Arts and Humanities Commons^™

Synesthetic Landscapes In Harold Pinter’S Theatre: A Symbolist Legacy, Graça Corrêa

Dissertations, Theses, and Capstone Projects

In the light of recent interdisciplinary critical approaches to landscape and space, and adopting phenomenological methods of sensory analysis, this dissertation explores interconnected or synesthetic sensory "scapes" in contemporary British playwright Harold Pinter's theatre. By studying its dramatic landscapes and probing into their multi-sensory manifestations in line with Symbolist theory and aesthetics, I argue that Pinter's theatre articulates an ecocritical stance and a micropolitical critique.

Chapter One explains the dissertation's theoretical framework (landscape theory, Symbolist theory, ecocriticism, phenomenology, and sensory analysis), while arguing for an ecophilosophical reading of Pinter's landscapes that engages not only with spatial patterns but …

Imagining The Imaginary: Finding Mr. Marmalade, Brian Kappler

Theses

Unavailable.

Commonthought (2010), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Weaving Through Reality: Dance As An Active Emblem Of Fantasy In Performance Literature, Tara Maylyn Frankel

CMC Senior Theses

Literature uses dance to reveal underlying messages of fantasy through the themes of the central narrative of female characters. Examining the original texts with respect to their varying adaptations for film and stage, performance literature reveals how directors relate a three-dimensional story to an audience from a two-dimensional world. Hans Christian Andersen’s “The Red Shoes” shows an underlying semiotic code where transitioning from the black and white of reality to the red of fantasy is only accomplished through dancing. Oscar Wilde’s Salome displays an eroticization of the exotic solo-improvised dance that provides a semblance of control for the main character. …

Playing The Part: An Actress Prepares The Role Of Cathy In The Last Five Years, Katy Slaven

Honors Program Theses

My honors thesis project took the creative/performance-oriented form. I embarked on (in the words of my advisor, Jay Edelnant) a "self-pedagogical case-study centered on role preparation." My task was to prepare the role of Cathy from the musical The Last Five Years using a process I developed based on combining my musical and theatre training with outside resources.

I chose to do this project for my honors thesis for many reasons. First of all, I was always looking for more opportunities to do musical theatre. I have learned that in order to get anything you want in life, and especially …

The Impact Drama Has On Enabling International University Students To Assimilate Into The American Culture, Julie Baldwin

Honors Program Theses

We often take for granted how accepted we are by others around us. Without realizing it, we may forget we belong to a larger community connected by the culture of the United States that shapes the way we understand the world. Culture plays an invaluable role in much of how we live. According to Marcelle E. DuPraw and Marya Axne, authors of the article, "Working on Common Cross-Cultural Communication Challenge, "our culture "influences how we approach problems, and how we participate in groups and in communities" by shaping our communication and decision-making styles, attitudes toward conflict and disclosure, and approaches …

A Pattern Of Patience: On Providing Technical Direction For King Lear, Theron L. Seckington

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The following writing will document my process as technical director for the 2009 mainstage production of King Lear at the Johnny Carson School of Theatre and Film (JCSTF) at the University of Nebraska – Lincoln (UNL). King Lear was directed by Virginia Smith with scenery designed by fellow Master of Fine Arts (MFA) candidate Patric Vendetti, lights by senior Angela Sharman, and sound by sophomore Max Holm. Costumes were designed by MFA candidate Cecilia Sickler. The shop foreman was Bryan Ruhs, and the production was stage managed by junior Amber Naylor. I was advised by JCSTF technical director Edward Stauffer. …

The Dialogism Of Self And Other In Contemporary American Drama, Shih-Yi Huang

LSU Doctoral Dissertations

This work is interdisciplinary in orientation and brings together American theatre (and culture) and contemporary ethical philosophy. I am introducing the French philosopher Emmanuel Lévinas and his theory of Self and Other to an analysis of contemporary American drama—a mode of approach that is new to the discipline of theatre studies. Lévinas’s insights are particularly relevant to the concerns of the 21st century and how we might rethink relationships and values. My work looks at contemporary American plays in terms of nationalism, gender politics, racial dynamics and ecological issues. I contend that these playwrights are attempting to go beyond conventional …

Dancing With Risk: Risk-Taking As A Performance Practice In Contemporary Dance, Gemma Dawkins

Theses : Honours

Why is risk intentionally cultivated in contemporary dance? What purpose does it serve, for performers, choreographers and audiences? This thesis explores the ways in which risk-taking affects the meaning and significance of a dance work. It seeks to question whether the use of risk can render a dance more powerful, affecting or confronting, or whether intentional risk overshadows and, thus, detracts attention away from the aesthetic content. I also ask how being 'at risk' affects the performer. Can it engender investment and authenticity? The risks explored in this thesis include both physical and emotional or intellectual risks. I refer to …

Historically And In The Context Of Globalisation, How Do Western European Perceptions Of Folk/ Traditional Dance Pervade And Shape The Field Of Dance?, Emma Fishwick

Theses : Honours

With the international dance community becoming increasingly globalised, how do Western European perceptions of folk/ traditional dance pervade and shape the field of dance? This paper will discuss Western European perspectives towards traditional and folk dance and investigate the origins of such perspectives, if they do indeed exist. In doing so the reasoning of Western European perspectives will be examined, considered and questioned alongside that of non-Western European perspectives. The thesis is compiled from a wide range of textual sources that explore Western European world views in relation to non-Western European perspectives to argue that such perspectives do, to a …

Real Americans Mean Much More: Race, Ethnicity, And Authenticity In Belasco's Girl Of The Golden West And Puccini's La Fanciulla Del West, Linda B. Fairtile

University Libraries Faculty and Staff Publications

Conceived by Belasco and filtered through Puccini, the characters in La fanciulla del West exhibit a diversity that is unusual even for an opera with an exotic setting: Mexicans, Australians, and European-Americans of various backgrounds reinvent themselves in a new land of seemingly endless possibilities, while the area's native inhabitants struggle to survive. California's multi-cultural population as understood by Belasco, by his Broadway audience, and by Puccini and his operatic audience create compound layers of difference that both focus and obscure the racial and ethnic hierarchies that played out in the 1840s and 50s. This article will begin to untangle …

Jerry Herman's Leading Ladies, John Mansell

Electronic Theses and Dissertations

Jerry Herman is celebrated for his ability to showcase strong leading female roles in his canon of work that spans some fifty years. In writing such strong female characters, he must produce strong male counterparts to these women who can communicate on their level and not become overpowered by the women's presence. I was cast in the musical revue, It's Today: An Evening of Jerry Herman, conceived, directed, and choreographed by Earl D. Weaver. My portion of the revue explored Herman's leading male roles of Cornelius from Hello, Dolly!; Mack from Mack and Mabel; Colonel Tadeusz Boleslav Stjerbinsky from The …

The Search For Theatre For Social Change, Britney Cooper

Electronic Theses and Dissertations

Throughout history people have sought to prompt social change through theatrical experiences. The theatre has moved the masses in ways that have frightened governments and religious establishments into closing down theatres and banning theatrical material. History proves that theatre which causes change exists and works, but it also proves there is no one definition or formula for this type of theatre. Depending on the culture, time period, issue, resources and people involved Theatre for Social Change takes a variety of forms. However, theatre affecting change does tend to maintain two common threads: the creation of a new work and the …

Applied Design: An Exploration Of Arts Integration Through Theatrical Design In The Fourth Grade Classroom, Alicia Fuss

Electronic Theses and Dissertations

The purpose of this action-research study is to explore a new pedagogical tool for myself as a teaching artist: Applied Design. My ideas around Applied Design are rooted in the field of Creative Drama, and grew out of a desire to explore theatrical design in the same process-centered way that Creative Drama explores informal and improvisational drama techniques. To this end, I attempt to determine how the use of Applied Design affects both student engagement and student understanding when applied as an interdisciplinary tool to Language Arts curriculum. For the purposes of this study, I introduced Applied Design as a …

My, Claudius: A Case Against The King As Villain., Kevin Blackwelder

Electronic Theses and Dissertations

The role of Claudius in Shakespeare's The Tragedy of Hamlet has traditionally been affixed with the label of villain, coupled with a presumption of malice. This prejudice has plagued the role, relegating it to shallow melodrama throughout the majority of the play's 440 odd-year history. Although it has now become more commonplace to see him portrayed as a capable, intelligent, even initially likable king, this has only been the case for the past 50 years or so, and even so the label of villain and the assumption of malice persist and prevail even in contemporary practice. While the author is …

Once Upon A Time: Making Fairy Tales Relevant In Contemporary Theatre For Young Audiences, Amanda Kibler

Electronic Theses and Dissertations

As a theatre for young audiences (TYA) practitioner and artist, I have noticed the prevalence of edited fairy tales on TYA stages. Artists tend to present versions of traditional tales that do not explore the dark places found in the original forms, the very same parts of humanity that young people often yearn to understand. Within TYA, fairy tales have become a safe option because many are well-known titles that generate audiences and income. Theatre practitioners and producers frequently present selections from the canon of fairy tales without exploring its many layers of meaning; failing to recognize the message that …

The Estate Of Mendacity: An Interpretation Of William's Most Ambiguous Character, Daniel Bowlen

Electronic Theses and Dissertations

I performed the role of Brick Pollitt at Lake Mirror Theatre in Lakeland, Florida from April 20- April 30 2006. The role of Brick Pollitt provided me with several acting challenges as well as multiple subjects to research. The most challenging aspects of portraying the character of Brick Pollitt are his alcoholism, issues of sexuality, and tormented familial relationships. Brick Pollitt journeys in the period of one day through major challenges in two key relationships. He moves from dominance in his relationship with Maggie to capitulation and from isolation in his relationship with Big Daddy to mutual understanding. Brick's relationships …

Developing The Individual To Strengthen The Whole: The Application Of Viewpoints Training To Impact The Social Cognitive Development Of Actors In A High School Ensemble, Elizabeth Horn

Electronic Theses and Dissertations

This research explores the application of Viewpoints and Composition training with a cast of high school students to measure changes in the social cognitive development (SCD) of individuals and the collective group. The research centers on the writing of Michael F. Mascolo and Deborah Margolis, which takes a coactive approach to the relationship between one's social cognitive development and how it is manifested in his or her actions within a social group. Using this framework, the researcher assesses the personality types within the cast and analyzes how utilizing Viewpoints training creates shifts within these personalities. The researcher approaches this study …

A Lighting And Scenic Design For The University Of Central Florida's A Symphony Of Dance, Terra Baldwin

Electronic Theses and Dissertations

The beginnings of modern stage lighting emerged during the late 1800s when Adolphe Appia and Edward Gordon Craig theorized about the potential use of lighting to create plasticity in a theatrical production. Appia and Craig conducted experiments, only to find that the limitation of the instruments available at the time prevented the achievement of their theory. The next documented step was when Stanley McCandless proposed and published a system for implementing the Appia and Craig theory of plasticity. Stanley McCandless' lighting textbook, A Syllabus of Stage Lighting. The book broke down the elements and function of light; ultimately becoming the …

What Characteristics Make A Successful Commission Of A New Play For Young Audiences?, Rebecca Podsednik

Electronic Theses and Dissertations

Guiding Question: What characteristics contribute to a successful commission of a new play for young audiences? Defining various types of commissions taking place in the field of theatre can help to set a precedent for defining commissioning processes and goals within the field of theatre for young audiences. Each field has their own specific needs, and I am interested in how the details of various commissioning processes can help to articulate some of the vital aspects of this work. This thesis looks at the broad process of commissioning a new play for young audiences through the study of one specific …

Sharing The True Colors: An Exploration Of Theatre Created By Gay, Lesbian, Bisexual, And Transgender Youth, Nicholas Bazo

Electronic Theses and Dissertations

True Colors: Out Youth Theater at The Theater Offensive is a Boston based program that focuses its theatrical and social mission on engaging Gay, Lesbian, Bisexual, and Transgendered (GLBT) at-risk, youth and the community that surrounds them. Through the process of generating an original touring production, True Colors employs theatre as a tool for personal, social, and artistic expression, empowerment, and activism. The program's balance of both process and product focused goals creates an environment of multifaceted engagement and provides an example of how art can thrive in a structure of youth outreach. Though directors and facilitators guide the process …

The Economics Of A Young Audience, Cicely Bosley

Electronic Theses and Dissertations

As a theatre for young audiences' (TYA) teacher, artist, and administrator, I seek to explore where and how TYA fits into business and economic models to open a dialogue between TYA practitioners and business administration professionals. Through this qualitative study, I endeavor to foster a new language for TYA practitioners to enhance fundraising and audience development. By its own definition, TYA is a hybrid field that strives for both artistic form and educative function. With a dual focus of form and function, administrators struggle to advocate for TYA organizations within existing models. To move through this challenge, I look to …

A Personal Exploration Into The Ethics And Responsibilities Of A Theatre Teaching Artist, Amie Dunn

Electronic Theses and Dissertations

As an artist in the field of theatre for young audiences, I encounter many definitions of 'teaching artist,' and within each definition lies a new set of physical, educational, and psychological responsibilities. While the term 'teaching artist' continues to evolve and grow, I am interested in exploring a common struggle among teaching artists: What does it mean to be an ethical and responsible teaching artist? This thesis allows me to create a personal definition of 'teaching artist' while exploring the relationship between responsibility, ethics, and community-based teaching. I begin by formulating my current understanding and beliefs about what it means …

Computer Technologyin The Design Process, Gregory Montague

Electronic Theses and Dissertations

This is a study of computer technology's impact on the theatrical design process. The tools of communication provided by technology were studied, and an analysis was conducted in the classroom of Digital Rendering, Digital Rendering Videos, and 3d CADD. After-wards, these tools were applied to an actual production of West Side Story where, with the addition of 3d light simulation software, the tools were used to communicate the design ideas from the lighting designer to the director. The goal of this process was to provide a 'real to life' virtual representation of the show to the director with the least …

La Divina The Birth Of The Singer/Actor, Shelley Cooper

Electronic Theses and Dissertations

In the world of Musical Theatre and Opera, it is not acceptable to simply have a pretty voice; you must be able to portray the character you are singing and ground it in reality. Drama in music theatre was highlighted in the Early Romantic Movement by bel canto composers Rossini, Bellini and Donizetti who re-designed the opera scene format to better tell the story. Late Romantic composers, Puccini and Verdi, took it a step further by writing music to compliment the drama of the story. Twentieth- Century Opera singer Maria Callas is admired for her famous portrayals of title roles …

The Evolution Of Hate Crimes & Their Representation On Stage, Pietro Cortelli

Electronic Theses and Dissertations

My thesis focuses on how true-life events resulting from hate crimes have been theatricalized for the stage. My research discusses hate crimes that have occurred throughout history. My primary research centers on Ragtime (1897-1918), The Diary of Anne Frank (1939-1945) and The Laramie Project (2002), which deal with racism, antiSemitism and homophobia, respectively. My intention is to highlight how theatre impacts the ideas and thoughts of audiences and transforms thinking and points of view forever, as well as impacting cultures and our world. In addition, I discuss the historical measures that led to these events and progression in modern times. …

You Can't Stop The Beat Bringing Musical Theatre To Underprivileged Youth, Megan Wiley Tsurumaki

Electronic Theses and Dissertations

In an age of standardized testing and quality-controlled classrooms, teachers have lost the freedom to integrate imagination and creativity in their lessons, ultimately cheating today’s youth. In the classroom, students no longer have the outlets that transport them from the harsh realities of life. This thesis is an attempt to provide a venue for the Orange County Public School System that will engage the imaginations of under-represented or underprivileged students. The thesis will chronicle the development of a script with the intent of producing it in Title I elementary schools located in lower socio-economic areas of Orlando, Florida. The script …

The Last 2500 Years: Defining, Dissecting And Directing The Less Linear Musical, Andrew Lewis

Electronic Theses and Dissertations

Since the first recorded theatrical events, theatre has been presented in a linear fashion. It is no surprise that the majority of American Musical Theatre also follows a linear plot conception. Musicals that blatantly defy linearity are often called "concept" musicals. However, there is a small portion of concept musicals that do not abandon their linear plot altogether, but instead choose to skew the line in order to give the audience a unique perspective of the story being told. This mass categorization does not accurately take into account the extreme difference in structure of the two types of concept musicals. …

Three Different Jocastas By Racine, Cocteau And Cixous, Kyung Mee Joo

Electronic Theses and Dissertations

This study is about three French plays in which Jocasta, the mother and wife of Oedipus, is shared as a main character: La Thébaïde (The Theban Brothers) by Jean Racine, La Machine Infernale (The Infernal Machine) by Jean Cocteau, and Le Nom d’Oedipe (The Name of Oedipus) by Hélène Cixous. Jocasta has always been overshadowed by the tragic destiny of Oedipus since the onset of Sophocles’ works. Although these three plays commonly focus on describing the character of Jocasta, there are some remarkable differences among them in terms of theme, style, and stage directions. In The Theban Brothers, Racine’s 17th …

A Costume Design For Richard O'Brien's The Rocky Horror Show, Harmony Mcchesney

Electronic Theses and Dissertations

This thesis documents my process as the Costume Designer for the University of Central Florida Conservatory Theatre’s production of Richard O’Brien’s musical, The Rocky Horror Show. The production opened on March 29, 2007 and ran for fifteen performances in the University of Central Florida’s Mainstage Theatre before closing on April 15, 2007. This document presents the analysis, research, and design process that I used to create the costume design for the performance. In this thesis, I document how I combined my own analysis and research with that of the director and design team to take the design from concept, through …