Arts and Humanities Commons^™

Recital: Alan Peters, Bass-Baritone; February 18, 1968, Alan Peters

School of Music Programs

Lecture Hall Auditorium
February 18, 1968
3:00 p.m.

Marshall University Presents The Ohio-West Virginia Band Festival-Music Clinic, Robert R. Clark

All Performances

No abstract provided.

Choral Clinic-Festival, February 17, 1968, School Of Music

School of Music Programs

February 17, 1968

Choral Clinic-Festival: Treble Choir, February 17, 1968, Donald Armstrong

School of Music Programs

February 17, 1968

Campus Lights 1968, Murray State University

Campus Lights

No abstract provided.

Blockprint February 12, 1968, Students Of Risd, Risd Archives

All Student Newspapers

Blockprint was a student newspaper published throughout the 1950s-60s. The February 12, 1968 issue features articles on a bazaar/exhibition "Hydra," a proposal for Wintersession, Oscar Wilde plays at Trinity Rep, an increase in dorm fees, consequences of ignoring parking tickets, sports at RISD, and TAB updates, along with other opinion pieces, editorials, and creative writing.

Faculty Recital: Patricia Monfort Whikehart, Organ; February 11, 1968, Patricia Monfort Whikehart

School of Music Programs

First Church of Christ
February 11, 1968
3:00 p.m.

Recital: Ramon Ybarra, Classical Guitarist; February 7, 1968, Ramon Ybarra

School of Music Programs

Capen Auditorium
Wednesday
February 7, 1968
8:15 p.m.

Blockprint February 05, 1968, Students Of Risd, Risd Archives

All Student Newspapers

Blockprint was a student newspaper published throughout the 1950s-60s. The February 5, 1968 issue features articles on the faculty salary, rumors about the introduction of Wintersession, scholarship opportunities in Europe, the Peace Corps, a new production of "An Enemy of the People" by Trinity Square Repertory Company, Take-A-Break Weekend, and W.C. Fields, along with other opinion pieces, editorials, and creative writing.

The American Brass Quintet: Gerard Schwarz, Trumpet; John Eckert, Trumpet; Arnold Fromme, Tenor Trombone; Robert Biddlecome, Bass Trombone; Edward Birdwell, French Horn; February 5, 1968, Gerard Schwarz, John Eckert, Arnold Fromme, Robert Biddlecome, Edward Birdwell

School of Music Programs

Stroud Auditorium
Monday
February 5, 1968
8:15 p.m.

The Chant-Based Polyphonic Magnificat Of Orlando Di Lasso, Lindsey Peters

Honors Theses

The polyphonic magnificat, according to Gustave Reese¹ one of the most widely used forms of composition during the Renaissance, has received relatively little attention from music scholars. Examples of this genre can be found among the works of nearly every leading composer of the Renaissance. Certain practices are characteristic of the genre. Some are the result of the nature of the chant structure. Others stem from the traditional practices in magnificat composition. I shall discuss several of these characteristics as demonstrated in the works of Orlando di Lasso.

Blockprint January 22, 1968, Students Of Risd, Risd Archives

All Student Newspapers

Blockprint was a student newspaper published throughout the 1950s-60s. The January 22, 1968 issue features articles on "The Bluegrass Kid" John Kornhauser, the new student group Hydra, Take-A-Break Weekend, and an upcoming exhibition by Robert Frank, along with other opinion pieces, editorials, and creative writing.

Marshall Artists Series Sherman Pitluck Presents The Royal Philharmonic Orchestra Of London, Vaclav Neumann

All Performances

No abstract provided.

Recital: General Student, January 17, 1968, School Of Music

School of Music Programs

Centennial Lecture Hall
January 17, 1968
7:30 p.m.

Recital: Choral-Lecture, January 16, 1968, Donald Armstrong

School of Music Programs

Capen Auditorium
January 16, 1968
8:15 p.m.

Blockprint January 15, 1968, Students Of Risd, Risd Archives

All Student Newspapers

Blockprint was a student newspaper published throughout the 1950s-60s. The January 15, 1968 issue features articles on the censorship of the publication "Avatar" in Boston, a news student communications effort "Hydra," Moby Grape, the Mystic Mexican, jazz musician Charles Lloyd, Take-A-Break Weekend, and the Grateful Dead, along with other opinion pieces, editorials, and creative writing.

University Woodwind Quintet: Kristin Webb, Flute; Doris Hardine, Clarinet; David R. Sheaffer, Oboe; Don L. Peterson, Horn; Gregory Brozenec, Bassoon; January 14, 1968, Kristin Webb, Doris Hardine, David R. Sheaffer, Don L. Peterson, Gregory Brozenec

School of Music Programs

Centennial Lecture Hall
January 14, 1968
8:15 p.m.

Recital: Two Piano, January 14, 1968, School Of Music

School of Music Programs

Centennial Lecture Hall
January 14, 1968
3:00 p.m.

Marshall Artists Series S. Hurok Presents The Vienna Choir Boys, Walter Zessar

All Performances

No abstract provided.

Isu Faculty String Quartet: Donald Hatch, Violin; Isabelle Terrill, Violin; Lawrence Kinney, Viola; Robert Ashby, Cello; January 10, 1968, Donald Hatch, Isabelle Terrill, Lawrence Kinney, Robert Ashby

School of Music Programs

Centennial Lecture Hall
January 10, 1968
8:15 p.m.

Ensemble Concerts: Varsity Band And Concert Band, January 9, 1968, Roger R. Faulmann, George P. Foeller

School of Music Programs

Capen Auditorium
Tuesday
January 9, 1968
8:15 p.m.

Blockprint January 08, 1968, Students Of Risd, Risd Archives

All Student Newspapers

Blockprint was a student newspaper published throughout the 1950s-60s. The January 8, 1968 issue features articles on life in the army, marijuana laws in Rhode Island, a Picasso exhibit at MOMA, arrests in Boston for distributing the newspaper "Avatar," and transcendental meditation, along with other opinion pieces, editorials, and creative writing.

Faculty Recital, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Ronald J. Anson, Bassist; January 4, 1968, Ronald J. Anson

School of Music Programs

Centennial Lecture Hall
January 4, 1968
8:15 p.m.

Sherwood Music School Annual Catalog 1968-1969, Sherwood Music School

Academic Catalogs

The 1968-1969 Annual Academic Catalog for Sherwood Music School, featuring information about the School, images of student and campus life, department descriptions, biographical information about and images of faculty, course and program descriptions, information about student services, and tuition information.

A History Of The Violin Étude To About 1800 Volume I, K. Marie Stolba

Fort Hays Studies Series

The purpose of this study is to investigate and ascertain the history and development of the étude as a specific form of didactic literature for the violin. All influential factors, both non-musical and musical, are considered; in a study of this type, however, more space is devoted to the musical than to the non-musical elements. This being the case, an investigation of instructional materials for the violin comprises the major portion of this writing. The period covered is form 1523 to around 1800.

The Preclassical Symphony With An Analysis Of Representative Works By Georg Christoph Wagenseil, Michael Thomas Roeder

Music ETDs

The symphony evolved from the Italian opera overture called the sinfonia. The earliest concert-symphonies were written in the 1730’s and 1740’s and exhibit the same formal traits as the opera sinfonias written at the same time. Both consisted of three movements in contrasting tempi: fast-slow-fast. Occasionally a minuet was substituted for the last movement and aby 1765 or 1770 the minuet became the third movement of the then standard four-movement plan: fast-slow-minuet-fast.

Some movements, particularly the first in these symphonies demonstrate the growth of sonata form from the binary form common in Baroque dance movements. By the 1750’s and 1760’s …

School Of Music Recital Programs From 1968-1969, Wright State University School Of Music

School of Music Printed Programs

This is a collection of programs from a variety concerts, recitals, and other performances previously held at Wright State University during the 1968 to 1969 school year.

Concert Programs 1968-1969, University Of Arkansas, Fayetteville. Department Of Music

Concert Recordings & Programs

This is the annual compilation of music programs from the Department of Music for the time period indicated

An Original Composition For Chorus Missa Brevis, Robert Austin Barbey

All Master's Theses

In the composition of this Mass the composer was faced with several alternatives in the selection of a suitable musical style. These choices were narrowed to include (1) "traditional" or "romantic"; (2) "pop"; or "jazz"; (3) "folk-mass"; or (4) avant garde. The ultimate choice was a synthesis, consisting of devices from fourteenth century music, and elements of contemporary style.