del seu temps, ja havia complert aquest somni gairebé impossible quan dues de les seves obres teatrals més famoses, Maria Rosa (1894) i Terra baixa (1896), es van estrenar en versió anglesa sota els focus de Broadway. De fet, entre els anys 1903 i 1914, les obres de …

Ponts Théâtraux Et Transferts Temporels: Théâtre Du Xixe Siècle Pour Le Xxie Siècle (Catalogne), Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

En 1992, Richard Schechner, metteur en scène et théoricien nord-américain, faisait dans les pages de la revue TDR (The Drama Review) une observation qui fut jugée scandaleuse, en déclarant : « [T]heater as we have known and practiced it —the staging of written dramas— will be the string quartet of the 21^st century: a beloved but extremely limited genre, a subdivision of performance » (Schechner 1992, 8). Six ans plus tard, en 1998, encore étourdi par la fameuse affirmation (la condamnation plutôt) de Schechner, le théoricien et critique nord-américain W. B. Worthen attirait l’attention sur ce qu’il considérait un …

The Filial Dagger: The Case Of Hal And Henry Iv In 1 & 2 Henry Iv And The Famovs Victories, Kristin M.S. Bezio

Jepson School of Leadership Studies articles, book chapters and other publications

English culture and politics in the last decade of the sixteenth century were both patriarchal and patrilineal, in spite of— or, perhaps, in part, because of—the so-called bastard queen sitting on the throne. The prevailing political questions of the day concerned Elizabeth’s successor and the fate of the nation that, so many believed, hung precariously in the balance. Questions of legality, legitimacy, and fitness formed the crux of these debates, but almost all claimants attempted to justify their right by tracing their bloodlines back to either Henry VII or Edward III, the respective patriarchs of the Tudor dynasty and the …

Listening To Afro-Latinidad: The Sonic Archive Of Olú Clemente, Patricia Herrera

Theatre and Dance Faculty Publications

For many Puerto Ricans and other Latinos, Roberto Clemente was more than just a baseball star. Above all, he was a symbol of hope and humanitarianism, succeeding despite the overt racial discrimination he encountered as a Black Puerto Rican. Off the field, Clemente was renowned and beloved for his involvement in charity work in Puerto Rico and other Latin American countries. His final humanitarian act came about in 1972 on New Year’s Eve when the plane chartered to deliver aid to earthquake victims in Nicaragua crashed into the ocean off the coast of Isla Verde, Puerto Rico. His sudden and …

Dramaturgos Catalanes: Un Nuevo Cosmopolitismo, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Las giras y traducciones, normalmente de manera conjunta, han servido como barómetros de la vitalidad de la escena del teatro catalán. En Cataluña la movilidad es sinónimo habitual del prestigio, y el éxito en el teatro se mide de manera frecuente en función de su alcance y reputación internacionales. Además, para los dramaturgos que escriben en catalán, siempre conscientes de la precaria situación de su lengua e identidad cultural, su paradójica posición política de distancia y proximidad en relación con España ha podido acentuar el anhelo de pertenecer a una mayor esfera global.

L’Anar I Venir Dels Dramaturgs Catalans: Un Nou Cosmopolitisme, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

La conjunció entre viatges i traducció ha estat un baròmetre habitual de la vitalitat del panorama teatral català. A Catalunya la mobilitat acostuma a ser sinònim de prestigi, i l'èxit en teatre sovint es mesura en funció de l'abast i el reconeixement internacionals. A més a més, en el cas dels dramaturgs que escriuen en català, sempre conscients de la precària situació de la seva llengua i la seva identiat cultural, la posició paradoxal tant de distància com de proximitat política que mantenen amb Espanya n'ha accentuat, potser, l'anhel de pertànyer a una efera global més gran.

El Papel Del Teatro En La Re-Articulación De La Experiencia Cívica: La Mirada Crítica De "Argos Teatro" En La Puesta En Escena De Aire Frío, De Virgilio Piñera, Karina Elizabeth Vázquez

Latin American, Latino and Iberian Studies Faculty Publications

Estas reflexiones tienen como propósito indagar sobre las formas en las que la actual práctica teatral cubana abre espacios de diálogo y reflexión crítica sobre la historia y los sujetos. Sin duda, las crisis de orden político y económico que han aquejado a las sociedades latinoamericanas en las últimas décadas redujeron las posibilidades materiales para la producción teatral, especialmente por fuera de los circuitos metropolitanos. No obstante, la continua y numerosa realización de propuestas escénicas de diversa índole en cuanto a prácticas, género y públicos, confirma la fuerza y la vitalidad de las prácticas teatrales en estos contextos difíciles. Al …

"The Color Purple" Takes Us On Emotional Journey Of Self-Discovery (Performance Review), Daryl Cumber Dance

English Faculty Publications

Extraordinary. That's the only way to describe the Virginia Repertory Theatre's musical version of "The Color Purple." Based on Alice Walker's classic novel, this Broadway-class show takes the audience on a moving, soulful journey of self-discovery with the heroine, Celie.

The Catalan Theatre Scene. A Story Of Survival, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

The past four decades have been an exciting time for the Catalan stage. Barcelona has come into its own as a vibrant international theatre capital, and theatrical offerings in Catalonia are richer and more diverse than ever before. The process of recuperation, relegitimization and institutionalization of Catalan theatrical life that began during the period of transition from dictatorship to democracy has reached an impressive state of fruition and maturity. The situation is all the more astonishing when viewed in light of an historical context replete with political and economic constraints that have threatened to overwhelm and submerge, time and again, …

Speak Out Loud: Deconstructing Shame And Fear Through Theater In A Community-Based Service-Learning Project, Karina Elizabeth Vázquez

Latin American, Latino and Iberian Studies Faculty Publications

The combination of theater and community-based service-learning can be a powerful tool to allow university students to meet their educational goals while connecting them with the world. The performance of children's theater in elementary schools with English for Speakers of Other Languages (ESOL) programs, for example, has important pedagogical and social effects. For both groups of students, this becomes an opportunity to be better prepared for a level of social engagement involving bilingualism that was not necessarily available to their parents and/or members of their community. The author describes and analyzes the results of teh adaptation and performance of Alfonsina …

Sources, Linda B. Fairtile

University Libraries Faculty and Staff Publications

Sources of instrumental music and of non-dramatic vocal music are generally understood to include preliminary sketches and drafts, manuscript and printed scores, performing parts, and, in the latter case, materials related to the choice or development of the vocal text. Letters, diaries, administrative papers, and even journalistic reviews can also be considered sources. Opera, as a collaborative fusion of music and drama, expands this list to include such materials as set and costume designs, staging manuals, lighting plots, and prop lists. Technology has further augmented the inventory, first with still photographs, and later with audio and video recordings. This chapter …

Josep M. Benet I Jornet I L'Herència De «Desig», Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Corria l'any 1988. El muntatge d'Ai carai! de Josep M. Benet i Jomet acabava de fer temporada amb èxit al Teatre Uiure. Domènec Reixach havia assumit el càrrec de director artístic del Centre Dramàtic de la Generalitat de Catalunya i, des de la seva històrica seu al Teatre Romea, va crear un programa d'ajuts amb la intenció d'estimular i impulsar les naves dramatúrgies catalanes. No va sobtar, doncs, que Reixach convidés Benet i Jornet a participar-hi. Les circumstàncies, però, van agafar un caire una mica sorprenent quan Reixach va demanar al ja consolidat dramaturg català que seleccionés un director perquè …

Contemporary Theatre In Catalonia: A Story Of Creative Struggles, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

The term “normalization” is typically employed within Catalan political and linguistic circles to refer to the process of recuperation, revival, and relegitimization of Catalan cultural and intellectual life that ensued following the period of the Franco dictatorship (1939-1975). Here, to be “normal” is to move from the periphery to the centre, to be regarded as valid rather than illicit, and to be visible and vociferous—even obvious and everyday—instead of obstructed, silenced, or relegated to the margins of exile, the recesses of memory, or the darkness of invisibility. The path along which the contemporary Catalan theatre scene has struggled to recover …

An Archive, Public Participation And A Performance: Five Perspectives, Laura Browder, Patricia Herrera

English Faculty Publications

This essay discusses our work on the digital archive, The Fight for Knowledge: Civil Rights and Education in Richmond, Virginia, which grew out of our five-year documentary theater project at the University of Richmond. We include the voices of six collaborators—students, a special collections librarian, a digital archivist, and faculty members—to closely examine the multiple archives that have grown out of this project, and the way this has led us to propose a new way of thinking both about archives and about our documentary theater methodologies. This collaborative process has helped us to reconceptualize the relationship between archive and …

[Introduction To] Religion Around Shakespeare, Peter Iver Kaufman

Bookshelf

For years scholars and others have been trying to out Shakespeare as an ardent Calvinist, a crypto-Catholic, a Puritan-baiter, a secularist, or a devotee of some hybrid faith. In Religion Around Shakespeare, Peter Kaufman sets aside such speculation in favor of considering the historical and religious context surrounding his work. Employing extensive archival research, he aims to assist literary historians who probe the religious discourses, characters, and events that seem to have found places in Shakespeare’s plays and to aid general readers or playgoers developing an interest in the plays’ and playwright’s religious contexts: Catholic, conformist, and reformist. Kaufman …

The Transcendent As Theatre In Roerich's Paintings, Joseph C. Troncale

Languages, Literatures, and Cultures Faculty Publications

It would not be an exaggeration to say that much of Russian artistic culture in the first two decades of the 20th century was theatricalised. The work that Russian painters did in the theatre was intimately integrated and synthesised with all of the other elements of a production. Many artists of the World of Art Movement were instrumental in revolutionising the theatrical arts in Russia at the invitation and under the direction of Sergei Diaghilev. Following the pioneering steps of Konstantin Korovin, many artists, including Nicholas Roerich, Alexander Benois, Leon Bakst, Mstislav Dobuzhinski and later the avant-garde painters Natalia Goncharova, …

Scapigliatura, Linda B. Fairtile

University Libraries Faculty and Staff Publications

An artistic movement founded in the 1860s by Arrigo Boito, Emilio Praga, and other young Italians seeking to revitalize culture by rejecting middle-class values.

American Institute For Verdi Studies, Linda B. Fairtile

University Libraries Faculty and Staff Publications

The AIVS was founded in 1976, in response to a tide of scholarly interest in Verdi. Its first director, Martin Chusid, assembled an archive of materials at New York University's Elmer Holmes Bobst Library.

Iago, Linda B. Fairtile

University Libraries Faculty and Staff Publications

An alternate title for Otello, used intermittently throughout much of its composition, possibly to avoid comparison to Rossini's opera of the same name.

Unni E I Romani, Gli, Linda B. Fairtile

University Libraries Faculty and Staff Publications

A censored version of Attila first performed at Palermo's Teatro Carolino in 1854.

Otello, Linda B. Fairtile

University Libraries Faculty and Staff Publications

Verdi's penultimate opera represents his first new work for the stage after a nearly sixteen-year hiatus. As battles raged over the future of Italian opera-whether it should remain rooted in song or follow foreign trends that assign a greater role to the orchestra-Giulio Ricordi and Boito patiently lured Verdi back into the fray. Boito's libretto, an ingenious and at times eccentric adaptation of Shakespeare's Othello, inspired the composer to a highly personal fusion of tradition and innovation. At its premiere Otello was widely hailed as a masterpiece, an emphatic and fundamentally Italian answer to the debate over music and …