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Volume 17, Number 04 (April 1899), Winton J. Baltzell

The Etude Magazine: 1883-1957

Tool or the Worker?

Synopsis of the Programs of the Twenty-First Annual Convention of the MTNA

Humoreske

Blundering of Piano-Pupils

Great Players and Practice

Opportunities for Musicians

Descriptive Music: A Parody

Wasting Tons of Energy

Some Common Drawbacks to Successful Teaching

Trying New Music

Some Salient Points in Leschetizky's Teaching

Bach's Thoroughness as a Teacher

Current of Musical Life

Random Thoughts

Comments by Emil Liebling: Musical Salamagundi

Musical Fakes and Fakers

Some Thoughts on Practical Harmony

Practice and Character Development

Education and Its Demands Upon the Modern Teacher

Record Book of Compositions and Works in Musical Literature

Beginning Aright

Thought …

Volume 17, Number 03 (March 1899), Winton J. Baltzell

The Etude Magazine: 1883-1957

Loving-Cup to Dr. Mason

What a Composition Means

Education and Its Demands Upon the Modern Teacher

People to Cultivate

Training of the Ear

Popularity of Vocal Over Instrumental Music

Common-Sense Chat

Good Teacher Versus Good Player

Transformation of a Genius from a Musician's Diary

Opposition to the Violin for Girls

How to Get People to Attend Pupils' Recitals

Teaching as a Specialty

Status of Music-Study in America

Rubinstein's Theory of Practice

Curved Thumb

How to Treat Pupils Who Have Previously Studied with Another Teacher (Symposium)

Matter of Temperament

On Special Editings and Annotations

Some Salient Points in Leschetitzky's Teaching

Concerts …

Volume 17, Number 02 (February 1899), Winton J. Baltzell

The Etude Magazine: 1883-1957

Should the Last Note under a Slurred Group be Played Staccato

One Step Toward Success

Playing for Parents

Self-Playing Pianos

Story of Paderewski's Minuet

Beethoven's American Biographer

American in Music

Covering Ground

On the Revival of Mozart's Works

Musical Millennium

Interesting Incident

On the Expediency of Playing Without Looking at the Keyboard

Nervous Pupils

Comments by Emil Liebling

Some Common Faults

Teachers and Pupils

Word of Encouragement to Young Pianists

How to Treat Pupils Who Have Previously Studied with Another Teacher (Symposium)

Foundation Teaching

Street-Organ as a Musical Educator

Am I a Good Teacher? How Can I Improve?

The Invasion …

Volume 17, Number 12 (December 1899), Winton J. Baltzell

The Etude Magazine: 1883-1957

Too Much Talent

Social Element in Success

Penalty of Genius

Narrow and Broad Pianoforte Instruction

Odds and Ends; or, Ideas on Many Subjects

Fallacious Notions

Teacher-Student

Musician's Life-Work

Study the Life of Schumann

Robert Schumann as a Composer for the Piano

Robert Schumann, Biographical

Piano Works of Robert Schumann

Point of Utility

Autobiographic Character of Schumann's Music

Side Lights on Schumann

Some Side Lights on the Making of a Musician

Songs of Schumann

Technical Demands of Schumann's Music

Schumann—The Man

Christmas Story

Successful Teacher

To the Girls Who Read The Etude

Education of Musicians

Do You Expect a Testimonial?

Clara …

Volume 17, Number 01 (January 1899), Winton J. Baltzell

The Etude Magazine: 1883-1957

Forms of Musical Memory

Training of Musical Listeners

Comments by Emil Liebling

Piano for Everybody

Playing Duets with Other Instruments

Problems

Struggle for a Public Career

Let Your Moderation be Known

Speed of Thought

Plea for Simplicity

Charity That is Kind

Some Thoughts by Busoni on Piano Playing

What One Man Did

Word to Aspiring Composers

Should the Last Note under a Slurred Group be Played Staccato

Uncharitableness Among Musicians

Common Sense in Piano Teaching

Blasts from the Ram's Horn, for Musicians

Frederic Francois Chopin

Critical Estimate of Chopin's Pianoforte Compositions

Harping on One String

Count Zichy and the Cultivation …

Eiland's Theory Of Musical Composition: Part One, F. L. Eiland

Stone-Campbell Books

No abstract provided.

The Laughing Little Red-Head Coon / Music By Ellis G. Berg; Words By Ellis G. Berg, Ellis G. Berg, Harry Tillmann And Co. (New York)

Sheet Music, 1834-1899

Cover: drawing of a red-headed African American boy; supplement to the N. Y. World. Jan. 14, 1900 description reads a coon lullaby; Publisher: Harry Tillmann and Co. (New York)

Impecunious Davis / Words By Kerry Mills, Kerry Mills, F. A. Mills (New York)

Sheet Music, 1834-1899

Cover: caricature of an African American male reclining against bales of cotton set on a city dock; description reads characteristic two-step march, polka and cake-walk [all music is missing, only the title page remains]; Publisher: F. A. Mills (New York)

The Mississippi Side-Step / Music By Leo. E. Berliner; Words By Leo. E. Berliner, Leo. E. Berliner And Co. (New York)

Sheet Music, 1834-1899

Cover: drawing of well-dressed African American couples dancing; description reads characteristic march and cake walk (in simplified rag-time); Publisher: Leo. E. Berliner and Co. (New York)

Queen Of The Ragtime / Words By Harry Powers, Harry Powers, Belcher And Sons (Detroit)

Sheet Music, 1834-1899

Cover: description reads a syncopated two step; Publisher: Belcher and sons (Detroit)

Smoky Mokes / Words By A. Holzmann, A. Holzmann, Feist And Frankenthaler (New York)

Sheet Music, 1834-1899

Cover: photo of four African American boys dressed in suits; description reads cakewalk and two-step. Published also as a song with humorous darky text; Publisher: Feist and Frankenthaler (New York)

Topsy's In Town / Words By Warner Crosby, Warner Crosby, Arthur W. Tams (New York)

Sheet Music, 1834-1899

Cover: drawing of a well-dressed African American woman; description reads characteristic march, two step and cake walk; Publisher: Arthur W. Tams (New York)

Tickled To Death / Words By Chase Hunter, Chase Hunter, Chas K. Harris (New York)

Sheet Music, 1834-1899

Cover: photograph of three African American boys smiling; photo credit: Geo. E. Matthews and Co., 1892; Publisher: Chas K. Harris (New York)

When Chloe Sings A Song / Music By John Stromberg; Words By Harry B. Smith, John Stromberg, Harry B. Smith, Weber Fields And Stromberg (New York)

Sheet Music, 1834-1899

Cover: drawing of flying birds; photo inset of Lillian Russell; Publisher: Weber Fields and Stromberg (New York)

Doan Ye Cry, Ma Honey / Words By Albert W. Noll, Albert W. Noll, Oliver Ditson Company (Boston)

Sheet Music, 1834-1899

Cover: text reads: Songs in Negro Dialect; Publisher: Oliver Ditson Company (Boston)

Echoes From Old Mobile / Words By Walter E. Petry, Walter E. Petry, The S. Brainards Sons Co. (New York)

Sheet Music, 1834-1899

Cover: Photo of a young boy leaning against a piano; Publisher: The S. Brainards Sons Co. (New York)

Ma Lady Lu / Music By Edwin S. Brill; Words By Chas W. Doty, Edwin S. Brill, Chas W. Doty, Chas B. Ward Music Publishing Co. (New York)

Sheet Music, 1834-1899

Cover: photo of Greg Patti; description reads a darky love lament; Publisher: Chas B. Ward Music Publishing Co. (New York)

Sweet Norine / Words By Gussie L. Davis, Gussie L. Davis, Feist And Frankenthaler (New York)

Sheet Music, 1834-1899

Cover: a drawing of a mother and a baby; Publisher: Feist and Frankenthaler (New York)

Whistling Rufus / Words By Kerry Mills, Kerry Mills, F. A. Mills (New York)

Sheet Music, 1834-1899

Cover: a drawing of an African American man playing guitar and couples dancing in the background; Publisher: F. A. Mills (New York)

Doan Ye Cry Ma Honey / Music By Albert V. Noll; Words By Albert V. Noll, Albert V. Noll, Oliver Ditson Company (Boston)

Sheet Music, 1834-1899

Cover: description reads darky song; Publisher: Oliver Ditson Company (Boston)

My Sister Julie / Music By Charley Case; Words By Charley Case, Charley Case

Sheet Music, 1834-1899

Cover: photo of Charley Case, a Caucasian male in blackface; Musical Supplement of the Sunday Examiner; Publisher: Charley Case

My Georgia Lady Love / Music By Howard & Emmerson; Words By Andrew B. Sterling, Howard & Emmerson, Andrew B. Sterling, T. B. Harms And Co. (New York)

Sheet Music, 1834-1899

Cover: drawing of a sunflower with an African American woman's face in the center; Publisher: T. B. Harms and Co. (New York)

You'll Have To Transfer / Words By Abe Holzman, Abe Holzman

Sheet Music, 1834-1899

Cover: a drawing of a lady coming down the stairs ; a photo inset of Bonnie Thornton; Publisher: Feist and Frankenthaler (New York)

There Ain't No Use To Keep On Hanging Around / Music By Irving Jones; Words By Irving Jones, Irving Jones, Feist And Frankenthaler (New York)

Sheet Music, 1834-1899

Cover: drawing of an African American woman shaking her fist and a rolling pin at an African American male outside her window; composed expressly for the New York Sunday World. Supplement to the New York World, Sunday, Sept. 17th, 1899; Publisher: Feist and Frankenthaler (New York)

Sing Me A Song Of The South / Music By James W. Casey; Words By George A. Norton, James W. Casey, George A. Norton, M. Witmark And Sons (New York)

Sheet Music, 1834-1899

Cover: description reads pathetic descriptive ballad; Publisher: M. Witmark and Sons (New York)

Policy Sam / Words By Joseph Gioscia, Joseph Gioscia, T. B. Harms And Co. (New York)

Sheet Music, 1834-1899

Cover: description reads cake walk and two step; Publisher: T. B. Harms and Co. (New York)

Stay In Your Own Back Yard / Music By Lyn Udal; Words By Karl Kennett, Lyn Udal, Karl Kennett, M. Witmark And Sons (New York)

Sheet Music, 1834-1899

Cover: description reads pickaninny ballad; Publisher: M. Witmark and Sons (New York)

Unfurl The Grand Old Stars And Stripes; The Boy Who Wore The Blue, Erwin Mcelroy, The S. Brainard’S Sons Co

ALLM: Civil War Sheet Music Collection

80.7568.1261 – “Unfurl the Grand Old Stars and Stripes; the Boy who Wore the Blue”: Erwin McElroy: The S. Brainard’s Sons Co: 1899: Solo/SATB.

Volume 16, Number 11 (November 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

Music and Fashion

Never-Say-No Clubs

Critical Comment

Duet Playing

Some of the Best Thoughts on Music

Self-Study

How to Use the Mason System

Learning a New Piece

Tact: One of the Factors of Success in Music

Studio Experiences

Influence of Beethoven's Deafness on His Music

Appeal to the Musicians of the Country for the Music Teachers' National Association

Epigrams

Pupils On Show

Experiment in Lecture Recitals

Sincerity of Purpose

Helps to the Home Student

Symposium—Is the Teaching Season Growing Shorter

Nervous Prostration

More Power to His Arm

Sousa's March Form

Modern Music Teacher

Perplexing Problem

How Many Pupils Have You …

Volume 16, Number 10 (October 1898), Winton J. Baltzell

The Etude Magazine: 1883-1957

Curious Musical Incidents

Overcoming Nervousness

Musical Library

Studio Experiences

How to Keep the Beginning Interested

Outposts of Music

Phase of Music Study in Paris

Kindly Feeling Among Musicians

Musician and the Man

Successful Teacher

Genius Among Students

How to Teach Time

Choosing a Musical Career

Pecularlities of the Piano

Ensemble Playing

How to Overcome So-Called Drudgery

Simple Repertoire

Utility of Music

Tone and Touch

Fragile Possession

Birth of Chopin's Funeral March

Training of the Ear

Fictitious Values

Paderewski on the Physical Side of Piano-Playing

On the Legato in Pianoforte-Playing

What the Mason System Has Done for Me

Raw Material

Technic …