Arts and Humanities Commons^™

Contemporary Music Ensemble: October 30, 1985, School Of Music

School of Music Programs

Wednesday Evening

October 30, 1985

Kemp Recital Hall

8:00 p.m.

The Medium The Telephone: October 25-28, 1985, School Of Music

School of Music Programs

Thursday, Friday and Saturday

October 25, 26, and 27 at 8:00 P.M.

and

Sunday, October 28 at 2:00 P.M.

Hayden Auditorium

Metcalf School

The University Orchestra And Chamber Orchestra, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Faculty Recital Esprit: October 22, 1985, Mary Stopler, Stephen Hartman

School of Music Programs

Kemp Recital Hall

Tuesday Evening

October 22, 1985

8:00 p.m.

Homecoming Concert, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Senior Recital: October 19, 1985, Jennifer Searight, Roberta Dawson

School of Music Programs

Kemp Recital Hall

Saturday Afternoon

October 19, 1985

3:00 p.m.

The University Concert Choir: October 15-16, 1985, Donald Armstrong, J. Mark Baker, Julie Mcdevitt

School of Music Programs

Fall Concert Tour

15-16 October 1985

Lincoln-Way High School

Illinois Valley Community College

Highlights In Jazz Concert 103 - A Concert For Zoot, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at NYU Loeb Student Center, Thursday, October 3rd, 1985 at 8:00pm in association with NYU program board. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Al Cohn, Clark Terry, James Moody, Carol Britto, Joe Cohn and Ronnie Bedford. Benny Carter was scheduled but he was unable to attend. Special guest: Major Holley.

Schutz And The Organ, Quentin Faulkner

Glenn Korff School of Music: Faculty Publications

The year 1985 marks the anniversaries of four celebrated Baroque musicians. Three of them--Scarlatti, Handel and Bach--belong to the late Baroque and were renowned during their time as keyboard virtuosi. The fourth, Heinrich Schutz (1585-1672), belongs to the early Baroque, and his relation to the keyboard is neither so clear nor so recognized. Although Schutz was never acclaimed as a keyboard virtuoso, he was indeed an accomplished organist and remained in close contact with that instrument throughout his long career.

While it is possible that Schutz had already begun keyboard training as a student in Weissenfels, the early formation of …

Music At Uni, V4, Fall 1985, University Of Northern Iowa. School Of Music.

Rhythms: Music at the University of Northern Iowa

Contents:

Scholarship Concert Set For Sept. 27
-- School Adds New Faculty Members
-- Recent Faculty Activities
-- Professors Bock, Holvik Retire
-- School of Music's 'Year in Review'
-- 1985 Composers Project Features Women in Jazz
-- IMTA State Convention Held at Northern Iowa
-- News from Recent Master's Graduates
-- Other Alumni News
-- Handbell Ringers Meet Here; Local Group to Michigan

Great Bass Of The Metropolitan Opera: Jerome Hines, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Guest Recital: Geoffrey Haydon, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

New Mexico Musician Vol 33 No 1

New Mexico Musician

No abstract provided.

Hiram Stamper - Photograph, Hiram Stamper

Vintage Fiddlers Oral History Project Collection

A photograph of Hiram Stamper of Knott County, Kentucky taken in June of 1985.

Vol. 9 No. 1 (1985): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Vol. 9 No. 1 (1985): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

David Sizemore - Photograph, David Sizemore

Vintage Fiddlers Oral History Project Collection

A photograph of David Sizemore of Prestonsburg, Kentucky taken in August of 1985.

The Effects Of Various Kinds Of Background Music On The I.Q. Scores Of Ninth-Grade Students, L.C. Bud Johnston

Masters Theses & Specialist Projects

One hundred 9^th-grade students were divided into four groups of 25 each through systematic sampling procedures. Each of the groups were tested, pre and post, by the Otis-Lennon Mental Ability Test, forms J and K. During the pretest for all groups, the background condition of silence was observed. During the posttest, one group was again tested in silence. The other three groups were each tested to one of three background conditions: pop music, hard rock music, and soft rock music. Pop music played was characterized as more mellow, more melodic, and less intense than rock music. Hard rock …

Chillson Leach - Photograph, Chillson Leach

Vintage Fiddlers Oral History Project Collection

Photographs of Chillson Leach of Ashland, Kentucky taken in June of 1985.

Chillson Leach - Photograph, Chillson Leach

Vintage Fiddlers Oral History Project Collection

A photograph of Chillson Leach of Ashland, Kentucky taken in June of 1985.

Chillson Leach - Photograph, Chillson Leach

Vintage Fiddlers Oral History Project Collection

A photograph of Chillson Leach of Ashland, Kentucky taken in June of 1985.

J. P. Fraley - Photograph, J. P. Fraley

Vintage Fiddlers Oral History Project Collection

A photograph of J. P. Fraley of Rush, Kentucky taken in June of 1985.

The Evolution Of The Cadence In The Cyclic Masses Of Dufay, Ockeghem, Josquin, And Gombert, Janet E. Giffin

Graduate Thesis Collection

Four composers have been chosen for this study. They were the leaders of four successive generations of composers influential in the fifteenth and early sixteenth centuries. Their masses were written between the years 1420 A.D. and 1560 A.D. Many significant changes took place during this period of one hundred forty years. Older compositional techniques such as the use of formes fixes and isorhythm all but disappeared. Cantus firmus technique was transformed and extended to unify the mass cycle. Aesthetic considerations became more important to the composer than liturgical canons, and composers began to regard themselves as artistic creators not mere …

Risd Voice May 22, 1985, Students Of Risd, Risd Archives

All Student Newspapers

RISD Voice was a long-running student newspaper that ran through the 1980s. This issue, dated May 22, 1985, includes articles on the resignation of Al Wunderlich and the future of the Painting department, the resignation of Tom Ewens from Liberal Arts, the Student Board, VE/Memorial Day, a student trip to Morocco, the embargo on Nicaragua, and rock and roll band The Cramps, along with editorials, comics, notices, and advertisements.

Highlights In Jazz Concert 102 - Salute To Mel Lewis, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at NYU Loeb Student Center, Friday, May 17th, 1985 at 8:00pm in association with NYU program board. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Mel Lewis, Bob Cunningham, Jon Faddis, Lew Soloff, Frank Foster, Benny Powell, Pepper Adams, John Mosca, Dick Oatts, and Kenny Washington. Special guests: Toots Thielemans, Roland Hanna, Ray Barretto, and Paquito D’Rivera.

Alfred Bailey - Photograph, Alfred Clark Bailey

Vintage Fiddlers Oral History Project Collection

A photograph of Alfred Bailey of Fleming County, Kentucky taken in May of 1985.

Virgil And Clela Belle Alfrey - Photograph, Virgil Alfrey, Clela Belle Alfrey

Vintage Fiddlers Oral History Project Collection

A photograph of Virgil and Clele Alfrey of Worthington, Kentucky in May of 1985.

Alfred Bailey - Photograph, Alfred Clark Bailey

Vintage Fiddlers Oral History Project Collection

Photographs of Alfred Bailey of Fleming County, Kentucky taken in May of 1985.

Program; 1985-04-28, The Royal Serenaders Male Chorus

Concert & Event Programs

No abstract provided.

The University Concert Choir: April 28, 1985, Donald Armstrong, Bradley Goodson, Patricia Whikehart, Maryrose Stanislwaski, Marie Cadieux

School of Music Programs

St. John's Lutheran Church

April 28, 1985

3:00 p.m.