Arts and Humanities Commons^™

The Effectiveness Of The University Interscholastic League One-Act Play Competition As An Extracurricular Activity, David Christopher Rout

Open Access Theses & Dissertations

In Texas the University Interscholastic League has had a significant impact in Theatre Education through their annual competitive One-Act Play Competition. In educational climates dominated by No Pass-No Play and TAKS Testing some schools may question the effectiveness of the UIL competition as an effective activity. This paper addresses this concern, a measurement of how effective UIL One Act Play is how FERPA is impacting research into UIL events.

Generation Y And Vocal Fry, Paul Michael Valley

Theses and Dissertations

In this thesis, the author explores a vocal phenomenon called “vocal fry” and why this dysphonia has emerged as one of the primary means of communication for the population referred to as “Generation Y.” The first chapter defines what vocal fry is and why it is of modest value to the stage actor. The second chapter defines the physiological means by which the human body creates sound, what good sound is and how vocal fry is created. The third and fourth chapters define several generations as well as what defines Gen Y, and the communication physiologies associated with those generations. …

Character Memory Exploration: What It Is And How To Apply It To Your Classroom, Dana Giampiccolo

Theses and Dissertations

The purpose of this study was to implement Character Memory Exploration (a specific pathway towards character justification) within a BFA Acting II course. Primarily using given circumstances and magic if, Character Memory Exploration creates a rich and developed character history through a combination of visualization exercises, improvisation, and writing. The following summary will show individualized exercises and how to implement them, as well as their original purpose, placements, and pairings. This work also delves into student responses and my own successes and failures throughout the experience. The primary conclusion of this writing is that Character Memory Exploration leads to an …

Rhythms Of Rebellion: Artists Creating Dangerously For Social Change, Susan J. Erenrich

Antioch University Dissertations & Theses

On December 14, 1957, after winning the Nobel Prize for literature, Albert Camus challenged artists attending a lecture at the University of Uppsala in Sweden to create dangerously. Even though Camus never defined what he meant by his charge, throughout history, artists involved in movements of protest, resistance, and liberation have answered Camus’ call. Quite often, the consequences were costly, resulting in imprisonment, censorship, torture, and death. This dissertation examines the question of what it means to create dangerously by using Camus’ challenge to artists as a starting point. The study then turns its attention to two artists, Augusto Boal …

What Is It Like To Be Funny? The Spontaneous Humor Producer’S Subjective Experience, Lisa Goldstein Graham

Antioch University Dissertations & Theses

The purpose of this study is to explore the experience of the individual who spontaneously produces humor during conversation. Although a broad humor literature exists, very little research addresses the experience of the spontaneous humor producer. This study represents an early step toward filling this gap in the literature. I gathered data by videotaping organizational meetings and conducting subsequent Interpersonal Process Recall (IPR) interviews with individuals who produced humor during the course of the meetings. I analyzed data from the IPR interviews using an emergent thematic analysis. Most humor producers in this sample were consciously aware of specific external cues, …

The Ephemerality Of Dance, Abby Frances Johnson

Theses : Honours

"A dancer is bound to the given form of the human body" (Hamalainen, 2009, p. 107). As an art form, dance relies on the movement of these bodies. Dance is not fixed but can leave a lasting impression on the viewer. As a performance art, dance is truly ephemeral- a term that has been defined as "lasting for only a short period of time and leaving no permanent trace" (Encarta®, 2009). As a dance performer and spectator, I am affected by this ephemerality on a daily basis. Within this thesis, I initially outline what constitutes dance as ephemeral. I then …

The Dancing Imagination: How Does Imaginative Imagery Facilitate Movement Qualities In Dance Training And Performance?, Rachel Perica

Theses : Honours

The purpose· of this case study was to explore how imagery facilitates movement quality in dance training and performance. A literature review on classifications of direct and indirect imagery and imagery in relation to neuroscience, was investigated to firstly define imagery. The confusion over defining movement quality led to a literature review on Kinesiology and Gaga methods and how these dance-training methods utilise imagery in different ways to enhance the movement quality of dance in training and performance. Qualitative research methodology was used in this case study. The case study used a purposeful sample of eight subjects who were undergraduate …

The (Un)Written Heart In Brecht’S Baal And Journeys Of The God Of Happiness : Heart Matters In The Development Of A Playwright And His Ideas On Acting, Ralf G. Rauker

Theses: Doctorates and Masters

In the 1918 and 1919 versions of his play Baal, Brecht had used
autobiographical material about a heart problem that he suffered from and
had recorded in his diaries since 1913. When he revised the 1919 version
and the play was first published in 1922, it seemed that this very personal
connection had disappeared. An observable shift in his work began to take
place, which led to his adopting an apparently unambiguous rationalist take
on theatre. However, his extremely critical, sometimes polemical position on
the intertwined subject of heart and emotions raises questions about the
motivations for the move towards …

0776: Elaine Novak Papers, 1956-1995, Marshall University Special Collections

Guides to Manuscript Collections

This collection is composed of the papers of Elaine Novak, theatre professor at Marshall University. Included are class notes, shows notes, and personal ephemera.

The Royal Family Costume Design, Katherine Johnson

LSU Master's Theses

Abstract It is my intention through this thesis to demonstrate the journey taken for the costume design process of The Royal Family written by George S. Kauffman, A Swine Palace Production, presented in celebration of the reopening of the Claude L. Shaver Theatre located in the Music and Dramatic Arts building on the campus of Louisiana State University. In turn, establishing that the abundance of practical experience as well as the technical and design courses undergone throughout my graduate career here at Louisiana State University, have supplied me with the knowledge and skills required in the professional field of Costume …

Costume Crafts An Exploration Through Production Experience, Michelle L. Hathaway

LSU Master's Theses

The process of developing Costume Crafts for any production begins with research into the given time-period of the proposed production. With the appropriate research into the fashions of the day and the available tools and techniques, the Craftsperson can collaborate with the Costume Designer to create that Designer’s vision. This project included two productions set in adjacent time-periods. The first step in the process was to research millinery fashions from 1910 through 1927 thus encompassing the time-periods set for each production. This research included the prevailing fashions of the day, the available materials, fabrics, and techniques employed in creating millinery. …

Providence College Producers, Directors And Actors Series Presents: Ron Tippe - Breaking Into Hollywood Flyer, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

Smith Center Black Box/Bowab Theatre

Ron Tippe: Breaking into Hollywood

December 4, 2009, 4pm

Blackfriars Dance Concert 2009 Playbill, Providence College

Playbill and Production

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2009

December 4 & 5, 2009

Directed by: Wendy Oliver

Choreographed by: Lise Brody, Nikki Carrara, Lindsay Guarino, Jamie Jewett, Eva Marie Pacheco, Wendy Oliver

Lighting Design: Tim Cryan

Dancers: Caroline Brown, Joelle Hogan, Callie Kovack Christina Martinez, Kaitlyn Order, Grantis Peranda, Claire Pevoto, Erica Tuccero, Shannon Hoey, Amy McCormack, Lauren Spagnuolo, Stephanie Wong, Kelly Cummings, Melissa Cusak, Kaitlin Elliott, Theresa Hurton, Jaqueline Longo, Krissy Phillipino, Jennifer Robinson, Jamie Jewett, Michelle Struckholz, Casy Caliendo, Alyssa Catjakis, Brianna Munoz, Kate Piquette, Katelyn Uyehara

Blackfriars Dance Concert 2009 Promotional Card, Providence College

Playbill and Production

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2009

December 4 & 5, 2009

Blackfriars Dance Concert 2009 Poster, Providence College, Alex Fiedler

Playbill and Production

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2009

December 4 & 5, 2009

A Christmas Carol, 2009, Parkland College

Parkland Theatre

By Charles Dickens
Adapted by Nick Schneider
Original Music by Tim Schirmer
Original Song Lyrics by Seamus Reilly and Cheri Coons

Director: Michelle Mills
Scenic Designer: Lee M. Boyer
Sound Designer: Jon Schoenoff
Musical Director: Tim Schirmer
Costume Designer: Barbara T. Schoenoff
Technical Production Supervisor and Design Coordinator: Thomas V. Korder
Technical Director: David G. Dillman
Lighting Designer: Sean Murphy
Hair and Make-Up Designer: Rene Chadwick

December 4, 5, 11, 12, 17, 18, 19 at 7pm
December 5, 6, 12, 13, 19, 20 at 2pm
Fall 2009

Produced by the Parkland College Fine and Applied Arts Department and Bah Humbug …

Part Of Their World: Gender Identity Found In Disney Princesses, Consumerism, And Performative Play, Emily Grider Ray

Theses and Dissertations

One way that children explore concepts of gender is through make-believe and performative play. One of the most prevalent presentations of gender that is packaged for children's play is the Disney Princess brand. In 2007 the Walt Disney Princess campaign profited over four billion dollars and expanded to include over 25,000 items for sale. Princess paraphernalia reflects a change in the way that young girls (ages 3-5) engage in imaginary play by creating a whole new paradigm of thought. As these girls project themselves into the role of a certain Princess, typical play transforms into a consumer based theatrical experience. …

A Gaze Into The Personal Aesthetics Of Three Sons Of The Silver Age Of Russia, Karl Green

Theses and Dissertations

Abstract A Gaze into the Personal Aesthetics and Accomplishments of Three Sons of the Silver Age of Russia By Karl Green A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University Virginia Commonwealth University, 2009 Director: Dr. Noreen C. Barnes Professor, Director of Graduate Studies School of the Arts For each of us, I wonder how much our geographic location and time of existence affects us as humans: the way we think, respond, grow, and live our daily lives. More importantly, I question how our environment dictates who we …

The Lab Report, Volume 03, Issue 07, Todd Ristau

Lab Reports

• Crossing the Threshold by Maura Campbell performed in Vermont
• Student Spotlight: James Lewis
• Yes Svetlana, There is a Grandfather Frost by Jeff Goode at Studio Roanoke
• The UnXmas Story by Jeff Goode is directed by Kenley Smith at Studio Roanoke
• Area Highlight: MyScoper.com is one BIG Regional Calendar
• From the Director: Pressing the Hot Button Issues

Blackfriars Dance Concert Media Release, Susan Werner

Playbill and Production

Providence College Department of Theatre, Dance & Film

Blackfriars Dance Concert media release

December 2009

The Effect Of Gamma Rays On Man-In-The-Moon Marigolds Media Release, Susan Werner

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

The Effect of Gamma Rays On Man-In-The-Moon Marigolds media release

December 2009

Théâtres Du Roman : Les Scènes De L’Écriture Francophone, Sélom Komlan Gbanou

Présence Francophone: Revue internationale de langue et de littérature

The present analysis proposes to show how, with a large number of authors, writing becomes an important stage of the imaginary space of the novel, of the configuration of the narrative and the characters, as well as the language. In the field of narrative imaginary, novel and theatre go together, complete each other in order to convert the process of writing into a game where the pleasure of the writer encounters that of the reader, this spectator of the literary scene.

De La Parole Poétique À La Parole Politique Dans Les Oeuvres Théâtrales D’Aimé Césaire Et De Sony Labou Tansi, Virginie Darriet-Féréol

Présence Francophone: Revue internationale de langue et de littérature

Aimé Césaire and Sony Labou Tansi wished for acting and voicing for their people both on the political and literary level. By choosing the drama, they presented the language. By creating a new language, a new literature, a new artistic aesthetics, consequently a new trend of thinking, their writing served policy.

Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat

Présence Francophone: Revue internationale de langue et de littérature

Modern Moroccan theatre was born with non-professional artists and has remained intimately linked to this milieu. Unlike professional playwrights, non-professional artists have never bowed to the demands of political authorities, whether it be the French administration or the local Makhzen. They used this artistic medium as a forum for debate and resistance against the oppressor. This freedom of expression operated not just at the political level but also at the aesthetic level. Since non-professionals were not constrained by the need to please an audience fond of social comedies and melodramas, they could explore more risky avant-garde paths. In spite of …

The Cutting Edge, November/December 2009, Vol. 20 Issue 6, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

December 2009 - Volume Ix, Number 1, Theatre Arts Department

Sides (Newsletter)

This issue includes items about Theatre Alumni Reunions, Dedication of the Green Room at the Doudna Fine Art Center (named after Lucille and E. Glendon Gabbard), and December Graduates.

Mutations Politiques Et Processus De Légitimation Culturelle : Considérations Sur Le Théâtre Populaire Camerounais, Pierre Fandio

Présence Francophone: Revue internationale de langue et de littérature

All forms of theatre have never been perceived the same way in contemporary Cameroon. Whereas the written theatre relatively received an acceptable treatment from the official instances of recognition, the non-written one has always been excluded. This communication sets out to show how, from this marginalized position and palpably inspired at the same time from the Italian commedia dell’arte, the French vaudeville and the African traditional dramaturgic shape, a new and popular form of theatre came to existence. Thanks to the exceptional capacity of adaptation and innovation of its discourse and thematic, the offer of this “street dramaturgy” rather matches …

Damner Le Damier Ou Rédimer La Danse De La Terre Dans Le Meurtre Du Samedi Gloria De Raphaël Confiant, Hanétha Vété-Congolo

Présence Francophone: Revue internationale de langue et de littérature

The value of the “damier”, a traditional dance from Martinique, is significant because it evokes cohesion, order and balance and symbolizes distinctive attributes from Martinique’s society at large. Martinique enters in a new era which characteristics are defined by regional development. This development is a break between the past and the present or with population’s intelligible referents and landmarks, and is represented between tradition and modernity, as a transformation led by urbanization. Traditions become shaky and in the novel, the city is unable to take on those rural values, symbolized by the “damier”.

La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal

Présence Francophone: Revue internationale de langue et de littérature

As an author always articulates his writing with idioms that reflect a specific time period and a given social group, Sony Labou Tansi talks about “tropicalité”, and gives himself the goal to create multiple “tropicalités”.

Dance Usm! Program [2009], University Of Southern Maine Department Of Theatre

Programs 2009-2010 Season

Directed by Maria Tzianabos