Arts and Humanities Commons^™

Chapman Percussion Ensemble, Chapman Percussion Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Early Career Teachers’ Readiness To Teach Students With Exceptionalities, Delaney Schiefen

Honors Scholar Theses

Over the past decade, the majority of music educators in the U.S. have reported working with students with exceptionalities (VanWeelden & Whipple, 2014). However, literature suggests that many early career teachers do not feel prepared to engage with exceptional students, largely due to gaps in their undergraduate exceptionality courses. These gaps appear wider for preservice music educators as opposed to other content areas. Strategies and examples traditionally discussed in these courses are not always applicable to the wide range of classes that music educators teach, particularly ensemble classes. The purpose of this study was to explore early career teachers’ perceptions …

Ensemble Concerts: Wind Symphony, April 26, 2024, Anthony C. Marinello Iii, Jeason Lopez, Christopher Bulding, Gina Russell

School of Music Programs

Center for the Performing Arts
April 26, 2024
Friday Evening
8:00 p.m.

2023-2024 Junior Recital - Jaewon Baek (Cello), Jaewon Baek, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

2023-2024 Junior Recital - Baran Zolfaghari (French Horn), Baran Zolfaghari, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

Modern String Writing In Various Styles, Se Young Ko

Composition/Recording Projects

The purpose of this project was to demonstrate the use of modern string writing in various styles. The project includes over 25 minutes of recorded original compositions, four pieces written for a string quintet (with bass) and one piece written for a piano quintet. The paper is organized in two parts. The first part discusses the composers and works that influenced this album. The second part is a compositional analysis of the album and how the influences for the music were appropriately used while the artist maintained his unique musical language. A production note is provided to explain the recording/mixing …

Compositional Practices In The Accompaniment Of Celtic Trad Music, Mason Taylor

Composition/Recording Projects

n this research paper, I look at how traditional Irish folk musicians—“Trad” as it is commonly referred to by musicians in the style––approach, think of, and perform accompaniment, specifically the contrapuntal style that is common amongst mandolin and bouzouki players. Trad has evolved greatly over the years. Originally, Trad was performed without any form of accompaniment—no guitar, no piano, no cello. Many solo instruments, such as the flute and the fiddle, would play the same melody with the only harmony occurring at moments where performers would momentarily diverge from the melody with an improvised ornament. Somewhere along its varied history, …

2023-2024 Junior Recital - Jeremiah Grace (Percussion), Jeremiah Grace, Steven Halpner, Jose Ignacio Diaz, Brenda Lorenzo

Junior and Senior Recitals

No abstract provided.

2023-2024 Master Of Music Recital - Angela Fiedler (Violin), Angela Fiedler, Yu-Hsuan Feng

Master of Music Recitals

No abstract provided.

The Symptoms Of Music Performance Anxiety Unique To College Music Majors Attending Historically Black Colleges And Universities, Kevin D. Durham

Doctoral Dissertations and Projects

Themes related to music performance anxiety (MPA) have recently received much attention in the academic media. Numerous specialists offer a variety of divergent remedies to treat this condition, concentrating on conventional college music majors. Still, there are few substantial studies investigating the hypothesis that MPA may be affected by ethnic origins. Academics currently have no dedicated resources for this information. Using proper research, time-tested philosophies, and pertinent case studies, the researcher investigates perceptions of MPA affecting college music majors attending Historically Black Colleges and Universities (HBCUs) in this project. The symptoms of MPA are becoming increasingly familiar to music majors …

Recommendations For Improving The Recruitment Of High School Orchestra Students Using Basic Psychological Needs Theory, Ryan Michael Silvestri

Doctoral Dissertations and Projects

Student recruitment and retention are paramount for music educators at the secondary level, where enrollment is often non-compulsory. It is difficult for directors to build and maintain successful programs without sufficient retention from middle to high school. Low enrollment can lead to the elimination of string teacher positions and put programs at risk. The academic and social demands on students today are great, and music educators must find creative ways to make their classes appealing to students while maintaining the rigor required for musical excellence. In recent years, researchers have used basic psychological needs theory, a subset of Self-Determination Theory, …

The Inclusive Music Classroom For Elementary Students With Emotional And Behavioral Disorders, Benjamin Bartow Harrison

Doctoral Dissertations and Projects

Even though considerable research has been conducted regarding the inclusion of self-contained students in regular education settings, little research has been conducted specifically on elementary, self-contained students with EBDs in music classes. Given the fact that there are increasing numbers of students with EBDs, suggestions for empirically supported techniques specific to this demographic, as well as evaluation of unique challenges with educating this population, will prove beneficial to the overall classroom environment. Considering the negative impact of emotional outbursts on mainstream students, deciding when it is appropriate to exclude self-contained students from the inclusive classroom is crucial. Identifying proper utilization …

Restoring Functions Of Christian Worship: An Examination Of The Impacts Of Biblical Musical Meditation On Anxiety, Laurie P. Brooks

Doctoral Dissertations and Projects

Based on diagnostic interview data from the National Comorbidity Study Replication (NCS-R), an estimated 31.1% of U.S. adults experience anxiety at some time in their lives. This project outlines a mixed-methods research that examines the impact of music and Scripture, and illustrates the experiences of multiple individuals experiencing situational anxiety. For fifteen minutes, for seven days, the three groups listened to a cycle of three songs that depicted calming instrumental music, general worship music with promising themes, and positive lyrics or songs with lyrics based on Scripture. The three groups received varying treatments of music while completing a modified version …

The Impact Of Covid-19 On Student Motivation In Secondary Instrumental Music, Martha Jane Robinson

Doctoral Dissertations and Projects

The purpose of this study was to provide strategies to improve student motivation in band and orchestra programs in Elkhart Community Schools. The problem for band and orchestra teachers was declining enrollment and student participation in outside music activities such as audition opportunities since the COVID-19 pandemic. The rationale for this study was to examine student motivation and provide educators with immediately applicable strategies to improve student participation in instrumental music programs. Educators must understand why students continued to struggle with returning to normalcy by seeking strategies as to how to reach and help these students. Early research following the …

A Narrative Study: Professional Development Of A Piano Teacher Through Various Music Education Philosophies And Psychologies In Different Sociocultural Contexts, Shuenda Wong

Doctoral Dissertations and Projects

Philosophers have analyzed music education philosophies since Ancient times. For example, Plato and Aristotle in Greece mused over such matters, as did Confucius and Mozi in China. Today, music educators must examine both philosophies and psychologies of music education to understand the value of teaching music. They need music education philosophies to critique their actions and delve into their pedagogical methods to gain meaning from their teaching efforts. Previous research focused on music education philosophies in one or two countries without a thorough comparative analysis between countries or continents. This narrative study on music education philosophies traced the unique journey …

Fear Of Failure In High School Band Sight Reading: Effects On Student And Teacher Experiences, Andrew D. Lightner

Doctoral Dissertations and Projects

Students' fear of failure among social, cultural, experiential, and internal pressures influence sight-reading abilities in the high school band classroom. Investigating the error culture in band sight-reading skills can affect the learning and teaching methods found in current practice, emphasizing the need to understand the experiences of both students and teachers. Band teachers may refine their teaching and learning methods to address student fears while enhancing sight- reading skills implied throughout the study. Although copious research exists on high school sight-reading methodology and rehearsal strategies to help music educators provide an all- encompassing musical experience, students may need help applying …

Zamrock: Negotiating Masculine Urban Identity In Zambia And Music Success In A Postcolonial World, Emeline Avignon

Senior Theses and Projects

This thesis analyzes, through predominately an ethnomusicologist approach and methodology, the lyricism, instrumentation, performance, and album art of the movement of Zamrock in Zambia from 1970 to the mid-1980s. I explore the agency and construction of urban youth masculinity by Zamrock artists in the context of Zambia’s colonial history of the Copperbelt, into its decades after independence. First, I look at the socio-political and economic context of colonized and independent Zambia, and how out of these conditions Zambian rock music was fused and forged. I break down the negotiations and desires of Zamrock artists in their identity construction via their …

The Cedarville University Orchestra Concert, Cedarville University

Ensemble Concerts

No abstract provided.

Review Of Beethoven's French Piano: A Tale Of Ambition And Frustration By Tom Beghin, Dorian Bandy

Ira F. Brilliant Center for Beethoven Studies

No abstract provided.

Review Of Beethoven’S Ninth Symphony: Rehearsing And Performing Its 1824 Premiere By Theodore Albrecht, Marten Noorduin

Ira F. Brilliant Center for Beethoven Studies

No abstract provided.

The Movement Plans For The Quartet Op. 127 And The "Backstage" Of Beethoven's Late Style, Francesco Fontanelli

Ira F. Brilliant Center for Beethoven Studies

Among the different sketch typologies in Beethoven’s hand, the so-called “telescoped drafts” are the most eloquent in conveying the composer’s vision and intentions. In these synoptic diagrams made up of musical ideas and notes in writing, Beethoven outlined the structure of the work he had in mind, fixing the decisive points (themes, keys, tempo markings, number and configuration of movements). Four movement plans are extant for the String Quartet Op. 127 in E-flat major, sketched between February 1823 and the summer of 1824; in each, the composer explores alternative ways of managing musical form and content.

This article discusses and …

“The Tremendous Products Of A Son Of The Gods.” Missa Solemnis (Op. 123), Overture (Op. 124), And Ninth Symphony (Op. 125), Birgit Lodes

Ira F. Brilliant Center for Beethoven Studies

The premiere of Beethoven’s Ninth Symphony at the Kärntnertortheater in Vienna on May 7, 1824, is generally considered a milestone in music history. This article argues against the common characterization that Beethoven, in this, his (last) academy, programmed a monumental symphony and, perhaps with some embarrassment, a few filler pieces, but instead very consciously chose to highlight his three most recently composed orchestral works: the overture to the festival play Die Weihe des Hauses op. 124; Kyrie, Credo and Agnus Dei of the Missa solemnis op. 123; and the Ninth Symphony op. 125. Listening to these three works together opens …

Beethoven's Ukraine Connection: New Light On The Creation Of His Flute Variations Opp. 105 And 107, Barry Cooper

Ira F. Brilliant Center for Beethoven Studies

Two previously unidentified groups of sketches are revealed to be preliminary work for Beethoven’s last set of Flute Variations, Op. 107 No. 3. The theme is of Ukrainian origin, and the new discoveries are placed in the context of other manuscript material relating to the creation of the sixteen sets of flute variations, Opp. 105 and 107, which were commissioned by George Thomson. The extent of this preliminary work for Op. 107 No. 3 suggests that Beethoven spent much effort preparing the sixteen sets as a whole, and that the dearth of other sketches for them is probably due to …

Genius, Instrumental Music, And “Great Mistakes”: Amadeus Wendt And Beethoven’S Ninth Symphony, Sarah Clemmens Waltz

Ira F. Brilliant Center for Beethoven Studies

The author attributes the anonymous 1826 Berliner allegemeine musikalische Zeitung (BamZ) review of the Leipzig performances of Beethoven’s Ninth, which suggests removal of the choral finale and inspires A.B. Marx to a passionate defense, to the critic Amadeus Wendt. The career of Wendt as a philosophy professor is firmly established, as is his criticism for the BamZ, Allgemeine musikalische Zeitung (AmZ), Cäcilia, Allgemeine musikalische Zeitung mit besonderer Rucksicht auf den österreichischen Kaiserstaat (WamZ), and other journals. Wendt’s Hoffmannesque opinions of instrumental music are contextualized via his extensive criticism of opera and vocal music, highlighting themes such as inappropriate virtuosity, (im)proper …

2023-2024 Master Of Music Recital - Isaiah Obey (Flute), Isaiah Obey, Sheng Yuan Kuan

Master of Music Recitals

No abstract provided.

Recital: Flute Studio, April 25, 2024, Kimberly Risinger, Gina Russell

School of Music Programs

Center for the Performing Arts
April 25, 2024
Thursday Morning
11:00 a.m.

Spring Music Series (April 25-28, 2024), Lindenwood University

Student Music Performance Programs

Event program for the Spring Music Series (April 25-28, 2024), Lindenwood University.

2023-2024 Ppc Recital - Lauren Washburn (Clarinet), Lauren Washburn, Brenda Lorenzo

PPC/PSDP Recitals

No abstract provided.

2023-2024 Junior Recital - Megan Hagel (Cello), Megan Hagel, Brenda Lorenzo

Junior and Senior Recitals

No abstract provided.

Recital: Piano Area, April 25, 2024, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
April 25, 2024
Thursday Afternoon
2:00 p.m.