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Performance Practice Bibliography 1990

Performance Practice Review

A bibliography concerning works published in the field of historical performance practice in 1990.

Table Of Contents/Front Matter

Performance Practice Review

Front matter and Table of Contents from the Spring 1991 (4/1) issue of Performance Practice Review.

"Performance Practice And Technique In Marin Marais' 'Pièces De Viole'." By Deborah A. Teplow, Frank Traficante

Performance Practice Review

Traficante discusses and reviews Teplow's 1986 book.

Contributors/End Matter

Performance Practice Review

List of contributors from the Spring 1991 (4/1) issue of Performance Practice Review.

"New Essays On Performance Practice." By Frederick Neumann, Erich Schwandt

Performance Practice Review

Schwandt discusses and reviews Neumann's 1989 book.

The Vibrato Controversy, Frederick Neumann

Performance Practice Review

Today's early music specialists either ban the use of vibrato or restrict it drastically. This position suffers from three principal weaknesses: the failure to understand the nature of a well-produced vibrato in which the so-called impurities of pitch become inaudible above a certain threshold of speed, through a mysterious brain function (comparable to that involved in stereophonic sound or stereoscopic vision); a misinterpretation of sources; and an unawareness of extensive historical evidence for vibrato use through four centuries, culminating in Mozart's eulogy of a fine vibrato for voice and instruments.

"Beethoven On Beethoven: Playing His Piano His Way." By William S. Newman, Barry Cooper

Performance Practice Review

Cooper discusses and reviews Newman's 1988 book.

Performance Practice And Its Critics - The Debate Goes On, Roland Jackson

Performance Practice Review

Jackson discusses the various views of the field of historical performance practice.

Front Matter/Table Of Contents

Performance Practice Review

Front matter and Table of Contents to the Fall 1991 (4/2) issue of Performance Practice Review.

"Thorough-Bass Accompaniment According To Johann David Heinichen." Rev. Ed. By George Buelow, Philip Wade Russom

Performance Practice Review

Russom discusses and reviews Buelow's 1986 edition.

Communications

Performance Practice Review

Various "letters to the editor" editorials combatting and defending previous articles and claims published in PPR.

Ornamentation In Spanish Renaissance Vocal Music, Charles Jacobs

Performance Practice Review

Presents a survey of vocal ornamentation as descibed in Luis de Milan's El maestro (1535), Domenico Pietro Cerone's El melopeo y maestro (1613), and intervening 16th-c. Spanish publications. Discusses musical terms such as redoble, quiebro, glosa, trinar, and hacer garganta. Also includes a summary of the material provided in the eight book of El melopeo, with 54 pages of musical examples from Cerone's suggested diminutions.

Michel Blavet's Breathing Marks: A Rare Source For Musical Phrasing In Eighteenth-Century France, Lewis Emanuel Peterman

Performance Practice Review

Isolates 15 musical contexts that determine Blavet's choices for musical phrasing and proposes that they represent the unspoken, assumed rules that either consciously or unconsciously guided Blavet's choices.

"The Early Mandolin: The Mandolino And The Neapolitan Mandoline." By James Tyler And Paul Sparks, Donald Gill

Performance Practice Review

Gill discusses and reviews Tyler and Spark's 1989 book.

"Mozart's Symphonies: Context, Performance Practice, Reception." By Neal Zaslaw, Malcolm S. Cole

Performance Practice Review

Cole discusses and reviews Zaslaw's 1989 book.

Contributors/End Matter

Performance Practice Review

List of contributors to the Fall 1991 (4/2) issue of Performance Practice Review.

End matter and advertisements from the Fall 1991 (4/2) issue of Performance Practice Review.

Quarks (1991), Frank Felice

Music Faculty Scores

Solo violin, (also arr. for viola) – composed for Jeanne Benson – premiered by Alfred Abel, April 1992

Piano Sonata No. 1 (1991), Frank Felice

Music Faculty Scores

Piano solo – composed for Jeanne Howard – premiered by Veena Kulkarni, March, 1994

Heidenröslein | 21-20500, Henry Leck

Music Faculty Scores

Heidenröslein
D. 257 (Op. 3, No. 3)

Part Number:
21-20500

Previous Part Number:
HL-500

Price:
$1.85

Voicing:
Unison

Music By:
Franz Schubert

Arranged By:
Henry Leck

Featured at:
2014 NW Kodály Educators Workshop

Ich Folge Dir Gleichfalls | 21-20501, Henry Leck

Music Faculty Scores

Ich Folge Dir Gleichfalls
From "St. John Passion" (BWV 245)

Part Number:
21-20501

Previous Part Number:
HL-501

Price:
$1.95

Voicing:
Unison

Music By:
J.S. Bach

Arranged By:
Henry Leck

with opt. Cello and Flute

Jubilee | 21-20502, Richard Osborne

Music Faculty Scores

Jubilee

Part Number:
21-20502

Previous Part Number:
HL-502

Price:
$1.90

Voicing:
SA

Lyrics By:
Stanley Adams

Music By:
Hoagy Carmichael

Arranged By:
Richard Osbourne

Live The Circle | 21-20503, Imant Raminsh

Music Faculty Scores

Live The Circle

Part Number:
21-20503

Previous Part Number:
HL-503

Price:
$1.90

Voicing:
SA

Lyrics By:
Sara Sanderson

Music By:
Imant Raminsh

South African Suite - Treble | 21-20200, Henry Leck

Music Faculty Scores

South African Suite
I. Tshotsholoza, II. Siyahamba, III. Gabi, Gabi

Part Number:
21-20200

Previous Part Number:
HL-200

Price:
$1.85

Voicing:
3/4 - Part Treble

Arranged By:
Henry Leck a cappella

Featured at:
2014 TMEA World Music Workshop
2014 Southwest Division ACDA World Music Workshop
2014 National Conference for Choral Music World Music Workshop

South African Suite - Sab | 21-20400, Henry Leck

Music Faculty Scores

South African Suite
I. Tshotsholoza, II. Siyahamba, III. Gabi, Gabi

Part Number:
21-20400

Previous Part Number:
HL-400

Price:
$1.85

Voicing:
SAB

Arranged By:
Henry Leck a cappella

Featured at:
2014 CA-MEA Annual Workshop

Nicolas Derosier: Two Intermediate Pieces For Baroque Guitar, Craig H. Russell

Music

No abstract provided.

"'Doulce Memoire': A Study Of Performance Practices." By George Houle, James Haar

Performance Practice Review

Haar discusses Houle's 1990 book.

"Authenticity In Performance: Eighteenth-Century Case Studies." By Peter Le Huray, George Houle

Performance Practice Review

Houle discusses and reviews Le Huray's 1990 book.

Dynamic And Attack Associations In Boulez’S Le Marteau Sans Maître, Wayne C. Wentzel

Scholarship and Professional Work – Arts

This paper explores dynamic and attack associations in the Bourreux de Solitude movement of Pierre Boulez's pivotal piece, Le Marteau sans maître.

Words And Music: The Assembling Of Traveling West, Randall Snyder

Randall Snyder Compositions

This paper is a consideration of the art song as a unique collaboration of poet and composer, the result of which, rarely achieving a balance between the two, often resulting in a creation that comprises the predominant artistic vision of one or the other, with poetry usually getting short shrift. This discussion will examine how dfferent methods of text setting can affect the intended meaning of the poem, citing examples of poet-composer relationships. Then I will discuss how these concepts are utilized in my song cycle, Traveling West, settings of poems by Susan Strayer Deal, Marjorie Saiser, Hilda Raz, …

Kíla: Éacht!!! Ag Féile Gormacha Tuaithe An Chlocháin '91, Máirtín Mac Con Iomaire .

Articles

Léarmheas ar an mbanna ceoil Kíla agus ar Féile gormacha agus tuaithe an Chlocháin '91.