Arts and Humanities Commons^™

Risd Paper October 26, 1970, Students Of Risd, Risd Archives

All Student Newspapers

This student-run weekly newspaper was known simply as R.I.S.D., or RISD Paper. The RISD Paper ran through the late 1960s and into the 1970s. The issue of October 26, 1970 is misprinted as November 26th and included an interview with Gordy Allen, head of RISD student affairs. There also were articles about Black art with Barry Gaither and RISD student board and constitution and the Strike Committee. Poems, photos of musicans at the RISD farm, and a calendar of events for RISD students were also included.

Ensemble Concerts: The Honors Chamber Orchestra, November 19, 1970, Robert Oppelt

School of Music Programs

Lecture Hall (CE)
November 19, 1970
8:15 p.m.

Faculty Recital: James Thornton, Bassoon; Patricia Whikehart, Piano; Herbert Sanders, Technical Assistance; November 18, 1970, James Thornton, Patricia Whikehart, Herbert Sanders

School of Music Programs

Lecture (CE) 121
November 18, 1970
8:15 p.m.

The Quarles Trio, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Risd Paper November 12, 1970, Students Of Risd, Risd Archives

All Student Newspapers

This student-run weekly newspaper was known simply as R.I.S.D., or RISD Paper. The RISD Paper ran through the late 1960s and into the 1970s. The issue of November 12, 1970 included an article about World Game and Conceptual Thinking and an article about Zen painting and calligraphy at the Boston Museum of Fine Arts. There were photos from the New Dean String Band at the RISD Farm and comics, poems and letters to the editor. Also included was a small article about RISD student activism.

Ensemble Concerts: Contemporary Percussion Quartet And Percussion Ensemble, November 11, 1970, Illinois State University School Of Music

School of Music Programs

Centennial Lecture Hall
November 11, 1970
8:15 p.m.

[Faculty Recital]: Lindsey Peters, Soprano; John Mackay, Piano; Jack Jarrett, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: Gordon Warren, Percussion; Harold Gray, Piano; November 1, 1970, Gordon Warren, Harold Gray

School of Music Programs

CE121
November 1, 1970
3:00 p.m.

Suzanne Kidd, Organist, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Junior Recital: Douglas Trumble, Tenor; Donna Stadsholt, Piano; October 18, 1970, Donna Trumble, Donna Stadsholt

School of Music Programs

Lecture Hall
October 18, 1970
3:00 p.m.

Faculty Recital: Alan Peters, Bass-Baritone; Harold Gray, Piano; October 11, 1970, Alan Peters, Harold Gray

School of Music Programs

Capen Auditorium
October 11, 1970
3:00 p.m.

New Mexico Musician Vol 18 No 1 (October 1970)

New Mexico Musician

No abstract provided.

A Study Of Mignon's Lied In Selected Settings, Robert E. Norton

Theses and Dissertations

The focus of this study is the various treatments given by composers to a twelve line poem by Johann Wolfgang von Goethe. The text is the common factor over which the differences of approach and treatment are laid by composers in compositions which range in time of initial publication from 1796 to 1888. The condition of the Lied immediately prior to the publication of the first of the settings is taken as the starting point, since all of the chosen settings may be classified as Lieder. The composers whose works are discussed are Karl F. Zelter, Ludwig van Beethoven, Franz …

Piano Group Instruction Versus Individual Instruction, Renate L. Meyer

Masters Theses

In this thesis an attempt has been made to discuss and clarify some aspects of piano group instruction and individual piano teaching. The writer has tried to examine the relative advantages and goals of each and to point out some of their pitfalls and problems. An attempt has been made to emphasize the tremendously important role which the teacher plays in group sessions, as well individual lessons. The different abilities, character1stics levels, age groups and future plans of the students have been taken in to consideration. Outlines of group lessons for beginners and an example of an individual lesson have …

Brahms' Variations And Fugue On A Theme By Handel, Op. 24: A Study Of The Technique Of Harmonic Variation, Richard C. Grant

All Master's Theses

It is the purpose of this study to isolate as much as possible a single technique, harmonic variation, and explore its techniques and uses through the study of a complete set of variations. The study is limited to harmonic concepts, procedures, and techniques used by the composer in the development of this particular set.

Ornamentation Of Italian Vocal Music Of The Eighteenth Century According To Pietro Francesco Tosi And Giovanni Battista Mancini, Beverly Ann Brandon

Theses and Dissertations

The acclaim and recognition attributed to the musical performers of the eighteenth century are reflected in the title Bel Canto ascribed to this period. The contemporary musical scene reveals performances attempting to perpetuate the virtuosity of the performers of this period and to recapture their style. Unfortunately, the aura of legend and mystery surrounding the performance of music of this period frequently leads to confusion and frustration of both teacher and performer rather than to understanding. This study addresses itself to that problem.

Tosi and Mancini were active participants in this period and their theory, technique of performance, and pedagogical …

The Preparation Of A Graduate Eb Alto Saxophone Recital, Thomas G. Barber

All Master's Theses

For years there has been a controversy about whether a person must be a good performer to be a good teacher. It is the writer's hypothesis that the musicianship developed in becoming a better performer will help one to become a better teacher.

Stylistic Characteristics Of Randall Thompson's Choral Music, Robert Hugh Creigh

All Master's Theses

Randall Thompson's choral music, widely performed by professional groups, colleges, and choirs from public schools, establishes this composer as one of the foremost in contemporary music. In view of such popularity, it would seem that choral directors should more fully acquaint themselves with some of the idiomatic characteristics of his style.

Brahms' Vier Ernste Gesange, Moses Turner

All Master's Theses

An investigation into the style characteristics of Vier Ernste Gesange should help one to better interpret and perform the composition. Inasmuch as this cycle is one of Brahms' most introspective compositions, a study of this work would seem to have value for any singer.

Current Status Of Chamber Ensembles In The First-Class High Schools Of Washington State, Dennis C. Crabb

All Master's Theses

The problem concerned in this paper is to establish the extent to which ensembles are used as a teaching method in music departments of the high schools of the first-class school districts of Washington State.

Ua37/35/1 Cultural Enrichment Through Community Action, O. J. Wilson

Faculty/Staff Personal Papers

Final report for he Cultural Enrichment through Community Action project 1966 to 1970 "as a technique to eliminate a cultural blight or void in the areas of art, music and theatre in the service area of Western Kentucky University." [Final Report, p. 1]

75th Annual Convocation, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 75th Annual Spring Concert at Orchestra Hall (220 South Michigan Avenue) on May 26, 1970 and the Convocation ceremony at The Kungsholm (100 East Ontario Street) on June 16, 1970

Growth And Development Of Music Printing By Germans In Rome And Venice Before 1501, Bonita E. Blakefield

Morehead State Theses and Dissertations

A thesis presented to the faculty of the Department of Music at Morehead State University in partial fulfillment of the requirements for the Degree of Master of Music by Bonita E. Blakefield on May 25, 1970.

Marshall University Music Department Presents A Faculty Recital, J.D. Folsom, Trumpet, William B. Stacy, French Horn, John H. Mead, Trombone, J. D. Folsom, William B. Stacy, John H. Mead

All Performances

No abstract provided.

Ua37/39 Gemini 15 Program, David Livingston

Faculty/Staff Personal Papers

Program for Gemini 15 concert held in Van Meter Auditorium, May 21, 1970. Part of UA37/39 David Livingston Personal Papers donated by Pam Thurman.

Marshall University Music Department Presents A Graduate Student Recital, Mary Lusk

All Performances

No abstract provided.

Marshall University Music Department Presents The Zeta Eta Chapter, Phi Mu Alpha Sinfonia, Actives Recital, Paul A. Balshaw

All Performances

No abstract provided.

Marshall University Music Department Presents A Senior Recital, Myrna Davis Mckendree, Soprano, Cletis E. Napier, Tenor, Myrna Davis Mckendree, Cletis E. Napier

All Performances

No abstract provided.

Marshall University Music Department Presents The A Cappella Choir, The Chamber Singers, Paul A. Balshaw Dr.

All Performances

No abstract provided.

Marshall University Music Department Presents William R. Davidson, Piano, William R. Davidson

All Performances

No abstract provided.