Arts and Humanities Commons^™

Richmond Piano Trio, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Charles W. Bolen Faculty Recital Series: Dr. Rachel Hockenberry, Horn; March 4, 2024, Rachel Hockenberry, Lu Witzig, Allison Hoffman, Lydia Cermak

School of Music Programs

Kemp Recital Hall
March 4, 2024
Monday Evening
7:30 p.m.

Chapman University Vocal Jazz Ensemble, Chapman University Vocal Jazz Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Ua12/2/1 College Heights Herald: Inventing Yourself On The Hill, Wku Student Affairs

WKU Administration Documents

Magazine edition of the College Heights Herald for the period January 29 - March 3, 2024.

• Anderson, Alexandria. Letter from the Editor
• Costellow, Ali. Passions Provide Outlets for Self-Expression – Nathan Neal, Chase Winemiller, Gracie Silvia, Nico Silverthorn
• Reed, Bailey. Chinese Music Club Brings New Sound to the Hill
• Historic Building Makes for Unique Apartments – Columns, Bowling Green High School
• Parks, Adin. Inside the Bowling Green Warming Centers – Homeless
• Murray, Debra. Kentucky Museum Exhibits Curator Details Research on Women’s Culture – Tiffany Isselhardt
• Anderson, Alexandria. Who Owns WKU’s Dorms – Student Life Foundation, Hilltopper Hall
• Coppinger, Carrington. Forensics …

Doris Wylee-Becker, Piano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Ensemble Concerts: Afternoon Of Brass, March 3, 2024, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts
March 3, 2024
Sunday Afternoon
5:00 p.m.

Recital: Celebrating Women's Music, March 3, 2024, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
March 3, 2024
Sunday Evening
7:00 p.m.

Carlos Mejia Master's Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Chapman University Wind Symphony, Chapman University Wind Symphony

Printed Performance Programs (PDF Format)

No abstract provided.

Woodwind Extravaganza Gala Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

An Evening With Bach, Teleman, & Vivaldi, Marianne Kordas

Faculty Publications

Program Notes

2023-2024 Senior Recital - Clarece Lamarr (Violin), Clarece Lamarr, Sheng Yuan Kuan, Rumiana Drumeva

Junior and Senior Recitals

No abstract provided.

Women Guitar Orchestra Conductors, 1885 To Present, Part 1, Mariette Stephenson

Music Faculty Publications

Passion, innovation, musicianship: these are reflected in the careers and offerings of women and the guitar. As I continue my research on women’s contributions to guitar orchestras, I became interested in discovering how many women have led guitar orchestras since they began in the 1800’s and learn what women today are experiencing in this role. Guitar orchestras have played an important role in many musicians’ development throughout its history, but unfortunately women have been often unacknowledged and under-represented in this ensemble format’s leadership roles.

This article includes a list I have compiled of women guitar orchestra conductors (past/present), will discuss …

Harmonic Data: Ai Music, Edm Transcription, & Minimalist Jazz, Trevor Freed

Electronic Theses and Dissertations

This thesis presents research in the domains of music theory and music technology. The topics of the three chapters are as follows: (1) the technical and artistic limitations of artificial intelligence when generating music, (2) the transcription of electronic dance music (EDM) using a hybrid notation system, and (3) the effective convergence of jazz and minimalism in the music of Joe Hisaishi from Studio Ghibli. Each topic investigates a different aspect of harmony and the modern ways in which humans communicate in terms of harmony. The first chapter surveys the latest research projects in AI-generated music and proposes ideas for …

Applications Of Information Literacy To Teaching Independent Music Analysis, Katrina Roush

Journal of Music Theory Pedagogy

Undergraduate and graduate music students learn many tools beneficial for music analysis, and they practice applying these tools to music in their music theory classes. However, they often struggle to perform useful analysis on their own without the guidance of an instructor. They can have trouble understanding that analysis should communicate their personal interpretation of a work, and they may not realize that independent analysis usually requires some preparatory work (analytical research),such as discovering if others have analyzed the work and learning new analytical methods. This article shows that there is a strong connection between various steps in the music-analytical …

Report On The 2023 Workshops In Music Theory Pedagogy At The University Of British Columbia, Jason Yin Hei Lee, Kaylee Therieau

Journal of Music Theory Pedagogy

No abstract provided.

Applications Of Information Literacy To Teaching Independent Music Analysis, Katrina Roush

School of Music Faculty Publications

Undergraduate and graduate music students learn many tools beneficial for music analysis, and they practice applying these tools to music in their music theory classes. However, they often struggle to perform useful analysis on their own without the guidance of an instructor. They can have trouble understanding that analysis should communicate their personal interpretation of a work, and they may not realize that independent analysis usually requires some preparatory work (analytical research),such as discovering if others have analyzed the work and learning new analytical methods. This article shows that there is a strong connection between various steps in the music-analytical …

Gestural Temporality In Sciarrino’S Recitativo, Antares L. Boyle

School of Music + Theater Faculty Publications and Presentations

Sciarrino’s writings describe a compositional philosophy that prizes multidimensionality and spatiotemporal discontinuity (1998, 2004). Yet his simultaneous allegiance to teleology, holism, and fractal hierarchies reveals an underlying unifying organicism with which these qualities may initially seem to conflict. I take Sciarrino’s 1999 piano concerto Recitativo oscuro as a case study for examining the composer’s gestural organicism and its various contradictions and double meanings. First, close analysis of the opening piano solo demonstrates how seemingly contradictory aesthetic priorities—organic unity and temporal multiplicity—co-exist within a single passage. Drawing from Kramer’s (1988) concept of “gestural time,” Hatten’s (2004) theory of gesture, segmentation theories, …

Suor Angelica, March 1-3, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Woodwind/Percussion Seminar, March 1, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2023-2024 Senior Recital - Andres Borja (French Horn), Andres Borja, Brenda Lorenzo

Junior and Senior Recitals

No abstract provided.

2023-2024 Performance Forum - March 1, 2024, Jafet Diaz, Sheng Yuan Kuan, Hoon Chang, Keegan Neely, Shuqi Yang, Yian Liu, Sarah Conley, Lite Pei

Performance Forum

No abstract provided.

Ensemble Concerts: 2024 Mid-America Guitar Ensemble Festival, March 1, 2024, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts Concert Hall
March 1, 2024
Friday Evening
7:30 p.m.

Rodrigo’S Concierto De Aranjuez Through The Writings Of Regino Sainz De La Maza, Leopoldo Neri

Soundboard Scholar

Regino Sainz de la Maza was the guitarist who premiered Rodrigo's Concierto de Aranjuez at the Palau de la Música in Barcelona in 1940. Although musicologists have studied this musical phenomenon from different approaches, this study approaches the subject from the perspective of the performer and his musical writings, affording us new historical, aesthetic and technical data on Rodrigo's work.

2023-2024 The Fifteenth Annual Scholarship Fund Concert At The Country Club Of Florida, Yilian Concepcion, Brenda Lorenzo, Yian Liu, Yance Zheng, Jon Cruz, Jose Ignacio Diaz, Jeremiah Grace

Friends of the Conservatory Events

No abstract provided.

Eren Ernes Junior Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Training The Volunteer Technical Artist For Their Role In Worship Ministry, Stephanie Wilkinson

Masters Theses

Church technical artists have an integral role in modern worship services due to the use of technology in church production. The purpose of this study was to investigate the importance of different aspects of the role a technical artist has in worship ministry, as well as to explore current training practices and determine effective ways to train the volunteer technical artist holistically beyond their technical role. Church technical directors, technical volunteers, and worship pastors were interviewed and surveyed to collect data used to determine the level of importance of a volunteer’s different roles and responsibilities and how they affect worship …

2023-2024 Junior Recital - Anttuan Rios Pelaez (Cello), Anttuan Rios Pelaez, Yu-Hsuan Feng

Junior and Senior Recitals

No abstract provided.

2023-2024 Senior Recital - Clair Ives (French Horn), Clair Ives, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

Understanding, Incentivizing, And Supporting Openness In Music Librarianship, Stephanie Bonjack, Michael Duffy, Rachel E. Scott

Faculty and Staff Publications – Milner Library

Open Access (OA) and Open Educational Resources (OER) present great opportunities to music librarians and the communities they serve. There are nonetheless considerable challenges in understanding the models associated with both and determining how best to approach them at one’s library. This presentation offers an overview of OA and OER landscapes, outlining prominent models and key players, and also provides case studies of an institutional OER incentive program, a collaboration with an institutional Office of Research to support OA, and a comparison of OER and traditional/fee-based textbooks in music theory. By offering an overview and examples of OA and OER …