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Articles 36721 - 36750 of 46033
Full-Text Articles in Arts and Humanities
Highlights In Jazz Concert 147 - 18th Anniversary Concert – A Gala Celebration, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 147 - 18th Anniversary Concert – A Gala Celebration, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Pace Downtown Theater, Thursday, February 14th, 1991 at 8:00pm in cooperation with Pace University Performing Arts, Dr. Nicholas Catalano- University Director. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Clark Terry, Bucky Pizzarelli, Gene Bertoncini, Jay Leonhart, Michael Leonhart, and Bill Mays. Special guest: Lewis Nash.
Karen Heard, Soprano; Christopher Marks, Piano, Department Of Music, University Of Richmond
Karen Heard, Soprano; Christopher Marks, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Lynda S. Edwards, Bassoon; Karen Haid, Piano And Harpsichord; Mikhael Istomin, Cello, Department Of Music, University Of Richmond
Lynda S. Edwards, Bassoon; Karen Haid, Piano And Harpsichord; Mikhael Istomin, Cello, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
The Origins Of Bel Canto, Department Of Music, University Of Richmond
The Origins Of Bel Canto, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Capriole, Department Of Music, University Of Richmond
Capriole, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Angela Cheng, Piano, Department Of Music, University Of Richmond
Angela Cheng, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Junior Recital: Toby Veach, Saxophone; January 25, 1991, Toby Veach
Junior Recital: Toby Veach, Saxophone; January 25, 1991, Toby Veach
School of Music Programs
Kemp Recital Hall
Saturday Afternoon
January 25, 1992
4:00 p.m.
Michael Davison, Trumpet, Jonathan Bellman, Piano, Department Of Music, University Of Richmond
Michael Davison, Trumpet, Jonathan Bellman, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
The Shanghai Quartet, Department Of Music, University Of Richmond
The Shanghai Quartet, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Songs Of Otterbein College - 1991 Revision, Otterbein University
Songs Of Otterbein College - 1991 Revision, Otterbein University
Songbooks
No abstract provided.
Blessed Assurance: Ttbb Male Voices, Dale Grotenhuis
Blessed Assurance: Ttbb Male Voices, Dale Grotenhuis
Choral Arrangements and Compositions
9 pages.
The Darius Milhaud Society Newsletter, Vol. 7, Summer/Fall 1991, Darius Milhaud Society
The Darius Milhaud Society Newsletter, Vol. 7, Summer/Fall 1991, Darius Milhaud Society
Darius Milhaud Society Newsletters
No abstract provided.
Arabesque On Great Is Thy Faithfulness, John G. Barr
Arabesque On Great Is Thy Faithfulness, John G. Barr
Music Faculty Scholarship
No abstract provided.
Four Christmas Pieces For Organ, John G. Barr
Four Christmas Pieces For Organ, John G. Barr
Music Faculty Scholarship
No abstract provided.
More (And Less) On Bach's Orchestra, Joshua Rifkin
More (And Less) On Bach's Orchestra, Joshua Rifkin
Performance Practice Review
Hans-Joachim Schulze has argued that Bach wanted his music to be performed by large forces, and therefore performances with sharply downsized, even so-called soloistic ensembles misrepresent the composer's intentions. A review of the matter, however, shows that Schulze has misread, and even misrepresented, the relevant evidence, and that Bach's preferences indicate a far more varied picture than Schulze would allow.
Vibrato In Eighteenth Century Orchestras, Neal Zaslaw
Vibrato In Eighteenth Century Orchestras, Neal Zaslaw
Performance Practice Review
A rebuttal of Neumann, The vibrato controversy (see RILM 8965). The published writings of Galeazzi (1791-96), Geminiani (1751), Robert Bremner (1777), Carl Friedrich Cramer (1783), L. Mozart (1756), and the correspondence of W.A. Mozart (1778) maintain that vibrato was usually not employed by ripienists in 18th-c. orchestras, but only by soloists, and then used sparingly compared to modern practice.
"Performance Practice Before 1600." Edited By Howard M. Brown And Stanley Sadie, Timothy J. Mcgee
"Performance Practice Before 1600." Edited By Howard M. Brown And Stanley Sadie, Timothy J. Mcgee
Performance Practice Review
McGee discusses and reviews Brown and Sadie's 1989 book.
"Performance Practice: Music After 1600." By Howard M. Brown And Stanley Sadie, Albert R. Rice
"Performance Practice: Music After 1600." By Howard M. Brown And Stanley Sadie, Albert R. Rice
Performance Practice Review
Rice discusses and reviews Brown and Sadie's 1989 book.
The Emergence Of The Modern Conductor, Luke Jensen
The Emergence Of The Modern Conductor, Luke Jensen
Performance Practice Review
During the first half of the 19th c., the duty of directing Italian opera was divided between the maestro al cembalo (sometimes known as the maestro concertatore) and the direttore d'orchestra, with greater responsibility falling on the former. The consolidation of these two roles into one led to the emergence of the modern conductor of Italian opera. The careers of Angelo Mariani and Emanuele Muzio illustrate this transition.
In Memoriam Mario Medici, Martin Chusid
The Berlin 'Traviata', Sidney Cox
Abstract: Revising The Revision: Some Thoughts On 'La Forza Del Destino', Roger Parker
Abstract: Revising The Revision: Some Thoughts On 'La Forza Del Destino', Roger Parker
Verdi Forum
Abstract for a paper given at a joint meeting of the American Institute for Verdi Studies and the Greater New York Chapter of the American Musicological Society, Feb. 2, 1991.
Abstract: Entrances, Set Pieces, And Exits: Reflections On The Structure Of Verdi's Otello, James Hepokoski
Abstract: Entrances, Set Pieces, And Exits: Reflections On The Structure Of Verdi's Otello, James Hepokoski
Verdi Forum
Abstract for a paper given at a joint meeting of the American Institute for Verdi Studies and the Greater New York chapter of the American Musicological Society, Feb. 4, 1989.
Abstract: Verdi's Artistic Concerns And Practical Considerations In The Composition Of 'I Masnadieri': A Newly-Discovered Version Of "Tremate, O Miseri", Roberta M. Marvin
Abstract: Verdi's Artistic Concerns And Practical Considerations In The Composition Of 'I Masnadieri': A Newly-Discovered Version Of "Tremate, O Miseri", Roberta M. Marvin
Verdi Forum
Abstract for a paper given at a joint meeting of the American Institute for Verdi Studies and the Greater New York Chapter of the American Musicological Society, Feb. 2, 1991.
Abstract:Crossed Stars And Crossed Tonal Areas In Puccini's 'Madama Butterfly', Allan Atlas
Abstract:Crossed Stars And Crossed Tonal Areas In Puccini's 'Madama Butterfly', Allan Atlas
Verdi Forum
Abstract for a paper given at a joint meeting of the American Institute for Verdi Studies and the Greater New York chapter of the American Musicological Society, Feb. 3, 1990.
Summer 1991, 90.9 Wmpg Fm
"Performance Practice: Music After 1600." By Howard M. Brown And Stanley Sadie, George Houle
"Performance Practice: Music After 1600." By Howard M. Brown And Stanley Sadie, George Houle
Performance Practice Review
Houle discusses and reviews Brown and Sadie's 1989 book.
Program; 1991, The Royal Serenaders Male Chorus
Program; 1991, The Royal Serenaders Male Chorus
Concert & Event Programs
No abstract provided.
Spring 1991, 90.9 Wmpg Fm
"The Tempo Indications Of Mozart." By Jean-Pierre Marty, Thomas Bauman
"The Tempo Indications Of Mozart." By Jean-Pierre Marty, Thomas Bauman
Performance Practice Review
Bauman discusses and reviews Marty's 1988 book.