Arts and Humanities Commons^™

Canticle Of Mary (1994), Frank Felice

Music Faculty Scores

Soprano solo and SATB a cappella (also for soprano and string quartet) – text is from the King James Bible - composed for Margaret Hanegraaf – premiered by her and the Minneapolis Vocal Consort (Karen Barrett, conductor), November 1995; originally published by originally published by Moon of Hope Publishing, Galesburg, Illinois, 1996.

Canticle Of Psalms | 11-20109, James Q. Mulholland

Music Faculty Scores

Canticle Of Psalms (Psalm 27, 103, 23), for S.A.T.B Chorus with Piano Accompaniment

Part Number:
11-20109

Previous Part Number:
JM-109

Price:
$3.40

Voicing:
SATB

Music By:
James Q. Mulholland

with opt. Brass Ensemble

Bright Is The Ring Of Words | 11-20118, James Q. Mulholland

Music Faculty Scores

Bright Is The Ring Of Words, from "Two Songs of Remembrance"

Part Number:
11-20118

Previous Part Number:
JM-118

Price:
$1.85

Voicing:
SATB

Lyrics By:
Robert Louis Stevenson

Music By:
James Q. Mulholland

with Horn

Dedicated to Louisiana State University's A Cappella Choir, Kenneth Fulton, Conductor
In gratitude for being selected Alumnus of the year, 1994
To my teacher, colleague, and dearest friend, Dallas Draper >

Four Stanzas On Love | 11-20102, James Q. Mulholland

Music Faculty Scores

Four Stanzas On Love, SATB with Keyboard Accompaniment

Part Number:
11-20102

Previous Part Number
JM-102

Price:
$1.75

Voicing:
SATB

Lyrics By:
Emily Dickinson

Music By:
James Q. Mulholland

Commissioned by Fort Wayne Community School

Love Will Find Out The Way | 11-20202, James Q. Mulholland

Music Faculty Scores

Love Will Find Out The Way, For Treble Vouces, French Horn and Piano

Part Number:
10-96420

Previous Part Number:
JM-202

Price:
$1.85

Voicing:
SSA

Music By:
James Q. Mulholland

with Horn

To My Dear Friend and Colleague, Lynn Gackle

Love's A Lovely Lad | 11-20201, James Q. Mulholland

Music Faculty Scores

Love's A Lovely Lad

Part Number:
11-20201

Previous Part Number:
JM-201

Price:
$1.80

Voicing:
SSA

Music By:
James Q. Mulholland

with Horn

To My Dear Friend and Colleague, Lynn Gackle

Psalm 27 | 11-20113, James Q. Mulholland

Music Faculty Scores

Psalm 27, From "Canticle of Psalms"

Part Number:
11-20113

Previous Part Number:
JM-113

Price:
$1.85

Voicing:
SATB

Music By:
James Q. Mulholland

for SATB Voices with Piano Accompaniment
and Optional Instrumental Ensemble Accompaniment

Psalm 84 | 11-20112, James Q. Mulholland

Music Faculty Scores

Psalm 84, From "Canticle of Psalms"

Part Number:
11-20112

Previous Part Number:
JM-112

Price:
$1.75

Voicing:
SATB

Music By:
James Q. Mulholland

for SATB Voices with Piano Accompaniment
and Optional Instrumental Ensemble Accompaniment

Where Dwells The Soul Of My Love | 11-20203, James Q. Mulholland

Music Faculty Scores

Where Dwells The Soul Of My Love

Part Number:
11-20203

Previous Part Number:
JM-203

Price:
$1.80

Voicing:
SSA

Lyrics By:
James Thomson (1834-1882)

Music By:
James Q. Mulholland

with Oboe

In memory of: Christina Beth Ross
Commissioned by: Tampa Bay Children's Chorus
Averill Summer, Founder/Director

You, Rose Of My Heart | 11-20104, James Q. Mulholland

Music Faculty Scores

You, Rose Of My Heart

Part Number:
11-20104

Previous Part Number:
JM-104

Price:
$1.85

Voicing:
SATB

Lyrics By:
Nikolaus Lenau

Music By:
James Q. Mulholland

Commissioned by Madison High School Chamber Singers, San Antonio, Texas
Dennis Pitock, Director

When We Two Parted | 11-20114, James Q. Mulholland

Music Faculty Scores

When We Two Parted

Part Number:
11-20114

Previous Part Number:
JM-114

Price:
$1.75

Voicing:
SATB

Lyrics By:
Lord Byron

Music By:
James Q. Mulholland

In memory of my teacher...Samuel B. Wilson
For Melissa Cahill and the West Jones High School Choir,
Dr. Dennis McIntire, Director

As I Hear The Sweet Lark Sing | 21-20518, Richard Delong

Music Faculty Scores

As I Hear The Sweet Lark Sing

Part Number:
21-20518

Previous Part Number:
HL-518

Price:
$1.85

Voicing:
Unison

Music By:
Richard DeLong

Arruru | 21-20519, Ruth E. Dwyer, Thomas Gerber

Music Faculty Scores

Arruru
Spanish Carol

Part Number:
21-20519

Previous Part Number:
HL-519

Price:
$1.85

Voicing:
SA

Arranged By:
R. Dwyer/T. Gerber

Caledonian's Air | 21-20220, James Q. Mulholland

Music Faculty Scores

Caledonian's Air
From "Set of Three Scottish Songs"

Part Number:
21-20220

Previous Part Number
HL-220

Price:
$1.85

Voicing:
SSA

Lyrics By:
Robert Burns

Arranged By:
James Q. Mulholland

El Progresso Honduras | 21-23100, Elliot Z. Levine, Sheila Maldonado

Music Faculty Scores

El Progresso Honduras

Part Number:
21-23100

Previous Part Number
WWIC-100

Price:
$1.90

Voicing:
SAB

Lyrics By:
Sheila Maldonado

Music By:
Elliot Z. Levine

Friendly Beasts, The - Sa | 21-20217, Lee R. Kesselman

Music Faculty Scores

The Friendly Beasts
Traditional Carol

Part Number:
21-20217

Previous Part Number:
HL-217

Price:
$1.90

Voicing:
SA

Arranged By:
Lee R. Kesselman

with Harp (or Piano)

Haida | 21-20516, Thomas Gerber, Henry Leck

Music Faculty Scores

Haida
Chassidic Round

Part Number:
21-20516

Previous Part Number:
HL-218

Price:
$1.85

Voicing:
Unison

Arranged By:
Thomas Gerber & Henry H. Leck

Featured at:
2013 KyACDA Fall Convocation
2013 NjACDA Reading Session
Jeffrey Brunner's 2014 PMEA Workshop
2014 Michigan State VMA Summer Conference

May The Road Rise To Meet You - Satb | 21-20106, David Hamilton

Music Faculty Scores

May the Road Rise to Meet You

Part Number:
21-20106

Previous Part Number:
HL-106

Price:
$1.85

Voicing:
SATB

Music By:
David Hamilton

with Organ

Old Dan Tucker | 21-20215, Shirley W. Mcrae

Music Faculty Scores

Old Dan Tucker
Indiana Folk Song

Part Number:
21-20215

Previous Part Number:
HL-215

Price:
$1.90

Voicing:
SSA

Arranged By:
Shirley W. McRae

with Flute and Percussion

Piper's Song | 21-20225, David Sasso

Music Faculty Scores

Piper's Song

Part Number:
21-20225

Previous Part Number:
HL-225

Price:
$1.95

Voicing:
SA

Lyrics By:
William Blake

Music By:
David Sasso

with Alto Flute

Sweet Tooth | 21-20214, Stephen Hatfield

Music Faculty Scores

Sweet Tooth

Part Number:
21-20214

Previous Part Number:
HL-214

Price:
$1.90

Voicing:
SSA

Music By:
Stephen Hatfield a cappella

Three Sephardic Folk Songs | 21-23200, Western Wind

Music Faculty Scores

Three Sephardic Folk Songs
I. Irme Quiero II. Rahelica Baila III. Xinanay

Part Number:
21-23200

Previous Part Number:
WWIC-200

Price:
$1.90

Voicing:
SSA

Arranged By:
Western Wind with Drum

Three Yoruba Native Songs Of Nigeria | 21-20514, Henry Leck, Julius Adeniyi

Music Faculty Scores

Three Yoruba Native Songs of Nigeria
1. E Oru O; 2. Odun De; 3. Kabo Kabo

Part Number:
21-20514

Previous Part Number:
HL-514

Price:
$1.85

Voicing:
Unison

Arranged By:
Henry Leck & Julius Adeniyi with Percussion

Featured at:
2014 WA ACDA Summer Institute

Front Matter/Table Of Contents

Performance Practice Review

Cover, Table of Contents, and Copyright Information.

Italian Split-Keyboard Instruments With Fewer Than Nineteen Divisions To The Octave, Denzil Wraight, Christopher Stembridge

Performance Practice Review

Checklists of (1) surviving Italian harpsichords and virginals with split black keys; (2) similar instruments not known to survive but whose existence can be documented; (3) 26 Italian organs built during the period 1468-1665 that are known to have had split keys. Gives the ranges of these instruments when known. Discusses Frescobaldi's probable involvement with such instruments.

Endnotes: Music As Ecumenical Force, Wolfgang H.M. Stefani

Journal of the Adventist Theological Society

No abstract provided.

Last Words On Inequality And Overdotting: A Review Of Stephen Hefling's Book, David Fuller

Performance Practice Review

Fuller attempts to make definitve decisions about "appropriate" articulation and rhythmic interpretation in 17th and 18th century music.

The Expressive Pause: Punctuation, Rests, And Breathing In England, 1770-1850, Robert Toft

Performance Practice Review

Examines the close relationship between the arts of singing and speaking in English treatises on singing published from the late-18th to the mid-19th c. Speech patterns are compared to the singer's practices of punctuation, rests, and breathing in order to explain the highly articulated singing style of the period.

The Uses Of Rubato In Music, Eighteenth To Twentieth Centuries, Sandra P. Rosenblum

Performance Practice Review

Tempo rubato is a disregard of certain notated properties of rhythm and tempo for the sake of expressive performance. There are two basic types of rubato practices. Contrametric rubato involves a solo melody moving in subtly or equally redistributed note values (sometimes with added notes) against a steady pulse in the accompaniment. Structural or agogic rubato involves the simultaneous retardation or acceleration of tempo of the entire performing body. Theories on rubato practice from Lodovico Zacconi (1592) to Marian Sobieski and Jadwiga Sobieska (1960) are considered, as is use of rubato by composers from Giovanni da Cascia in the 14th …

"Music Of Forty Several Parts": A Song For The Creation Of Princes, Ian Woodfield

Performance Practice Review

Examines the performance circumstances surrounding an early 17th-c. English adaptation of Thomas Tallis's 40-part motet, Spem in alium nunquam habui (Sing and glorify heaven's high majesty), for two investiture ceremonies in 1610 and 1616; the purpose of these two particular ceremonies are investigated. The resurrection of the work for the next investiture of the new Prince of Wales is proposed.