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Volume 16, Number 09 (September 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

John Comfort Fillmore (obit)

Frivolous Pupils

Scherzoso

Capacity for Teaching

Musical Taste

Why?

Minor Scales

Conservatory the Public School of Music

Twelve Business Maxims

New Teaching Season

How to Buy a Piano

Reading at Sight vs. Artistic Playihg

Mechanical Aids to Piano Study

Another Teaching Ability

Modernizing Classics

How to Understand Music

Parental Interference

Value and Practice of Advertising Among Professional Musicians

Pedalmania

Time Brings Changes

Teaching the First Piece

Anton Rubinstein

Rubinstein as I Knew Him

On Selecting a Teacher

Introspect

Principles of Musical Pedagogy

Self-Criticism

True Music Teachers vs. Pin-Money-Makers

Charlatanism in Music

Aimlessness Among Musicians

Inspiration

Song …

Volume 16, Number 08 (August 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

Cultivate the Love of Nature

The Subjective Player

Music and Progressiveness

Rusting and Rusticity

Culture: A Suggestion for Summer

The Teacher Not Everything

Pioneer American Pianist: Gottschalk—His Work, Artistic Standing, and Financial Circumstances; A Statement as to His Poverty Corrected

Letter from Sousa

Value and Practice of Advertising Among Professional Musicians

Professional Courtesy

Environment as an Educational Factor

Encores

Individuality in Art

Teaching a Necessity

Present and Abiding Duty for the Music Teachers

Rhythm the Basis of Melody

Gladstone's Interest in Music

Prize Medal System

Two Schools of Organ Playing

How to Make Music Studios Attractive

Studio Experiences

Advantages for …

Volume 16, Number 07 (July 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

When Only Men Played

Great Masters as They Reveal Themselves

Professor Quack (A Sketch from Life)

How One Boy Practiced

How to Make Music Studios Attractive

Studio Experiences

Value and Practice of Advertising Among Professional Musicians

Mechanical Musical Instruments

Expression in Playing and Its Conditions

Advantages for Music Students in Various European Centers

No Time For Study

Principles of Musical Pedagogy

Puzzle in Music Notation

Teaching Pupils to Think

Anybody Can Teach a Beginner

Wit of Composers

Music-Study and Manual-Practice

Ear Training

Good Voice or Good Singer

Song

Fine Art of Enunciation

Training for the Stage

Musical Blues

Those Four …

Volume 16, Number 06 (June 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

Persistency

Broader Musicianship Needed

Do Teachers Teach?

Music a Moral Force

Listening to Music

Repose

Musical Amateur

American Musician

Something for Nothing

Those Wicked Musicians

How is Art to Survive?

Improvement of the Musical Condition of America

Pronunciation of Russian Names

Josef Hofmann

Mendelssohniana

Advantages for Music Students in Various European Centers

How to Make Music Studios Attractive

Give Yourself Royally

Music and the Intellect

Teaching, a Business

Two Distinct Classes of Pupils

The Technical Terms of Harmony

Music Makes Character

Chapter on Arpeggios

Rhythmic Practice

Principles of Musical Pedagogy: Letters to a Young Music Teacher

Music and Manners

Art …

Volume 16, Number 05 (May 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

Social Status of the Musician

Enthusiasm

Thirteen Mistakes

Poor Old Blind Tom

Letters to Dead Musicians—Frederic Chopin

Wonderful Orchestra

Modern Musical Machines

Study of Pieces

Reed Organ

Boon for Composers

Need of Higher Education for Musicians

Some Hindrances to Fellowship Among Musicians

What is Meant by Playing with Expression?

Ability and Amiability: Two Important Factors in Teaching

What Made Me a Musician

Proper Age for Beginning the Study of Music

Preparing for a Pupil's Recital

Manners, Morals, and Music

Advantages for Music Students in the Various Music Centers

Chapter on Scales

Nature's Music

How to Make Music Studios Attractive

Beautiful …

* The Carnival Of Flowers (April 22, 1898), Lindenwood College

Student Music Performance Programs

St. Charles Cosmos Monitor article on The Carnival of Flowers (April 22, 1898).

Volume 16, Number 04 (April 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

Mendelssohn

Aptitude for Teaching

Musical Listender

My Pupils

From the Pedal, Deliver Us!

Train Both Hands

Puzzle in Musical History

Modern vs. Classical

Principles of Musical Pedagogy

Carl Koelling

Liberation of the Ring Finger

Stepping-Stones

Summer Teaching: An Experience

Stray Thoughts

Baneful Influence: The Pupil's Piano

Miscellaneous Program by American Composers

Drudgery Made Interesting

Advantages for Music Students in Various European Centers

Personal Apparel of the Music Teacher

How to Make Music Studios Attrative

Louis Köhler's Notes on Practicing

How to Win and Keep an Audience

Marvelous Memories

Music as a Profession vs. Musical Dilettantism

Mistakes Do Not Hurt

Choosing …

Volume 16, Number 03 (March 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

Rubinstein's Thoughts and Aphorisms

Music versus Trade as a Means of Livelihood

Musical Pauperism

Musical Listener

Professional Piano Students

Principles of Musical Pedagogy

Classic and Romantic Defined

Story of a Musical Meteor

Louis Köhler's Notes on Practicing

Playing by Ear—A Bane or Benefit?

Bach the Originator of Fingering

Overcrowded Musical Profession

Originality in a Young Composer

What Can We Do

Test of Time

Do Something for Yourself

Listening to Music

My Pupils

Abuse of Tempo

Some Essentials for Music Students

Piano Beginner of Yesterday and of To-day

Training the Teachers

Stumbling-Blocks

How to Make Pupils' Recitals Attractive

Advantages for Music …

Volume 16, Number 02 (February 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

How to Make a Living

American Student

Principles of Musical Pedagogy

Life of a Pianoforte—How to Preserve It

Musical Listener

Children and Music

Music Teacher Analyzed

Thumb

How a Composer Works

Stumbling Blocks

In My Easy Chair

Romantic Side of Bach

How to Work up Concerts in the Smaller Cities

Mental Technic: A Suggestion

Key-Character a Fallacy

Ear Training

Advantages for Music Students in Various European Centers

Pen Picture

Crime Against Art

Open Your Eyes

How to Maintain Pupils' Interest

Happy Medium

Old Italian Method

Study of Musical Literature

Listening Well

Professional Code

Volume 16, Number 12 (December 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

Comments by Emil Liebling

Danger of Premature Introduction of Classical Music

Some Thoughts on Teaching the Pianoforte

Great Players and Great Teachers

Don'ts

Symposium: Is the Teaching Season Growing Shorter?

Origin of the Baton

Critical Comment

Factors in a Teacher's Success

Behind the Scenes in Art-Life

Violins and Girls

Hearing Music as a Factor in Musical Education

Attempting the Impossible

Technic and Emotion

Sin Against Good Taste

Writing of the Requiem: The Story of Mozart's Masterpiece

Originality Impossible

Good Advice

Nervousness Before Appearing in Public

Methods and Results

Eclecticism in Music

Home Influence on Pupils

Memorizing is Such Hard Work …

The Little Song Gem, H. N. Lincoln

Stone-Campbell Books

No abstract provided.

Volume 16, Number 01 (January 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

Suggestions for the Musical Youth

How Shall We Teach Notation to Beginners

The Gospel of Work

Musical Memory in Its Relation to Pianoforte Playing

How to Make a Living

Problem of American Teaching

Song Writers of the Day

One-Sided Musicians

Nothing But a Name!

Success is the Reward of Toil

Musical Listener

Sight-Reading

Art of Self-Criticism

Helpful Letters to Young Musicians

Cost of Study Abroad

Factors of Musical Expression

Sight-reading in Pianoforte Instruction

Why Do You Take Music Lessons?

Principles of Musical Pedagogy

Thoroughness in Primary Work

Music Education

Moral Influence of Music

Convenient Maxims, Formulas, etc. for Voice Teaching …

Down Souf In Alabama / Words By B.H. Janssen, B. H. Janssen, M. D. Janssen And Co. (New York)

Sheet Music, 1834-1899

Cover: drawing of a well-dressed African American male dancing along by himself; Publisher: M. D. Janssen and Co. (New York)

I Love Dat Man / Music By E. J Simnes; Words By Dan Packard, E. J. Simnes, Dan Packard, Mill Bros. (New York)

Sheet Music, 1834-1899

Cover: photo of Miss Alice Atherton, a Caucasian singer in front of a wall separating her from an African American vocal quartet; Musical Supplement of the New York Journal and Advertiser. July 10, 1898 description reads a coon song; Publisher: Mill Bros. (New York)

Little Yaller Boy / Music By Gustave Kerker; Words By Hugh Morton, Gustave Kerker, Hugh Morton, T. B. Harms And Co. (New York)

Sheet Music, 1834-1899

Cover: Musical Supplement of the New York Journal and Advertiser. April 3, 1898; Publisher: T. B. Harms and Co. (New York)

My Honolulu Lady / Words By Lee Johnson, Lee Johnson, The Zeno Mauvais Music Company (San Francisco)

Sheet Music, 1834-1899

Cover: the latest coon conquest; Publisher: The Zeno Mauvais Music Company (San Francisco)

You'se Just A Little Nigger, Still Youse Mine, All Mine / Music By Paul Dresser; Words By Paul Dresser, Paul Dresser, Howley Haviland And Dresser (New York)

Sheet Music, 1834-1899

Cover: photo of Caucasian singer Kitty Mitchell; description reads lullaby; Publisher: Howley Haviland and Dresser (New York)

Do You Remember? / Music By H. J. Wrightson; Words By F. E. Weatherly, H. J. Wrightson, F. E. Weatherly, The B.F. Wood Music Co. (Boston)

Sheet Music, 1834-1899

Cover: text reads: song with Cello obligato; Publisher: The B.F. Wood Music Co. (Boston)

My Creole Sue / Words By Gussie Davis And Hamilton S. Gordon, Gussie Davis, Hamilton S. Gordon

Sheet Music, 1834-1899

Cover: photo of two Caucasian male performers in blackface, one is dressed as a female; sung by Charles E. Foreman with J. H. Haverlys Minstrels. Musical Supplement of the New York Journal and Advertiser, Oct. 9, 1898; Publisher: x

Happy Hannah / Words By Theo Havemeyer, Theo Havemeyer, Mckinley Music Co. (Chicago)

Sheet Music, 1834-1899

Cover: caricature of four African Americans, drawn with monkey-like features; description reads Cake Walk; Publisher: McKinley Music Co. (Chicago)

Dar's Somethin' About Yer I Like / Music By John T. Kelly; Words By John T. Kelly, John T. Kelly, Weber Fields And Stromberg (New York)

Sheet Music, 1834-1899

Cover: drawing of an African American male talking to an African American female; description reads An Ethiopian Character Creation; Publisher: Weber Fields and Stromberg (New York)

Why Don't You Get A Lady Of Your Own / Music By George Walker And Bert Williams; Words By Bert Williams And George Walker, George Walker, Bert Williams, Jos. W. Stern And Co. (New York)

Sheet Music, 1834-1899

Cover: caricature of an African American couple embracing, as an African American male stands by staring at them; photo insets of the African American composer/singers in blackface; description reads the swell coon laughing success; Publisher: Jos. W. Stern and Co. (New York)

My Creole Sue / Words By Gussie L. Davis, Gussie L. Davis

Sheet Music, 1834-1899

Cover: photo of Chase E. Foreman; Publisher: Hamilton S. Gordon (New York)

Charlatan March, John Philip Sousa

Historic Sheet Music Collection

No abstract provided.

[The] President’S March, Victor Herbert, Edward Schuberth & Co

ALLM: Civil War Sheet Music Collection

80.7568.1001 – “[The] President’s March”: Victor Herbert: Edward Schuberth & Co: 1898: Piano. (2 copies)

My Father Was A Sailor On The Maine By Hattie Nevada (Sm00641), Kentucky Library Research Collection

Research Collections

Piece of sheet music titled "My Father was a Sailor on the Maine" with words and music by Hattie Nevada (Kansas City, Mo.: Kansas City Talking Machine Co., 1898) A full-text scan of the piece can be accessed by clicking on the Download button.

[The] Flower From Lincoln’S Grave, James Holberton, Burton Lawrence, Lawrence & Holberton

ALLM: Civil War Sheet Music Collection

80.7568.351 – “[The] Flower From Lincoln’s Grave”: James Holberton: Burton Lawrence: Lawrence and Holberton: 1898: Vocal Solo.

Admiral Dewey's Grand Triumphal March By P. Marcel (Sm00575), Kentucky Library Research Collection

Research Collections

Sheet music titled "Admiral Dewey's Grand Triumphal March" by P. Marcel (Boston, Ma.: F. Trifet Publisher, 1898) The cover features an image of Admiral George Dewey and a decorative border.

Volume 15, Number 12 (December 1897), Winton J. Baltzell

The Etude Magazine: 1883-1957

How to Make a Living

Apology for the Piano

Remedy Suggestion

Song Writers of the Day

Bit of Biography

Talent for Technic is not Musical Talent

Musical Listener

Monomaniac in Music

How to Teach—How to Study

Are We Not Giving Too Much Thought to the Technical Side of Music, Thereby Losing Sight of the True Meaning of the Art?

Treatment of Unpromising Pupils

Cathedral Chimes at Christmas Eve

Strongest Thing in the World

Music Touched His Heart

What a Music Teacher Ought to Know

Starting Pupils Aright

Mozart and Pure Beauty

How to Study

Would-Be Paderewski

Keeping Up with the …

Volume 15, Number 11 (November 1897), Winton J. Baltzell

The Etude Magazine: 1883-1957

Song Writers of the Day

American Conservatories

Genius

Playing by Ear

Leschetizky on Technic

Talent-Pianistic Talent

Education

How to Teach: How to Study

Verdi's First Success

Adolphe Henselt as a Teacher

How Chopin Played

Wise Teacher

Why We Lose Interest in Certain Pieces

Melba's First Concert

Dullard's Service to Art

Beautiful Thought

Plea for Broader Musicianship

Musical Listener

A Popular Readig Course for a Some-what Advanced Student

Would-Be Paderewski

Three Suggestions

Every Man His Own Critic

Odd Musical Creature

Ten Cardinal Points in the Early Musical Education

What We Get Out of Music

Songs and Song Making