Arts and Humanities Commons^™

Reimagining The Cadenza: Bluegrass And Mozart, Linna Zheng

Honors Theses

The bluegrass-inspired cadenza for the first movement of Mozart’s Violin Concerto No. 5 is a parallel with the “Turkish” episode of Mozart’s composition. While introducing the bluegrass idiom into a Classical concerto may not be idiosyncratic, it can be understood and seen as an extension of Mozart’s own practice and approach to stylistic disruption. This approach can be understood through the concepts of Sonata Theory, revealing the cadenza as a site of productive deformation within a normative formal framework. Along with this, Robert S. Hatten’s concept of troping further supports the idea that the interaction between Classical and bluegrass idioms …

Examining The Lives And Experiences Of Mariachi Leadership In San Antonio, Texas: A Narrative Ethnographic Inquiry Using A Constructivist Lens, Baldemar Villarreal

Theses & Dissertations

Mariachi leaders carry far more than instruments. They carry history, community, identity, and the responsibility of sustaining a living tradition within a rapidly changing world. This study explores the experiences of three Mariachi leaders in San Antonio to understand how cultural heritage, leadership development, and entrepreneurial practice unfold within the pressures of the contemporary gig economy.

Guided by a constructivist narrative inquiry approach, the study draws on the view that meaning is created through experience, relationship, and reflection (Clandinin and Connelly, 2000; Polkinghorne, 1995). The narratives reveal leadership as a dynamic process shaped by migration, gender, innovation, and communal responsibility. …

From Mono To Object: A Contextual Evolution Of R&B And Soul Vocal Production Techniques With Emphasis On Object-Based Audio In Dolby Atmos, Samuel W. Slape

Electronic Theses and Dissertations

The human voice is the central element in much of recorded commercial music, and in R&B it serves as the primary vehicle of expression. Across the evolution of reproduction formats, including mono, stereo, surround, and Dolby Atmos, engineers have adapted strategies to preserve vocal clarity while exploring new spatial possibilities. This thesis examines how these shifts in technology and perception have shaped vocal production, using R&B as a lens for the relationship between format and artistic practice. Psychoacoustics provides a foundation for understanding how listeners perceive localization, masking, and vocal prominence. Analytical approaches are introduced to distinguish direct and indirect …

A Schenkerian Approach To The Marches Of Karl L. King, Dylan J. Custer

Electronic Theses and Dissertations

While the American march is a staple of wind band repertoire, it has been underrepresented in the field of advanced music theory. This thesis examines marches through the lens of Schenkerian analysis, which uncovers deep levels of structural cohesion and brings a fresh perspective to the American march genre. Specifically, this study uses Schenkerian methods to study the music of Karl L. King (1891-1971) across the span of his half-century career. King’s extensive output established an enduring blueprint for the genre. By applying an analytical framework derived from the work of Harald Krebs, this research demonstrates how the march can …

Bass And Drum Grooves In R&B: Analysis And Composition, Hugh Taylor

Electronic Theses and Dissertations

The term “R&B” has existed within the musical lexicon for nearly eighty years. It was first introduced in 1949 to replace the label “race music,” and was a combination of blues, jazz, gospel, and rock. Since then, the genre has transitioned from swing-based, live instrumentation toward straight-eighth backbeats and electronically produced sounds. Despite these shifts, contemporary R&B continues to borrow from its ancestral roots while maintaining a modern aesthetic. A primary feature that has persisted through this landscape is the “groove,” specifically defined here as the rhythmic layer created by the drums and bass. In R&B, the bass provides both …

Pedagogy Of Immersive Audio In Music For Collegiate Application, Nathaniel Q. Stansbury

Electronic Theses and Dissertations

Academia has always struggled to keep up with the fast-changing audio industry. Recent developments in immersive audio have further widened this gap, and comparatively few pedagogical materials exist to assist in addressing the problem. This manuscript proposes a three-course curriculum designed to prepare undergraduate engineers for immersive music production. Course I introduces the history and terminology of immersive audio. Course II explores DAW signal flow, production procedures, and major immersive formats. Course III focuses on applied mixing, giving students hands-on experience. The curriculum acts as an opportunity for universities and educators to better equip students going into the music industry. …

Compositional Techniques For Horror Film Soundtracks, Malia L. Hernandez

Capstone Projects and Master's Theses

With this paper, I aim to explore the history of horror film soundtracks and discover the various compositional techniques that are used to trigger physical responses from a viewer. I also intend to describe how horror scores have adapted and changed over time as our social and political climate continues to evolve by examining several different kinds of sources including academic studies, articles, and film reviews. While every viewer is different, a film scorer can properly build suspense by using specific compositional methodologies to briefly alter responses of the human mind and body.  This type of research would provide useful …

The History And Legacy Of The Monterey Jazz Festival, Ana Mendez

Capstone Projects and Master's Theses

The Monterey Jazz Festival holds a strong legacy in the world of jazz. Nestled in the Monterey Bay area, the festival's musical lineups entertain locals and travelers from around the world each year. Topics that are discussed within this paper are the inception of the festival, Monterey before the festival, Monterey Jazz Festival co-founders, Jimmy Lyons and Ralph Gleason, major works of art debuts at the festival including The Real Ambassadors, the international influence at the festival, the educational endeavors of the Monterey Jazz Education Team, and the 2025 rebranding of "Monterey Jazz".

The Harvey Pittel Saxophone Quartet: Its History And Legacy In American Saxophone Quartet Performance, James M. Lawhn

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The saxophone quartet has emerged as a legitimate chamber ensemble in the United States through the sustained efforts of a small number of pioneering professional groups. Despite the central role these ensembles have played in shaping repertoire, performance standards, and public perception, their histories have often gone undocumented. Among the most influential of these groups is the Harvey Pittel Saxophone Quartet, an ensemble that maintained an unusually active national and international touring career for nearly four decades and helped establish the saxophone quartet as a viable professional model.

This document addresses a significant gap in the scholarly literature by presenting …

Subzero: Original Music For Piano And Live Electronics, Frank Newton

Honors College Theses

Subzero is a set of three compositions for piano and live electronics inspired by themes of nature and human perception. The term “live electronics” in a musical context refers to the use of technology to generate or trigger sounds in real time during a performance. These pieces were written specifically for use with a computer music program I designed using Max/MSP to respond to and accompany the performer. Subzero combines acoustic and synthesized sounds to examine three subjects of the natural world and how we, as humans, react to them. The compositional process of the set was informed in part …

Scholarship As A Means For Musical Performance: An Exploration Of Johannes Brahms Violin Sonata In G Major, Op. 78, Josh Zallar

Masters Theses

Developing a quality musical performance is a complicated and time-consuming endeavor. Endless hours are spent learning a musical instrument, developing technique, and growing into a mature sound. Learning the notes, rhythms, dynamics, and basic musical markings of a score compound this task, not to mention the preparation for performing by managing nerves, among other areas of concern. Amidst the undoubtedly enormous amount of work, however, often focus gets lost. Musicians forget that, despite the inherent fact that our inner voice is heard when we perform, that it is ultimately the composer whose voice and musical meaning must be conveyed in …

Proud To Be Lao: Examining Lao American Identity Through Transnational Music And Performance, Zechary Phouthavong

Graduate Theses and Dissertations

For some time, Lao popular music has not received the same global recognition as other genres emerging out of Asia, such as K-Pop and Bollywood. In recent years, however, Lao-pop artists like Thinlamphone and Zamio P have broken onto the global stage, with music that showcases a unique blend of traditional Lao instrumentation with hip-hop, pop, and R&B styles. This emerging trend is particularly poignant for Lao Americans, as Lao-pop allows for Lao Americans to negotiate their experiences of being both Lao and American, further signifying its importance to constructing identity. This thesis explores the unique process of Lao Americans …

Fugues, Their History, And Their Status In The Twenty-First Century, William Sulliban

Graduate Theses and Dissertations

This thesis examines fugues from its first inception in the Renaissance to the twentieth century in order to contextualize fugal writing seen in the twenty-first century. The evolution of fugue through the twentieth century is the primary focus for the first chapter. For this, various music scores and academic scholarship are consulted to provide a foundational understanding of fugue. The second chapter examines contemporary fugue writing and explores how composers are approaching this very old compositional technique after several hundred years. Multiple twenty-first century compositions are discussed, as well as an interview I conducted with a composer to gain firsthand …

2025-2026 Performance Forum - May 1, 2026, Chase Hogan, Sheng Yuan Kuan, Peter Pao, Manuela Wanumen Jiménez, Sarah Conley, Pablo Camacho, Amanda Rearden

Performance Forum

No abstract provided.

The Las Cruces International Mariachi Conference: Breaking Down Constructed Borderlands, Melissa Rios

Music ETDs

Despite its significant contribution to the educational mariachi movement in the United States, the history of the Las Cruces International Mariachi Conference (LCIMC), established in 1994, remains largely absent from existing scholarship. This study offers a historical account of mariachi music in Las Cruces and the development of the LCIMC, establishing a foundation for future research on mariachi music in the Mesilla Valley. Distinct from other mariachi conferences that emerged at the turn of the 21st century, the LCIMC was shaped by its location in a border city in New Mexico. Conceptualizing both physical borders and metaphorical border spaces as …

Centering Latinx Perspectives And Cultural Identification In Music Listening: Examining Musical Consumption Behaviors And Choices Among Latinx Adults, Javier Alejandro Silerio

Open Access Theses & Dissertations

Music is a critical cultural activity and resource for people all over the world, often used for communication, recreation, identity formation, social bonding, and many other aspects of our daily lives. Moreover, this has been reported across many cultures and is not unique to a single group. Despite this, there is currently limited information and research around Latinx American music consumption and this population's overall relationship with music. Because of this, the purpose of this study is to examine music consumption behaviors among Latinx Americans, as well as possible relationships between their Latinx cultural identification and said music consumption behaviors. …

A Narrow Range, Sven Jeppesen

Theses and Dissertations

This thesis contains an original multi-movement work for altered chamber orchestra. The music score is preceded by a theoretical analysis that examines the construction of the work including the use of various compositional techniques and themes.

The Voice As A Coordinated Bodily System: Embodied Learning, Anatomy, And Vocal Pedagogy, Ge Hope Tian

The Transdisciplinary STEAM+ Journal

This reflective article examines the limitations of control-based approaches in traditional vocal training and proposes a shift toward understanding the voice as an integrated, coordinated bodily system. Drawing on personal experience, the author highlights how common instructional language - focused on outcomes such as resonance, support, and projection - often leads singers to apply excessive effort, resulting in tension, inefficiency, and vocal strain. By distinguishing between localized control and whole-body coordination, the reflection illustrates how sustainable vocal function emerges not through muscular manipulation but through balanced, dynamic organization of breath, posture, and sound. The author traces a transformative learning process …

The Secret Science Of Songs. Created By All Children Everywhere, Paul G. Morehouse Phd

The Transdisciplinary STEAM+ Journal

This field article introduces The Secret Science of Songs, a research-informed, practice-based framework that reconceptualizes songs as powerful, transdisciplinary tools in early childhood education. Drawing on over 40 years of classroom-based action research alongside established findings in cognitive science and music perception, the framework argues that young children’s engagement with songs is rooted not primarily in performance skill, but in their innate capacity to perceive and process auditory patterns in music and language. These pattern-based experiences constitute a rich aesthetic and cognitive domain through which children construct meaning, long before mastery of melody or verbal precision emerges.

The article …

Fractsynth: Exploring Glitch Timbres With Chaos Theory, Aidan Roach

The Transdisciplinary STEAM+ Journal

In this paper, I explore how chaos theory can be used to design a new kind of synthesizer with the primary focus of producing glitchy, unpredictable sounds. Glitch music embraces abstract sound design, malfunctioning electronics, and randomness as the main compositional elements. However, most synthesizers rely on stable, repetitive oscillators that often sound too controlled. To challenge this, I developed FractSynth, a real-time synthesizer that uses chaotic attractors–including the Logistic Map, Henon Map, and Lorenz System–as modulation sources for frequency, amplitude, and tone. The software also features real-time Lyapunov Exponent Tracking, which gives users a direct visual of how …

From Vibration To Visualization: Building An Real-Time Audio Visualization System For Learning And Exploration Using Pyqt5, Aidan Roach

The Transdisciplinary STEAM+ Journal

This paper presents the design, development, and analysis of my real-time audio visualization system created entirely in Python using PyQt5, called WaveCatcher. The system captures live audio input from a microphone and provides simultaneous visual feedback through multiple signal representations: including a time-domain waveform, a frequency-domain FFT spectrum, a scrolling spectrogram, harmonic peak visualization, dynamic range, amplitude envelope, spectral centroid, and spectral bandwidth. These features offer insight not just into the raw structure of sound, but into how humans perceive its qualities–like timbre! This terminology may seem intimidating—it certainly was when I first began learning it—but I’ll explain all of …

Amor, Art, And Advocacy: Un Conversación With Chicanx Mother, Grammy Award Artivist, Macarthur Fellow, And Scripps Professor Martha Gonzalez, Belén S. Yudess

The Transdisciplinary STEAM+ Journal

This Spotlight features a conversation with Professor Martha Gonzalez, a Chicana artivista (artist/activist) musician, feminist music theorist, and Associate Professor and Chair of the Intercollegiate Department of Chicana/o Latina/o Studies (CLS) at Scripps/Claremont College. The conversation draws from Prof. Gonzalez’s background as a Chicana, and the  Chicanxs, Mexicanxs, Latinxs, and Indigenous communities in Mexico and Los Angeles that have shaped her work. She shares her practice in teaching and engaging with collective songwriting, her critique of western paradigms, and explorations of boundary crossing that music facilitates as part of championing the hope and flourishing that comes from within communities and …

Understanding Modern American Politics Through Identity And Pop Music Between 2018 And 2025: A Musicological Analysis, Emilyn Bedell

Ramifications

This project studies how music impacts our society by examining the ways popular musicians (Taylor Swift, Chappell Roan, and Hozier) imbue their songs with their identity. Their music engages their authentic self and social interests, effectively communicating their artistic and social values to their audience. This study examines three artists who recently became popular, so there is less established musicological research focused on them. To explore them deeper, I draw on cultural sources such as newspapers and magazines, in addition to academic journals. I also analyze their music and videos alongside recorded interviews to understand the sociopolitical issues for which …

Off The Rails: A Fusion Project Combining Bluegrass And Celtic Fiddle Music, Kate Ward

Composition/Recording Projects

The American culture of fiddle playing is rooted in fiddle styles from Ireland, Scotland, and England as a result of fiddle tunes being brought to America via immigrants from the British Isles.  Despite many of the fiddling styles prevalent today being rooted in the same traditions, each has unique technical and compositional distinctions.  This paper explores the technical, compositional, and cultural components of bluegrass and Celtic music and how they can be fused together. This project combines elements of both styles in unique ways to create a natural fusion born out of submersion in each genre.

Appreciative Commoning; Musical Knowledge-Sharing In Earhouse Songwriting Club, Arya J. P. Adyuta

Wacana, Journal of the Humanities of Indonesia

This article develops the concept of “appreciative commoning” to focus on the importance of appreciation in musical community practices. By examining the practices of musical knowledge-sharing in the Earhouse Songwriting Club (ESC), a songwriting community, this article argues that greater attention should be paid to the roles of appreciation and support in facilitating media and cultural commoning in Indonesia. The article draws on ethnographic fieldwork in Earhouse, an initiative space located in Pamulang, South Tangerang, established by the musician duo Endah N Rhesa. Exploring three main activities of the community: weekly meetings, monthly showcases, and afterparties, I show how embracing …

Culturally Responsive Tent: An Architectural Journey, Marcos Amado Petroli, Elmira Ebadi

UNLV Best Teaching Practices Expo

Culturally responsive teaching in architecture encourages students to connect design thinking with identity, culture, and lived experience. This studio assignment introduced the tent as an archetypal architectural form and weaving as a generative tectonic strategy, allowing students to explore how lightweight structures can respond to social needs, cultural narratives, and material expression.

Using “Ticket Out” To Create A Continuous Feedback Loop For Student Learning, Jacob D. Skousen

UNLV Best Teaching Practices Expo

This presentation highlights the use of a brief end-of-class “Ticket Out” to create a continuous feedback loop for student learning. Students reflect on learning targets and provide feedback on the class experience, which is then analyzed and used to guide instructor response, follow-up communication, and instructional adjustments. The practice supports reflective teaching, student voice, and timely, responsive instruction.

Lmu Concert Band Spring 2026 Performance, Benjamin Bruflat, Dma

Band Programs

No abstract provided.

The Changed Woman: Analyzing Narrative Parallels In The Stories Of Biblical Women And Musical Theatre Heroines, Finleigh Klein

Honors Projects

Musical theatre has become popular with audiences around the world. Many musicals contain stories of hope and overcoming obstacles, especially in narratives concerning young women. Since the Bible also contains a wealth of stories that focus on strong women, it is interesting to consider what connections may be found between the women represented in this ancient text and the female characters in various musical theatre productions.

With these potential connections in mind, I ask the question: how is the Biblical trope of the uplifting of women represented in songs sung by female characters in musical theatre? Furthermore, how can the …

An Applied Study In Community College Classical Guitar Education, Jaime Adrián Garcia

Doctoral Dissertations and Projects

Despite the expansion and popularity of classical guitar programs in universities and conservatories worldwide, a lack of attention exists for students considering a music education career deficient in music literacy and guitar technique. In the modern sense, classical guitar pedagogy begins with Andres Segovia and the iconic master classes he conducted throughout the world from the 1950s up until he died in 1987. Guitar education in academia is still a relatively new concept. At the same time, there are various method books from 19th-century guitar masters and modern guitar educators. Despite these developments in guitar education, students in an open-enrollment …