Arts and Humanities Commons^™

A Course In High School Music For Beginners - A Teachers Manual, Bertram Shearer

Masters Theses & Specialist Projects

The main purpose of this thesis is to provide a manual for music educators who will teach a general music course for one nine-month period which shall form the basis for one unit of high school credit. The class will meet for one forty-five minute period every day, and is designed for the students in the ninth grade.

56th Annual Commencement, Sherwood Music School

Commencement Programs

Program for the Sherwood Music School 56th Annual Commencement at Orchestra Hall (220 South Michigan Avenue) held on June 15, 1951.

News-1951-06-06, The Royal Serenaders Male Chorus

Newspapers

No abstract provided.

Program; 1951-06-05, The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.

Volume 69, Number 06 (June 1951), John Briggs

The Etude Magazine: 1883-1957

Side of the Angels: The President of Julliard School, One of America's Outstanding Composers tells June Graduates

How to Succeed in Music

How Do I Get a Manager?

How to Get Started on Your Career as a Piano Teacher (interview with Arthur Judson)

Teachers I Have Known

How to Dress for a Concert

Make the Most of Your Recital Debut!: A Well-Chosen Program Can Help Your Professional Career to a Good Start

Too Many Languages

Great Kreisler Hoax

Accommodations are Plentiful This Year at the European Festivals

Aspen

Adventures of the Trill

Master Lesson on Johann Sebastien Bach's Gavotte from …

Volume 69, Number 05 (May 1951), John Briggs

The Etude Magazine: 1883-1957

Music at the Festival of Britain: Performers and Listeners Will Gather in England this Month for a Gala Once-in-a-Century Celebration

Singing Patrolmen: New York's Finest Sing to Prevent Traffic Accdients, to Welcome Visiting Dignitaries, and Just for the Fun of Singing

There's Music in Your Piano

Singer's Voice and the Sinuses of the Nose

Teaching is Selling Planning a Choral Rehearsal: For Best Results, Each Step Should be Carefully Mapped Out in Advance

Immortal Trifles, of Gilbert & Sullivan

Master Lesson on Beethoven's Sonata Pathétique

Program Note for Aaron Copland's Appalachian Spring

How Sweet Adeline Got Its Name: America's Favorite …

Spectrum May 1951, Students Of Risd, Risd Archives

All Student Newspapers

Spectrum was a publication released in the early 1950s by the undergraduate students at Rhode Island School of Design. This issue from May 1951 includes feedback from the first issue, budget restaurant recommendations, a poll of student social habits, campus news, an "After Hours" column with entertainment recommendations, alumni notes, and an interview of Professor Ernest Lichtblau, along with articles on the Bluebird Diner, a ballet "Black Haiti" put on by a RISD student group, and perceptions of artists.

Volume 69, Number 04 (April 1951), John Briggs

The Etude Magazine: 1883-1957

Dilemma in Detroit: Survivors of the Detroit Symphony Support Themselves with Odd Jobs and Look for a Successor to Sponsor Henry Reichhold

Zoltan Kodaly was my Teacher

How to Teach Adult Beginners

Music Has No Short-Cuts: Solid Careers Emerge Only for Unhurried, Systematic Training (interivew with Joseph Fuchs)

It's Free—It's Fun—It's Forum!

More About the Pharyngeal Voice: Widely-Used Method in the Golden Days of Italian Bel Canto

Class Piano Teaching Gets Results . . . A Successful Teacher Reveals the Formula She Has Developed Through Years of Trial and Error

Sing with Your Fingers

Volume 69, Number 03 (March 1951), John Briggs

The Etude Magazine: 1883-1957

Problem of Sincerity

There's Music in Stamps

Every Voice is a Problem

How Do You Look to Your Audience? (interview with Basil Rathbone)

Shall I Teach My Students Popular Music?

Don't Force the Issue!

Notes of an Amateur Violin Maker

Ernest Ansermet

Master Lesson on Handel's Sonata in D Major (Larghetto and Allegro)

Spectrum March 1951, Students Of Risd, Risd Archives

All Student Newspapers

Spectrum was a publication released in the early 1950s by the undergraduate students at Rhode Island School of Design. This issue from March 1951 is the first published issue and includes creative writing, a recap of Take-A-Break Weekend, campus news and events, and an article about freshmen artwork.

Campus Lights 1951, Murray State College

Campus Lights

No abstract provided.

Volume 69, Number 02 (February 1951), John Briggs

The Etude Magazine: 1883-1957

Thoughts at 70

Music Teaching as a Profession

Jeanie Was a Lucky Girl

Origin of the Fugue

It's All Done with Muscles! (interview with Andor Foldes)

Singing Can Be Simple

That Inevitable Symphony

Deficit Master Lesson on Richard Strauss's Morgen

Eastern March In The Eastern State News, January 31, 1951, Earl Boyd

Eastern State March

No abstract provided.

Analysis Of Scherzo - Beethoven's Symphony No. 5, Earl Boyd

Papers

This movement is in the large ternary form, or scherzo and trio form. Beethoven did not mark this movement as scherzo, possibly to avoid the connotation of a light, airy character usually associated with the term scherzo, but merely marked it allegro. The first part has two statements of the first and second themes, with a development section utilizing theses themes leading directly to the trio. The trio utilizes the same theme in both sections; the first section is repeated as is, and in the second section, Beethoven deviates from the usual design by repeating the second section with an …

News-1951-01-24, The Royal Serenaders Male Chorus

Newspapers

No abstract provided.

Volume 69, Number 12 (December 1951), John Briggs

The Etude Magazine: 1883-1957

Day of Days (Poem)

What Do Christmas Carols Mean to You?

New Horizon for Piano Teachers: The Elementary Classroom Teacher Needs a Background of Piano Study

Christmas at the Panama Canal

Play Lessons for the Pre-School Age

What I've Learned in Judging Competitions (interview with Jesus Maria Sanroma)

Grass Roots of Opera in America: Colleges and Universities Set the Pace in Creating Opera Centers Throughout U.S.

Special Christmas Programs Are Rewarding

Covered Tone—What is It?

This Choir Goes Big Time: Doctors, Lawyers, Salesmen, Housewives, Salesladies—All Join Their Voices in This Inspired Group

Do You Teach Piano or Piano Music?

Volume 69, Number 01 (January 1951), John Briggs

The Etude Magazine: 1883-1957

Most Potent Musical Forces of the First Half of the Twentieth Century Were . . . Achille Claude Debussy, Igor Stravinsky, Arnold Schoenberg, Maurice Ravel, Richard Strauss, Paul Hindemith, Arturo Toscanni, George Gershwin, Bela Bartok, Serge Prokofieff, Jan Sibelius

What is Happening to Music in America

Modern Music: The First Half Century

Let's Give Them a Rest!: Five Overworked Piano Pieces by Mendelssohn, Chopin, Debussy, and Rachmaninoff Should be Retired in Favor of Less-Hackneyed Numbers

Rhythm Makes the Music Go

How I Stage an Opera (interview with Margaret Webster)

Art of Mezza-Voce Singing

Some Thoughts on How to Perform Bach …

Sherwood Music School Annual Catalog 1951-1952, Sherwood Music School

Academic Catalogs

The 1950-1951 Annual Academic Catalog for Sherwood Music School, featuring information about the School, its affiliated branches' purpose and locations, images of student and campus life, department descriptions, biographical information about and images of faculty, course and program descriptions, information about student services, and tuition information.

Your Album Of Gretsch Guitars For 1951, Gretsch Company

Gretsch Company Catalogs & Price Lists

Foldout style featuring pictures and descriptions of their guitars. Prices and patent numbers included.

A Survey Of Parental Opinion Toward The Educational Practices Of The Meridan Street Elementary School Of Brazil, Indiana, John Wayne Whittington

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

An Evaluation Of Piano Literature Written Originally For Four Hands--One Piano, Frederick Farnam Owens

University of the Pacific Theses and Dissertations

The purpose of this thesis is to explore and analyze the wealth of intrinsic value that is to be found in compositions originally written for piano duet (two performers at one piano). Only compositions originally conceived for piano duet will be considered transcriptions of works that were at first in the form of piano solo, string quartet, orchestra or any such medium other than piano duet, will not be considered in this writing. Also excluded will be works for piano duet that are not of concert hall use; this paper is concerned with that literature for piano duet which is …

A Study To Determine The Value Of Music As A Therapeutic Agent In The Rehabilitation Of A Schizophrenic, Orval Zane Harpham

University of the Pacific Theses and Dissertations

Music as a therapy still awaits complete recognition from many medical authorities. any doctors and psychiatrists are quite willing to recognize music as a potent agent in relaxing tensions and stimulating activity, but thus far only in too few instances has music been accorded status equivalent to that of the other accepted therapies.1 In the treatment of some types of mental illness it is the writer's belief music lends itself as a therapy more readily than any other medium.

Aria Da Capo : An Opera In One Act, Burdette Marion Fore

University of the Pacific Theses and Dissertations

Foreword to Aria Da Capo

The libretto of the opera is a verbatim setting of Edna St. Vincent Millay's one act play "Aria da Capo." World events, especially World War II and the current Korean War influenced the choice of this timely, yet timeless play. Miss Millay's death occurred during the composition of the opera. She never knew, therefore, of the composition or performance of her play as an opera.

The form of the opera is that of the "da capo" aria. he form, of course, was determined by the play which ends exactly as it started. Thematic material consists …

A Study To Determine The Value Of Music As A Therapeutic Agent In The Rehabilitation Of A Schizophrenic, Orval Zane Harpham

University of the Pacific Theses and Dissertations

Music as a therapy still awaits complete recognition from many medical authorities. Many doctors and psychiatrists are quite willing to recognize music as a potent agent in relaxing tensions and stimulating activity, but thus far only in too few instances has music been accorded status equivalent to that of the other accepted therapies. In the treatment of some types of mental illness it is the writer's belief music lends itself as a therapy more readily than any other medium.

A Handbook Of Fundamentals Of Music, Jane Claire Scott

University of the Pacific Theses and Dissertations

The object of this book is to provide the beginner with a background of musical experience to strengthen his own musicianship so that he may possess confidence in his own ability and venture to be a creative person. The work in this book is strictly preparatory and is intended as a starting point.

John J. Mcclellan, Tabernacle Organist, Annie Rosella Compton

Theses and Dissertations

In order to understand the significance of music in our culture, we must learn of music history. This history includes not only a few men who have been revered through the centuries, but many who, during their lifetime and in their locality or country, exerted influence to some degree.

Such a man was John Jasper McClellan. He studied under some of the world's great teachers and received their praise; founded the University of Michigan Symphony Orchestra; directed the Salt Lake Opera Company, the Salt Lake Choral Society, and the Salt Lake Symphony Orchestra; founded the Utah Conservatory of Music; taught …

1950 Ursinus College Messiah Performance Program, Music Department

Messiah Programs

This music event program from 1950 contains information about the 13th annual performance of Handel's "Messiah" at Ursinus College. It lists the performers and conductor as well as the order of each piece of music.

Volume 68, Number 12 (December 1950), John Briggs

The Etude Magazine: 1883-1957

Christmas Gifts for the Music Lover

Story of Notation: Byzantine Neumes, Jewish Cantillation Signs and a 10th-Century Monk's Clever Idea Contributed to the Evolution of the System We Know Today

I Want a Christmas Story

Albert Schweitzer Was My Teacher (interview with Lucie Chenevert Lawson)

How to Write a Song (interview with Sigmund Romberg)

Student Recital . . . 1950 Style

Christmas Music in Mexico

Technique and Musicianship

It's Easy to Read Music

Master Lesson on Chopin

Mazurkas in F Major and G Sharp Minor

How Many Christmas Songs Do You Know?

Volume 68, Number 11 (November 1950), John Briggs

The Etude Magazine: 1883-1957

In Defense of Kirsten Flagstad

Good Singing Takes Time (interview with Giuseppe De Luca)

Pipers of the Highlands

Truth About Conducting Horse & Buggy

Teacher All-Star Circus Band

How Jean de Reszke Taught Singing

Master Lesson on Chopin's Etude in F Minor

How to Build a Piano Class

Pharyngeal Voice

Volume 68, Number 10 (October 1950), John Briggs

The Etude Magazine: 1883-1957

Geroge Gershwin . . . as I Knew Him

What Every Parent Should Know

How Jean de Reszke Taught Singing

Will Your Students Succeed in Music?: Psychologic Testing Has Eliminated the Guess-Work in Evaluating Pupils' Innate Musical Talent

Breathing is Everything Exit—The Church Quartet

Faust and the Devil

Master Lesson on Chopin's Etude in A-Flat Major